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Posts Tagged ‘Photos’

6 Tips for More Unique Travel Photos in Busy Tourist Locations

10 Sep

Imagine this: you’ve scrimped and saved for months for your dream vacation, and a snazzy digital camera, hoping to capture some unique travel photography images along the way, only to be flustered by the hordes of other tourists with the same intentions. With the increased accessibility of cameras on devices of every kind, this is becoming a common scenario that can frustrate many photographers, both professional and amateur. But don’t lose hope! With these tips, I’ll show you some ways to think of travel photography in a new light so that you can take unique travel photos in busy tourist locations.

DPS Travel Photography 03

1. Take shots from different angles

To get a unique photo, consider your subject from a wide variety of angles. Get down on your knees and shoot from below, or step up on a bench, or use a monopod to shoot from on high. Do whatever you can, within reason, to shoot from different perspectives; this will greatly increase the odds of capturing a unique image.

2. Time your visits to outdoor attractions to coincide with the most ideal natural lighting available

One of the biggest challenges to shooting outdoor attractions can be harsh shadows due to lack of lighting control. You obviously don’t want to bring strobes and excessive flashes with you when you travel, so it’s best to use the sun to your advantage. Do your research with apps, such as The Photographer’s Ephemeris, to see where the sun will be, and plan your trip accordingly. Sunrise and sunset are probably among the most ideal times, but be aware that you’ll likely get competition from other photographers thinking the same thing (see image above).

3. Go where the crowds aren’t going

DPS Travel Photography 05

If the crowd in a tourist attraction is fixated on one particular part, turn around and see what is behind them. Look for details that are being passed by and not given attention. This gives you less competition, in addition to increasing the odds, of capturing a unique image that everyone else is overlooking. While you’re shooting in the opposite direction, this also gives you something to do while waiting for the crowd to thin out so that you have more time to capture a clean shot of the main attraction. Having patience, and waiting for breaks in the crowd, is also a key to shooting unique images.

4. Pull out your zoom lens and focus in on details

Challenge your photography skills and creativity by shooting exclusively with a macro, or zoom lens, for a while. Shooting with a longer focal length will encourage you to take in the intricate details of a place; something that is usually overlooked by other tourists who likely focus on taking selfies and wide-angle shots. There’s beauty in details, and zooming in close eliminates most of the risk of having other people block your shots.

DPS Travel Photography 04

5. Make other tourists part of your shot

Instead of viewing the hundreds of other tourists around you as burdens, why not make them a part of your photo? Pull a fast one on other shooters by pointing your camera in their direction. Many tourists will likely duck or move out of your way, so act fast to catch them in natural poses. The point is, think like a photojournalist, or marketing photographer, and consider the idea that conveying the idea of a full, and popular, tourist attraction is a photo-worthy moment in itself.

DPS Travel Photography 01

6. Take candid shots or portraits of the locals

In and around many tourist attractions, you’ll likely find lots of locals in the forms of security guards, vendors, taxi drivers, and more. If you’re searching for truly unique photo subjects, consider pointing your camera at some of these people who help run the tourist attraction, and making them a part of your photo. You could even get bold and approach some locals for a portrait. This might be tricky if you’re in an area where language barrier is a problem, but if you get creative with your body language, it’s fairly easy to get your point across. Portraits not only give you more opportunities to get creative, but also provide opportunities to chat with people, and perhaps find out other unique photo ideas in the area.

DPS Travel Photography 02

Have you got some great photos from crowded tourist locations? Please share them and your tips in the comments below.

The post 6 Tips for More Unique Travel Photos in Busy Tourist Locations by Suzi Pratt appeared first on Digital Photography School.


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6 Ways to Take WOW Photos in Less Than an Hour

08 Sep

If you’re like most photographers, nothing gets you more excited than a new tip or trick that can help you make your photographs more awe inspiring. The problem is that a lot of these processes can take some time to learn and execute correctly. Pretty quickly you realize that it may take you more than a few tries to master the new technique to become a better photographer.

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A mundane parking lot light stand can become something wondrous.

You’re also busy with more than just photography to take care of, and with instant gratification pervading all aspects of our lives, who wouldn’t appreciate a few SIMPLE photo strategies that provide immediate results?

