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Posts Tagged ‘Project’

Kickstarter project looks to take 1:1 walk-in camera on a world tour

12 Feb

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A German artist is planning on creating a mobile version of IMAGO1:1 – the only camera in the world capable of true 1:1 reproduction for full-length self-portraits. Originally built in 1970, the camera works like a photo booth, projecting a true-to-life 1:1 portrait onto 60cm x 200cm sheets of black-and-white direct positive paper. Artist Susanna Kraus, daughter of original IMAGO1:1 co-inventor Werner Kraus is seeking £95,000 to fund the development of a mobile version of this famous camera to tour around the world. Click through for more information on the camera and the Kickstarter-funding link.

News: Digital Photography Review (dpreview.com)

 
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Photo Project: Why You Should Create a Photo Inspiration Corkboard

24 Jan
36x48 inch Photo Inspiration Corkboard

36×48 inch corkboard.

Like any project around the house, I thought about doing this almost a year ago and finally put it up in my office last month.  It turned out so well that I wanted to share it with you all.

This is a 36×48 inch natural corkboard, purchased at the Container Store with silver tacks.  It took some time to plan out the sizes and make the prints, but it was a fairly simple project.  To get a better sense of the size, the print on the top left is 8×12 inches.  I found that instead of planning out the entire thing, it was easier to fill up a third of it with 8×12 prints and then plan how to fill in the rest of the space.

The best thing is that friends love it, clients love it, and most importantly, my wife loves it.  It’s helped show off my work in an interesting way that engages people and it shows off the prints without any glass in front to show visitors the true quality of the prints and paper.

Also, framing can get expensive, and especially for areas like your office, your studio, or whenever you do your photo work, you will undoubtedly get the urge to change the photos on your walls constantly.  Framing makes that tough to do, as I have learned the hard way.  With a board like this, all you have to do is print and replace.

It is a fantastic way to work on a long term project of images that you can play with and change over time to see how the images work with each other.  I chose to organize mine around a specific set of my street photography and even after a month I plan on changing it and adding to it.  I am eventually going to add two more board and put painting lights above them all.

There are also many other ways to do this.  After I posted about the board on my blog, an Australian reader named Kristen sent me a photo of a version she had created.

Here’s what she said:

“I bought three, 40 inch by 20 inch canvases.  Then, I nailed the canvas frames together to make a single 40 inch by 60 inch canvas.  Over the top of that, I attached mat black material and put a hanging string along the back of the frame.

I used hot glue to stick 4 velcro bits for each photo on the black material, then I put the other side of the 4 velcros bits on the back of each photo.  Every 6 months or so I take down the 24 photos and I can put up new photos or re show old photos, because they all attach via velcro – so I can take down and put up photos to suit.”

There are so many ways to do something like this.  So get started!  And if you’ve done something similar, please share it with us in the comments!

Photo Corkboard

 

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photo Project: Why You Should Create a Photo Inspiration Corkboard


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RC ADVENTURES – PROJECT OVERKiLL – DUALLY – Episode 6

24 Jan

T-SHIRTS, Hoodies & Hats: rcsparks.spreadshirt.com TWITTER: twitter.com FACEBOOK: www.facebook.com FACEBOOK APP: apps.facebook.com RCSparks STUDIO: www.RCSparks.com RC FORUMS www.rcsparks.com RC BLOG: www.rcsparks.com RC Photo Gallery: www.rcsparks.com CREATED BY: djmedic2008: youtube.com Mepic Nation Fan Channel: youtube.com This project is simply amazing. One of my most involved and favourite projects I have ever done. I dont even know where this will end, but its my pleasure to share it with you 🙂 Look Me up on the Google+ Network!! plus.google.com
Video Rating: 4 / 5

 
 

CameraMator – Kickstarter project offers Wi-Fi tethering for DSLRs

15 Jan

CameraMator2.jpg

CameraMator is one of the more interesting photographic gadgets we saw at CES this year. It’s a Kickstarter-funded Wi-Fi tethering accessory for Canon and Nikon DSLRs that gives remote live view, camera triggering and image download to Android and iOS devices. The device itself mounts on the hot shoe and can connect to a local Wi-Fi network or peer-to-peer with the mobile device. The standard USB lead that comes with the camera gives the unit access to the camera’s key features. Find out more over on Connect.

