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Posts Tagged ‘Photography’

5 Good Reasons to Add People into Your Landscape Photography

25 Apr

Are you looking for a way to spice up your landscape photography? Many times when we think of making great landscapes image,s we try not to include people. Sometimes we even wait for long periods of time for other sightseers (or other photographers) to exit our view. There are many times this is the best technique for shooting a landscape photo, but adding the human element to a scene can be just the extra touch needed to create a great image. Let’s take a look at 5 reasons to add people to your landscape images.

Sometimes breaking the rules can work. Here the man walking out of the image seems to work with the image of the end of the day on the beach.

This surfer is done for the day. Normally it is preferable that a person faces into the photo, but exceptions may work too.

#1 Tell a Story

Adding a person to your landscape can help your image tell a story. People, or even a single individual, may add mystery and adventure to your landscape, causing your viewers to wonder who, what, and why about the person in your image. When your viewers ask these questions, their eyes will stay engaged with your image, adding entertainment value to the photo. An image of a person standing in front of a grand mountain range may cause the viewer to wonder what that individual is doing there. If the person has a backpack and a walking stick, the viewer may imagine a hike in the mountains is about to commence. Or maybe the person in your shot is carrying a rifle and wearing camouflage, leading the viewer to imagine a hunter heading into the woods in search of adventure. A person can be the subject of the image or interact with the landscape of the image; but either way, if the person fits into the image’s story, your landscape will draw the viewer in and the photo will tell a successful tale.

This image seems to tell the story of a man thinking about the yester-years working on a river boat.

This image tells the story of a man thinking about his former career working on a river boat.

#2 Composition

Placing a person or persons in an image in negative space can add balance to your landscape. A person in the foreground, or mid-way into your scene, will help create a sense of depth in the image. When you have the opportunity to position the person, take care to place them in the image in a way that draws the viewer into the image. Place your subject off to the side, preferably on a rule of thirds point, with them facing into the open space. It is almost never a good idea to have a person looking or facing out of your image, as this will cause a viewer’s eye to leave the image rather than explore the image fully. Nevertheless, with every rule of composition there are exceptions that will work. Knowing the rules of composition, when to use them, and when to break them, will help you when adding a person to your image.

The couple taking a selfie is placed in a rule of thirds position and fills a negative space on the beach.

This couple taking a selfie is placed in a rule of thirds position, and fills a negative space on the beach.

#3 Scale of Size

Adding a human to an image is a great way to reveal the size and scale of objects in your image. Without the person in many images, objects like trees and rocks may lack a scene of scale. The addition of a person immediately gives your viewer a point of reference and scale to the landscape.

In this image of Rock House in Hocking Hills State Park in Logan Ohio adding the Silhouetted figure at the end of the cave adds a sense of scale and also adds a focal point to the image.

Adding the silhouetted figure at the end of the cave gives a sense of scale and also adds a focal point to the image.

#4 Drama and Excitement

Silhouetting someone against a sunset or other backlit view, is a perfect example of how a person can help create a more dramatic image. Even the simplest of landscapes can become more interesting and exciting by adding people within the image. Photographing a couple holding hands as they interact with the landscape can add the drama of romance to your image.

This image tells a story of a Father and son playing in the surf at sunset. The sillouhetted figures add drama to an image that could just be another sunset at the beach.

A silhouetted father and son playing in the surf at sunset add drama to an image that would otherwise be just another sunset along the shore.

#5 Focal Point

A successful photo needs a focal point that gives the viewer’s eye a place to land to hold their attention, and adding people can achieve that. It is important to add a point of interest that will change a boring landscape into a striking one. Most landscapes have natural features or buildings as a point of focus, but adding a person can sometimes make for a much more interesting image. As mentioned earlier, at times you may have negative space in the foreground of your landscape, and by adding a person into your scene that negative space is filled, and your image will benefit from the balance. As a focal point, the person in your image can be the subject of the scene, or a complement to your landscape.

A couple sitting on a rock enjoying the Autumn view adds a romantic drama to the fall colors of the West Virginia Mountains

This couple sitting on a rock enjoying the fall color,s placed on the rule of thirds, creates romantic drama.

Tip: When adding a person or persons to your landscape, try to keep their face (s) obscure. This will allow the viewer to imagine themselves as the participant in the image.