Forget about aperture and shutter speed, focal length, ISO, and all the technical stuff for now. If you use the techniques in this article, alone, or mix and match, I guarantee you’ll learn how to take WOW photos in less than an hour. I use my “Snapshots to WOW Shots” process with many of my photography classes, from grade one kids who’ve never seen a camera before, to seasoned professionals who need to inject a quick fix into their  photographic repertoire. It works for everyone, guaranteed. Give it a try!

Method One: Bird’s Eye View

In our day to day lives we see the world from a height of about five to six feet. To create a WOW shot you need to alter that perspective. Show your viewers a point of view they don’t normally see. Just about any subject can be transformed into a WOW if you shoot it with your camera pointing straight down. This is what is called the bird’s eye view.

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Looking straight down on antique silverware – a different point of view.

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Shot by one of my grade 4 students – atop the play structure, pointing the camera straight down. 

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A crazy abstract shot looking down at colored pages in a binder.

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An herbal still life shot through a glass coffee table, straight down.

Method Two: Worms Eye View

Similarly, not too many of us spend our days down on the ground. So shoot from a very low angle, and point your camera up, or just explore the world from the point of view of a worm (down on your belly!) and mundane things look a whole lot more interesting. Instant WOW shots, from the worm’s eye view.

These shots usually have the added benefit of helping to eliminate distracting backgrounds such as buildings, tree,s or other objects that you don’t want in your image. Bonus!

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Feeling so small…the worm’s eye view.

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One of my school students shot this one – taking the worm’s eye view literally, but it’s a very freaky WOW Shot.

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Taken lying on the floor of the lobby looking up at the top of the staircase. 

Method Three: Shoot at an Angle

Just as our five foot world gives us a consistently average perspective, it also provides us with horizontal lines and vertical angles. We see the world this way 90% of the time, and there’s nothing particularly WOW in that. But give your camera a twist; a 45 degree angle can add dynamism and drama, instantly!  Just make sure that it’s a big enough angle that it’s clear you did it on purpose, and not by mistake.

Buildings, trees, large objects, and even people look great with a bit of angular rotation when you want to make a point or add impact.

A bit of an angle - on purpose, give the image a more dynamic feel.

A bit of an angle – on purpose, gives the image a more dynamic feel.

A little "off kilter" makes us pay more attention.

A little “off kilter” makes us pay more attention.

Method Four: Get the Sun Behind Your Subject

There are all sorts of fabulously detailed techniques for shooting silhouettes, rim lighting, and other back-lighting effects. But really all you need to get an instant WOW Shot is to either place your subject so that the sun or light source is directly behind them, with their head or body blocking the main point of light. Shoot in manual mode and be sure your flash is off.  Point and expose for the sun, then recompose with the sun directly behind your subject.  Whether it’s an animal or a person or an object, use that subject to block the sun, and you’ll have a winner.

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Drama abounds in this simple shot – just a quick iPhone grab during a school photo class.

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Method Five: Use Shadows

Nothing tells a story more than shadows – they are ethereal, transient, and mystical. Incorporate shadows into your image, or shoot only the shadows. They always tell an intriguing story, and create a captivating image.

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Abstract or editorial, the shadow knows.

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Do you know what’s happening here – the shadows are a riddle and the answer.

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The Ultimate WOW Shots

The ultimate WOW shots are created when you use one of more of these techniques by combining elements, angles, and points of view.

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Combining the worm’s eye view AND the sun behind the subject.

A simple street scene is so much more dynamic with long shadows.

Combine shadows with the sun behind the subject. A simple street scene is so much more dynamic with long shadows.

Combine a bird's eye view with shadows. It adds interest and drama.

Combine a bird’s eye view with shadows. It adds interest and drama.

A worm's eye view and the sun behind the subject. Simple. Wow!

A worm’s eye view and the sun behind the subject. Simple. Wow!

Apply what you have learned

To wrap it all up, these five easy methods will give you dramatic results, and if you’re already proficient with a camera and have a bit of knowledge about composition, color theory, and light, you’ll be shooting like a rock-star photographer in less than an hour –  including the time it took to read this article.  If you’re already a skilled shooter, give these a try and it will help simplify your photographic life while adding more finesse to your portfolio.

Show me your WOW shots, I’d love to see how you put this into action! Share in the comments below.

