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Posts Tagged ‘Photography’

Digital Photography 1 on 1: Episode 63: Night Shots: Adorama Photography TV

31 Oct

Adorama Photography TV presents shooting at night! In this episode Mark Wallace shows you how to shoot at night using only the moon and stars as your source of light. Outtakes at the end of the video – Coyotes! Learn more about low-light and night photography: www.adorama.com Products used in this episode: SureFire HS1-A-BK Saint, Ultra High Output White Light LED Headlamp www.adorama.com Nikon D3S Body Only www.adorama.com Nikon 14mm – 24mm f/2.8G ED-IF AF-S Wide-Angle Zoom-Nikkor Lens www.adorama.com Benro A0690TBH00 Travel Angel Aluminum Tripod www.adorama.com Nikon MC-36 Multi-function Remote Cord www.adorama.com Nikon D7000 Digital SLR Camera Kit with 18-105mm DX VR Lens www.adorama.com Canon EOS-5D Mark II Digital SLR Camera Body www.adorama.com Canon EOS-7D Digital SLR Camera Body www.adorama.com Canon EOS-1Ds Mark II Digital SLR Camera Kit www.adorama.com Canon EF 70-200mm f/2.8L USM AutoFocus Telephoto Zoom Lens www.adorama.com Visit ?www.adorama.com for more photography videos! Send your questions to: AskMark@Adorama.com
Video Rating: 5 / 5

This fascinating 1958 documentary titled “How film is made”, that documents the production process and birth of photographic and cinematic film, was initially uncovered as part of a heritage in the Netherlands. Although its exact source and purpose are as of yet still unknown, it may have been an instructional film for new employees at Kodak’s factories world wide, and was probably used as a promotional film for the general public as well.
Video Rating: 4 / 5

 
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How to use BULB mode with cable shutter release for long exposure night photography

31 Oct

razzi.me www.facebook.com www.PhotographersonUTube.com https In this tutorial you will learn how to use the BULB mode for long exposure night photography
Video Rating: 4 / 5

Build this jib for about plus or minus 50 cent. Part: Crown Bolt Plain Steel 1/2 in. x 72 in. Square Tube 1/16 in. Thick (2) 8″ corner brace zinc plated(2) skateboard bearing(8 optional) 4 bolts 8 nuts

 
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Photographer Marcel Lammerhirt – Extreme Sports Photography

31 Oct

Sports photographer Marcel Lammerhirt uses a variety of flash and remote cameras to capture extreme sports photos at different angles and speeds. Extreme sports photographer Marcel Lammerhirt, a member of the SanDisk Extreme Team, loves shooting photos with numerous cameras at the same time. He invests most of his time in flash and remote cameras, and loves photographing a number of sports to capture that specific moment in time. With extreme sports, such as motocross and cliff diving, there is only one chance to grab a shot, since the stunts are often difficult and dangerous. The speed of SanDisk memory cards allows Marcel to continuously shoot in burst mode without lagging behind due to unwanted buffer times. He enjoys taking photos from many angles, so he often sets up several cameras, such as an overhead camera and sequence cameras. SanDisk cards let him use remote cameras all day without having to switch out cards. When he arrives home at the end of the day, he is confident that all his extreme sports images are intact and ready for processing.
Video Rating: 5 / 5

 
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Landscape Photography Composition Tips from Joseph Holmes

30 Oct

www.silberstudios.tv Joseph Holmes, a Berkeley-born landscape photographer who’s been publishing fine art prints since the late 1960’s, joins us today on Advancing Your Photography to share his photo composition tips! Joseph’s goal is to take pictures that change people’s outlook on the world, and composition is the most important tool a photographer has, especially in landscape photography as it is one of the few factors you can control. So how does one take a life-changing photo? Holmes says that you need to work very hard and explore every photography technique so you can recognize “the shot” when you see it. His composition tip is one that many beginners forget don’t ignore the edges of your photos! Watch the full interview for these tips and more on taking landscape photos!
Video Rating: 4 / 5

 
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Bird Photography Near Feeders

30 Oct

A Guest Post by Lithuanian Photographer Tadas Naujokaitis.

Bird photography is quite difficult because birds don’t do what a photographer wants. Moreover, it’s often hard to get close to them. And when you have more experience in photography, you realize that it’s even more difficult to take a good bird photo, because you need a good background and a beautiful environment. However, there are a number of ways you can improve the bird photos you take. In this article, I’ll explain some tips on photographing birds near feeders.

The place

The place is the first thing you need to consider. You need to decide what bird species you want to photograph, and work out where you’ll find that kind of bird.

Depending on your location, even your backyard can be a great place for a feeder to attract the species you’re after. I wanted to photograph forest birds, so I chose a local forest. I searched for the exact place in that forest quite a long time—mainly, I needed to consider the background, and the amount and direction of the light that reached the feeder.

Ideally, your location will have a smooth background (when I search for a background, I use manual focusing at ~4m and take many test shots) and enough light. I’ve found it’s best when the sunshine reaches the feeder in early morning. Also, be sure to ask for a permission to feed and photograph the birds if you are not the land owner.

The hide

Once you’ve worked out the exact place where you’ll put your feeder, you need a hide. I recommend using a permanent hide, because birds will understand it as a part of environment, and you won’t need to set it up and then wait while the birds get used to it each time you decide to take photos.

You can build the hide from whatever you like—even an old door can be very useful. I built my hide from the branches I found in the area. It required a bit more work, and it isn’t waterproof, but I didn’t want to use expensive materials because there is always the risk that your hide can be damaged by other people if you don’t build it in your own backyard.