Conclusion

Many times adding a person to your landscape image can be as serendipitous as people just wandering into your viewfinder, especially if you are visiting a park or popular scenic area. But if you are out alone in an interesting area, use yourself as the person in the scene. Place your camera on a tripod, set the timer, then add yourself into the image. Next time you are engaged in a landscape photo shoot, look for opportunities to add one or more persons to one of your images, and see if you like the results. You may be surprised at the difference you see.

Many landscape locations are powerful enough to stand on their own, but if your image needs a little spice, try adding a human. What other kinds of landscape scenarios do you think could benefit from adding a person to create a more interesting image? Leave your ideas in the comments below.

People photography week

This week on dPS we’re featuring articles all about different kinds of people photography including portrait, event and travel photography. See all the previous ones below, and watch for more people photography articles over the next few days.

  • How to Take Low Key Head-shots
  • How to Do a One Light Portrait Setup and Use it as Your Back-up Plan
  • Travel People Photography – Tips and Pitfalls
  • 8 Tips for Photographing Men
  • 24 Diverse Images That Showcase People Photography
  • Weekly Photography Challenge – People Photography
  • Tips for Getting Yourself to Relax as a Photographer and Have More Successful Portrait Sessions

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The post 5 Good Reasons to Add People into Your Landscape Photography by Bruce Wunderlich appeared first on Digital Photography School.


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28 Diverse Images That Showcase People Photography

23 Apr

People have a diverse range of emotions, styles, and looks and capturing that with a camera is the photographer’s job. From posed studio portraits, to street photography or candid shots, getting the character and essence of a person in an image is the goal. Let’s see how these photographers did with people photography:

United Nations Photo

By United Nations Photo

Darlene Hildebrandt

By Darlene Hildebrandt

Jim O'Connell

By Jim O’Connell

Darlene Hildebrandt

By Darlene Hildebrandt

Shahab

By Shahab

Tyrone Daryl

By Tyrone Daryl

Fouquier ?

By Fouquier ?

Sebastian Rieger

By Sebastian Rieger

Khánh Hmoong

By Khánh Hmoong

Christopher Michel

By Christopher Michel

Astrid Westvang

By astrid westvang

David Stanley

By David Stanley

Eric Montfort

By Eric Montfort

Chryssa Kotsanidou

By Chryssa Kotsanidou

T W I N K A

By T W I N K A

Enki22

By enki22

Tilman Haerdle

By Tilman Haerdle

Elena Penkova

By Elena Penkova

Monique Prater

By Monique Prater

Ivan Constantin

By Ivan Constantin

Michael Salvato

By Michael Salvato

Kannan Muthuraman

By Kannan Muthuraman

Hernán Piñera

By Hernán Piñera

Meena Kadri

By Meena Kadri

Rod Waddington

By Rod Waddington

Rod Waddington

By Rod Waddington

Meena Kadri

By Meena Kadri

Umberto De Peppo Cocco

By Umberto De Peppo Cocco

People photography week

This week on dPS we’re featuring articles all about different kinds of people photography including portrait, event and travel photography. See all the previous ones below, and watch for more people photography articles over the next few days.

  • How to Take Low Key Head-shots
  • How to Do a One Light Portrait Setup and Use it as Your Back-up Plan
  • Travel People Photography – Tips and Pitfalls
  • 8 Tips for Photographing Men

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Weekly Photography Challenge – People Photography

23 Apr

In my career as a photographer I’ve covered many genres from studio product photography, editorial, industrial, food photography, weddings, portraits, fine art, and travel – but through all of that, I’m primarily a people photographer. I like to photograph people.

Darlene Hildebrandt

Shoe repair man in Nicaragua – By Darlene Hildebrandt

Darlene Hildebrandt

Model at sunset – By Darlene Hildebrandt

Darlene Hildebrandt

Cuban beauties – By Darlene Hildebrandt

Whether it’s in a studio environment doing a posed portrait, a candid doing street photography, a shop owner or vendor in a foreign country – people are always interesting and challenging to photograph.

