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Weekly Photography Challenge – Blue

10 Oct
Darlene Hildebrandt

By Darlene Hildebrandt

Darlene Hildebrandt

By Darlene Hildebrandt

Weekly photography challenge – blue

This week is your chance to find something blue and create a composition around it. Above are a couple of my own images for example. You can see more here and below.

Last week we did yellow – now it’s time to look for the opposite, complementary color and cool things down.

Jose Casielles

By Jose Casielles

Raj Stevenson

By Raj Stevenson

Martin Cathrae

By Martin Cathrae

Thomas Hawk

By Thomas Hawk

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

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What Michelangelo and Other Great Artists Said About Photography

09 Oct

The words of the wise men can be a great source of motivation in the moments of creative or any other kind of personal crisis. While you probably got used to seeing quotes by renowned photographers in your Twitter or Facebook feed, have you ever wondered what great artists, such as Michelangelo, Salvador Dali, or Claude Monet could say about Continue Reading

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A Guide to Newborn Photography – Preparation, Posing and Post-Processing

09 Oct

Newborn photography is, in my opinion, one of the most rewarding (and difficult) branches that a photographer can get into. I’ve shot numerous hectic weddings where I was physically exhausted afterwards, and had lifestyle sessions where nothing went right, but nothing has even come close to the process involved when taking photos of a precious newborn baby!

Over the years, I’ve learned some insightful tips from interacting with parents, to posing newborns safely, and also my philosophy when it comes to editing. I want to give all of these tips to you, to hopefully fast-forward your newborn photography aspirations and take you to the next level.

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Before I dive right in, I want to give you some insight on my background and techniques, so that you can evaluate your style compared to mine, and make adjustments to my tips to suit your photography.

LIGHTING AND SHOOTING PACE

First, I’m a natural light newborn photographer. I will use a continuous lighting system in my studio on the darkest of days, but 99% of the time the only light in my photos is coming from that big fiery ball in the sky. Speaking of studio, I exclusively shoot newborn sessions at my in-home studio space. I’ve converted one of the bedrooms in my home to my shoot-space. You don’t need a huge studio for newborn photography – my small 10×10′ (3×3 meters)room with two windows gives me enough natural light and room to do everything I need to do.

DPSimage 2

SAFETY

Safety is my absolute number one priority for taking photos of newborns, which I’ll talk more about later in the article. It scares me how many pros and amateurs alike don’t make this step important. While on my soapbox, if you don’t make safety an absolute priority, then you have NO business photographing newborns. Whew – I feel better now.

PREPARATION

Whether you’re a photographer inviting newborns and their parents in, or you’re a parent yourself trying to capture beautiful images of your baby, the steps for preparation are virtually the same.

Here are some great tips to keep in mind when you prepare for the session:

  • Warm it up! I close the door to my studio and use a space heater in the corner to warm the room up to about 80-85 degrees F (26-29c). This is usually a great temperature to keep the baby happy, especially if they aren’t swaddled. Be sure to give any clients a heads up about the warmth, and suggest they bring light clothes for themsleves.
  • Wash your hands. Take every precaution not to spread germs, especially for a newborn with a weak and developing immune system.
  • Do NOT wear jewelry. I always take off my rings, bracelets, earrings, and necklaces. While the likelihood of your jewelry falling off is low, it’s not a zero chance. Keep it simple to keep the baby safe.
  • Avoid fragrances. While a newborn’s vision and hearing senses are not too keen, their sense of smell is very sensitive. Don’t wear perfume/cologne, fragrant lotions, or strong hand sanitizers. This can upset the baby quickly.
  • Try to create some white noise. Having some white noise can dull any thuds, shuffles, or the sound of the shutter on the camera that may otherwise wake a baby. My space heater serves to not only provide heat, but also gives me plenty of white noise. You may want to consider an app on your phone if the space heater is too far away, or too quiet.
  • Get all your props, backdrops, blankets, etc., ready before you take any photos. The less you have to move the baby to set up a new shot, the better.

 

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Another aspect of preparation for photographers working with clients, that isn’t talked about as much, is preparing for newborn parents. As a photographer myself, I have met hundreds of parents who are swelling with pride for bringing life into the world, but who are also completely exhausted. I offer my clients coffee when they arrive to let them know that this is a haven for comfort, and to trust me because I know what they are going through.

You’ll also run into two types of parents while photographing newborns: “hover” parents and “passive” parents. Hover parents may clutch and grab for their baby at the slightest sign of a whimper (which is natural human instinct, by the way), and it can impede your ability to take great photos for them. Passive parents are typically those that are the opposite of hover parents, and I’ve found are usually associated with parents who’ve had multiple children and are pretty laid back about the whole process.

The best solution for interacting with all parents is to make sure they’re properly informed before the session begins. Reassure them that their baby’s safety is your number one priority, go over your process with them, and make sure you openly communicate about their baby during the session. This will help ease any concerns a nervous new parent may have.