News: Digital Photography Review (dpreview.com)

 
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Travel Photography Inspiration Project: Morocco

11 Jan

Morocco is one of the few countries on this planet I have visited and I am happy to highlight it for the Travel Photography Inspiration Project. What I liked about Morocco were not only the markets and popular sites, but also getting out to the coast to the relaxing town of Essaouira. It’s so close to Europe and an easy boat ride lands you on the shores of a different continent. The bustle of a port town gives way to open regions dotted with farms and mosques.

The images below are from your fellow DPS readers and attempt to show their experience in this vibrant country. If a picture is worth a thousand words, let’s start a 40,000 word journey through Morocco!

This is the sixteenth country we are covering the DPS reader fueled DPS Travel Photography Inspiration Project. (sorry the list is not being updated at the moment due to a technical difficulty, but we are proceeding through as many countries as we can cover!)

If you would like to be involved in the next country’s post, drop me a line here.

Kirsty-Larmour---DPS-Morocco-04

Djemaa El-Fna coming alive at at dusk by Kirsty Larmour

Use a slow shutter speed and a steady table, railing – or even better a tripod! – and capture the movement and hustle and bustle of a crowded area.

Merzouga -desert tree

Merzouga – Desert tree by Federico Campeggi

Location: Draa valley. This is one of my favourite shot because for me it represent the life growing up in such a difficult environment as the desert. I decided to freeze the tree on the left side of the pic, not in the center, in order to draw the viewer’s attention not only on the tree itself, but also on the sand dunes, in order to reach a good balance between loneliness (the desert) and life (the tree).

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Exploring by Janice Rotinsky

Exploring the narrow back streets of the old cities is a constant surprise. This old tannery was visible through a small opening in the wall. The people are very friendly and welcomed us in to take photos when they saw us peaking in.

Erg Chebbi

Dunes of Erg Chebbi by Angus McIntyre

Foreground detail can make sand dunes more interesting.

Man and donkey, Fes medina, Morocco

Man and donkey, Fes medina by Marcy L

This man was resting in an alley of the Fes medina. Tip: Be aware of the local culture, and ask permission before taking a picture if that’s expected. This man gave me permission to take his picture for a tip.

Rabat IX

Rabat IX by Reena Mahtani

Colourful tradition and modernity together. The three girls were playing with their phones by the sea, a bit like everywhere else in the world.

Morocco

Untitled by Karo Krassel

Cap Spartel Lighthouse

Cap Spartel by Peter West Carey

Location: Where the Atlantic Ocean and Mediterranean Sea meet, Morocoo

Tip: While we were reluctant at first, facing a  hour delay at the train station meant we hired a cab/guide for the day to see some quick sites in Tangier, the main port across from Europe. We were happy we did as we saw sights we never would have experienced if we saved a few bucks and hung out at the train station. Paying a cabbie a half-day fare can be a great idea for last minute sightseeing.

Kirsty-Larmour---DPS-Morocco-03

Peeking through the beads by Kirsty Larmour

If travelling with your kids remember to get down to their level and take pictures of the things they find fascinating too – little girls always love sparkly things!!!

woman passing doorway

woman passing doorway – sidi ifni by Michael Robert Powell

Look for patterns in colors. This was a quick shot. The original was good but in post-production I improved it with a slight crop, also removing a powerline and sharpening the wall texture.

Merzouga - Desert storm

Merzouga – Desert storm by Federico Campeggi

We reached Merzouga on a late evening, with the aim to go through Erg Chebby desert the day after. as soon as we arrived, we were caught by a powerful storm, so I decided to go up to the roof of my room to take some pictures. I choose a 30″ exposure and after 4 or 5 shots I was lucky enough to get that shot of the lightening

IMG_0724

Merzouga desert by Janice Rotinsky

The red sand dunes at the edge of the Sahara are stunning. There’s plenty of opportunity to go on a camel ride anywhere from a couple hours to overnight. We were just sitting on the dunes waiting for sunset when I spotted this guide leading his camels home.

High Atlas near Agouim

Landscape in the Atlas Mountains by Angus McIntyre

The intense colors of the High Atlas are stunning; rent a car rather than taking public transport, so you can stop where you want.

Sheep heads Fes medina Morocco

Sheep heads, Fes medina by Marcy L

You never know what you’ll see when you turn a corner in the narrow, crowded alleys of the Fes medina. Tip: Keep your mind open to unusual subject matter.

Meknes I

Meknes I by Reena Mahtani

Long hours in trains can also give you an insight of the country. This mother was telling stories and playing with her daughter. I wish I could speak French to understand what they were talking about!

