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Posts Tagged ‘samples’

All about the details: Hasselblad X1D pre-production samples

07 Jul

At a recent Hasselblad event in London I got some time with the new 50MP Hasselblad X1D mirrorless camera. The bodies are still very much at the pre-production stage, and many of the proposed features that will be available when the camera goes on sale have still to be implemented.

The unit I used didn’t have touch AF activated, so focusing had to be done with the central AF point or manually, and the Nikon-based flash system was not installed. Hasselblad also made it very clear that the AF speed experienced with this camera did not represent what the production models would manage, and that the image quality is still far from finished. The company has however agreed to let us publish some sample shots to allow readers to get an idea of the sort of resolution and colors the camera can achieve.

I shot Raw and JPEG files and processed them through both Adobe Camera Raw and Hasselblad’s own Phocus software. The difference in color, brightness and general quality is quite different between the two applications, and the JPEGs shown here are from Raw files processed in Phocus. The images have been approved by Hasselblad for publication, but they stress that the minor faults found will not be present in images from the production models. Of the twelve images I sent for approval only one was rejected.

As focusing on off-center subjects meant using the central AF point, locking the focus and recomposing, you’ll note that some images have the focus on the farther eye rather than the closer, but I’ve left these in as they still demonstrate other elements of the image quality. In other shots I focused manually and found that the 2.36-million-dot EVF is of excellent assistance and makes finding focus quite easy.

The camera has a large grip but it feels very secure in the hand, and the whole system is comfortable to hold and to use either to the eye or at arm’s length using the live view screen. The operating system will take a while for DSLR owners to get used to, but it matches the system used on the H6D so current Hasselblad customers will feel at home straight away.

I used the Hassleblad XCD 90mm F3.2 lens that delivers an angle of view we’d associate with a 71mm on a 35mm camera system. Shots taken at ISO 200 were lit with broncolor flash heads, and the ISO 400 and 1600 images were exposed with window light and a little tungsten fill.


Editor’s Note: Images have been sharpened to taste in Phocus software. That said, the fact that such high levels of sharpness can be attained with very little image noise cost is a testament to the light-gathering capability of larger, particularly Medium Format, sensors. 

Articles: Digital Photography Review (dpreview.com)

 
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Sony Alpha SLT-A68 real-world samples

29 Jun

The Alpha SLT-A68 is Sony’s entry-level Translucent Mirror camera and the follow-up to the a58. Despite its position in the entry-level class, it borrows many components from its big brother, the Sony SLT- A77 II. This includes a 79 point AF system with 15 cross-type points, Bionz X processor and a stabilized sensor. It all adds up to quite a lot of camera.

The weather is just starting to really warm up here in Seattle and the long days offer plenty of sun-filled hours for shooting. We’ve been out and about with the a68; click the link below to get a sense of its real-world image quality.

Articles: Digital Photography Review (dpreview.com)

 
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Sweet Spot: Panasonic Lumix DMC-GX85 Real World Samples

01 Jun

The Panasonic Lumix DMC-GX85 has the makings of one sweet camera. It uses a well-regarded 16MP Four Thirds sensor (with no AA filter), is 4K capable and features Panasonic’s depth from defocus AF system.

Packed inside a sleek, customizable body, the GX85 features a new shutter mechanism that appears to solve the thorny issue of shutter shock, a problem that plagued its big brother, the GX8. The GX85 also features a 3-axis stabilized sensor, that when combined with a Panasonic stabilized lens, offers 5-axis of stabilization, making it the most steady Panasonic Four Thirds camera to date.

DPReview writer Dan Bracaglia has been using the GX85 for a while, and as well as various locations around Seattle he also took it on a recent trip to New Jersey.

Articles: Digital Photography Review (dpreview.com)

 
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Fast and steady: Tamron 85mm F1.8 Di VC USD real-world samples

19 May

The Tamron 85mm F1.8 claims the title of the world’s first fast-aperture 85mm lens with stabilization. The focal length will certainly appeal to portrait photographers, and the combination of Tamron’s vibration compensation with an F1.8 aperture might just give it an edge in low light situations. We’ve been shooting with it over the past couple of weeks, both on full-frame and crop sensor bodies, to get an idea of its performance.