POSING

I LOVE natural newborn poses, and I try my best to capture the precious little miracle, and show how they are naturally. I do own a newborn posing beanbag (which I highly recommend purchasing) that has curves, allowing me prop the baby up, or lay them down. There are literally hundreds of guides on the internet about how to pose a newborn, so I won’t go into the different specific poses and setups here. However, I will go over the basics, and get into some more in-depth and technical aspects. If you have no idea how to start posing a baby, start with those guides before you ever (read: ever, ever, ever) actually take photos of a newborn!

Like I’ve stated numerous times already, MAKE SAFETY FIRST! Natural poses are also safe because there’s very little risk involved if the baby twitches or moves spontaneously. While the baby is posed naturally, I’ll also snag some macro feature shots of the baby’s unique features like their cute little noses, tiny feet and toes, and the adorable little lips they have. Posing the baby naked, or swaddled with blankets, is something that you’ll decide, hopefully after a conversation with the baby’s parents to see what they prefer, and what photo theme they want.

DPSimage 4

You WILL eventually run into a fussy baby at times while posing during the session. It’s pretty rare to have a newborn that gives you no issues at all. That being said, you can prep the baby beforehand to increase your chances of successful posing. I always ask the parents to plan a feeding right before the session begins. Full belly = a happy baby most of the time. However, this isn’t the be-all-end-all solution for some newborns. I’ve been affectionately called the “baby whisperer” by many of my clients because I can typically sense what the baby wants, but I do so by using cues that the baby provides.

A hungry newborn will cry and root, sometimes shaking their heads back and forth and opening their mouths (kind of like a fish) as they look for a food source, i.e. Mommy. Another symptom of being fussy can stem from being cold. Look for tiny goosebumps on their skin to see if they’re too cold. The newborn baby may also be gassy, which can be tough to detect many times, but usually happens in a delay after a feeding. Sometimes it feels impossible to detect what may be causing the baby to be upset. I’ve found that often this is due to the newborn being just slightly uncomfortable or restless. You can calm a a fussy little one by doing some very soft rubs on their forehead or back, or some very light taps on their bottoms. Every baby is different in what they like so it may take some trial and error.

DPSimage-5b

Photo one (left) holding the baby’s head for safety. Photo two (middle) holding the baby’s head from below for safety. Photo three (right) the two combined to make it appear that the baby’s head is resting on its hands.

While I prefer to naturally pose the baby, I will also do a few “risky” shots for variety, and that artistic touch. I put risky in quotes because these photos would be completely unsafe normally, but with composite editing in Photoshop, you can merge safe images together to create the artistic illusion you may be going for. Classic examples of this would be the head propped on hands photo (see above picture), hammock photos, or anything where the baby is perched on some object. By the way, you should never do these photos in one take – use the composite route! Just do a quick Google search for “composite newborn images” for step-by-step instructions on how to pull this off.

POST-PROCESSING

As a natural light photographer, I don’t typically manipulate the light in too many of my photos in Photoshop. I’ll make some tweaks here and there, but my biggest adjustments are typically associated with skin smoothing (although I also do some touching-up in post-processing). Slightly overexposing images helps with smoothing the baby’s skin, and shooting in RAW can help you correct any exposure or color issues along the way.

DPSimage 6

Here’s a tip – you don’t need a massive studio with a huge backdrop to create gorgeous images from far away. Take the example before/after photo above (sans newborn baby) – some minor editing and blending can create fabulous images you’ll be proud of. Just search for some floor/backdrop fading tutorials online for details and step-by-step instructions on how to do it.

Using the clone tool, the blend tool, and creating/manipulating layer masks in Photoshop, you can create exactly what you are after in a “look”. Digital Photography School has some basic Photoshop tips that are fabulous!

 

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In the end, you’ll need to decide what your style is, and what you want your photos to look like. My style includes editing out the skin imperfections on the newborns, but leaving certain features on macro shots (like skin flakes, birth marks, some baby acne, etc.), but there are others in my area that leave the images as they are, with very little touching up. It’s up to you. If someone has hired you, it’s because that person loves your images and the way you edit your photos – stick with it, or try to appeal to a different base.

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8 Common Landscape Photography Mistakes

08 Oct

As photographers, we know that there are literally hundreds of small things that need to be done in each scene, that add up to the final magnificent shot. Sometimes when we get behind the camera, and the light becomes amazing, it’s very easy to forget one or two things, and the result is that the shot is not as good as it could have been. There are lots of details to remember, but there often some obvious things that have been forgotten. These are the common mistakes I see in many landscape images. If they were corrected at the time, the image would have been much more dramatic and powerful.

Penguins and iceberg in Antarctica.

Penguins and iceberg in Antarctica.