Morocco

Streetphotography in Essouira by Karo Krassel

Photoidea: Most people in Morocco don’t like to get photographed (religious purpose). So it’s best to try to be invisible while photographing. Have your camera ready for the next shot to be able to quick make a photo as you are passing by a street. In morocco it’s better if you don’t run around with the camera around your neck – better have it in a small bag close to you or with a scarf covered. Like this it’s easier to be “invisible”, to not show that you could take a photo every moment and also to keep your camera save from not getting stolen.

To get shots of moments you need to be fast. Know your camera to be able to handle it quick.

woman at beach morocco

woman at beach by Michael Robert Powell

Custom dictates that women in public – even when going to the beach should be covered; this also applies to swimming. Here a young female looks out towards the rest of her family in the water … This black and white conversion enhances her sense of solitude (amid the sands: looking like a Sahara-scape).

Peter-West-Carey-100306-183021-9688

Casablanca At Dusk By Peter West Carey

Tip: Don’t stop shooting when the sun goes down, but do find something to brace your camera against. In this case, a balcony railing will suffice.

Kirsty-Larmour---DPS-Morocco-01

Mint tea by Kirsty Larmour

Take photos of the local food and and drink as a way to take you back to the evocative tastes and smells of Morocco

Legzira beach - Morocco

Legzira beach by Federico Campeggi

Personally this is one of the most beautiful beaches in Morocco, located in the south of the country, around 200 km from the Western Sahara.

We reached this beach on a late evening, around 6 pm. my attention was instantly drawn to the 2 beautiful arches that, starting from the cliff, dive into the sea. so I tried to include both of them in the frame of the picture by walking for 10 meters into the sea to reach the final composition.

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Untitled by Janice Rotinsky

One of the reasons I enjoy travelling is to see the locals go about their daily lives. Just by chance I caught this group of men resting in their carts. It helps to have a zoom lens so it isn’t evident that you’re taking their photo.

Marrakesh sunset

Sunset and minaret of the Koutoubia mosque, Marrakesh by Angus McIntyre

Minarets improve skylines (but minarets against blue sky make dull photos)

Woman and donkey Ait Ben Haddou Morocco

Woman and donkey, Ait Ben Haddou by Marcy L

Some families still live in this ancient fortified city in Morocco. Parts of the Russell Crowe film Gladiator were filmed here. Tip: Include local people in your long shots to give a sense of the scale and the atmosphere.

Fes III

Fes III by Reena Mahtani

My highlight of Morocco is the food. Starting with the simple bread they give you everywhere, the pastries that they eat with mint tea, pastelas and tajines. Yummy!

Morocco

Untitled by Karo Krassel

While I was having my van at the mechanic, there was this local guy there. We got into a conversation, he told us crazy stories about his last year in prison (which he actually really enjoyed because you get free food and have a free bed), while this I was making these portraits (after asking if that would be alright).

Photoidea: You want to take closer photos of people, don’t just go in front and make a shot, ask them first! Not only that they don’t like it, you could also get in some trouble. The best is to get to know them, talk to them for a while, perhaps have some friends with you talking to them, ask them between if you can take photos and if yes, take your time while you are having a conversation to make some pics. But don’t forget to really listen to the people, you will hear some amazing stories and learn about the life in morocco!

essaouira

old city of essaouira by Michael Robert Powell

This Atlantic coast destination is a traveler’s favorite (and I’ve visited Essaouira in 1991 and 2007). This image was shot from a harbor tower adding a depth of field with the stone wall then the inclusion of the seagull drifting your eyes towards the old city.

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Volubilis Panorama by Peter West Carey

A panorama of the ancient Roman ruins at Volubilis, Morocco.  The panorama was stitched from 21 different photos shot in a vertical orientation.

Tip: Some shots are just a little too big. Practice shooting panoramas before you go.

Kirsty-Larmour---DPS-Morocco-02

Decorations for Sale by Kirsty Larmour

The colours of the souks are amazing – close up pictures of some of the little details you see make wonderful colourful pictures even without seeing the whole scene

Merzouga - Dromedaries

Merzouga – dromedaries by Federico Campeggi

When leaving Merzouga and Erg Chebby desert we saw these dromedaries crossing the street. I jumped off the car and waited for the dromedaries to walk close to the sand dunes in order to include also them within the frame of the picture.

IMG_0520

Moroccan Mosques by Janice Rotinsky

The religious architecture in Morocco is beautiful. It’s often hard to show the grandeur of a building in a photo, it helps to have a person in the picture to gain perspective. Even better when it happens naturally.