One more thing to note: the hide should be large enough for you to stay in it comfortably, because you may spend many hours in it. This is how my hide looks:

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The feeder and food

The construction of the feeder itself isn’t very important. I prefer the platform feeder because, if you like, you can put many decorations on it when you’re photographing birds.

However, the food is very important. I recommend using sunflower seeds, peanuts, and suet cakes. Other similar products should be fine, too, but be sure the food you choose won’t harm the birds you’re photographing. The food must not be tainted, salted or smoked. And if you feed birds in the colder seasons of the year, you must feed them constantly until the weather becomes warm and the snow melts—otherwise many birds can die. Be prepared to spend some money on food. As am example, you may need even more than 100kg of sunflower seeds for one winter if you use them as the main food.

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The perch

If the birds have already found the food, you can start shooting. Find a beautiful perch, twig or rotten stump and put them on the feeder or near it. If you’d like, find some decorations to add to the scene—berries, for example. They will make the composition of your shots more lively.

Be creative: try using various perches, or put the food in such place that you don’t see it though the lens. You can use holes in the feeder, put the food on the side of the perch that isn’t visible, or simply place it below the perch on which the bird will sit.

The food can also be put in such location that the perch becomes an intermediate stop for birds moving towards the food. Often it’s difficult to photograph the bird without food in its bill. If this is your goal, try to hide some food so the bird will need to search for it. You can also take some pictures of birds without food, when the food has just run out, but you won’t have much time to shoot before the birds realise that there’s no more food and fly away.

My recommendation, however, is to always have plenty of food in the feeder, which will attract more visitors to the feeder, and be ready to quickly take a photo before the birds take any food.

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Equipment

You should get good results with any DSLR and a 100-200mm lens. However, with longer focal length, you’ll get a better background. A tripod is usually necessary, too.

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Camera settings

Exposure: 1/50-1/500 or even shorter, depending on how fast the birds are (faster birds need a shorter exposure), and how much light you have (if there isn’t much light, you may need to set longer exposure if you don’t want to use high ISO settings).

Aperture: if you don’t have enough light and want the best possible background, select the largest aperture (the smallest number). If it’s difficult to get the whole bird in focus, close the aperture a bit.

ISO: use as low an ISO speed as possible. However, if you don’t have much light, it’s better to set ISO 800 and get sharp pictures than ISO 200 and take blurry ones.

The light

The best time for photography is morning or evening because the light is soft and has a pleasant hue, shadows are not so distinct, and it’s easier to get details from very bright and dark areas. Overcast days are better than sunny ones because the shadows are less distinct. However the midday sun can be your friend if its rays are diffused by trees.

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Composition

It’s usual to leave some space in the direction in which the bird is looking or flying. Try using the rule of thirds in your composition. Avoid any distracting elements and take the picture at the bird’s eye level. Don’t always try to fill the frame with a bird: remember that birds are very fast creatures, so they need space. Even in the photo!

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Conclusion

The best part of bird photography near feeders for me is that I have a great time. It’s usually hard to believe that 10 hours have already passed – I always wish I had more time. I hope you will have a good time photographing birds near feeders, too.

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About the Author:

Tadas Naujokaitis lives in Lithuania. See more of his work at www.tadasnaujokaitis.tk and connect with him on his Facebook page.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Bird Photography Near Feeders



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Photography Tutorial: Unique Composition 2 (landscape photography)

30 Oct

See my photos at: www.momentsofnaturephotography.com In this tutorial I talk about how I took one of my more unique shots. Use the tips and techniques that you see in this video to make your own more unique photographs. A nikon D300 and nikon 12-24mm lens were used to capture the photo in the video. DONT TRY TO COPY THE IMAGE IN THE VIDEO, IT IS COPYRIGHTED.

To order, go to — www.FotoSharp.com
Video Rating: 4 / 5

 
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Posted in Nikon Videos

 

Karl Taylor photography competition (April winner and May 2012 is reviewed)

30 Oct

The TOP 25 in the Karl Taylor Photography Competition “Technology” is now online! You can vote for your favourite here: www.karltaylorcompetitions.com —————————————— Related links: Karl Taylor Blog: www.takeabetterphoto.com Karl Taylor Facebook: www.facebook.com New Pro-Photography Secrets Pre-order: www.karltaylorphotography.co.uk

 
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Photoshop tutorial-Baby photography techniques

30 Oct

www.nobsphotosuccess.com
Video Rating: 4 / 5

 
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Posted in Retouching in Photoshop

 

Learn How To Master Photography And Photoshop

30 Oct

Photography And Photoshop Membership Site Containing Video Tutorials, PDF Reports, E-books, And More All Related To Photography, Photoshop, And Internet Marketing, And How To Use Them Together.
Video Rating: 0 / 5

 
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Lensbaby: Product Review: Adorama Photography TV

30 Oct

www.adorama.com Adorama Photography TV presents Lensbaby Optics and Lens Bodies. Rich Harrington reveals how Lensbaby can help you find the lens that matches your creative style of shooting. Lensbaby mounts directly onto your SLR or mirrorless camera body. Join Rich as he demonstrates the how to gain more control over depth of field with the Lensbaby Edge 80 Optic. AdoramaTV features talented hosts including Mark Wallace, Gavin Hoey, Joe McNally, Joe DiMaggio, Tamara Lackey, Bryan Peterson, and Rich Harrington. Related Products Lensbaby Macro Converter Extension Rings www.adorama.com Lensbaby Edge 80 Optic, 46mm Filter Diameter, 17″ Minimum Focus Distance www.adorama.com Sony Alpha NEX-7 Camera Body www.adorama.com Nikon D800 Digital SLR Camera Body www.adorama.com If you have questions, share them with us at: Adotv@adorama.com

 
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