The post 6 Ways to Take WOW Photos in Less Than an Hour by Alex Morrison appeared first on Digital Photography School.


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Photos for a Good Cause!

05 Sep

It’s a bird! It’s a plane! It’s you, with your camera!

Photography is your super power, so why not use it for good?

Turns out there are tons of amazing organizations that need your amazing photo skills! Read about three of our faves, then get to helping.

Make the world a brighter place using nothing but your smarts and your camera.

Choose a Charity and Start Helping (…)
Read the rest of Photos for a Good Cause! (372 words)


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How to Edit Newborn Photos Using Lightroom

04 Sep

Cole’s Newborn Photography Workshop is on sale now at Snapn Deals. Save 72% until September 16th, grab a seat now!

BW.jpgNewborn photography requires a tremendous amount of patience, skill, a willingness to be okay with accidents, and even stronger photo editing skills as these precious little newborns often have numerous skin imperfections that can cause you to spend a significant amount of time editing and retouching the photos.

Until recently, to truly excel at editing newborn photos you had to be quite proficient using Photoshop, but now with Lightroom 5′s newest tools you can get great results with far less time!

Here are my top 6 tips for quicker and more effective newborn photo editing in Lightroom:

1. Slightly Overexpose in Camera

To get amazing final edited newborn photos you first need to focus on getting your exposures as close as you can in camera. Since newborns often have some redness to their skin, the best way to help minimize that is to slightly overexpose your photos while shooting. Doing so will help you achieve that soft, creamy and bright skin that we all love!

Slight Overexpose

2. Shoot RAW

I always shoot in the RAW file format. There are many advantages of shooting in RAW, but for newborns which require a lot of touching up and white balance changes, shooting in RAW will help keep the color tones of your images as natural as possible – even when making big adjustments.

3. The Magic “C” Sliders

If you’re after soft and creamy skin tones, the two sliders in Lightroom that will help you the most are the contrast and clarity slider. By reducing contrast you will smooth out the tonality of the image (just watch the histogram when you change contrast) and it will help remove the dark shadow areas or even bright highlights. Remember, for most of us, the goal with newborns is soft, airy photos – rather than edgy high contrast imagery. Adjusting the clarity slider downward a bit will help give you the “creamy” factor. Just be very careful to not remove too much clarity! I recommend somewhere between -10 to -20.

Contrast and clarity sliders

4. HSL Sliders for Adjusting Skin Tones

Adjusting the white balance will only get you so far, sometimes you need some fine tuning on the skin tones and that is where the HSL sliders can really help. While you can manually adjust each color slider, the real trick is to use the targeted adjustment tool on each element (Hue, Saturation, and Luminance) to fine tune your skin tone corrections. Simply click on the targeted adjustment tool, go over a part of the image with the skin tone color you want to fix, click (and hold) then adjust with your mouse up or down and you’ll see the sliders adjust.

HSL Sliders

Tip: if you are trying to remove redness, click in the photo where there the skin is red, and follow this sequence with each slider using the targeted adjustment tool:

Hue: move the mouse up and the red/orange sliders will move to the right
Saturation: lower the mouse and the sliders will shift to left lowering saturation
Luminance: raise the mouse to adjust the targeted color sliders to the right, raising the luminance (brightness) of those tones in the photo.

See below for video tutorial of this technique if you are a visual learner.

5. Choose Wraps, Blankets and Props Wisely

Extremely light colored wraps or blankets can be so cute, and can look great with color images. But, if you are a fan of classic, timeless, black and white images I’d urge you to stay away from blankets or wraps that are too light, or even white in color. There simply isn’t enough contrast in color between the baby and the blankets for an effective, and attractive black and white image, and your photo will often look too washed out.

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6. Presets for Speed and Consistency

Once you find an edit or a look that you love, make sure to save it as a preset so you can use it on other photos that were taken with similar lighting and settings. Not only are presets vital for saving you a ton of time while editing, but they also will help you create a consistent look to your photos.

Specifically for newborn photography, I created a complete Lightroom presets collection that make soft, creamy and dreamy newborn photos with the simplicity of just one-click.

Newborn Lightroom Presets

I sure hope that you can put these six tips into use right away and start editing your newborn photos quicker, with better results. If you have any questions at all, just let me know down below, I’d love to hear from you.

