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Posts Tagged ‘Photography’

Weekly Photography Challenge – Type

01 Dec

The post Weekly Photography Challenge – Type appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

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Bushells House on the corner of Charles Street and New England Highway, Moonbi by Caz Nowaczyk

Your weekly photography challenge – TYPE!

That’s right! Typography, text, numbers, and glyphs.

Any writing in any language. New, faded, barely legible – sign writing, posters, light painting etc.

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Brass and Iron Lace Foundry – Forge and Museum, Enmore Road, Uralla NSW Australia by Caz Nowaczyk

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An old truck stop on Putty Road, Garland Valley in Yengo National Park, NSW by Caz Nowaczyk

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Beechworth, Victoria Australia by Caz Nowaczyk

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Beechworth, Victoria, Australia by Caz Nowaczyk

 

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An old petrol pump gauge at an old truck stop on Putty Road, Garland Valley in Yengo National Park, NSW by Caz Nowaczyk

Check out some of the articles below that may give you inspiration for shooting and editing Type pictures.

How to do a Photography Alphabet Project

How to Find Inspiration for Your Photography When Your Muse is Missing

The Ultimate Guide to Street Photography

How to do Light Painting and Illuminate Your Photography

Beginner’s Guide to Light Painting

 

Weekly Photography Challenge – Type

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll be embedded for us all to see. Or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge!

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSTYPE to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Type appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Keeping Colors Consistent in Photography in 3 Easy Steps

30 Nov

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Gavin Hoey from Adorama, he discusses ways of keeping colors consistent throughout your photography process.

Keeping Colors Consistent in 3 Easy Steps

Using these 3 quick steps in your photography workflow will make your process much easier and save you time.

1. Begin with the Right Computer Monitor

Begin with a great monitor, because a bad monitor makes editing your photos difficult. A monitor with at least 100% of the sRGB color space will work. Even better, is a monitor that displays 99% of AdobeRGB color space, such as the BEN Q SW2700.

You will need to color-calibrate the monitor. Get the best out of your monitor using a color calibration tool. Using something like an X-Rite i1 Display Pro Display and Monitor Calibrator. See more on using it here.

2. Getting Colors Right In-Camera

Set a custom white balance using a color checker passport. Open up to the grey side. Get the model to hold it in front of them. Fill the frame with the white card, use the custom white balance mode in camera (varies from camera to camera) and take a photo. Your white balance should now be correct.

Setting in-camera means you can show your subjects the photos in-camera.

Also saves you time in post-processing. The image may then look a bit wrong when looking through the view-finder. Just check the image when you take it – it should look correct.

Next, take a picture of the color checker passport fully-open to the color side, and under the same lighting conditions. We will use this to make the profile. This color setting will be used for the entire shoot.

3. Set-up Your Custom Profile in Photoshop

With the shoot done, it is time to make the Photoshop custom profile for post-process editing.

Bring the RAW file of the model holding the color checker passport into Photoshop. Open it as a DNG (Digital Negative) and save it somewhere that is easily accessible. Close the file.

Find your DNG file and drag and drop it onto the Colour Checker Passport application. The application will do all the work for you. All you need to do is click ‘create profile’ and save it with a unique name for that particular shoot/set-up. It is saved as a new color profile.

Next, open your RAW file into photoshop. Go to the ‘Profile’ Tab and select ‘Browse.’ Go to your saved profile and select it.

How do you use this profile for all the images across your shoot?

Go back to Camera RAW. Choose the icon in the top corner of the panel, and select ‘set as new camera RAW default.’ All of the photos you open will now apply the new color profile, keeping your entire shoot consistent.

 

You may also find the following articles helpful:

How to Choose the Right Monitor for Photo Editing

Setting Your White Balance with a Gray Card – a Tip from Phil Steele

Setting The Mood By Adjusting Your White Balance

How to Use the X-Rite ColorChecker Passport to Obtain Perfect Color

How to Make Custom Camera Raw Profiles for Lightroom & Photoshop

The post Keeping Colors Consistent in Photography in 3 Easy Steps appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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7 Ways To Take Your Photography To The Next Level

30 Nov

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.

It easy to stagnate as a photographer. It’s a lonely hobby where you often work alone spending hours in pursuit of one photo which may not materialize. You can begin to lose interest and become lazy. This loss of interest can manifest itself in your photos which, in turn, demoralizes you further. As with many hobbies, the great thing about photography is you can reignite your passion. So here are 7 ways to take your photography to the next level.