Cooks

Cooks in the Djemaa el-Fna by Angus McIntyre

Marrakesh’s Djemaa el-Fna is heavily touristed, but there are still good shots to be had at early evening, when the square comes alive.

Marrakech VIII

Marrakech VIII by Reena Mahtani

Djemaa El Fna can be a very tempting shopping spot. Carrying a small backpack is essential to avoid buying lots of stuff. I brought back to England around 15 kilos, including coffee, a small carpet, a pair of leather shoes and plenty of gifts for my friends.

Morocco

Kids playing football on the beach of Sidi Kaouki before sunset by Karo Krassel

Photoidea:  Morocco has an incredible light. Get up early to make pictures at sunrise or go out with your camera before sunset and make some silhouette photos or to get your motive in the best light.

fish tagine

tagine – a traditional moroccan dish by Michael Robert Powell

A tasty, must-try meal in Morocco is Tagine. It simmers for some hours and is then eaten straight from the clay cooking bowl. Its ingredients vary across the country but in this instance it was fresh fish. This simple image fills the frame, with a nice contrast of blue table mat and colorful meal.

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Nothing On TV by Peter West Carey

Tip: Everyday things can be the most interesting when seen in a different context. Shoot the obvious.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Travel Photography Inspiration Project: Morocco


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A project for the New Year: How to make a DIY Ground Pod

05 Jan

I’ve written previously about the importance of getting down to eye level when photographing wildlife.  When eye-level means ground level, it can be awkward to support your camera whilst also supporting yourself and trying to keep your gear clean.

Most tripods allow you to get quite low by opening the legs out as wide as possible, many actually opening out fully so that the tripod sits flush to the ground.  Whilst this is very functional, it can be pretty awkward to handle, especially if trying to pan with your subject or if you have to move to follow your subject around.

One option to overcome this is what is known as a ground pod.  It is a plate/tray with upturned edges, that you attach your camera to, or for more flexibility, screw your tripod head to.  It supports your camera just a few inches from the ground, thus offering some protection from water splashes or sand/mud, whilst allowing easy movement in all directions.

Completed ground pod

Completed ground pod. You can see I'm using a ball head to mound my camera to the frying pan.

The commercially available options are pretty expensive (approx £80/$ 100 US) so I decided to try and make my own.  I in no way claim to be the first person to do this, but thought I would share how it is done to illustrate how easy it is to make your own low-level camera support.

You will need:

  1. A cheap frying pan – approx 10-12” diameter.  You can chose whatever diameter frying pan suits you, but a wider pan will offer more support, especially for bulky telephoto lenses.  It is a good idea for the pan to be approx 1-1.5” deep – any deeper makes adjusting your tripod head more awkward, any shallower offers less protection from water splashes, mud or sand.
  2. A 3/8” socket head bolt, approx ½” in length.  A ‘round’ headed or ‘truss’ headed bolt is preferable.  If the pan is thick enough, a counter sunk head would be ideal, however cheap pans are normally too thin to make this practical.  Imperial sized bolts are difficult to come by in UK hardware stores, so this might involve some internet searching.
  3. A tripod head.  This is technically optional, but preferable and I am writing this post with the use of a tripod head in mind.  A cheap ball head can be found on eBay, and will be a good compromise between size and flexibility.  You don’t want anything too tall (defeats the point of trying to get so low) or anything with levers that are too wide (may be an awkward fit inside the pan).  If you don’t have a tripod head to use, you could try using a couple of blocks of wood to act as a riser to ensure the lens clears the edge of the pan)
  4. A power drill to make a hole large enough for the 3/8” bolt.
  5. A hex key/Allen key of the same size as the socket in the hex bolt.
  6. A wing nut to screw onto the bolt when the pan is not in use so you do not lost the bolt.  Any kind of nut would work, but a wind nut is large enough to be difficult to lose, and easy to use with cold hands!
Ground pod image 1

Left: Frying pan with handle removed, showing the riveted bracket. Left: A 3/8" hex bolt.

The construction of the ground pod is very simple:

  1. First of all, remove the handle from the frying pan.  It should be easily unscrewed from the pan, and removing it will make the pan a less awkward shape to store.  You may well be left with a small, riveted bracket that the handle was screwed to, however this makes a convenient little place to hook the frying pan onto your camera bag using a carabiner, to save you having to carry it by hand.
  2. Turn the pan upside down, and use the power drill to make a hole in the centre of the pan.  Don’t apply too much downward force when drilling; otherwise you will end up deforming the centre of the pan, meaning your tripod head will not fit flush to the pan base.
  3. Once the hole is drilled, turn the pan back around, and use the hex key to screw the bolt through the pan and into your tripod head.