Cole’s Newborn Photography Workshop is on sale now at Snapn Deals. Save 72% until September 16th, grab a seat now!

The post How to Edit Newborn Photos Using Lightroom by Cole Joseph appeared first on Digital Photography School.


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Capturing Unenthusiastic Teens: Forget the Perfect Pose and Get Photos You Truly Love

03 Sep

guitar

I wrote an article recently sharing some tips for Capturing Busy Little Ones, and had a request for a similar article for photographing teens. Since I love photographing teens (who doesn’t??), I’m thrilled to share some tips. These aren’t tips for photographing the aspiring model teens. Those teens are usually pretty easy to photograph, they will pose for you until the cows come home, and love every minute of it. No, I’m going to let you in on some ideas for photographing those teens that aren’t so enthusiastic about being there.

Sometimes they’re super shy, and they just feel uncomfortable with the attention on them. Sometimes they are self-conscious, and think that they aren’t photogenic, so they feel awkward. Sometimes mom made them get pictures taken, and they’d rather be shoveling manure than sitting there with you and a camera. Whatever their hang-up is, these tips will help you capture them in the truest way possible, and get through it with your sanity intact. You might even get through it with a new teenage friend!

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Get to Know Them

Here’s a newsflash: teenagers are people too. They have real feelings and ideas, and sometimes very strong opinions about what they like, and what they don’t like (if you have a teenager of your own, you didn’t need me to tell you that). Spend some time feeling them out, and finding what makes them tick. Watch for cues to let you know what they are going to be down with, and what they might roll their eyes at.

For example, you might notice that they avoid eye contact, and act very uncomfortable when you talk to them a lot. In that case, you may want to do more photos where they are looking at something in their hands, or looking away from you, and ask for eye contact only briefly. Maybe you might notice that the photo shoot was all mom’s idea, and the teen is not at all happy about it. You could diffuse the situation by addressing it directly. “Hey, it’s a bummer to get pictures taken, huh? Moms are so annoying sometimes.”  Ask them questions about their life. Pay attention to more than just the words they say; their body language will give you cues about their personality too.

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Don’t Force a Smile

Some kids just don’t like to smile, or they might be angry that they are getting their picture taken in the first place. Repeated requests to “smile” will only make things worse, and at best, get you a fake cheesy smile. Your goal during your session with an unenthusiastic teen, is to gain their trust. Let them know that you are on the same team, and that you aren’t there to torture them. Assure them, through your actions, that you aren’t going to try to make them into something they’re not. The easiest way to do this, if you haven’t picked up on enough cues, is just to ask them.

I might say, “Sometimes people really love jumping pictures. Is that something you would do, or is totally not your style?” They’ll usually let you know exactly how they feel about it, in words or expression, and you can quickly move on if it’s not their thing. Sometimes those that resist the smile the most may actually give you a real, genuine, smile towards the end of the session when you’re best buddies, and they trust you.

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Photograph Their Passion

Before your session together, encourage your teen subjects to bring things that are important to them. It’s fun for both of you to capture those “action” shots of things that they truly love to do. This also gives you opportunity to give them genuine praise, and puts them at ease. Help them think outside the box. If they are a writer, maybe they’d want to bring a few favorite journals to “write” in, as you photograph them. If they love to run, capture some action running shots, and then a few with them holding their track shoes, or a race medal.

Giving them something to do really helps the shy ones. If they play a musical instrument, you could take some photos of them holding it, but don’t forget those action shots too. Ask them to play something for you, or show you some tricks on their skateboard. If they’re hesitant to actually perform, remind them that the camera won’t capture mistakes, and you’re an expert at making people look really good. That might be enough to loosen them up, and let their passion show.

grass

Do the Unexpected

Most teens will expect you to ask them to smile and look at the camera. They’ll expect you to ask them to “sit there”, “stand here”, “look at me”. Sometimes just shaking things up a little will help them loosen up. You could ask them to lie down in the grass, or climb on a big rock. Maybe a silly expression, or twirling in a field, will shake it up a bit. DO be careful that you watch for cues from your subject before you ask them to do crazy things. Remember to ask them first, like I mentioned before. Some teens will do whatever you tell them to, but they will become increasingly uncomfortable if they aren’t feeling like themselves. Also, sometimes it helps to explain to them WHY you are asking them to do an unexpected thing. You could say, “The sky does amazing things with your beautiful blue eyes when you look up into it. Would you be okay lying down in the grass so we could give that photo a try?”

