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Posts Tagged ‘Shows’

Video: Zeiss shows hands-on footage of its ZX1 camera with Lightroom integration

24 Dec

In September 2018, Zeiss announced the ZX1, a fixed-lens, full-frame camera that has onboard Adobe Lightroom CC integration. Yesterday, Zeiss shared a two minute video that gives the world its first hands-on look at the ZX1 and its onboard editing abilities.

Throughout the video, portrait photographer and photojournalist Sabrina Weniger walks around the streets of Little Tokyo in Düsseldorf narrating her experience with the ZX1 and the features she most enjoys about it. Unsurprisingly, she doesn’t hit on the negatives.

In addition to her overall positive thoughts on the camera, Zeiss shares a glimpse of the camera itself, including the 35mm F2 lens and the massive 4.3-inch touchscreen display that’s used to compose, view and edit photos using the onboard Lightroom. The video also details the onboard version of Lightroom CC in action, as she edits a portrait captured inside a small shop right on the rear display of the camera.

Nothing new is necessarily learned from the video, but it’s the first time Zeiss has shown off the camera in action before its yet-to-be-determined launch date said to be in the first part of 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Canon patent shows off EOS M speedbooster-style adapter for EF lenses

08 Dec
This diagram from the patent shows the optical construction of the Converter Adapter (labelled CL) with a Master Lens (labelled ML) in front of it.

A new patent application filed by Canon, and first detailed on Canon News, lays out the schematics for its own version of a speedbooster adapter that would enable Canon EOS M users to adapt EF lenses onto the EF-M mount.

Japanese patent application 2018-189864 details an adapter that includes both a 0.8x focal length reducer, as well as a ‘variable flare cutter.’

As with the speedbooster adapters, Canon’s adapter would use a series of lenses to reduce much of the full-frame field of view onto an APS-C sensor, such as those used inside Canon’s EOS M cameras.

Where things get interesting is that Canon isn’t stopping there. Similar to how Canon has introduced a line of EF to RF adapters with added features, including an integrated control dial and drop-in ND/CPL filters, the adapter detailed in this patent adds yet another component: an adjustable aperture or set of apertures that effectively mask off sections of the adapter to reduce the potentially negative impact of stray, non-image forming, light rays.

This diagram from the patent highlights two separate locations where the variable aperture could be located within the converter (the front of the converter being the left side and the rear of the converter being the right side).

The patent explains this is done by calculating, on the fly via communication through integrated contacts, the ideal pupil sizes and locations of the in-adapter apertures, based on the attached lens’ current aperture and focus distance. With this information, the the adapter could ideally adjust its multiple variable flare cutters.

Within the patent, an example scenario is detailed showing how a full frame 50mm F1.4 lens would effectively become a 40mm F1.2 lens with an image height of 13.66mm and 18mm back focus — precisely the size needed for EOS M cameras.

The resulting combination would act as a 64mm F1.9 equivalent. Not quite as wide or with such a bright equivalent aperture as the full frame lens used on full frame, but still better than using a pass-through adapter.

Articles: Digital Photography Review (dpreview.com)

 
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Clever “Sketches” video shows objects being edited in the real world

01 Dec

A newly published video called “Sketches” from Russian motion graphics designer Vladimir Tomin shows the world around him being edited using video editing tools. The experimental work presents a variety of scenes in which cursors appear to cut and paste birds, type text created from twisted crane pieces, and scrape the painted line off a road.

Clips from the video, which was published on Vimeo, can also be found on Tomin’s Instagram account alongside other videos of clever reality edits. Tomin also offers content on YouTube and through his personal website.

Articles: Digital Photography Review (dpreview.com)

 
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7Artisans shows off new 35mm F/5.6 FE lens designed specifically for drone photography

09 Nov

Chinese lens manufacturer 7Artisans has introduced a new 35mm F5.6 FE lens designed specifically for drone photography.

The unusual-looking lens features an FE mount for full-frame Sony cameras and weighs just 49 grams. Its optical construction is specifically designed to reduce perspective distortion and minimize any vignetting around the edge of the image frame.

7Artisans also notes that the lens can be locked to infinity focus by using three screws to lock the lens into place. The below image is the only sample image 7Artisans has supplied.