So here are the eight top landscape photography mistakes make so you can avoid them and improve your images:

1. Stability – use a tripod

In creative images, blurriness can be very interesting. In landscape images however, you usually want your image to be sharp all the way through. The best way to be sure that your image is sharp is to use a tripod. If you are shooting in low light (you mostly will be if you are shooting landscapes) then you absolutely need to be using a tripod.

Now, there are tripods and there are tripods. For landscape photography, you might want to invest in a more heavy-duty one. The small light-weight tripods might do the trick for a while, but if you are shooting on a location and it’s windy, your tripod may get blown over, or might move because of the strength of the wind. A good tripod will also last a long time and take a beating, so buy the best tripod you can afford, and make sure you keep your camera as still as possible when shooting.

Another good piece of equipment to buy is a cable release. You don’t need to buy one of the expensive ones with the intervalometer built-in, no, just a simple cable release. Once you are set up and ready to take your shot, step back from the camera and press the button. There will be no vibration from you pressing the shutter release and your image will be nice and sharp. If you don’t have a cable release, you could use the built-in self timer to release the shutter too.

2. Get the horizon straight

This almost goes hand-in-hand with using a tripod. Many a good landscape image has been damaged by a skewed horizon. Fortunately, this can be easily fixed in Photoshop or Lightroom, so it’s not a very big worry, but you might have to crop out some details to get that right. The idea however, is to get the shot right in camera first, then edit.

You can use a few different tools to make sure your horizon is straight. Firstly, switch on the grid in your camera viewfinder, line up the horizon with the horizontal line, and you should be good. Some tripod heads have a built-in spirit level, make sure this is level and your horizon should be fine. Lastly, use the live view function on your camera, and if you have it, bring up the false horizon dial on the back of your screen, level your camera, and you are done.

I prefer levelling my horizon in camera, as it helps to save time in post production. If you need to straighten the horizon afterwards, you will need to crop the image as I noted earlier, which means your composition may change slightly. I prefer not to crop as far as possible, so getting it level in the camera is a good goal.

A crooked horizon is distracting.

A crooked horizon is distracting.

Looks better now that the horizon is straight.

Looks better now that the horizon is straight.

3. Shooting only in landscape format

Many photographers assume that they should shoot a landscape scene in landscape (horizontal) format. This is normally not a bad idea, but in some cases, a portrait orientation (vertical) can work really well. Think of a forest or mountain scene. If the subject shape is more vertical than horizontal, try it in the portrait format, it can add a dynamic feel to the scene.

Shoot in portrait format too!

Shoot in portrait format too!

4. Not thinking about the aperture

I truly believe that aperture is a composition tool. When you are setting up a scene, you should be thinking about your depth of field. Do you want everything from the foreground to the background to be in focus? Generally, in landscape photography, this will be the case.

If that is what you want, make sure your aperture is f/8, f/11 or higher. That way, you will ensure that everything is in sharp focus. If you are at f/2.8, and you focus on the foreground, the background will be out of focus, and the middle of your scene will be soft. This should be one of your key checkpoints when you set up the shot. If you are using a wide aperture and the mountains in the distance are out of focus, this cannot be fixed afterwards in Photoshop…not yet anyway!

In a landscape image, you will likely want everything in focus.

In a landscape image, you will likely want everything in focus.

5. Shooting using the camera’s landscape mode

Yes, you may have a landscape setting in the scene modes on your camera. As much as possible, try not to use it. Why? Well, it’s not great at making the exposure look good for your scene. What it will do is set your aperture to f/8 or even f/11, but it may not render the scene as effectively as you could do using manual settings. The scene settings are designed to work within certain parameters and in low-light conditions, they are not always the best choice. Try and shoot your landscapes on manual settings as far as possible, that means that you control ISO, shutter speed and aperture.

6. Standing next to other photographers

If you see a group of photographers standing on the top of a hill, it might be a good idea to shoot from somewhere else. This is not to say that other photographers have got it wrong, rather what I mean is, you want to go home with a different image to the others. Sometimes, the best composition or vantage point is at one particular spot, that’s fine, take a shot from there, but look for other places to get a great shot too.

It’s a good idea to scout a scene before you shoot it. Go and take a walk around the day before, look at where the sun will be setting, and decide on your position. Don’t simply follow the crowd, then your images will look like the rest of the images taken there.

A different vista of Machu Picchu.

A different vista of Machu Picchu.

7. Uninteresting negative space

Negative space is the space that surrounds your subject. This space can truly make, or break, your image. In most cases, the sky is the negative space in a landscape scene. A clear blue sky looks great, but some wispy soft clouds can really make the scene dramatic. If the sky has no clouds and is clear, this can make the scene seem uninteresting.

If you find that in your scene, make the sky a smaller portion of your image, if there are some great looking clouds, give it more space in your scene. Sometimes, you don’t have a choice, you may only be able to get some shots on a particular day. In that case you need to get what you can. If you don’t have this constraint, try to go back on another evening, when there are some clouds in the sky. Clouds give the sky detail, they reflect the sunlight, and can look yellow orange against a blue sky. This makes for a much more interesting scene.