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Capture Something Different

Teens like to be unique. They like to have photos that their peers think are “cool”. You might be tempted to just snap the basic head shots when you have a teenager that isn’t super easy to photograph, just to get it over with. Instead of going into safe mode, use this opportunity to capture something unique. There are lots of details that you can capture without them needing to look at you and smile. Eyelashes sweeping the cheek, hands clasped at the knees while sitting down, profile looking at a distance, details of a guitar with their face blurred in the distance, a close-up of their favorite quote in a book as they read it; those details can tell more of the story of who they are, and sometimes give them a moment to relax. If I’m not taking a photo with their face in it, I’ll tell them that they don’t even have to worry about their expression right then, because it won’t be in the picture. Sometimes they breathe a visible sigh of relief when I tell them that.

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Be Yourself

Teens know when you’re being fake. Don’t change your personality to try to be more like them, or to attempt to be “cool”. They’ll trust you more if your compliments are genuine. Look at them when you compliment them, don’t give a routine “you look great” while fiddling with your camera. If you’re a jokester, throw those zingers out. If you are quiet and thoughtful, let that thoughtfulness shine through. You won’t connect with every single person, but you will show your reluctant teen that you are sincere, and that means a lot to them.  Don’t treat them like little kids. They need to know that you recognize them as the almost-adults that they are. If you show them respect, they will usually show you respect right back.

Whether you are photographing a teen who loves to pose and smile, or a teen who is less than enthusiastic about the whole thing, you are lucky. What a privilege to photograph a person at a time of experiencing such beauty, daily transformation, and figuring out the world! Now, go have some fun with your camera and a great teenager. I’d love to see your teen photos in the comments if you’d like to share!

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The post Capturing Unenthusiastic Teens: Forget the Perfect Pose and Get Photos You Truly Love by Melinda Smith appeared first on Digital Photography School.


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Some Punchy Black and White Landscape Photos to Oooo and Aaah Over

30 Aug

Recently we released our newest dPS ebook The Essential Guide to Black and White Photography. 

So I thought it would be fitting if we had a look as some great black and white images. I don’t know what it is but I’m really attracted to a great black and white image. It’s something about the contrast and the style and makes you really focus on the light and composition in the image – there’s no tricks it’s just an image is the simplest form.

So in this set I’ve found some amazing black and white landscape photos for you to enjoy – please let the oooing and aaaahing commence!

Photograph The Last Ride by Rob Dweck on 500px

The Last Ride by Rob Dweck on 500px

Photograph Dignity by Martin Mattocks on 500px Dignity by Martin Mattocks on 500px

Photograph road by ömer yücel on 500px

road by ömer yücel on 500px

Photograph "MAGIC IN ESPIGÜETE" / "MAGIA A LOS PIES DEL ESPIGÜETE" by Juan PIXELECTA on 500px “MAGIC IN ESPIGÜETE” / “MAGIA A LOS PIES DEL ESPIGÜETE” by Juan PIXELECTA on 500px

Photograph Smooth River by Johan Vanreybrouck on 500px

Smooth River by Johan Vanreybrouck on 500px

Photograph Silver Reflections 2 by Joe V on 500px Silver Reflections 2 by Joe V on 500px

Photograph Tree & Clouds by Carsten Meyerdierks on 500px

Tree & Clouds by Carsten Meyerdierks on 500px

Photograph Age Old by Chris Fletcher on 500px Age Old by Chris Fletcher on 500px

Photograph Untitled by Luis Beltrán on 500px

Untitled by Luis Beltrán on 500px

Stop for a minute

I’m going to stop you for a second. If you’re scrolling through these quickly, stop. Take the time to really look at each one – one at a time. Do you see the common thread here?

  • Simple
  • Clean
  • No distractions

    Okay, carry on!