7Artisan lenses can be purchased through B&H, but the 35mm F5.6 FE lens isn’t yet posted on B&H and 7Artisans doesn’t mention pricing or availability on its website (translated). We have contacted 7Artisans regarding these details and will update accordingly when and if we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics shows eight new Laowa models, including the widest Fujifilm GFX lens

27 Sep

A dramatic flurry of lenses has emerged from independent manufacturer Laowa at Photokina as the company shows a total of eight new models in a wide range of mounts. The company is showing a 17mm F4 for the Fujifilm GFX medium format system that will offer the angle of view we’d expect from a 13mm focal length on a 135 format camera. The lens will be the widest available lens for Fujifilm’s system and, as part of the Zero D series, it should have only the slightest amount of distortion.

Other lenses of note in the collection include a designed-for-cinema 25-100mm T2.9 zoom marking Laowa’s entry into the professional movie market. The lens is claimed to be parfocal, so focus doesn’t shift during zooming, and to display minimal breathing as focus is altered.

Drone and MFT users will both get versions of a 9mm F2.9 super wide, while macro lovers will be able to enjoy a 100mm macro that can reproduce a subject at double size on the sensor.

All the details are below and on the Venus Optics website. Pricing and availability are yet to be confirmed.

Press Release

Venus Optics unveil 8 new & unique Laowa lenses in Photokina, including the 25-100 T/2.9 Professional Cine Lens

Together with the 4 new lenses showed earlier in Beijing P&E, a total of 12 new Laowa lenses will make their Europe debut in Venus Optics’ booth in Photokina (Hall 2.1, D-040)

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to unveil 8 new and unique lenses in Photokina.

Laowa OOOM 25-100mm t/2.9 Cine Lightweight Zoom
Laowa 17mm f/1.8 MFT
Laowa 12mm f/1.8 MFT
Laowa 9mm f/2.8 Zero-D (DJI DL)
Laowa 9mm f/2.8 Zero-D MFT
Laowa 7.5mm t/2.1 Cine
Laowa 9mm t/2.9 Zero-D Cine
Laowa 12mm t/2.9 Zero-D Cine
Laowa 10-18mm f/4.5-5.6 FE Zoom
Laowa 100mm f/2.8 2X Ultra Macro APO
Laowa 17mm f/4 GFX Zero-D
Laowa 4mm f/2.8 Fisheye MFT

Laowa OOOM 25-100 t/2.9 Cine Lightweight Zoom

Laowa OOOM Cine lightweight zoom is the first professional cinema style zoom lens offered by Venus Optics. The lens features a wide 25-100mm zoom range, making it a one-size-fits-all lens for different types of productions.

Unlike some cine lens in the market which were re-engineered from a photo zoom lens, Laowa OOOM Cine lens is designed for digital cinematography in the first place. It is truly parfocal, meaning the focus will never shift when you zoom in or zoom back out. It is designed to have nearly zero focus breathing throughout the whole zoom range. The aperture remains fixed at t/2.9 at all focal lengths.

It is built with the true cinema level mechanics. It comes with a stepless, t-stop independent aperture ring with an industry standard 0.8 mod /32 pitch gears. The 270° rotation flow provides room or precise focus pulls and the iris is clickless, enabling smooth iris pulls. The lens weighs only 2.16 pounds, which is fairly light for a cinema zoom that holds focus and aperture throughout the focal length range.

Laowa 17mm f/1.8 MFT

Laowa 17mm f/1.8 is a new compact, standard prime designed for Micro Four Thirds cameras and it gives a 35mm-equivalent field of view. The lens houses 9 elements in 7 groups and have a 5-blade aperture for the best sunstar rendering. The lens is extremely compact and lightweight, weighs only 160g (0.36lbs) and is 5cm (2”) long. A 46cm filter thread is included and the 15cm minimal focus distance make it a perfect lens for videography.

Laowa 12mm f/1.8 MFT

Laowa 12mm f/1.8 is a new compact, wide-angle prime for Micro Four Thirds cameras and it gives a 24mm-equivalent field of view. The ultra-fast f/1.8 aperture allows photographers to take astro photos with ease. The lens houses 13 elements in 10 groups and a 5-blade aperture. The lens can focus as close as 14cm (5.5”) and takes 46mm screw-in filters which gives extra convenience to videographers. It weighs only 165g (0.4 lbs) and its 5cm long (2”).

Laowa 9mm f/2.8 Zero-D (DJI DL)

Following the successful launch of the super compact and lightweight 7.5mm f/2 MFT lens for DJI Inspire drones (X5 gimbals) during 2017, Venus Optics is proud to introduce another ultra-wide option, Laowa 9mm f/2.8 Zero-D DL, to use on DJI Inspire 2 (X7 gimbals).