Weekly Photography Challenge – People

We’ve got lots of articles to help you as you go about photographing people this week in fact it’s our feature topic right now. You can see all the ones we’ve done so far this week below, and watch for more people photography articles over the next few days:

  • How to Take Low Key Head-shots
  • How to Do a One Light Portrait Setup and Use it as Your Back-up Plan
  • Travel People Photography – Tips and Pitfalls
  • 8 Tips for Photographing Men
  • 24 Diverse Images That Showcase People Photography
Darlene Hildebrandt

Nicaraguan school kids – By Darlene Hildebrandt

Darlene Hildebrandt

Wedding fun – By Darlene Hildebrandt

Darlene Hildebrandt

Cuban dancers – By Darlene Hildebrandt

You can also check out our ebooks on people and portrait photography:

  • Fast Flash for Portrait Perfection
  • Portraits: Lighting the Shot
  • Portraits: Making the Shot
  • Portraits: Striking the Pose
  • Kids Photography

So if you are not inclined to photograph people and this challenges makes you a bit nervous – maybe now is the time to get out of your comfort zone and just do it. I promise they won’t bite!

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

You can see some of mine here on this page – now it’s your turn to share, and show me your people photos.

dramatic-images-using-shadows-750px-01

dramatic-images-using-shadows-750px-15

After lit using a combination of flash and natural light at 1/30th of a second.

dramatic-images-using-shadows-750px-36

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Travel People Photography – Tips and Pitfalls

21 Apr

“Oh the people you will meet!” goes one of Dr. Seuss’ famous lines, speaking to a particular joy of travel. We don’t just travel to see new places, we travel to experience new cultures full of new people – and as photographers, we’re intrigued to take their photo.

Monk, Paro, Bhutan

Yet it’s not as easy as taking photos of foreign mountains or cityscapes. because, gasp!, those people are full of life and feelings and opinions. They might be speaking a language we don’t understand. We are left wondering what they are thinking as we start to bring our camera up to our eye.

I’ve been photographing for 26 years, and traveling regularly for the last eight. I don’t know it all, but I have learned, through trial and error and research, what helps and what hinders travel portrait photography.

The Tips

Watch the light

Photography is about light. You’ve likely heard it a hundred times before. Sometimes we forget that when out of our comfort zone, but it’s important to remember that great photos need great subjects, and great use of light.

PWC-Nepal100509-093652-4565-b

Before raising your camera, know your light. Know what light will be available, and how best to use it. This article: Understanding Natural Light Part 3: Direction of Light – has a wealth of knowledge to get you thinking about the natural light at your location. Of course, you can use a flash as well, but most of us rely on natural light for our travel portraits.

Connect

Hot Button Topic: To connect before or after you take a photo? This decades-old discussion will not be settled here, but I will give my opinion as fuel to the fire.

I believe in give and take. If I’m always taking photos when I travel, I feel more the part of an interloper than a welcome guest. There are irresistible times when someone is doing something soooooo perfect, we have to have a photo, we think. Introducing ourselves will ruin the moment and break the magic we are witnessing.

Monk Debates, Jakar, Bhutan

My advice is to take those photos, but give something back. Approach your subject after the fact and introduce yourself. Smile, make eye contact, promote goodwill, and be nice.

If they are a vendor, buy something they are selling, or at least take a look. Canon, Sony and others now have portable printers you can bring with you, and what better way for give and take than to hand over a printed copy of the portrait you now treasure. It’s more work than just taking photos and continuing on your way, but it is also more rewarding.

PWC-Nepal2011-1001-0530

Get their feedback

Building on the point above, show your subject their portrait. It’s part of giving back. Get their feedback on how they think they look.

You might hear good things or bad, because everyone tends to be their own worst critic. Ask their friends as well, if they are around, to know if you have captured an accurate representation of your new friend.

PWC-Bhutan2013-0317-4766

They may have an idealized portrait they want you to take. What’s the harm in taking the photo they would like and the one you like? The more interaction, the better the portrait.

To smile or not to smile

This argument goes both ways. Some photographers want all smiles, especially if they believe there are in a happy place. Others abhor a grin. What a different story Steve McCurry’s Afghan Girl photo would tell if he was playing the ham and got her to smile!

As artists, we always instill our own bias into our art, that is okay. Sometimes your subject will also instill their bias. For instance, in Bhutan I encountered mostly stern faces when I took portraits, even if the subjects were lively, happy and smiling while I talked to them for a few minutes beforehand. I didn’t feel the stoic portraits the subjects wanted to portray accurately, reflected the warmth I felt while walking the countryside. So, what to do?