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1. Photograph Something Different

One of the things many photographers are guilty of doing is photographing the same things over and over again. If you did the same thing again and again, eventually you’d get fed up with it. So, a great way to boost your passion for photography is to photograph something completely different. For example, if you are a travel photographer, spend some time photographing wildlife. If you take portraits, start photographing food.

Not only will this help reignite your passion, but it can also add more skills to your repertoire. You never know, you may find a new passion you never knew you had.

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2. Work On a Brief

Remember when you were at school and had to work on projects set by the teacher? It required you to learn about the subject, think about it and create a piece of work to present to your teacher. The concept of working on a brief is the same. You are given a topic or subject to photograph, and you take photos that answer the brief.

The project could be anything from a simple task of documenting a local event, to photographing a remote tribe in another country. Many people who take up photography as a hobby take photos of things that they come across rather than a specific brief. Working on a brief can help focus your photography and make you think about things differently.

Ask a friend or family member to set you a brief. It could be on anything. After you receive the brief, go about creating a set of images that respond to it.

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3. Set Yourself a Challenge

Another way to improve your photography is to set yourself challenges. These can help diversify your portfolio. For example, you may have lots of photos but are missing some nice close-ups. So, set yourself a challenge to capture one close-up image every day. Perhaps you have a weakness in a specific area of photography? Set yourself a challenge to improve that one element.

If you are a shy person and struggle to approach people to take their photo, set yourself a challenge to photograph ten people in one day. You’ll be surprised how much more confident you feel after doing so.

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4. Read, Watch, Follow

One of the best ways to improve your photography is to be inspired by photographers whose work you admire. Follow photographers on social media whose work inspires you. Look at the work of the masters like Ansel Adams, Steve McCurry, and Robert Capa. Read books such as the ‘Bang Bang Club‘ and watch documentaries and movies about photography. Even flicking through photography books or magazines can help inspire you. However, remember the objective should be to be inspired, not copy someone else’s work.

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5. Get a Photo Buddy

Photography is usually an isolated hobby and can be difficult to judge how well you are doing. Having someone who shares your passion can help motivate you while also giving you someone to bounce ideas off. You can learn from one another and push each other to capture better images. If you don’t know anyone who has a passion for photography, join your local camera club where you can meet likeminded individuals.

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6. Rent or Buy a Film Camera

There is no doubt that cameras are better and more powerful than they have ever been. You’ll find it hard finding many photographers who still shoot in film.

Still, one negative of digital photography is that it makes the decision of taking photos easy. Back in the days of film, every single photo you took cost money. Meaning, you had to be sure of what you were photographing to avoid wasting money. So you didn’t waste money, you had to think a lot harder about a scene. You had to think about your settings and if it was an interesting subject. You didn’t have the luxury of looking at the picture on the back of your camera.

Try it out. Rent film camera for a day, or buy a second-hand one, and see if it makes you think differently about photography.

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7. Go On a Photo Tour

Photo tours are quite common these days. Tours usually entail going to a country and touring it with the purpose of capturing photos. Ranging from a few days to weeks, tours are one of the best ways to boost your photography. You are away with likeminded individuals who share your passion, and you are joined by a professional photographer who can help you with your photographic weaknesses.

Nevertheless, arguably the most significant benefit of a photo tour is you are immersed in photography every day for weeks. If you keep practicing and doing something for hours every day, it’s natural for you to become better at it. So, if you haven’t tried a photo tour or workshop, give it go. It could be the best way to boost your photography skills and passion.

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Like any other hobby or profession, you need to continually challenge yourself, set goals and have the motivation to create great photos. Sometimes that comes naturally, like when you are heading to a fantastic destination. At other times you have to make an effort to push yourself to be able to take your photography to the next level. The above tips should help you on your way, but ultimately it is down to you to push yourself.

What do you do to improve your photography? Tell us below.

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.


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7 Things I’ve Learnt About Photography From Pablo Picasso

29 Nov

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One of my favorite photographers, Ernst Haas, said we should seek inspiration from anywhere and everywhere. Listening to music, looking at paintings and sculptures, and reading books feeds your imagination more profoundly than just looking at the work of other photographers.

I think this is true. Exploring the work of a painter I love is as enriching to me as exploring a new city at sunrise. Similarly, wandering through a forest and photographing the sunlight filtering through the trees.