Featuring an effective 118° angle of view, the Laowa 9mm f/2.8 Zero-D DJI DL is currently the widest available option for DJI Inspire 2 drones with Zenmuse X7 gimbals. The bigger image circle can cover the size of Super35 sensors and the native DL mount allows an easy lens switching. The lens weighs only 215g and it is super tiny and compact. It comes with a 49mm filter thread and features a close-to-zero optical distortion.

Laowa 9mm f/2.8 Zero-D MFT

Laowa 9mm f/2.8 Zero-D (Micro Four Thirds mount) is the 4th variant added to the existing Fuji X, Sony E and EOS-M mounts. The 9mm lens provides a 18mm equivalent angle of view on the Micro Four Thirds sensor. It also has a better vignetting control over the other variants of the same lens. The close-to-zero distortion will remain unchanged.

Laowa 7.5mm t/2.1 Cine / Laowa 9mm t/2.9 Zero-D Cine

The new Laowa 7.5mm and 9mm Cine lenses are the cine-mod version of the existing photo version of Venus Optics best-selling models. Both lenses were re-housed with a step-less aperture rings and focus rings with standard 0.8 mod gears which give videographers extra convenience to use with follow-focus systems. Both of the lenses are the widest available in the market in its class and only weigh 180g (0.4lbs) & 250g (0.55lbs) respectively. Closest focusing distance is both 12cm (0.4 feet). The wide perspective and lightweight makes them the perfect companion for gimbal shooting. MFT mount is available for 7.5mm t/2.1 Cine and Sony E mount is available for 9mm t/2.9 Cine.

Laowa 12mm t/2.9 Zero-D Cine (PL)

The new Laowa 12mm t/2.9 Zero-D Cine in PL mount is the cine-mod version of the existing 12mm f/2.8 Zero-D lens. The lens was rehoused with a step-less, t-stop aperture rings and focus rings with standard 0.8 mod gears for iris and focus pulls. It successfully covers the 35mm Vista Vision sensor size and offers an ultra-wide 122° angle of view, making it one of the world’s widest and fastest available option for shooting with large sensors. Despite the ultra-wide field of view, it is perfectly rectilinear and features a close-to-zero distortion rate. The focus flow is extended to 270° for cinematographers to also take advantage of the 0.6 feet (18cm) closest focusing distance. The super lightweight (650g, 1.4lbs) is also an added benefit for cinematographers.

Laowa 10-18mm f/4.5-5.6 FE Zoom

This lens is currently the widest zoom lens available for Sony full frame E-mount cameras. Designed primarily for travel photography, Venus optics have managed to compress the size to smallest in its class, less than 4 inch (<10cm) and only 1.1 pounds (<500g). The 102? (18mm) to 130? (10mm) angle of view provides flexibility for photographers to compose landscape or architecture photos with ease. The lens houses with 14 elements in 10 groups with 2 aspherical elements & 1 extra-low dispersion element to deliver exceptional performance. It can focus as close as 15cm for some mini-macro shooting. A rear filter slot is included to fit with 37mm filter. A dedicated filter holder is being developed to fit 100mm-wide filters. Click/clickless aperture can be toggled by the switch on the lens barrel. A 5-blade aperture design ensures a pleasing and clean sunstar rendering.

Multiple samples will be available for free rental during Photokina period.

Laowa 100mm f/2.8 2X Ultra Macro APO

Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor size and focus from 2:1 magnification to infinity. The wide magnification range allows macro photographers to capture subject at any sizes. This 100mm portrait lens also features an apochromatic (APO) characteristic that no chromatic aberration can be found. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and tele distances. Automatic aperture control feature is available for Canon EF version and Aperture coupling is available for Nikon F mount version.

Laowa 17mm f/4 GFX Zero-D

This is currently the widest available native lens option for Fujifilm G-mount cameras. The new Laowa 17mm f/4 GFX has a field of view equivalent to 13mm in 35mm format (113?). Featuring a close-to-zero distortion and 86mm filter thread, this lens is ideally suited for landscape, architecture & interior photography. The 21 elements in 14 groups design with 2pcs of aspherical & 3pcs of Extra-low dispersion elements successfully help to control the distortion & chromatic aberrations to the minimal.