I developed a technique on that trip of taking pictures of people’s shoes. This served two purposes; I got images that tell their own story (footwear can tell you a lot about the wearer) and, in that moment when the subject was wondering why the heck is this guy taking pictures of my shoes, they let their guard down and returned to the smile I had encountered until the portrait was taken.

PWC-Bhutan2011-1024-9664

Before shoe photo

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PWC-Bhutan2011-1024-9667

After shoe photo

My suggestion is to get to know your subject before taking their portrait. Then find a way to help that personality shine in their portrait.

Let them do their thing

To tell a better story of an individual is to put them in their environment. It helps travel portraits if there is context of the individual, in relation to the space around them.

Interact with your subject, take their posed portrait to your liking, then let them return to what they were doing. This is probably what drew you to them in the first place. Sit, observe, and be patient with your next photos.

Tibetan Shepherds

They might not be classic portraits, subject’s eyes on the lens. To tell the story of the individual in the digital age is to have the ability to show more than one side, more than one image of your subject. You’re not a National Geographic photographer who will only get one image of the person in the magazine. You’re someone with a Facebook or other online account, and you can share both the portrait and the person in their element.

The Pitfalls

The Death Stare

You can probably feel the chill down your spine right now when I mention the Death Stare. Every street photographer has felt it at one point, and most every travel photographer as well.

PWC-Nepal2008-1010-3229

The Death Stare comes when someone sees your camera pointed their way, and fully disapproves of being the object of your desire. It’s important to realize the Death Stare is usually not so much about you, it’s about the situation, and empathy goes a long way to avoiding it. So does the tip above about connecting.

Recovery from the Death Stare can be hard. It chips at your confidence while you are in a foreign environment, already feeling out of place. Now you are unwelcome?

Maasi On The Rim

When I receive the Death Stare, I take a few mental steps backward, and put my camera away for just a bit – maybe 10 minutes, maybe an hour. I spend that time soaking in my surroundings and trying to connect with locals instead of capturing them.

Super posers

Kids are famous posers, but the disease travels across every age range. Some societies are more prone than others to super posing. By super posing I mean the tendency to totally ham it up for the camera. We all like to put on our best face, but the super poser makes almost a 180 degree change from what you first saw in them and wanted to photograph.

Pay Me For Paint, Kathmandu, Nepal

I have watched enough parents try to get their kids to, “smile normally, please?” and spend tens of minutes in frustration at their children being children. My suggestion with travel photos is to not fight the super poser. Accept that the moment you saw in them has passed, and move on.

Only telephoto

Afraid of the Death Stare, or an imaginary worse reaction, the telephoto-only portrait becomes the easy out. If I can shoot from 100 feet away, in obscurity, why get closer?

Because your images will lack intimacy, that’s why. I’m not saying don’t shoot with a telephoto from a distance – but don’t only shoot from a distance. If I peruse your gallery of images from Egypt and only see telephoto attempts at portraits, I’m going to feel as distant as you physically were from your subject.

Boys photographing statue of buddha - Nepal

In my mind, connecting with strangers and only obtaining a few mostly-posed portraits is better than 100 shots from across the street. To me it says, “I traveled to this land, but didn’t really get into it.”

“Please don’t use that”

Following the advice above, you show some shots to your subject. They reply, “Oh, please don’t use any of those. I look horrible!” Now what?

If there is a chance, reshoot the images. If you must move on with your travels, I suggest you take the high road and respect the individual’s wishes. You may think they look perfect. Yet being respectful is more important than impressing your Facebook friends or Instagram followers.

This makes my original advice a bit of a double edged sword. Maybe you shouldn’t show them if there is a chance they will say no? The problem is face recognition software is getting more and more powerful, and Facebook’s (and other companies’) database is getting larger and more accurate. I live of the virtue it is better karma to error on the side of not potentially ticking people off.

Use of the photos after the fact

Ghombu

This brings up a good point about use. What are you going to do with those images?

Again, street photographers know this argument well. “You can’t take my photo!” they have had shouted at them if they have been in the game long enough. While this may be true in certain countries or situations, in most public spaces, especially in the US, you are free to photograph individuals.