The sky had no clouds, so I made it a small part of the image.

The sky had no clouds, so I made it a small part of the image.

8. No clear subject

It sounds crazy, but it is very easy to have an unclear subject in landscape photography. Most often, landscape photography is of a natural scene, mountains, forest, river, seascape, deserts, etc. Whichever one it is, make sure that it is clear to your viewer.

If you are photographing a mountainous scene, make sure you use a lens that works for that scene. Landscape photographers are tempted to think that every image needs to be taken with the wide angle lens. Sometimes, this can cause the mountain range in the background to seem small and insignificant. The same can be true in any of the other types of landscape photography. Be sure that your viewer knows what they are supposed to be looking at, and show them that, and the beauty that surrounds the subject. Get close to your subject, as close as possible, and if it’s not close enough, maybe you need to use a different lens to get closer. A 50mm lens can be used in landscape photography, so can a 200mm lens, it all depends on what you want the viewer to see.

Subject-2

The iceberg in front of the ship is clearly the subject here.

Next time you are planning a landscape photo shoot, run through these points quickly and see how it works out for you. If anything, you will be more mindful and deliberate about what you are shooting, and that will immediately improve your images. Enjoy.

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8 Tips for Fall Landscape Photography

08 Oct

Fall is a fantastic time of year for you to photograph the landscape and really push your creativity. The colors, textures, and soft light provide an amazing palette to create compelling photographs. It’s really easy though to just point your camera at the color and hope the image comes together without thinking about the composition. Here are just a few tips to take with you into the field to make the most of the colorful season in your fall landscape photography:

1. Use a longer focal length lens

Dd tip1

It’s tempting to photograph grand scenes with a wide angle lens, but using a longer focal length lens, 200mm or longer, can really help simplify the scene and make the subject about more than just color. You can also use the longer focal length lens to photograph the intimate details of a forest interior. Look for elements in the scene where there is a break in the pattern or use negative space to help isolate the subject.

2. Use a wide aperture to isolate the subject

Dd tip2

Pick a wider aperture, around f/2.8 or f/5.6, to isolate your subject from its surroundings. This will help create visual contrast between the sharp subject and the background, which will be softer and more abstract. This also adds tension between the real and the unreal, providing you with an image that’s more dynamic and expressive. Experiment with different subjects and backgrounds and get creative with your choices. Pay close attention to your subject and make sure that you have the desired amount of the subject in focus when using a wide aperture.

3. Make fall color the secondary subject

Dd tip3

The temptation is for you to make the primary subject all about the fall colors. Find other primary subjects such as streams and waterfalls that are accented by the fall colors, to make images that have more depth and complexity. Although the color may attract your eye to the scene, ask yourself what the subject might be other than color.

4. Look for patterns and textures

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Color is an obvious design element that you’ll be working with in your images but look, for others like pattern and texture, to create satisfying compositions. Learning to see the world around you as elements of 2-D design (line, pattern, texture, etc.) will help you move forward in your composition skills.

5. Be patient and wait for interesting or dramatic light

Dd tip5

Patience may be the best tool in your camera bag. Fall colors are wonderful, but can be even more stunning when combined with the right light for your subject. Patience usually is a big factor between a good image and a great image. Many times the best light can be short lived, so think through your composition in advance, and be ready for the light to work some magic.

6. Experiment with intentional camera movement

Dd tip6

Definitely experiment with moving your camera vertically as you release the shutter to blur the scene and create an abstract image of lines, textures, and colors. Experiment with different shutter speeds, and the pace of moving your camera, until you find the right amount of blur. This is a great opportunity for you to take your camera off the tripod and just play with camera movement. Darker elements that work well include a rock face, canyon walls, or deep shaded areas in the forest.

7. Look for elements that contrast the fall color

Dd tip7

Fall colors are usually bright and have texture and pattern. Look for opportunities to place the fall colors against darker elements so you can create an image with some dramatic tension.

8. Don’t forget to look up

Dd tip8

The interior of a forest can be an amazing and colorful place to photograph, but it’s often difficult to isolate a subject. If you’re having trouble, look up and explore the canopy. Images that contrast the fall colors with the deep blue sky can be really pleasing and make interesting wide angle photographs. Don’t forget to use smaller apertures like f/22, to create a starburst effect as you shoot through the forest toward the sun.

Summary

Hopefully these tips will help you make the most of your time photographing the amazing colors of the fall season. Take the list with you into the field so you can slow down, think through your compositions, and return home with some compelling photographs.

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Using Your Photography to Create Social Change

05 Oct

There are images that immediately come to mind if someone mentions them. For instance, the image of the man being shot in the head during the Vietnam War, or the girl running naked down the road (also in Vietnam) after being burned by a napalm bomb. I don’t want to use the word iconic, but they are well-known, and very emotive images. The Vietnam War was like no other, and these images helped to show the devastation.