Laowa 4mm f/2.8 Fisheye MFT

Featuring a 210? angle of view, this lens delivers unique circular fisheye field of view on Micro four thirds cameras. The ultra-wide angle view allows photographers to create 360? panorama with ease. Despite the unique & ultra-wide perspective, the lens only weighs 0.3 pounds (135g).

Free Rental Programme
Venus Optics have prepared some copies of the Laowa 10-18mm f/4.5-5.6 FE Zoom and Laowa 24mm f/14 Probe lens (Canon) for free rental during Photokina period. For reservations, please contact Venus Optics via contact@venuslens.net.

Availability
All 12 new lenses will make its Europe debut in Venus Optics’ booth (Hall 2.1, D-040) in Photokina, Cologne during 26th-29th Sept. Pricing and ship date are to be confirmed.

About Us
Anhui ChangGeng Optical Technology Company Limited (Venus Optics) is a new Chinese camera lens manufacturer based in Hefei, Anhui. We currently manufacture and distribute camera lenses under the brand name of ‘Laowa’.

For more information about Anhui ChangGeng Optical Technology Company Limited and our products information, visit http://www.venuslens.net/

Articles: Digital Photography Review (dpreview.com)

 
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Vivo teaser shows bezel-free smartphone with pop-up camera

24 May

In February, Vivo introduced a concept phone called Apex that featured a bezel-free display and pop-up front-facing camera, among other things. That handset may be more than just a concept, though, based on a teaser included with Vivo’s latest event invitation and a video advertisement it recently published.

Originally pointed out by The Verge, Vivo has released a 2018 FIFA World Cup advertisement that includes shots of what appears to be the Apex phone. In addition to the advertisement, Vivo has also released an invite for the company’s June 12th event in Shanghai, China.

The invite, below, features an image of a smartphone with a full bezel-free, notch-free display.

In addition to both of the aforementioned features, Vivo’s Apex concept phone also included an in-display fingerprint sensor that worked on the entire bottom half of the phone’s screen. We see hints of that feature in the FIFA advertisement above. Earlier this year, Vivo unveiled the X20 Plus UD, the first smartphone to hit shelves with an in-display fingerprint sensor.

In the event invitation, Vivo merely stated that the production phone unveiled next month “continues Vivo’s vision with Apex FullView Concept Smartphone.” Assuming the production phone mirrors the Apex concept, the pop-up camera will be front-facing only.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Adobe shows you how to make your own Profiles in Camera Raw

26 Apr

The latest major release of Adobe Camera Raw, Lightroom CC, and Lightroom Classic CC unveiled all new “Profiles” to the world, including six new Adobe Raw profiles, over 40 Creative Profiles, and the ability to create your own Profiles if you want to lock your personal style into a preset.

This video addresses the last of those options, showing you how to use Adobe Camera Raw to create your own custom Creative Profiles for use in ACR, LR CC and LR Classic CC. The tutorial was created by Josh Haftel, who cautions users from the get-go on Adobe’s blog:

Keep in mind that creating a profile is rather complex, includes many steps, and should be considered rather advanced: proceed with caution.

If that doesn’t scare you away, the 23-minute video shows you exactly how the process works: step-by-step. And if you’re feeling even more courageous, you can download this free Software Development Kit (SDK) that contains more information and some sample files as well.

Finally, if the original description of Profiles wasn’t detailed enough for you—or if you really want to get into the nitty gritty of how Adobe designed its new profiles system for both Adobe Raw and Creative Profiles—check out this detailed white paper. The paper explains each of the six Adobe Raw profiles in great detail for those who really want to understand what’s going on behind the scenes.

Articles: Digital Photography Review (dpreview.com)

 
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Canon shows off its latest CMOS sensor tech in new promo video

18 Apr

Canon isn’t only in the business of making DSLR, mirrorless and point-and-shoot cameras. It’s also in the business of making the CMOS sensors inside those cameras—arguably the most important component. And in order to showcase what its achieved with its latest lineup of CMOS sensors, Canon USA has created a little promotional video.

The video showcases a variety of sensors seen across Canon’s product line, from the extreme low-light full-frame sensor it showed off earlier this year, to more industrialized CMOS sensors made for surveillance and security purposes.

The video description from Canon USA:

This video showcases Canon variety of sensors. For several decades Canon has been developing and manufacturing advanced CMOS sensors with state-of-the-art technologies for exclusive use in Canon products. These sensors are a critical driving force behind many of our successful product lines, ranging from consumer products all the way up to high-end business and industrial solutions.