What you do with the images after is the key point. Your own personal, artistic use is okay – included in a gallery on Facebook or a post on Twitter, a slideshow presentation at the local social club, or a gallery showing. Commercial use, where a model release is needed (think: ad campaigns, brochures, catalogs, stock), is not. Editorial use in a magazine or newspaper generally is okay.

DPS has some excellent resources, including our article Model Releases: What You Need To Know (with samples).

Conclusion

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PWC-Nepal2011-0929-8494

Travel portrait photography can be a tricky world to navigate. You’re out of your comfort zone, you may not speak the language or know the customs, but you want to bring home photos of not just the pretty sites, but the interesting people, too.

Be kind. Treat people as people, not objects. Share your images and take time to connect.

Speaking of sharing, what other advice would you give those wishing to bring back travel portraits?

People photography week

This week on dPS we’re featuring articles all about different kinds of people photography including portrait, event and travel photography. See all the previous ones below, and watch for more people photography articles over the next few days.

  • How to Take Low Key Head-shots
  • How to Do a One Light Portrait Setup and Use it as Your Back-up Plan

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How to Choose the Right Digital Camera for a Specific Type of Photography

19 Apr

Are you overwhelmed with the many digital camera options available in the market? This article will help you determine the right camera for your specific photography need. Whether it’s portrait, landscape, travel, sports and adventure, or aerial photography that you want to get into, you can’t just settle for the most popular. So before you go checking out what the Continue Reading

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How to do Light Painting Photography Art with Endless Possibilities

19 Apr

Wikipedia defines light painting as “A photographic technique in which exposures are made by moving a hand-held light source while taking a long exposure photograph, either to illuminate a subject or to shine a point of light directly at the camera.” In essence, with a basic DSLR, a tripod, and a light source of some kind, you have endless possibilities to create unique images. This technique is a way to unleash your imagination and inner artist – this article will show you how to do it.

Photo 7c (750x501)

When I realized this artistry had endless possibilities and creativity, I was in. Who wouldn’t be, right? Light painting always amazes me as to how you can create beautiful photos by simply capturing light. I started doing light painting for fun, but then it became a very therapeutic regime for me. If I was having a tough or bad day I would grab my gear, wait for it to get dark, and start painting.

Some basics before you begin:

  • You don’t need any fancy equipment.
  • Wear dark clothes if you don’t want to be seen in the image.
  • Typical camera settings for long exposure light painting are: Manual Mode, aperture f/3.5-5.6, exposure 10-30 seconds, ISO 100-125, lens 18-55mm.
  • Bring a friend. While you can do light painting solo (and I often do), it’s a lot more fun with a buddy.

Beginner DIY light painting tools you can make

I bought all of my supplies from the dollar store, ebay, or home depot. In my kit, I currently have:

  • Basic DSLR + wireless remote (optional) + tripod
  • Flashlights (all different sizes)
  • Mini keychain flashlights
  • Glow sticks
  • LED battery operated fairy lights (variety of colors)
  • Hoola-hoops (regular and small)
  • Sparklers (variety of sizes) + a lighter
  • Steel wool kit (wire whisk, dog leash, gloves, lighter, steel wool grade #000)
  • A variety of light sabres and flashing rave toys

Photo 1 750x523

The first two tools that I ever made were a light stick and a light hoola-hoop. They both serve me well. For the light stick you need a piece of wood (any size you want, mine is 57×2″), tape, and one string of battery operated fairy lights.

Lay out your lights next to your piece of wood and tape them on. Viola! A home-made light stick. If you use white lights, you can tint your photo with your basic windows photo gallery editor. I have two, one with white lights and one with multi-colored lights.

Photo 2 750x500

Here are some of my top photos using just a light stick.

Photo 3 750x375

For the second tool I made, the light hoola hoop you need: a hoop, one string of battery operated fairy lights (approximately eight feet long or less, depending on how big your hoop is) and some tape or zip ties. Tape or zip tie your lights around your hoola-hoop. Bam!

Photo 4a 750x250

Photo 4b 750x468

Advanced light painting tools (The Pixelstick)

For those of you who have had experience with light painting, you might be asking, what’s next? Well, that’s where the Pixel Stick from Bitbanger Labs comes in. I recently purchased one on sale from Photojojo.com (thank you Boxing Day sales!).