An image of an event, or a place, can create a lot more connection than written words or stories; humans are visual and we relate to visual cues. But images don’t have to be about war to generate a response from people.

In late-1970s Australia, the government wanted to dam part of a river in Tasmania. It was something that upset many people. It would mean that many parts of stunning rainforests in the area would be drowned and lost forever. When I think back to that time, there is a beautiful image of the place that immediately comes to mind. It is an image of the river by photographer Peter Dombrovskis, and its catchphrase was that it would be submerged by the dam.

peter-dombrovski-franklin-river

Rock Island Bend, Franklin River, South West Tasmania, by Peter Dombrovskis, National Library of Australia, an6631500 (Bib ID#2899361)

Here I am 30 years later, and this image is still strong in my mind; it says, “This image stopped the Franklin Dam”. Images can very powerful. Who wouldn’t want to have an image that changed the world – well, at least helped save a small part of it? With so many images in existence now, it may be hard to imagine that any could have the same impact. With the world of digital perhaps we are in image overload.

It doesn’t mean you can’t try. There is no reason why you can’t highlight a cause that you are passionate about, using your photography.

In the area around where I live, there is a large green belt that follows the Yarra River, which is the main source of water for the City of Melbourne. It is wonderful that the land has been preserved and not given up to development. Parts of the area were still being farmed until very recently, around 2o years ago.

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Morning Light over Banyule Flats. The area has been allowed to return to its natural state as it would have appeared over 250 years ago.

Part of the area is a swamp (wetland) and was here before European Settlement. Once the land was claimed, the swamp was drained and the water course moved so it didn’t fill anymore. Fences were put up, and cattle grazed there for over 150 years.

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Early Autumn Mists on the Water.

Eventually, the land was sold to the local council, and they have helped the area recover over the last 20 years by revegetation, and putting the water course back, so the swamp would fill again. It did – and it has become a place rich with native birds and plants. The fence posts are still there, but the trees that grew while it was dry have since died from being waterlogged.

The area is ecologically and communally important and is in constant use – but there is a problem. Banyule Flats is situated right in the middle of where they want to connect two freeways. This is an area that I love and want to help protect, so I started thinking about how I could use my photography to help stop the freeway.

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Winter Sun Casting Long Shadows.

My first thought was to start putting photos up on my blog. If I could get people from around the world to build a connection with Banyule Flats, perhaps I could get a whole lot more people to fight for its survival.

About 12 months ago my local council, Banyule City Council, was offering Environment Grants and I wondered if I could get one to do a book on the area using my photography. I rang the coordinator for the grants and spoke to her about my idea for the book. She seemed to really love it, and gave me ideas of what to put in the proposal. I had to join the Warringal Conservation Society to be eligible for it, but that was never a problem, and I have loved being a member.

The grant was approved, and I will use the photos I have been taking for two years now. It is time to put the book together and work out what is the best way to present the images. We can’t just put them all together with no story because, it has to be interesting.  It has to be done in a way that people find not only beautiful, but helps build a connection to the area so they won’t want to see it destroyed.

This is an opportunity to use photography to bring about social change. If you can help people build a relationship or feel something for a cause, then that gives you a lot more people who want to fight for it with you. Your case becomes stronger, and there’s power in numbers.

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Cattle Egret Surveying the Water Below. One of many birds that inhabit the area.

One thing that is happening with the book on Banyule Flats is that we are inviting the Wurundjeri Elders and people to be involved. They are the traditional owners of this land, and having their input will help highlight the area, give the book a unique look, and help showcase part of their culture. Of course, I will not take advantage of them and will make sure that proper credit is given, and they will get a share in the royalties as well.

If we can make the book show off the area, we hope that more local people will get involved in the fight for the Flats, and we can then introduce the area to a much wider, potentially worldwide, community.

The book is going to be visual, have lots of photos throughout showing the area through the seasons, and contain big landscapes, as well as macro images of the flora that grow there. The photos have to be powerful to get our message accross: there will be no freeway through Banyule.

Cole-social-change-photography0378

Bottle Brush. One of the indigenous plants at Banyule Flats.

Images are very strong. If I just tell you about the area then you are not going to want to protect it, but if I show you what it looks like then you start to feel a connection. Beauty has to be seen, and that is where photography becomes very powerful.

Think back to causes you have felt very passionate about. Do you think of them in words, or in images?

Cole-social-change-photography0373

Sunrise Around the Back of Banyule Flats.

When I think about the Vietnam War, images come to my mind, like the two I already mentioned. The Franklin Dam project was one of the first major campaigns that I have a really good memory of.  The image of the Franklin River gave people an understanding of what they were going to lose if the dam went ahead.

If you have a cause that you want to assist or save, use your photography to help. Get the best photos that you can, and show people what you want them to see. The stronger your photography is, the better the effect it will have. You want to create images that people will remember. In the years to come when people talk about Banyule Flats and how we stopped the freeway, I want them to think of my images in the book.