Our minds are hungry beasts. We think around 60-70,000 thoughts every day, with the majority of them being the same thoughts we had yesterday (and the day before). That’s scary. You can see how easy it would be to live life on autopilot.

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We can choose to think the same thoughts as yesterday, or we can feed our minds with new ideas – be they visual, sensory, words or music.

One artist who has inspired me with his work and ideas is Pablo Picasso. When he spoke about the artistic process, he articulated many of my core beliefs about taking photos.

He reminded me of the most exciting and essential elements of living a creative life. In the busy-ness of life, I so often forget.

Today I’d like to share some of Picasso’s ideas that are incredibly inspiring and impactful on any photographic journey.

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1. “Art washes away from the soul the dust of everyday life.” – Pablo Picasso

This quote of Picasso’s sums up why I dedicated my life to photography. Why I let it be almost everything that I am.

There is something about photography that deeply stirs my soul. I feel more alive while taking photos than I do with most other things.

Playing with my kids or talking to my teenage son deep into the night about challenges he faces, brings a similar feeling of purpose. However, very little else matches the feeling I get in the act of creation.

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Photography is a life-affirming pursuit. It makes me feel I am not just skating on the surface of life – rushing to and fro, writing emails and filling in forms.

Of course, there is nothing wrong with either of those activities, but do they really make you feel alive?

We all have to live and do necessary mundane tasks. But, we can also commit to making a vast amount of space in our lives for things that create deeper satisfaction in ourselves.

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2. “Inspiration does exist, but it must find you working.” – Pablo Picasso

This quote of Picasso’s is a testament to say: take photos even when you’re not in the mood, even when you’re only getting rubbish images. The only way to get that fantastic image is to keep going.

You never know when the light may dramatically change, making the scene before you look eerily beautiful. Alternatively, an intriguing stranger might walk past doing something peculiar!

Even though I am a professional photographer, I sometimes suffer from procrastination as much as the next person. I intend to go out shooting but get distracted by my kids or get too tired after a heavy meal.

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I realize if I’m not out there, I’ll never know what experiences, and then what photos, I’m missing. That seems like an insane waste of life.

Keep going. Continue searching for that great scene, interesting person, or a beautiful landscape. Whatever it is that floats your boat, go and find it.

3. “Art is the elimination of the unnecessary.” Pablo Picasso

I look at thousands of photos on my workshops. One thing I see regularly is people making images too complicated. When your images are too complex, you are not defining your subject correctly.

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There’s a myriad of compositional ideas you can use to help define your subject. For example, Rule of Thirds, creating clean backgrounds for your portraits and breaking the world down into elements.

The overarching concept in all of these ideas about composition is to eliminate all that is unnecessary.

Photography is a process of choosing what to put in the frame, and what to take away. It is wise to make your composition, then look and think. What isn’t working here? What do I need to remove?

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For example – one common mistake many photographers make is not checking their corners. It’s amazing how often people spend so much time composing their subject, but not checking all around the frame, especially the corners, to see that everything within it should be there.

Therefore, creating images is not just – ‘what do I put in the frame?’ But also – ‘what do I take away?’

4. Creating Feeling Within Your Images

“There are painters who transform the sun to a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun.” – Pablo Picasso

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The same is true for photographers. You can photograph any number of things, and it looks entirely real. However, what does it feel like when you look at your photograph?

It is all too easy to just document, without creating any sense of what it feels like to be in that hot and humid city, to look at that face, to feel the textures of the buildings you are capturing.

Photographing a cold winter’s morning is simple. Nevertheless, to translate the feeling of what it would feel like to stand in a misty field, with cold biting your face and a deep feeling of eeriness as fog rolls in across the land – that is another skill entirely.

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Ultimately, the success of any photo is whether it creates an impact for your viewer. The only question you need to ask is, ‘does this image invoke a feeling?’

It’s not just what we see that creates an impact, but the feeling that is created within our bodies when we see something that we love, dislike, or invokes joy, or sadness.

Feelings are what we remember. Images have no sense of feeling are instantly forgettable.

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5. “I am always doing that which I can not do, in order that I may learn how to do it.” – Pablo Picasso

One of the things that surprised me about being a parent is how quickly young children latch on to the idea, ‘I can’t do this now, so I’ll never be able to do it.’

Once you have allowed that thought into your mind, it can quickly mushroom until you are utterly convinced that you can’t do something. Never, ever.