Each one of pixelstick’s 200 LEDs acts like a pixel on a screen, displaying your image one vertical line at a time as you walk. These vertical lines, when captured by a long exposure, combine to recreate your image in mid-air leaving pixelstick (and the person using it) invisible. – according to Bitbanger Labs.

Let’s just say, it’s the ultimate light painting artist’s tool. It takes a bit of practice to get used to, but once you have, you can create some pretty incredible photos. Here are a few of my favorite pictures that I was able to do with the pixelstick.

Photo 5 750x375

Ideas for light painting from abstract to using your city as inspiration

You can pretty much light paint anywhere however, please be respectful of your environment. Never damage, negatively impact, or harm a location in pursuit of light painting.

Having the right background or location can give your picture the right ambience, and add some dimension and feel to your photo. My preference is to use a black background most times so I usually find an empty dark field, but sometimes it’s nice to incorporate your surroundings.

Photo 6 750x395

Photo 7a

Photo 7b
Photo 7d

Photo 8 750x500

As you can see in this photo, I used a local anchor to center my picture around.

Inspiring light painting artists

When I was getting into the light painting community, I came across some great resources and artists that you may not know about.

  • Light Painting World Alliance
  • Light Painting Photography
  • Rob Tourney Visuals
  • Darius Twin
  • Denis Smith creator of the ball of light

So now that you know about light painting photography why not go out there and create some unique images yourself? Up for the challenge?

See more light painting articles here on dPS:

  • How to Make Unique Portraits Using Light Painting
  • Beginner’s Guide to Light Painting
  • Light Painting Part One – the Photography
  • Light Painting Part Two – Photoshop
  • How to Build an LED Light and Make an Orb
  • Fire Spinning with Steel Wool – A Special Effects Tutorial

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Review – Outdoor Action and Adventure Photography Paperback Book

18 Apr

outdoor action and aventure photographyOutdoor Action and Adventure Photography by Dan Bailey is a refreshing change of course in this digital age we live in – it’s actually a paperback book. It is a good thing that Dan had decided to go hardcopy with this book, because it is filled with information, and as a result I feel like many people will want to jot things down, highlight paragraphs, and refer back to it time and again.

Overview

The book starts out with a heartfelt acknowledgement section that truly shows you how much time, effort, and passion, Dan has put into this work. It’s not just something that he’s slapped together – and it shows! Not only is the book well written and informative, but it is beautifully illustrated with a number of photographs from Dan’s portfolio.

After the acknowledgements, you’re given a general introduction to frame your mind for what you’re about to learn. Outdoor Action and Adventure Photography is geared to outdoor photographers, but I’d argue it’s geared even more so towards the outdoor enthusiast, who wants to take great photographs of their adventures.

outdooraction

What I mean is that this book is designed to show you how to take photographs, while you’re hitting a triple black diamond ski slope, or hiking up the side of a mountain. It’s geared more towards the extreme side of outdoor adventure, and the challenges that you would face if you were trying to photograph in those conditions.

What You’ll Learn

After the general framework is set, the book is broken down into a fairly logical path. First you’re introduced to the types of gear that you’ll need. Dan makes a great point about how, for this type of work, expensive gear does make a difference. Not necessarily just for the image quality, but because higher quality professional gear is designed to take a beating, and in the conditions you’ll be facing, the gear you use will need to withstand a few bumps.

outdooraction-3

One of the largest problems faced by adventure photographers is the desire to pack light, but maintain a versatile and high quality kit. In the book, Dan addresses how he handles this challenge, and from what I can gather he is focused more on lightweight and ease of use, versus trying to carry every possible lens and body up the side of a mountain. He has a few different configurations of bodies and lenses that he brings, depending on how far and strenuous the adventure is expected to be.

outdooraction-2

Another big issue that is addressed in this book is regarding lighting. Light on the side of a mountain is not always going to be what you want it, and in this section Dan spends a great deal of time discussing different types of flashes, he provides a great step by step workflow, and talks about different use cases.

outdooraction-4

Finally, there’s a great section on weighing the decision to go pro. What does it mean, do you have what it takes, will you go full-time or part-time? A lot of what is discussed in this section can be applied to other fields of photography, but there are a few considerations specific to Dan’s field, that are worth considering if you’re thinking about making this a career choice.