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5 Trends to Take Your Photography Business to the Future

04 Oct

As an owner of a photography business, you need to have the ability to wear many different hats; you need to be a marketer to promote your brand, a designer to create and update your site, and a tech-savvy person to understand the innovation and new products that are constantly appearing on the market.

In this article you’ll learn some of the trends in digital marketing, web design, and mobile technologies that any smart photographer needs to be familiar with.

Sergey Galyonkin

By Sergey Galyonkin

Digital Marketing

In the following years we can expect a growing number of desktop and online software solutions geared at photographers. Tough competition in this market constantly gives birth to many interesting offerings.

For instance, Defrozo is looking to be a one-stop, free platform for photographers to update their website and blog, proof images and sell prints online, as well as manage their client base in a built-in CRM (customer relations management). Snapizzi is another interesting tool which uses a smart QR-code scanning technology to enable photographers to automatically upload and sort out event photos for online sales, literally in minutes. And if you’re looking for an album proofing tool that could be integrated with your existing website AlbumParrot is here to help.

These are just a few of the new apps and services worth your attention, you can discover more photography startups on Betalist.

Dickson Phua

By Dickson Phua

With advertising coming to Instagram, and Facebook limiting its organic reach in favor of paid-for posts, email marketing becomes even more attractive for small business, and photographers are no exception. Some of the major trends in this area are personalization and automation, with most services like MailChimp and MadMimi extending and improving their functionality in this area. As a result, it gets quite easy to create a sequence of emails that will be triggered when someone subscribes for your updates, or send out your special offers to small segments of your contact list in order to maximize relevancy and click-throughs.

The popularity of visual storytelling will continue to grow which is obviously great news for photographers. Big companies will be employing professional photography to communicate their brand philosophy and aesthetics. So consider adjusting your proposition to accommodate corporate clients.

Web Design

Talking about web design, there are a few standards you might want to take into account while updating your photography portfolio.

Image-focused design featuring clean typography and ghost buttons is going to be a winner, just like last year. Sticking to the storytelling trend in content marketing, full-size videos and images will take the world by storm contributing to a website’s interactivity, and increasing return visits.

David Joyce

By David Joyce

Moreover, custom photo galleries and slideshows available for mobile viewing will become more and more popular. Don’t forget to make your site mobile-friendly this year, if you have not done it yet. In 2016 a mobile version of your portfolio will rock, otherwise you run the risk of losing over 40% of your potential clients.

Mobile

While there’s a lot of buzz around the revolutionary potential of mobile payments, it’s unlikely that the photography industry is going to adopt this trend too soon. However, mobile payments are definitely something to keep your eye on since mobile is conquering nearly every sphere of our life.

Mobile usage is going to increase even more. For example, the latest data shows that the U.S. users spend 51% of their media time on mobile compared to 42% on desktop.

Byronv2

By byronv2

This means mobile Internet users should be kept at the forefront, whenever you start a marketing campaign. Planning to print a solid pack of flyers for an upcoming tradeshow? Consider putting a QR code on it. Do you know image editing inside out? Think about creating your own mobile app, or figure out a mutually beneficial arrangement with app developers. Smartphones and tablets will keep their leading position in the coming years, so make the most out of this growing trend.

Technology

Wearable devices are by far one of the most exciting trends to follow. With the competition fuelled by Apple Watch, this market is about to bring photographers a lot of neat capabilities via wearables.

Sdu7cb

By Sdu7cb

Drones are another major trend in the tech field. A lot of models with features ranging from built-in cameras shooting 12 megapixel RAW, to smartphone app remote control, were on display at this year’s CES.

CES 2015 also brought a few interesting solutions to the ever-increasing problem of image storage. Thus, Canon has introduced Canon Connect Station CS100 that connects wirelessly to phones and Wi-Fi enabled cameras, and uploads images to be displayed on a TV. Another potentially interesting technology was presented by Toshiba. The new memory cards from this manufacturer can be read with a NFC-enabled Android phone. This invention is rather raw at the moment, but it hints at advancing possibilities in the near future.

Printing

A printer about the size of a smartphone, that doesn’t require ink, and is controlled via your smartphone? Any event or wedding photographer could utilize a thing like that. Well, it’s actually a reality now. Meet Polaroid Zip. Presented at the CES 2015, this neat device is a glance into the future of compact printers which definitely moves towards compactness, wireless connection, and fast work.

Son Of Groucho

By Son of Groucho

3D printing is becoming more accessible for end consumers and opens new opportunities for photographers. For instance, Amanda Ghassaei created amazing 3D prints that feature subtle texture and high precision, when backlit with a diffused light. If you’d like to utilize this one-of-a-kind method before it hits the mainstream, the artist shared the instructions on how to do it.

Interior Design

The meeting room climate can make or break your deal, so knowing what design elements get people hooked these days is a must for a savvy photographer, no matter whether you meet clients in your studio or apartment.