I see it in my children, and I see it in 70-year-old clients who come to my workshops. I have to say that, ‘I can’t do this, so I’ll never be able to it,’ is one of the most destructive ideas for your photography.

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Of course, the technophobe might never become the most skilled camera person alive. In contrast, they can overcome their self-perception and become competent and confident with their cameras. I see proof of this regularly.

One of the most exciting ideas I have noticed coming out of the science community in recent years is the idea of Neuroplasticity.

Instead of the old belief that our brains become ‘fixed’ and unchangeable as we enter into adulthood, we now understand that brains are completely changeable.

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In fact, at any point in life, one is able to totally rewire thoughts and beliefs we hold about ourselves.

“The man who thinks he can and the man who thinks he can’t are both right.” – Confucius

Think of all the things you believe you can’t do with your photography, and go out and challenge those beliefs.

If you believe you can’t do street photography, but would secretly love to try it, do it!

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If you think you’ll never master manual mode, read up on it. Go out as often as you can. Make a ton of mistakes. You’ll get it eventually.

If like me, you think, ‘I’m not a nature photographer, but I’d love to try it,’ go and spend time in nature. Experiment, play and try new things.

As long as you approach the world with the attitude of ‘I can,’ you probably will.

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6. The World is Rich With Ideas

“A piece of space-dust falls on your head once every day… With every breath, we inhale a bit of the story of our universe, our planet’s past and future, the smells and stories of the world around us, even the seeds of life.” – Pablo Picasso

Of course, photography starts as a technical exercise. You need to use a machine, often with a little computer in it. Fully get to know the machine you are using. At least to the place where you are comfortable.

Photography is a union of the technical and the creative. The creative part of photography comes from an ethereal place within you that is unique.

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Your creative vision flows from everything that has made you who you are – your experiences, your life, what you love and what you detest.

It also comes from the world around us; from the feeling of history we experience when we walk through old city streets; from the awe of looking at a majestic five hundred-year-old tree.

The world isn’t a flat surface. Everywhere we look we see the ‘moment;’ the weather; the time of day. We also know that in a few hours everything we are currently seeing can change.

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Most people are so locked in their minds and focused on themselves that they don’t open themselves up to the mysteries of the world.

There are stories and ideas all around us that can inspire us in our photography, can provoke new ideas and adventures for us.

All we have to do is pay attention and commit to the awesome power of photography.

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7. “Only put off until tomorrow what you are willing to die having left undone.” – Pablo Picasso

The older I get, the more I feel like I need to demand of myself. That by the end of each day I want to be profoundly and truly satisfied. Not just to be content, or to have my to-do list full of check marks.

I want to have created something. Something that is entirely my own. A creation that no one else could have, because they are not me.

Photography gives us that, and I love that it does. It can give us opportunities to see, feel and experience more of the world.

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Without photography, life would not be anywhere near as rich and meaningful as it is.

When faced with either sleep or the chance to catch an amazing sunrise – I get up to photograph the sunrise.

Our lives are speeding along and, although we are aware of this, we become complacent. In a subconscious part of ourselves, we truly believe we live forever. The possibility of not existing doesn’t seem right.

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Our time on this planet is finite. If we acknowledge that we are organic beings, it can motivate us to demand more of what we truly want from our lives.

For me, it’s exploring and taking photos. It’s creating art and sharing it with others or showing people what beautiful things I see all around me.

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Of course, your photography journey is different from mine.

You may record the breathtaking journey of your children from babies into adulthood or documenting the joyous color of flowers.

Alternatively, you may be climbing snowy mountains and showing the world the awe-inspiring landscapes you witness. You may be documenting the strange and humorous things we humans do when out in the world, inhabiting our little bubbles as we move around the streets, unaware of the world watching us.

There are so many ways to be a photographer. So many things to document, explore and see. Follow your own path.

Just be open, and inquisitive. Look around you and open your mind to everything you don’t usually notice.

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By showing yourself and others what you see in this world, you open up other people’s perspective of the world around them. You take them out of their hectic bubble – full of the 24/7 news, the list of things to do, the emails and daily demands of daily life.

You give them a gift of seeing — a gift of taking a moment to stop and stare in awe at what the world has laid out before us.

It’s a pretty exciting, amazing and incredibly life-enhancing pursuit taking photos.

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Have these ideas fed your creative soul? If they have helped you demand more from your photography, and to take more time out of your life to commit to this fantastic pursuit, let me know below. It’s always great to hear from you.