Articles: Digital Photography Review (dpreview.com)

 
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Day at the track: Canon EOS-1D X Mark II samples

17 May

The EOS-1D X Mark II is the latest flagship body from Canon, boasting a 20.2MP CMOS sensor, 14 fps continuous viewfinder shooting and a new 61-point autofocus system. Built like a tank, the 1DX II is as pro-level as pro-level bodies come.

To get some basic impressions of its AF performance and image quality we brought it out to Evergreen Motocross Park in Monroe, Washington to photograph an all-day practice. While this gallery represents only our initial samples with the camera, we will be adding to it frequently in the coming days and weeks. Also, check back later in the week for an in-depth article about the experience of shooting these samples alongside the Nikon D5.

Note: All of the images in the gallery were processed using Adobe Photoshop CC with adjustments made mainly to exposure parameters and saturation only.  All images were edited using the Camera Standard profile.

Articles: Digital Photography Review (dpreview.com)

 
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Friendly Rebel: Canon EOS Rebel T6 / 1300D samples

04 May

Canon’s latest entry-level Rebel DSLR does what all of its entry-level offerings do best: provide only the basic level of controls and features in a beginner-friendly and cost-conscious body. The Canon EOS Rebel T6 (1300D) continues the tradition with an 18MP APS-C sensor, 9-point AF system, built-in Wi-Fi with NFC and 1080p HD video. See how it performs under a variety of conditions in our real-world shooting.

Articles: Digital Photography Review (dpreview.com)

 
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In the thick of the action: Nikon D5 real world samples gallery

18 Apr

With a newly designed 20MP full-frame sensor, an advanced autofocus system with 153 phase-detect points, a robust build with full weather sealing and 12 action-freezing frames per second, the Nikon D5 has been getting plenty of attention around the DPReview office over the past couple of weeks. It’s a purpose-built machine: we don’t think there’s a camera in the world that can keep erratically moving subjects in focus during fast bursts like the D5 can. But it’s good at a lot else as well.

We’ve toted it to tennis matches, a rugby match, up and over the Cascade mountains, along the Puget Sound waterfront and even a styled wedding shoot. After all, though the D5’s specs may indicate it’s geared toward the discerning sports shooter, that doesn’t mean Nikon’s new flagship wouldn’t make a great (though hefty) all-rounder for photographers shooting all day, every day.

Articles: Digital Photography Review (dpreview.com)

 
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New normal: Sony FE 50mm F1.8 real-world samples

02 Apr

Sony recently updated its FE line, which now offers 20 full-frame lenses for Sony’s E-mount Alpha cameras. Among the new lens introductions is the FE 50mm F1.8, what you might call Sony’s ‘nifty fifty’. We spent some time shooting with it in San Francisco this weekend, paired with the unforgiving 42MP of the Alpha 7R II. See how the lens holds up in our real-world samples gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Along the coast: Sony FE 24-70 F2.8 GM real-world samples gallery updated

01 Apr

With Springtime finally kicking in to high gear on the West Coast, we took advantage of the change in weather and brought the Sony FE 24-70mm F2.8 GM lens along with us on a couple of trips. From razor-clamming in Long Beach, WA to pounding the streets (and stairs) of San Francisco, the 24-70 G Master continued to impress us in terms of sharpness, out-of-focus rendering and overall build quality. This class of lens is a staple in many professionals’ and advanced amateurs’ kits; to see if it’s worthy of earning a spot in yours, take a look through our updated samples gallery below.

Note: all additional images in the sample gallery feature both out-of-camera JPEGs and JPEGs processed from Raw. Both will have the original, uncompressed Raw file associated with them for download. 

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing, we do so in good faith, please don’t abuse it.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D5 real-world low light, high ISO samples

01 Apr

Nikon’s new flagship DSLR, the D5, has landed and it offers some serious high ISO reach. Natively, you can push the camera all the way to ISO 102,400 and in extended settings it goes all the way up to the 3 million mark. We’ve already seen what it looks like in the studio, so to put the camera’s low light capabilities to the test in the real world we brought the D5 with us to the Crocodile, a much-loved Seattle concert venue, followed by a late night stroll through the cherry blossom-lined streets of the Emerald City’s Capitol Hill neighborhood.

Please note, we’ve indicated which images are straight out of camera and which are Raw conversions (with ACR edits noted). We’ll be updating with daylight shots for a full sample gallery soon.

Articles: Digital Photography Review (dpreview.com)

 
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