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Posts Tagged ‘Photography’

Throwback Thursday: Apple QuickTake cameras, pioneers of consumer digital photography

28 Dec
Apple QuickTake 100. Photo by Carl Berkeley

While Apple Inc. is known for being a pioneer in the world of computers and smartphones, it also produced some of the first consumer digital cameras. The QuickTake 100, built by Kodak and priced at $ 750, had a unique binocular-like design and captured images at a whopping 640 x 480. It wasn’t designed for a day of shooting. In fact, the internal memory filled up after just eight shots. An RS-232C port was used to transfer photos (in QuickTake or PICT format) to your Mac.

Apple QuickTake 100. Photo by Carl Berkeley

The QuickTake 100 had a fixed 50mm equivalent F2 lens, an optical viewfinder and an LCD info display on which to adjust settings. As you can see, there was no way to review photos on the camera – you needed a computer for that.

The successor to the 100 – the QuickTake 150 – came about 15 months later. This model, priced at about $ 700, looked identical to its predecessor, but offered twice the storage and support for more image formats (even PCX, for those who remember it). It included a macro conversion lens and also supported Windows PCs. Not wanting to leave original QT 100 owners out in the cold, Apple released a firmware update that essentially converted it into a QT 150.

QuickTake 200. Photo by Jared C. Benedict.

Apple and Kodak parted ways after the QuickTake 150, with 1997’s follow-up, the QuickTake 200, being built by Fujifilm. In fact, Fujifilm sold a nearly identical camera itself – the DS-7. The QuickTake 200 had a more traditional design and had a 48mm equivalent F2.2 lens. 

QuickTake 200. Photo by Jared C. Benedict.

By far the most important addition to the QT200 was a 1.8″ LCD display. Finally, there was a way to preview and review your photos without having to get out a serial cable. For those seeking an optical viewfinder, Apple included one which you could clip onto the camera. Other new features on the QuickTake 200 were a mode dial, limited aperture and focus adjustment, and a SmartMedia card slot.

While they were some of the first consumer digital cameras, the QuickTake cameras didn’t take off as the ‘big names’ got into the business. When Steve Jobs returned to Apple in 1997, the QuickTakes, along with the LaserWriter and ahead-of-its-time Newton PDA were unceremoniously killed off.

Articles: Digital Photography Review (dpreview.com)

 
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Global digital photography market value to grow to $110.79 billion by 2021

28 Dec

The digital photography market, including cameras, software and processing equipment, is expected to grow to $ 110.79 billion by the year 2021, according to a new report from Zion Market Research. The research firm valued the digital photography market at $ 77.66B USD in 2015, and anticipates a 6.1-percent growth rate between 2016 and 2021. Asia Pacific is expected to represent the greatest regional market growth during this time frame.

According to the report, Asia Pacific is estimated to hold a ‘significant’ share of the digital photography market due to growing economies, with North America coming in second. The research firm anticipates an increased demand for replacement devices among consumers in Europe and North America, while Asia Pacific countries have seen digital photography market growth due to, among other things, ‘steady income’ in select countries. Also contributing to expected market growth in coming years is ‘strong product penetration’ throughout Latin America.

Social networks including Instagram, Facebook, and Tumblr are helping drive digital photography market growth, as well as software including Photoshop and other photo editors. ‘Digital photography allows consumers to take professional quality photos themselves,’ the study notes as one driving force, as well as digital photography’s suitability for a variety of industries beyond the scope of traditional photography, including surveillance, science, machine vision, and more.

Via: Globalnewswire

Articles: Digital Photography Review (dpreview.com)

 
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Don’t Miss Out: These 12 Photography Deals Will Disappear With 2016

28 Dec

Over the last 12 days we’ve presented you with some amazing daily deals on photography training resources in our 7th annual 12 days of Christmas.

12 days

The savings this year were our biggest yet and we had a lot of really positive feedback from readers who picked up some fantastic deals.

As in previous years we did get a few sad messages from readers who missed deals along the way asking if there was any way to get them.

As a result – today we’re opening all 12 deals back up again for one last chance. You can find them all here or listed below.

So if there’s a deal you regret missing or you might have missed one of our emails – you’re in luck. Here they are!