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Zeiss opens its 2019 photography award with €15K top prize

27 Nov

Zeiss has announced its 2019 photography contest is open for entries, and that the top prize will include €12,000/$ 13,615USD of its lenses along with a €3000/$ 3403USD grant to pay for a photographic project.

The contest, run alongside the Sony World Photography Awards, is aimed at photographers shooting stories with multiple images rather than single frames. The theme, as always, is ‘Seeing Beyond – The Unexpected.’ The judges will be looking for collections of 5-10 photographs and descriptions on a theme with a ‘strong and clear narrative’. The brief is purposely pretty open and can be interrupted in a wide range of ways.

15 photographers will be shortlisted and will exhibit at the Sony World Photography Awards show, and the winner announced on April 9th at the awards ceremony in London.

Submitted photographs will be judged by three international panelists: Simon Frederick, Dagmar Seeland and Shoair Mavlian. According to Zeiss, ‘The jury will evaluate both the photographic quality as well as the creativity of the works. The jury is particularly looking for a powerful story that is clearly recognizable in the images.’

The contest closes on February 8th, 2019. For more information visit the Zeiss Photography Award pages on the SWPA website.

Press release:

ZEISS Photography Award 2019 “Seeing Beyond – The Unexpected “
Pushing the limits of creativity

The ZEISS Photography Award is now in its fourth year – and is calling on ambitious photographers from across the globe to present their work around the theme “Seeing Beyond – The Unexpected” to the international jury of experts. The ZEISS Photography Award is jointly organized by ZEISS and the World Photography Organisation. Last year, 12,000 photographers from 140 countries submitted nearly 90,000 photos.

The 2019 brief
Photographers are asked for a creative response to the brief “The Unexpected” that is driven by a strong and clear narrative. To be understood in its broadest sense, “The Unexpected” challenges photographers to submit a series of 5-10 images that look past the everyday and address something unforeseen or surprising – whether this is through the landscape and the physical environment, through human expression, emotion and interaction, through political or social causes or something more conceptual. The ‘unexpected’ element could be of global or very personal concern and may either showcase the familiar in a new way or shed light on something entirely different. All types of photography are welcomed by judges

Participants are required to submit a series of five to ten photographs, including a description of the images, online. Submissions open 22 November, 2018 and close 8 February, 2019.

Prizes
A shortlist with up to 15 photo series will be released on 26 March 2019. The winner will be announced on 9 April 2019. The winning and selected shortlisted works will be exhibited at Somerset House.

The winner will receive:

  • ZEISS camera lenses of their choice worth a total of 12,000 euros, and 3,000 euros to cover travels costs for a photo project.
  • Flights and accommodation to attend the exhibition’s opening at Somerset House London in April 2019.
  • ZEISS will also invite the winner to their headquarters in Germany to see behind the scenes and test out ZEISS lenses for themselves.

The winner will also have the chance to collaborate directly with ZEISS and the World Photography Organisation.

Articles: Digital Photography Review (dpreview.com)

 
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Essential Portrait Photography Gear You Need When Starting Out

26 Nov

My last post was on equipment to have when starting out as a wedding photographer.

I am not reiterating what I have touched on in that article, although there are some slight overlaps. Still, I recommend that you read that first.

dps-equipment-portrait-photography.

In this article, I touch on the differences between wedding and portrait photography which I have not covered in the previous post. I also follow that with equipment you need for portrait photography.

Differences

1. Weddings are fast-paced. Portrait photography is slower in comparison.

2. Weddings require photojournalistic shots and a documentary style to the coverage. Portraits most often include must have looking photos or a well-composed artful photo.

3. Weddings can involve countless lighting conditions, many of which you have no control over. Portraits are more manageable than weddings, and you have more control and options.

4. Weddings require dealing with large numbers of people but with less personal face-to-face interaction. Portraits are the opposite – especially involving children.

Given the above differences, this is the equipment I suggest you have in your bag as a portrait photographer.

dps-equipment-portrait-photography

1. Zoom Lens – Wide and Long

An excellent example of a wide zoom lens is the 24-70mm f/2.8 or if you have a kit lens, the 18-55mm. While this lens is versatile for wedding photography, in a small studio, this helps when shooting portraits with many people in them. There is no need to change lenses every time you go from photographing one person to three or five. The important thing to remember here is the distortion you get when shooting with a wide focal length at close range to your subject. 35mm for a full body length is good, but you start getting distortions wider than that, especially shooting 24mm at close range.