And that is it!  Simple.

You will want to ensure that the pan actually supports your camera and lens without toppling over before putting it to use.  If you chose a wide enough pan, this should not be a problem.

When out on a beach or in a field you will find that using a ground pod for support makes getting down low a lot easier whilst having some confidence that your camera gear will remain free from sand, mud and water.  The pan is a good deal lighter than most tripods too, meaning you can carry less weight when out on your next wildlife shoot.

If you already own a suitable tripod head, this project shouldn’t cost much more than the price of a cheap frying pan and is a great way of supporting your camera at ground level for those powerful and intimate wildlife portraits.

(Thanks to Rob Cain for taking the picture of my gear on the completed ground pod, above)

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

A project for the New Year: How to make a DIY Ground Pod


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LiAnne Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54633.P1.L2.SQ / SML

22 Dec

A few nice visual art images I found:

LiAnne Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54633.P1.L2.SQ / SML
visual art
Image by See-ming Lee ??? SML
So what do the administrative staff at Brooklyn Art Project HQ (Flickr Group) do all day? Facebook, it appears. Photographed during the Dumbo Art Festival 2009.

See also
+ Artits on Art: James Cospito talks about his NYC Subway series (Flickr HD video)
+ Art + Artists: James Cospito talks about Brooklyn Art Project (Flickr HD video)

13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html

The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation’s largest urban forum for experimental art.

Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists’ studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.

The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.

www.dumboartscenter.org
www.dumboartfestival.org
www.video_dumbo.org

Related SML
+ SML Fine Art (Flickr Group)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art

visual farm installation ..photo by andre & Lisa from zuvuya.net
visual art
Image by Retinafunk
This is a photo of Visuals Farm visual installtion at Boom 06.
At night there were video projections on this structure.

credits..his photo is shot by andre & Lisa from www.zuvuya.net
(not by retinafunk )
will be posed soon at Boom webste gallery

 
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Blog Project: Your Best Photos From 2012

17 Dec

As has become a tradition on the JMG-Galleries blog I’d like to invite you to take part in the 6th annual best photos of the year blog project. This is by far my most popular blog project. Year over year this project has continued to rapid increase in participation with last years participation hitting 289 participants (see Best Photos of 2011, Best Photos of 2010, Best Photos of 2009, Best Photos of 2008 and Best Photos of 2007). Around this time of year people start to ask if I’d be running this project again. The answer clearly is YES! 1. I love this project and I love that so many people get excited about it. 2. It’s a great way exercise to improve your photography (10 Ways to Top Your Best 20xx Photographs). So with out any further delay here is how you take part to submit your best photos of 2012.

How to Participate (Read Carefully)

  1. Review & select your best photos from 2012.
    Note: Photo edit carefully narrowing down your results to your best 10 or 5 photos. Reference Pro Tips: Photo Editing with Gary Crabbe for pointers.
  2. Create a blog post on your web site or a Flickr/500px set containing your best photos from 2012.
  3. Complete the form below by Saturday JANUARY 5th at 11:59PM PST to take part. The following Tuesday I’ll post a link to all submitted sites and photos on my blog. Through out the week I’ll also share the results across all my social media accounts.

Spread the Word!
Feel free to spread the word of this project on Twitter, Facebook, Google+, photo forums you frequent and/or your blogs. All who are interested in taking part are invited.


Thanks again for taking part and spreading word of this years Best Photos of 2011 blog project.

Copyright Jim M. Goldstein, All Rights Reserved

Blog Project: Your Best Photos From 2012

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Visual Libraries Project

11 Dec

Some cool visual art images:

Visual Libraries Project
visual art
Image by Claire_Sambrook
VISUAL LIBRARIES – Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

www.visuallibraries.com

For Further Details: claire.sambrook@port.ac.uk

Visual Libraries Project
visual art
Image by Claire_Sambrook
VISUAL LIBRARIES – Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

www.visuallibraries.com

For Further Details: claire.sambrook@port.ac.uk

 
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Visual Libraries Project

10 Dec

A few nice visual art images I found:

Visual Libraries Project
visual art
Image by Claire_Sambrook
VISUAL LIBRARIES – Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

www.visuallibraries.com

For Further Details: claire.sambrook@port.ac.uk

Visual Libraries Project
visual art
Image by Claire_Sambrook
VISUAL LIBRARIES – Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.

A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.

45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens

www.visuallibraries.com

For Further Details: claire.sambrook@port.ac.uk

 
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