Paulisson Miura

By paulisson miura

In 2015 electric modern vibe and unexpected textures are finding their way out. More sophisticated looks featuring natural textures, gold hardware, and mid-century modern undertone are the latest fashion. For example, one sophisticated idea of the kind is a cowhide rug, which would be a perfect decoration for your meeting room.

Wallpapers with natural flowers and textures have come back this year too. Blue seems to be one of the most popular colors for interior decorations. Taking into account the latest trends, you can create a cool, impressive look for your office or spice up your home interior.

Bottom Line

Staying informed about the modern novelties and trends in different areas of our life can be a great way to single out your photography brand, and differentiate you from the competition while taking your career to the next level.

What recent trends do you find most exciting and promising? Let us know your thoughts by leaving a comment below.

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Weekly Photography Challenge – Yellow

03 Oct

Yellow is a fun color – have a look at these images using it in their compositions.

Stratman² (2 Many Pix!)

By stratman² (2 many pix!)

Jamie McCaffrey

By Jamie McCaffrey

Weekly photography challenge – yellow

This week is your chance to find something yellow and create a composition around it.

Nick Hobgood

By Nick Hobgood

Richard Ricciardi

By Richard Ricciardi

Danny Plas

By Danny Plas

If you are like me and live in the northern hemisphere it shouldn’t be too hard to find some yellow in all the fall colors. The trick is to make an image using it that works, isn’t overpowered by the bold color and still grabs the viewer’s attention.

Using complementary colors to add contrast can help like these:

Tim Samoff

By Tim Samoff

Hiroyuki Takeda

By Hiroyuki Takeda

KellarW

By KellarW

Mirai Takahashi

By Mirai Takahashi

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

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Countdown to PIX 2015: Dixie Dixon and breaking into fashion photography

01 Oct

We’re less than a week away from PIX 2015, and we’re taking the opportunity to introduce you to some of our talented re:FRAME speakers. Dixie Dixon acquired her first camera, a Nikon FG, when she was just 12 years old. Now she’s made a name for herself in fashion and commercial photography – find out a couple of her tips on breaking in. Read more

Articles: Digital Photography Review (dpreview.com)

 
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10 Common Bird Photography Mistakes and Their Solutions

01 Oct

Do you commit mistakes in photography?

I bet you do. I have made mistakes. As a matter of fact I have committed many. But we all learn from our mistakes. What you don’t have to necessarily do is to re-invent the wheel. Instead of learning about these common mistakes the hard way, why not learn from other’s mistakes? That sounds awesome, doesn’t it?

Sandhill Crane Family Flying on a Beautiful Autumn Morning in Jasper-Pulaski Fish and Wildlife Area in Medaryville in northwestern Indiana. Every year around 10,000 Sandhill Cranes migrate to this location during Autumn. The calls of thousands of Sandhill Cranes that reaches several miles is an experience that is next to none. It is one of the best locations to photograph them as they fly past the Autumn trees at the Sunrise to feed in the close by farms.

Sandhill Crane Family Flying on a Beautiful Autumn Morning in Jasper-Pulaski Fish and Wildlife Area in Medaryville in northwestern Indiana. Every year around 10,000 Sandhill Cranes migrate to this location during autumn. The calls of thousands of Sandhill Cranes that reaches several miles is an experience that is next to none. It is one of the best locations to photograph them as they fly past the autumn trees at sunrise to feed in the nearby farms.

Here is the list of 10 common bird photography mistakes and their solutions. If you learn and apply these bird photography tips you would see the results immediately in your images.

#1 BAD EXPOSURE

This is the biggest mistake. A bad exposure would ruin the photograph. Most common is overexposed (blown-out) highlights.

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Overexposed – highlights blown out.

The issue is that your camera has much less dynamic range than your eyes. This means you can see the details in both brighter and darker regions of a scene, but the camera doesn’t.

You have to make a choice whether to keep the details in the brighter or the darker region. Your choice would almost always be to keep the details in the brighter region. Because our eyes are more sensitive to brighter areas (or highlights).

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Correctly exposed for the highlights.

In short – always expose for the highlights.

#2 BAD LIGHT

Photography is painting with light. If you underestimate the light, then you are bound to get bad photographs. It’s not an exaggeration to say most photographers seem to ignore it.

More the time is spent debating about equipment, than studying the light. No equipment can save your photograph if the light is not favorable. Look how boring this silhouette of an India peafowl is.

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Just before minutes, it was like this.

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Isn’t it evident? Learn to see the light. It’s all about light.

#3 BAD COMPOSITION

Bird photography is not demanding in terms of composition. Even so, a lot many bird photographers don’t seem to understand simple techniques. All that you need to know is the rule of thirds, the rule of spaces, and fill the frame composition techniques.

How many times have you seen a photograph like this? A subject in the center!

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Just by following the rule of thirds, this is what I got.

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Next time you are out in the field, remember to compose well.