Photograph Venice Nostalgia by Csilla Zelko on 500px Venice Nostalgia by Csilla Zelko on 500px

Photograph In the Days Still Left by Rob Dweck on 500px

In the Days Still Left by Rob Dweck on 500px

Photograph Ibex Sunrise by Grant Thompson on 500px Ibex Sunrise by Grant Thompson on 500px

Photograph Parched by James Crawford on 500px

Parched by James Crawford on 500px

Photograph Herringfleet by George Johnson on 500px Herringfleet by George Johnson on 500px

Photograph Moment by Majeed Badizadegan on 500px

Moment by Majeed Badizadegan on 500px

Photograph --In Motion-- by Marek Kijevský on 500px –In Motion– by Marek Kijevský on 500px

Photograph Tranquil Dawn by Majeed Badizadegan on 500px

Tranquil Dawn by Majeed Badizadegan on 500px

Photograph Tranquility of Morning by Abi Arga Hadityarista on 500px Tranquility of Morning by Abi Arga Hadityarista on 500px

Photograph B e a c h e d by Chris Oliphant on 500px

B e a c h e d by Chris Oliphant on 500px

Photograph on the road by adam smigielski on 500px on the road by adam smigielski on 500px

Photograph A rural morning by Margareta   on 500px

A rural morning by Margareta on 500px

Photograph 81.2013 - B&W- Light Reflections ... by Pawel Tomaszewicz on 500px 81.2013 – B&W- Light Reflections … by Pawel Tomaszewicz on 500px

Photograph named by lennon baksh on 500px

named by lennon baksh on 500px

Photograph dark master´s crown by Ronny Behnert on 500px dark master´s crown by Ronny Behnert on 500px

Photograph NYC thoughts by RACKHAM  on 500px

NYC thoughts by RACKHAM on 500px

Photograph Kuala Lumpur by Tashi_Delek Nakata on 500px Kuala Lumpur by Tashi_Delek Nakata on 500px

Photograph Dark#04# by Andreas Paehge on 500px

Dark#04# by Andreas Paehge on 500px

Photograph SZEMPONT by Shady S. on 500px SZEMPONT by Shady S. on 500px

Photograph Chrysler Building II by pixeldreamer  on 500px

Chrysler Building II by pixeldreamer on 500px

Photograph entrap by tet bautista on 500px entrap by tet bautista on 500px

Photograph One Light Only by Sam Commarato on 500px

One Light Only by Sam Commarato on 500px

Photograph ..on The 'Tripod' by ilias nikoloulis on 500px
..on The ‘Tripod’ by ilias nikoloulis on 500px

Photograph Foggy path by Jose Ramon Santos Mosquera on 500px

Foggy path by Jose Ramon Santos Mosquera on 500px

Photograph Foggy Day by ilias nikoloulis on 500px
Foggy Day by ilias nikoloulis on 500px

Photograph Dark Beauty by Jayme Hagen on 500px

Dark Beauty by Jayme Hagen on 500px

Photograph Shanghai- Bund by Hill Gas on 500px
Shanghai- Bund by Hill Gas on 500px

Photograph Mutianyu by John Crux on 500px

Mutianyu by John Crux on 500px

The post Some Punchy Black and White Landscape Photos to Oooo and Aaah Over by Darlene Hildebrandt appeared first on Digital Photography School.


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A Collection of Cheery Flower Photos to Brighten Your Day

22 Aug

Over the last few weeks I’ve been featuring different colors as the weekly theme. To change it up a bit this week, and enjoy every last minute that summer brings us, I’ve rounded up some lovely cheery flower photos for you.

Who doesn’t like a good flower photo? They’re colorful, have lots of textures, maybe an insect or two, and are always interesting photographic subject material.

Enjoy and have a floral day!