Final Thoughts

Outdoor Action and Adventure Photography is a book that is designed for the outdoor enthusiast who wants to take great photographs in extreme conditions. While Dan keeps a fairly conversational tone throughout, the book is so packed with information, I’d equate it to more of a textbook than a simple informational guide.

If you’re looking to take great photographs while hitting the slopes with your friends – this is the book for you!

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14 Essential Rain Photography Tips for Creating Dramatic Images

16 Apr

Wherever you travel, you are always free to take that perfect shot from the best angle. Not when it’s pouring down heavily, though. Winter is not always the best climate for comfortable outdoor photography. But guess what, if you are a clever photographer, you can take even better photos in the rain than on sunny days. Cold and stormy weather Continue Reading

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Weekly Photography Challenge – City Skyline

16 Apr

Whether you live in a big metropolis or a small town, your urban center will have a skyline of some kind. The outline of the buildings that make up the main part of town make up the skyline.

Barnyz

By barnyz

Rennett Stowe

By Rennett Stowe

Weekly Photography Challenge – City Skyline

You can see 25 more example of city skyline photos here.

If you browse online for skyline photos you may notice a common thread among the images – many of them are shot at dusk, or at night. That’s because cities look great just as daylight is fading away and the lights of the city illuminate. It’s the magic of blue hour.

You get to decide how you want to tackle this week’s challenge and shoot your city’s skyline. Maybe go out a few different times during the day and see how the light changes.

Trevorklatko

By trevorklatko

Fèlix González

By Fèlix González

Sdh_zh

By sdh_zh

If it’s a city near a body of water, try and capture a reflection of the lights at night. Or make your own reflection by finding a large rain puddle and a low camera angle.

If you live in a city that’s been photographed a million times like NYC or San Francisco, try something different like:

  • Shoot with a fish-eye lens
  • Convert to black and white
  • Shoot straight up and get just building tops
  • Put something in front to frame the city with
Louis Raphael

By Louis Raphael

David Yu

By David Yu

Maciek Lulko

By Maciek Lulko

Geoff Llerena

By Geoff Llerena

Rytc

By rytc

Ehpien

By ehpien

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Michael Matti

By Michael Matti

Harshil Shah

By Harshil Shah

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4 Things You Can Learn From Film and How to Apply Them to Your Digital Photography

15 Apr

Since the introduction of digital cameras, photography is becoming more and more popular amongst everyone. This is largely due to the fact digital has dramatically reduced the cost of taking photos, as they no longer required to be developed, and the recording media (SD or CF cards) can be reused. Another fantastic advantage of digital, is the instant replay it gives you of the photo just taken, giving you the option to correct any flaws in the image. This is something that could not be done with film, and each photo taken would cost money; regardless of how great it was, or was not.

Digital Film

Digital technology has come so far in the last several years that it is out-performing film on almost every level; for example, camera’s can now go up to ISO 3.2 million – an ASA (film equivalent to ISO) level that was never even considered during the films days.

But does this mean that film is useless, and has nothing to offer? Absolutely not. Regardless of whether film is making some sort of a resurgence or not, there are still many things that film can teach you about photography, that digital simply cannot. Here are some thing that shooting with film can teach you better than what digital capture can do:

1. SELF CONFIDENCE

With the immediacy of the feedback that digital cameras provide you, it is all too easy and tempting to continually check your camera’s LCD to see how your photo has turned out. This tendency to keep looking at the LCD is often referred to as chimping. You may chimp for various reasons, ranging from ensuring your photo is correctly exposed (the most common reason), in focus, or seeking self-gratification that you’ve done a good job.

Now, imagine you were photographing with film. You would not be able to see your photos straight away; you’d have to wait a week or even two! You would not be able to see if the photo was correctly exposed, or pat yourself on the back about getting a great frame – at least not right away!

Film taught photographers to read the light and tones within their environment, and to learn how to use their tools correctly. This built confidence within photographers to trust in their own abilities and decisions. It meant that photographers would worry less about receiving positive reassurance on the photo they’d just taken; they knew that they had exposed and focussed correctly and kept going. There was no ,”Hold on, I’ll just check to make sure your wedding dress is correctly exposed”, or “I missed that shot because I was checking my exposure.”