The video does seem a touch overly dramatic for what it is, and may even come across as a bit cheesy at times (why are they showing new sensor tech inside a Canon EOS 1D that came out in 2001?). Nonetheless, it’s an interesting watch that gives a good overview of the work Canon has been putting into its CMOS sensors in recent years—technology that will hopefully impact the Canon DSLRs and mirrorless cameras of the future.

Articles: Digital Photography Review (dpreview.com)

 
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Canon shows off full-frame sensor that shoots 100fps Full HD in ‘exceptionally low-light’

03 Apr

At CES 2018, Canon unveiled three specialized CMOS sensors: an ultra-high resolution 120MP APS-H sensor, a 5MP Global Shutter sensor, and a 19?m Full HD sensor capable of shooting 100fps Full HD in extremely low light. Each does something special—offering high resolution, global shutter, and high-sensitivity, respectively—and now, a few months later, Canon is showing off these sensors in a series of demo videos.

The first video featured the 120MXS sensor, which can shoot a mind-boggling 9.4fps at 120MP resolution. Now Canon USA has released the second video in the series, demoing its full-frame 19?m Full HD sensor made for shooting slow motion in extremely low light:

The 35MMFHDXS CMOS sensor, capable of shooting 100fps Full HD in ‘exceptionally low-light environments.’

The sensor is called the 35MMFHDXS, and in many ways it’s the polar opposite of the 120MXS. It only contains 2.2 effective megapixels, but each of those pixels is a whopping 19?m x 19?m in size, allowing them to capture a lot of light. This, combined with new pixel and readout circuitry that helps reduce noise, is what allows this full-frame sensor to capture Full HD at 100fps even when shooting in very little light.

You can see what this means in the video up top, or read Canon’s own description of the 19?m Full HD sensor below:

The 35MMFHDXS CMOS sensor delivers high-sensitivity, low-noise imaging performance, enabling the capture of Full HD video even in exceptionally low-light environments. The sensor’s pixels and readout circuitry employ new technologies that reduce noise, which tends to increase as pixel size increases. High sensitivity and increased well depth have been achieved through a larger pixel size of 19?m x 19?m (square) with proprietary device design technologies. The 35MMFHDXS CMOS sensor is available in RGB, RGB+IR or Monochrome.

Sample video screenshot. Credit: Canon

These new specialized CMOS sensors now have their own landing page on Canon’s website, where you can dig into the specs and read a full white paper on each of them.

As with the 120MXS, we probably won’t see this 35MMFHDXS sensor in standard, consumer-facing Canon cameras anytime soon; however, the technology Canon is developing to create these “advanced CMOS sensors with state-of-the-art technologies” will no doubt trickle down into the sensors the company will use in its DSLR and mirrorless cameras of tomorrow.

Check out the demo video above, and then head over to the Canon landing page to learn more.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Canon shows off its new 120MP APS-H CMOS sensor

30 Mar

Full HD resolution video comes out to about 2-megapixels per frame. 4K UHD-1 closer to 8.3MP. Even 8K UHD, which hasn’t really hit the mainstream in any way yet, still only scratches the surface at about 33.2MP. Given all that, can you image capturing video at 120MP? Because Canon can, and has… sort of.

Canon’s 120MXS sensor—first introduced at CES in January—is a 120MP APS-H CMOS sensor that can capture “video” at 9.4fps. Of course, 9.4fps isn’t strictly video, but that hasn’t stopped Canon from showing off what this sensor can do in a side-by-side “video” test up top.

The video was published to YouTube earlier today, and it demonstrates this camera’s capability as a security or industrial cam. The ability to capture 120MP at 9.4fps might not make for smooth footage for filmmakers, but it gives you insane digital zoom capabilities if you’re trying to spot imperfections in a small gear mechanism, or identify suspicious subjects in a crowd:

Screenshots from video. Click to enlarge.

According to the video’s description, the sensor features a square pixel arrangement of 2.2µm x 2.2µm, with 122 million effective pixels, and the high-res readout is made possible by multiple signal output channels:

Ultra-high-resolution is made possible by parallel signal processing, which reads signals at high speed from multiple pixels. All pixel progressive reading of 9.4fps is made possible by 28 digital signal output channels. It is available in RGB or with twice the sensitivity, in monochrome

We don’t expect this sensor to pop up in any of Canon’s consumer cameras anytime soon, but it’s an interesting proof of concept… a technological feat that proves the megapixel war is far from over.

Articles: Digital Photography Review (dpreview.com)

 
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