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Posts Tagged ‘samples’

Seriously sharp: Sony FE 85mm F1.4 GM samples

11 Mar

We knew Sony’s FE 85mm F1.4 G Master lens was sharp. After all, we had the chance to shoot with it briefly back in February at the Sony a6300 launch event in New York City. But last week we got better acquainted with the lens, putting it through its paces in different shooting scenarios throughout Miami. And simply put, this lens is seriously sharp. All of the samples in the gallery were shot using the Sony a7R II. Please note, we’ve included Raw files for download for a selection of the images.

Note: This sample gallery was shot while on a Sony-sponsored shooting event in Miami. Part of the excursion included photographing models in scenes that call back to famous Miami-based TV shows and movies including Scarface, Miami Vice and CSI Miami. No actual gangsters or cops were photographed during the making of this gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Cream of the crop: Sigma 50-100mm F1.8 real-world samples

10 Mar

The Sigma 50-100mm F1.8 is a bit of a rarity. It’s a fast telezoom designed specifically for Canon, Nikon and Sigma APS-C bodies, providing 75-150mm equivalent range (80-160mm on Canon bodies). Canon and Sigma mount versions should also work on Sony E-mount cameras with Sigma’s new MC-11 adapter. With Sigma’s ‘Art’ designation, it’s built to the company’s highest standards and includes a redesigned Hyper Sonic Motor and nine rounded aperture blades. We were lucky enough to get our hands on a pre-production model while we were in Japan for CP+ 2016, and didn’t waste any time putting it to work.

Due to our limited time with the lens, samples aren’t as varied as we’d have liked, but we’ll be adding more to this gallery once we get one back in. For now, enjoy a number of aperture progressions at various focal lengths to get an idea of edge-to-edge sharpness, chromatic aberration, and vignetting performance. Our preliminary thoughts are that sharpness and contrast are impressive for a F1.8 zoom, with center sharpness nearing its peak by F2.8, and extreme edge sharpness maximal by F5.6.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DMC-ZS60 / TZ80 real-world samples and studio comparison

04 Mar

Panasonic’s ZS60 puts a lot of enticing features in a very small package. It’s an iteration on a tried-and-true travel zoom formula that combines a 24-720mm equivalent zoom, 18MP sensor, 3″ touchscreen and a built-in electronic viewfinder. The ZS60 also offers 4K/UHD video at 30p as well as Wi-Fi. We spent some time outside with the ZS60, even managing to catch a few breaks in the late winter clouds, and have a real-world sample gallery to show for it. Take a look at how it fares out and about and in the studio.

Articles: Digital Photography Review (dpreview.com)

 
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Sand and sun: Sony a6300 real-world samples

02 Mar

The Sony a6300 has some sizable shoes to step into. With a 24MP CMOS APS-C sensor, 8 fps continuous shooting with live view, 425-point on-sensor phase detect AF system and 4K video capture it looks like a solid update to the a6000, at least on paper. Eager to get our hands on a fully functional model, we joined Sony in Miami for some shooting opportunities. From bright white beaches to the intense action of a parkour gym (that’s a real thing), we’ve just started putting the a6300 to the test. Check out some preliminary samples. 

Articles: Digital Photography Review (dpreview.com)

 
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Pocketable APS-C: Fujifilm X70 real-world samples

09 Feb

Fujifilm’s new X70 compact camera puts the 16MP APS-C sensor from the X100T into a much smaller body, omitting an EVF but adding a 28mm equiv. F2.8 lens and articulating touch-sensitive screen. The X70 is certainly one of the nicest compact cameras to look at, and its specifications are pretty impressive, but what kind of images can it produce? We spent the weekend shooting with a production-quality camera.

Articles: Digital Photography Review (dpreview.com)

 
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Still GReat: Ricoh GR II studio scene and real-world samples

22 Jan
The Ricoh GR II and a predecessor from the days of film – the Ricoh GR1

The Ricoh GR II is a modest update to the well-regarded Ricoh GR, as well an evolution of a beloved film camera, the Ricoh GR1. In this version, the high-quality formula remains: an 18.3mm (28mm equiv.) F2.8 lens in a compact body with a 16MP CMOS APS-C sensor inside. While the update doesn’t bring any image quality changes, it does offer a chance to run the new camera through our studio test scene, as it will be an obvious competitor to the Fujifilm X70 when it arrives. Take a look at how it holds up against other 16MP compacts, and see how the street-friendly camera performs out-and-about.

Articles: Digital Photography Review (dpreview.com)

 
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246 Shades of Grey: Leica M Monochrom Typ 246 real-world and studio samples

11 Jan

The sensor in the Leica M Monochrom (Typ 246) is an interesting one. Without a color filter array, the 24MP CMOS sensor doesn’t lose sharpness through interpolation, much like a first-generation Foveon sensor or Pentax’s pixel shift mode found in the K-3 II. The catch is, of course, no color. However, it also means the sensor is more… well… sensitive at base ISO, making this ones’ base ISO 320 instead of 200 like its Bayer counterparts.

There is another issue, however. Even without a mirror flipping out of the way in this rangefinder, the shutter causes blur at speeds near 1/125sec when using the 90mm F2 Summicron. To see the true sharpness of the camera at base ISO, we recommend switching over to low-light mode where the shutter’s effect isn’t present.

You’ll notice that the M Monochrom is marked as non-standard. Keeping true to its rangefinder roots, it can only change shutter speed in half-stop increments, whereas our standardized Raw exposures are based off of third-stop increments. However, the M does do exposure compensation in third-stops, even though it will only report half-stops. Therefore we shot the M in aperture priority and bracketed +-1 stop EV. We then, since it didn’t report accurate shutter speeds in its metadata, chose the Raw exposure that was closest to Lab 50 without adjustments. JPEG images still follow our normal procedure.

Articles: Digital Photography Review (dpreview.com)

 
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Gallery posted: Sony a7 II firmware 2.0 uncompressed Raw samples

21 Nov

Earlier this month, Sony announced firmware v2.0 for its Alpha 7 II. This update gives the Sony a7 II uncompressed Raw and better autofocus performance with adapted lenses. Previously, the a7 II could only use Contrast Detect AF to acquire focus when using adapted glass, resulting in quite a bit of hunting. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon PowerShot G5 X real-world samples gallery

19 Nov

Canon’s PowerShot G5 X is based around the same 20.2MP 1″-type sensor as its G9 X counterpart. With its SLR-style grip, EVF and bevy of external controls, the G5 X promises an enthusiast-friendly shooting experience in a solid and reasonably compact package. We’ve now had time to take it around Seattle and put it through its paces. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Super charged? Motorola Droid Turbo 2 preview and samples

28 Oct

The Droid Turbo 2 is Motorola’s latest high-end model for US carrier Verizon, and in terms of specification ranks even above Motorola’s current flagship Moto X Style. With the Sony 1/2.4-inch 21MP IMX230 sensor and an F2.0 aperture, the camera specification is pretty much identical but the Droid Turbo 2 offers improved performance in a few key areas. We got our hands on the Turbo 2 before launch – check out our impressions sample images. Read more

Articles: Digital Photography Review (dpreview.com)

 
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