However, if you have a big studio, then you could do with a prime lens like a 35mm for a crop-sensor or a 50mm/85mm for a full-frame camera.

The 70-200mm f/2.8 (Nikon also has an f/4 option) is an excellent zoom lens. I used this lens for the cherry blossom photos above. An inexpensive alternative is the 55-200mm f/3.5. Using long focal lenses are fantastic for separating the subject from the background.

2. Fixed Lens

Also called prime lenses, those with longer focal lengths, such as the 85mm, 105mm, and 200mm, are great for portraits. You get amazing compression and depth of field. If you only have a small studio, using these lenses may be tricky because you need to have enough space between you and the subject. However, if you are shooting outdoors, results can be dramatic and beautiful.

If you are a natural light photographer, having a prime lens with a wide aperture is your best friend. For example, you can shoot between f/1.4 – f/2.2 and still get sharp images. However, a word of caution, there are other factors to consider to get sharp images at these apertures. Including: how you hold the camera, your ISO and shutter speed settings, and the use of a steady surface or tripod/monopod where needed. Because you have more control over the time you spend on portraits, and it’s not fast-paced, you can afford to use a tripod. Slowing things down may help you to nail your focus or achieve the compositions you are after.

Here is an article I have written comparing natural light and the use of flash.

3. Tripod or Monopod

As mentioned above, using a tripod or monopod is helpful when photographing subjects using natural light – especially if you have a static set-up/backdrop. You don’t have to keep moving your camera, and you get the same frame and composition every time.

If you take the majority of your portraits in your studio, there’s no need to shell out for an expensive portable tripod. These tripods are generally expensive because they are sturdy and made from lightweight materials, and they are a small size. As long as your tripod is strong and stable, even if it is super heavy, it can do the job.

dps-equipment-portrait-photography

4. Artificial Light Source

If you don’t purely rely on natural light, consider other light sources such as continuous lights, LED lights, flashguns, and electronic flashes/strobes. With these, you can shoot at any time of day under any lighting conditions. You are then not dependent on sunlight, the weather or the season. This article on a portable started kit may help with how artificial light sources can look.

You may need remote triggers and receivers to work these with your camera. Unless, for example, you are using the built-in creative lighting system of your flashgun unit in the case of Nikon.

5. Light Modifiers

With the use of artificial light sources, it is crucial to pair them with modifiers to take the edge off and soften the light. There are many types you can go for and this article could help you decide.

dps-equipment-portrait-photography

6. Reflector

Reflectors are a handy tool for portrait photography, especially when using in a studio environment. Using the correct reflector has an undeniable impact on the image before applying any editing in post-production. Read this article for a side-by-side comparison of various reflectors. If you have space, it is a good idea to have one large reflector propped up on a stand in your studio (lockable castor wheels are handy).

As this is to do with portrait photography, this article on setting up a home portrait studio might help give you more of an idea of the basics.

I hope you found this article helpful. If there is any equipment you wish to add, share your thoughts in the comments below.

Top feature image by:

Alexander Dummer

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Weekly Photography Challenge – Abandoned

24 Nov

This week’s photography topic for our weekly challenge is ABANDONED!

Abandoned truck NZ by Caz Nowaczyk

I have a fascination with things that are abandoned and left to decay. There is a sense of history that comes with things that are left behind.

Think urban decay, abandoned buildings (interiors and exteriors), abandoned cars, or anything that has been discarded.

Burnt out abandoned vehicle by Caz Nowaczyk

Check out some of the articles below that give you tips on finding and shooting Abandoned pictures.

How to Photograph Abandoned Places

25 Dilapidated Images of Urban Decay and Grunge

Urban Exploration Photography – Urbex

Photography Weekly Challenge – Abandoned

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll be embedded for us all to see. Or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge!

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSABANDONED to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Dumped mattress in floodwaters by Caz Nowaczyk

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Report: Reuters to merge photography, video teams under unified ‘visual journalist’ team

24 Nov

A report from The Baron, an independent website dedicated to sharing news and information about Reuters, says Reuters is speeding up the process of merging its picture and video news departments into a single team of ‘visual journalists’ while at the same time making cuts to the number of jobs within the organization.