Photograph Lotus by Hai Thinh on 500px

Lotus by Hai Thinh on 500px

Photograph shine by park seo jin on 500px

shine by park seo jin on 500px

Photograph Atmaniksepa by Josep Sumalla on 500px

Atmaniksepa by Josep Sumalla on 500px

Photograph ... by Alena ?erve?anská on 500px

… by Alena ?erve?anská on 500px

Photograph Satsang by Josep Sumalla on 500px

Satsang by Josep Sumalla on 500px

Photograph Orange Rose Abstract by Chris KIELY Australia on 500px

Orange Rose Abstract by Chris KIELY Australia on 500px

Photograph 59/365   Shadows from the Morning Sun by Monika Bigelow on 500px

59/365 Shadows from the Morning Sun by Monika Bigelow on 500px

Photograph Mother's Day Flower by Kevin  Pepper on 500px

Mother's Day Flower by Kevin Pepper on 500px

Photograph Rot im Feld by Leo Pöcksteiner on 500px

Rot im Feld by Leo Pöcksteiner on 500px

Photograph Dandelion 2 by Margaret Morgan on 500px

Dandelion 2 by Margaret Morgan on 500px

Photograph * by Ayad Ashour on 500px

* by Ayad Ashour on 500px

Photograph * by Ayad Ashour on 500px

* by Ayad Ashour on 500px

Photograph Untitled by Ayad Ashour on 500px

Untitled by Ayad Ashour on 500px

Photograph Steel Blossoms by Jake Schwartzwald on 500px

Steel Blossoms by Jake Schwartzwald on 500px

Photograph Trio by Ofir Abramovitch on 500px

Trio by Ofir Abramovitch on 500px

Photograph The Lily Pond by Ron W on 500px

The Lily Pond by Ron W on 500px

Photograph Smell of Flowers  by Debabrata Chatterjee on 500px

Smell of Flowers by Debabrata Chatterjee on 500px

Photograph Water daisy by chimkudo  on 500px

Water daisy by chimkudo on 500px

Photograph *** by Anna Dudnik on 500px

*** by Anna Dudnik on 500px

Photograph Tori by Emily  Soto on 500px

Tori by Emily Soto on 500px

Photograph Alena Kasia - Orchid by Simon Fuller on 500px

Alena Kasia – Orchid by Simon Fuller on 500px

Photograph Beauty hiding by almalki abdullrahman on 500px

Beauty hiding by almalki abdullrahman on 500px

Photograph Bright Intentions by H. Becker on 500px

Bright Intentions by H. Becker on 500px

Photograph vintage daisies by Mariló Irimia on 500px

vintage daisies by Mariló Irimia on 500px

Photograph poppy field by Anton Sadomov on 500px

poppy field by Anton Sadomov on 500px

Photograph summertime ... by Ernest Stierschneider on 500px

summertime … by Ernest Stierschneider on 500px

Photograph Red Dawn. by Brian Adelberg on 500px

Red Dawn. by Brian Adelberg on 500px

Photograph Tulip Sniffer by Kaylee Greer on 500px

Tulip Sniffer by Kaylee Greer on 500px

Photograph In red... by Eleonora Di Primo on 500px

In red… by Eleonora Di Primo on 500px

Photograph Bridal Bouquet...... by Gina J. D. on 500px

Bridal Bouquet…… by Gina J. D. on 500px

Photograph shadows of tulips by Borni Merisoniom on 500px

shadows of tulips by Borni Merisoniom on 500px

Photograph A walk by Miki Asai on 500px

A walk by Miki Asai on 500px

Photograph Very Deep by Wave Faber on 500px

Very Deep by Wave Faber on 500px

Photograph We just wanna play drums! by Alberto Ghizzi Panizza on 500px

We just wanna play drums! by Alberto Ghizzi Panizza on 500px

Photograph Pollination by Cesar Castillo on 500px

Pollination by Cesar Castillo on 500px

Photograph small but beautiful by Eric Bonkhz on 500px

small but beautiful by Eric Bonkhz on 500px

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Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide

22 Aug

This mornings Solar flare corruption of my photography library

In a stunning event shocking NASA, the European Space Agency and the Russian Federal Space Agency the Sun flexed its power last night with an unprecedented X-Class solar flare (Update: some astrophysicists are contending it’s the first detected Z-Class solar flare). Unlike extreme solar events like the Carrington Event this solar storm has erased film and digital photos world-wide. Prints, film negatives and digital files have shockingly been affected equally being erased into oblivion. Neil deGrasse Tyson was quoted as saying,

iPhone Image Library Corrupted by Solar Flare

“The sun once again has humbled us with its power. With a single awe inspiring brush stroke of  projected radiation, the Sun has erased our visual history leaving us to remember moments of times past with only our heart and minds.”