  • Place the bird off-centered and give enough it breathing space.
  • Or, fill the frame with the bird.

That is as simple as it gets.

#4 BAD FOCUS

Blurry bird photos are everywhere. Birds are always active, making it harder to achieve sharp focus. But that doesn’t mean you don’t recognize it. If you rely heavily on your LCD monitor, this is what happens.

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Nothing seems to be wrong in this photograph, right?

Wrong. It’s a blurry photograph. Can you see the out of focus eye now?

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Fixing it is easy. Check for the critical focus by zooming in on your LCD monitor. If it’s not sharp, make the adjustments until you get the focus perfect. The initial focus was on the bird’s body. By shifting the focus point to the eye of the bird, I got this tack-sharp image.

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#5 WRONG POINT OF VIEW

How do you see your world? From your eye level…isn’t it? But, how does the bird see its world? You got the point. But more than 90% of the bird photographers do not seem to understand this simple concept. They shoot from their eye level. Can you believe that?

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If you are doing it too…stop it right now. It’s not your portrait but the bird’s.

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Get down and shoot from a bird’s point of view, and see the magic unfold.

#6 WRONG HEAD ANGLE

Your eyes follow the lead. You will follow the line of sight of a bird. If the bird looks left, your eye will move in that direction and vice versa. If your eye is lead in an interesting way, then your image works.

What doesn’t work is when the bird looks away. It’s not uncommon to see such photographs everywhere on the web.

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Wait for the right head angle. Take photograph when bird is actively looking for its prey. Or, when it is sensing an impending danger.

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With just the right head angle, the image became more interesting. The Great Egret is actively searching for its prey. The head angle is diagonally inclined adding dynamism to the photograph.

#7 WRONG BACKGROUND

Do you care for the background? Most often bird photographers just don’t care about anything other than the bird. Why? Are you saying because it’s a bird photograph after all! Do you know it’s the background which makes the picture?

Okay, take a look at this bird photograph.

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That’s a fantastic action shot of two Indian Darters or Snakebirds fighting. But, is it amazing? Take a look at this one now.

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You see how beautiful the action is. It just couldn’t get better. Here’s the best bird photography tip I can give you – put more importance on background than the bird and you’ll make great bird photographs.

#8 BAD PROCESSING

Is post-processing good? There’s probably a hot debate around every corner about this topic. If you do post-process here’s what you shouldn’t do.

Here’s a simple and useful post-processing tip for bird photography. Don’t over process your image. Over sharpening and extreme noise reduction are typical mistakes of many bird photographers.

Rose-Ringed Parakeet displaying all its color in soft Sunlight in Bharatpur Bird Sanctuary. I sm so lucky to have been able to capture this beautiful parakeet. I love it!

This one has too much noise reduction

Rose-Ringed Parakeet displaying all its color in soft Sunlight in Bharatpur Bird Sanctuary. I sm so lucky to have been able to capture this beautiful parakeet. I love it!

This one is over sharpened.

It destroys your image. It makes it either look like a wax statue or a wired toy.

Take it easy. Keep your processing to a minimal. Just do enough processing to bring back the details and colors in the bird. Reduce noise only in the background. Sharpen only the bird with just enough to bring out detail.

Rose-Ringed Parakeet displaying all its color in soft Sunlight in Bharatpur Bird Sanctuary. I sm so lucky to have been able to capture this beautiful parakeet. I love it!

Rose-Ringed Parakeet displaying all its color in soft Sunlight in Bharatpur Bird Sanctuary. I sm so lucky to have been able to capture this beautiful parakeet. I love it!

#9 WRONG PLACE

Do you know that location really matters? In fact, it can make or break your image. It’s a very important bird photography tip to remember. If you end up photographing a species in a wrong place, then you’ll end up with bad results.

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Find the right location where there are enough birds, good light, good feeding ground, and a good background. Assuming that you know important bird photography tips, you’ll most certainly make the best bird photographs.

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#10 WRONG EXPECTATIONS

Not many photographers talk about this. But here’s the thing: If you think that a professional or experienced bird photographer goes to a place, points their expensive gear at the birds, and take home loads of amazing photographs, then you are wrong.

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This is far from the truth. The truth is they are the ones who go to the place before anyone. Stay there until there’s no light. Come back to the same place again, and again, and again until they get what they want.

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My friend, it’s not magic. It’s bird photography. Everyone needs to pay their due respect. Birds never differentiate.

CONCLUSION

Bird photography is fascinating.

Birds attract us like crazy. They make us forget about the world around us. But, you have to get over this. You have to see beyond the bird. You have to pay close attention to everything in the frame – the bird, the background, the placement, the light, exposure, etc.

It’s easy to be a bird photographer. Not that easy to be a good bird photographer.

These 10 bird photography tips should give you a fair idea of what makes a good bird photograph. Understand them. Practice them. Your bird photographs are bound to improve.

Let me know if you have any questions. I would love to answer them.

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