According to The Baron report, in an internal message to Reuters staff, John Pullman, global head of visuals at Reuters, said ‘In Visuals we will accelerate the moves already underway to create a single unified team of visual journalists […] Many of our photographers already shoot video – and videographers produce pictures. This mode of working is becoming normal throughout the industry as video and photo technologies grow closer. We will be taking a structured approach to merge our pictures and video teams. We will look at technology, training and workflow – and introduce single leadership where appropriate.’

The Baron reports the internal memo goes on to say ‘We aim to align our teams with the needs of our customers by extending our footprint, improving our efficiency and increasing our flexibility.’

According to the referenced memo, Pullman said the changes, which come as part of the reorganization as a separate business under the Thomson Reuters umbrella, will take place over the coming months. Unsurprisingly, the homogenization isn’t going over to well with Reuters staff.

A Reuters employee, who spoke under the condition of anonymity to The Baron, said ‘This is essentially the end of Reuters Pictures, going down the tubes in a very sad way. Pix has won a score of Pulitzers and other prestigious awards under Reuters but it seems that is not enough to save it from what appears to be the terrible end of what was a great run over more than 30 years which brought the world some of the best photojournalism it has ever seen.’

Articles: Digital Photography Review (dpreview.com)

 
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Black Friday and Cyber Monday Photography Deals

23 Nov
Black Friday Cyber Monday Photography Deals

It’s that time of the year – if you’re looking for a good deal, then you’re sure to be on alert for the next few days! We’re taking the opportunity to re-launch two of our popular courses for the year with some big savings and great bonuses.

31 Days to Becoming a Better Photographer Course – Save $ 200

This course only opens a few times a year and is currently our only instructor-supported course with a dedicated Facebook group. Students have direct access to photographer Jim Hamel for 3 months, and they love it!

I have taken other on-line courses and found them not to as comprehensive as 31 Days to Becoming a Better Photographer. Since I took this course may photography has reach a whole new level. I am more confident in my camera settings; I have learned how to look and analyze the scene before I take the shot and not to be afraid to experiment. The concept of doing a daily photo after each lesson helps to put into practice what you have just learned. Jim Hamel is a wonderful instructor and I like that he is available for questions and answers back quickly. I have recommended this course to others that are just beginning. I also love the Facebook Group. It is such a supportive place for not just beginners but for photographers of all levels as we can always learn from each other.

Bett Cox

Canada

Usually $ 199, we are repeating the original launch special of just $ 49. And, if you buy in the next few days you’ll also get a $ 50 credit to spend on our Landscape & Nature Photography course below. But you don’t have to spend it now, because we know you’ll want to do the 31 Days course first – so we’re letting you claim it up until the 31st of March 2019. 

Act quickly if you want to get into the next intake of 31 Days to Becoming a Better Photographer because the will doors close for registration in less than two weeks. It’s one of the best ways to get your photography kickstarted for 2019.

Learn More?

Ready for something a little more challenging now? 

Landcape & Nature Photography Course – $ 237 in Bonuses

This was another popular video course we launched earlier this year with some great bonuses offered by instructor Johny Spencer. 

Exactly what I was looking for. Johny has a unique Aussie way about him and his enthusiasm comes through. Easy to follow and I can take all the information in during my own time. Good length individual segments. My equipment and photographic knowledge is vastly improved now I’m ready to get out there and try with confidence. A very worthwhile investment.

Bill Vincent

Now the bonuses are even better with the addition of 15 landscape and nature video masterclasses worth $ 150 (previously only available via his community membership). But you’ll need to be quick to grab this and two other bonuses during the Black Friday and Cyber Monday sale. And if the bonuses were not enough, we’ve also taken $ 50 off the course fee too.

Learn More?

Looking for Photography Gear Deals?

We took a quick look at what Amazon is offering. We get a commission if you buy anything through our links below, at no extra cost to you.

There is a big sale happening in their Camera, Photo and Video section. Their specials are changing all the time so do check back later to see what else they’ve added. Or take a look at our most popular digital cameras and gear page for some hints as to what others are buying. Many of the cameras listed there are currently on sale at Amazon too.

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Photography gifts for every budget: 2018 edition

22 Nov

With so many accessories, bags, lenses and so on to choose from, shopping for a photographer can be daunting. But we’re here to help: From stocking stuffers to, well, entire cameras, we’ve got you covered – at every budget.

2018 Holiday Gift Guide: Under $ 50

2018 Holiday Gift Guide: $ 50-250

2018 Holiday Gift Guide: Over $ 250

Articles: Digital Photography Review (dpreview.com)

 
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