Fredrik Holmberg

By Fredrik Holmberg

So why is chimping a bad habit? Because it says that you are not that confident in your own abilities and judgement, and you need the constant reassurance that you are doing a good job. It results in you potentially missing a great opportunity for a photograph, as your attention has now shifted from your subject to your camera. Wedding, sport, and action photographers may miss a critical moment, a defining moment, if they are always looking at their screen. If you’re looking at your screen, you’re not ready for the moment and you most certainly are not taking photos.

For portrait photographers, taking your camera way from your eye breaks that connection between yourself and your subject. It also says that you’re more interested in the result than you are them.

Apply this to your digital photography

To increase your confidence in your own abilities, I challenge you to only look at your LCD once or twice the next time you’re out photographing. These times should really only be to help you achieve the exposure you wish. If the lighting conditions are consistent, there is no reason you should need to look at your LCD again.

2. PUSH YOURSELF MORE

All too often you may see an outstanding result on the back of your camera. You stop taking photos because you are convinced that it cannot be bettered; only to see your friend take a better image right next to you. The instant replay of your work on the back of your camera can often prevent you from pushing yourself just that little bit further, and getting that great shot. That instant replay didn’t exist on film cameras, so photographers didn’t know if they had “the shot” or not; they had to keep pushing themselves to ensure that they did get it.

Calvinnivlac

By calvinnivlac

If you’re tempted to keep looking at your screen, I’d encourage you to turn preview or replay to off in your camera menu. If you are still tempted to press play and have a sneaky peek, tape a little piece of paper or card over the screen so you cannot see the image.

Apply this to your digital photography

Do not be tempted to keep looking at your screen, and being satisfied with what you see after the first one or two frames. Keep going. Perhaps you could try different angles, settings, lighting etc., but you should always keep pushing a little further to get a better shot. Even if it is just three or four additional frames.

3. YOU THINK MORE

Taking a photo with digital cameras costs nothing; just the minuscule amount of electricity the camera needs to operate and a little bit of storage. Memory cards can hold thousands of photos – far more than the 36-exposure roll of film. But that limitation of 36 exposures can teach you something that digital cannot – discipline.

John Goode

By John Goode

Think about the last time you went out taking photos. How many did you come back with? I would bet that you might have hundreds of photos to go through, maybe even thousands. Now, divide that number by 36. That’s how many rolls of film you went through. When you have such a limited number of exposures until you have to change your roll (which takes a lot more time than switching memory cards, by the way), you don’t just take photos every time you see something you like. You look at the subject or scene and consider it more carefully. In doing this, you evaluate if it is indeed worth taking a photo of or not.

Apply this to your digital photography

Try shooting with a smaller memory card like 1gb, or even smaller if you can find some old cards. Limit yourself to 36 shots per day or per outing. Do not delete images as you go, only fill the card or your limit of shots and no more. It will help you be more intentional with your shooting. If you are always deleting images, that defeats the purpose of having a smaller card!

4. GREATER VARIETY IN YOUR WORK

Have you ever gone through photos that you’ve taken and realized that you took so many images of the same thing, with little or no difference between many of them? Do you find it boring going through your photos sometimes because there is such little variation in so many images? With film, each frame cost more money than digital, so photographers made each frame count.

Phil

By Phil

Apply this to your digital photography

Do you really need 10 photos of the same object, from the same angle? No, you don’t – those 10 frames are all the same, so therefore are really just one photo taken ten times. You can still have 10 photos of the same subject, but vary them; try different angles, focal length, exposures. Even try photographing it with a different lens (wide angle versus telephoto). Make each frame different to the next, and make each frame count. Not all the images will work out, but you will have much more variety in your work from the same number of subjects. It will also help you greatly in the future when deciding on what approach to take for your next subject.

Summary

So there you have it, some simple and practical things that shooting with film can teach you better than digital. If you have a film camera laying about collecting dust, why not pick it up, put a fresh roll of film in (extra points if you shoot on slide film) and start using it? It will be quite a strange sensation using a film camera and the the images you take may not be that fantastic to start. Should you stick with it, it will help you on your journey to improving you photography and in my experience, nothing is more satisfying that nailing a photo on film over digital.

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