Completely confused this morning seeing blank sheets of paper where my favorite family photos and wall prints once existed I rushed to my computer and phone to see the state of my digital libraries. Everything was gone. In a fit of amazement and cursing I rushed to check my slides and negatives from the 90′s and they too are now history being completely blank. In hindsight I now wish I savored the moments I photographed to better remember them verses my fuzzy memory of these moments as seen through a small view finder. Now that this fast moving storm of radiation has passed new photos are now again possible. Even though I am now again able to take photos seeing the fragility of our imaging technologies it begs the questions…

Is humanity’s creativity, existence & legacy what we see, feel, or leave behind?

 

Copyright Jim M. Goldstein, All Rights Reserved

Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide

The post Extreme X-Class Solar Flare Is Erasing Digital & Film Photos Worldwide appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

        

Comments

  • By: A Roundup of April Fools' 2014 Jokes in the World of Photography by A Roundup of April Fools’ 2014 Jokes in the World of Photography
  • Indeed! Thanks for the comment by jimgoldstein
  • Glad you enjoyed the post Russ by jimgoldstein
  • Thanks! by jimgoldstein
  • Beautiful abstracts Jim! Like something your son (I mean sun) … by Russ Bishop
  • Plus 3 more…

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Event Photography: How To Take Electric Photos of Rock Bands

13 Aug

Do you remember the photographs that inspired you to want to take photography more seriously? If so, you must have a better memory than me. 😉 I don’t remember the specific photographs that made me want to keep me camera with me at all times. Maybe it was Henri-Cartier Bresson’s street photography, or maybe it was Andreas Gursky’s Rhine which Continue Reading

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3 Tips for Taking Great Cloud Photos

10 Aug

You may already have your own method of effectively shooting cloud photos. If so then you understand that conditions may vary greatly. Some days, your photos may turn out happy and light. On other days they may turn out dull and grey. However, there are at least three techniques you might consider in order to capture better sky and cloud photos.

Shoot when the sun is brightest and cloud movement is dynamic

01 DSC 1788

The best time to photograph an epic cloud shot is when the sun is at its brightest and is directly appearing and disappearing from behind the clouds. The above photograph was shot on a day in Prague when the clouds were particularly dynamic. It was windy so the clouds kept hiding and revealing the face of the bright sun.

Below is an example of why shooting when the sun is directly behind the clouds may be more compelling. Although the clouds in the photo below are interesting, the result is not as mysterious or as epic in my opinion as the one above. This is of course a matter of personal preference. Be patient, observe the situation and find out, which you like better.

02 DSC 1838

Wait for sunset to capture vibrant colors

03 DSC 8130

Many different techniques come into play when you want to photograph sky and clouds of different colors, but one of the more important factors to consider is the time of day. Sunset is the easiest time to capture vibrant colors. The reason is that as the sun goes down on the horizon, the sky and clouds will take on various hues of pink, orange, yellow and blue. The above photo was shot in Los Angeles where the sunset colors change every few minutes. At first, the clouds turned a bright orange and yellow.

Compare this to the photo below, where just a few moments later, some of the clouds cleared, the sky became a lighter blue and the remaining clouds turned reddish pink.

04 DSC 8135

By shooting clouds during sunset you will be able to capture a variety of unique colors.

Shoot on a tripod and bracket exposures to produce different moods

If you’re shooting with a DSLR, I recommend using a tripod and taking multiple photos in “Auto bracketing mode” or “Auto exposure mode”.

First, set your camera to Aperture Priority and then turn on Auto bracketing (AEB). It’s best to set your bracket exposures to -1, 0, and +1. This will give you three pictures of the clouds at various exposures. The three photos below were shot at -1, 0 and +1 exposures. Notice how distinctive they are in terms of mood.

05 DSC 8164

This image was shot at -1 has a dark and sinister mood.

06 DSC 8162

This photo, shot at 0 exposure, has a serene mood.

07 DSC 8165

Lastly, this image, shot at +1, has a light mood.

If you prefer, you can combine all three to create an HDR photo, which aggregates all the details from the different exposures. You may then edit the HDR photo to produce a photo with your own desired mood.

What other tips can you think of for shooting great cloud photos?

Do you ever shoot during thunderstorms? What’s the best cloud photo you’ve ever shot, and in what conditions? Share with us some examples and of course, if you have any other tips for great cloud photos that you think I’ve missed, please share those as well.

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