  • Deal 1: Save 50% on this Trade Photography Guide (it’s just $ 5)
  • Deal 2: Save 76% on this Mega Portrait Photography Bundle (course, eBooks and more)
  • Deal 3: Save 70% on our Lightroom Mastery Course (hottest deal of the 12 days)
  • Deal 4: Save 67% on our Lightroom Presets (transform your images in a click)
  • Deal 5: Save 60% on these Professional Photoshop Actions and Lightroom Presets
  • Deal 6: Save 60% on these Landscape Photography Courses (from two of our favorite photographers)
  • Deal 7: Save 85% on this Drag and Drop Lightroom Collage Tool (includes bonus)
  • Deal 8: Save 65% on this Camera Skills and Light Skills Training (satisfaction guaranteed)
  • Deal 9: Save 77% on this Portrait Photography Training (includes 4 exclusive bonuses)
  • Deal 10: Save 85% on our Our Photo Nuts Courses (PERFECT for beginners)
  • Deal 11: Save 60% on Black and White Photo Artistry Course (this was very popular)
  • Deal 12: All dPS eBooks – just $ 9 (there’s 23 to choose from)

All these will be available until midnight US Eastern time on 31st of December, after that they will be gone for ever (just like 2016) – so get to it and grab yours today!

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Weekly Photography Challenge – Fishing

24 Dec

Fishing and fishermen can be a fascinating subject for photographers. You can see that for yourself in these images we shared earlier. Here are a few more of my images of the fishing village in Nicaragua:

fishermen-darlene-nicaragua-05

The combination of the fish tails, pineapple, and a bottle of Coke caught my eye. With a bustle of activity on the beach behind it.

fishermen-darlene-nicaragua-04

These ladies were negotiating, a serious business.

fishermen-darlene-nicaragua-03

Happy with her purchase. Dinner tonight.

fishermen-darlene-nicaragua-02

This lady was a stern business woman. The men were not messing with her. It was all “yes maam, yes maam”

fishermen-darlene-nicaragua-01

A young helper. The family members come to help bring the haul in and get a few fish in exchange for their labor.

Weekly Photography Challenge – Fishing

This week we want to see images of fishing. Either people or animals in the act of actually catching fish or the equipment that we humans use such as nets, poles, boats, etc. to catch them.

Nate2b

By nate2b

Luyen Chou

By Luyen Chou

Prayudi Hartono

By Prayudi Hartono

Florian F. (Flowtography)

By Florian F. (Flowtography)

Cycling Man

By Cycling Man

Riccardo Cuppini

By Riccardo Cuppini

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Louis Vest

By Louis Vest

EPi.Longo

By ePi.Longo

Ilkka Jukarainen

By Ilkka Jukarainen

Vince Alongi

By Vince Alongi

Janmennens

By janmennens

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

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DEAL: 2 Amazing Courses to Improve Your Landscape Photography

21 Dec

Our 6th deal of our 12 Days of Christmas Sale brings you two amazing online video courses that will improve your Landscape Photography – at 60% off the regular price.

NewImage

Today only you can pick up these two courses for just $ 54 (normally $ 188).

This value packed Landscape Photography bundle includes:

Creating Impact Course by Varina Patel
Go beyond the basic rules to build stronger compositions with visual impact. The Creating Impact course will help you to establish your creative vision, develop a solid workflow that will make that vision a reality and help you take beautiful landscape photos.

This course normally sells for $ 134.

Practical Lightroom Tutorials by popular dPS writer and renowned Landscape Photographer Anne McKinnell.

Anne will teach you how to stop being overwhelmed by Lightroom and to start using it to transform the Landscape (and other) images that you take. Anne authored our popular ultimate guide to Landscape Photography article, and we’re sure you’ll enjoy these lightroom tutorials just as much!

This course normally sells for $ 49.

This Deal Won’t Last

You are going to love these courses – they have been developed by two of our favourite landscape photographers and contain so much practical information that will help you to take some beautiful photos.

Grab both of these courses today – with hours of video training and 40 online videos – for just $ 54. A Saving of $ 129!

This offer won’t last because tomorrow’s is just 24 hours away – so avoid disappointment and pick it up today here.

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4 Beginner Tips for Doing Architecture Photography

20 Dec

The first thought you will want to steer clear of is that architecture means buildings, as it actually encompasses most man-made structures. Architectural photography involves capturing an image of a physical structure in an aesthetically pleasing way for your viewers. Here are a few tips to consider if you are just getting into this category of photography.

architecture photography tips

1. Gear Up

In any genre of photography, the right gear makes the difference and this also holds true for architectural photography.
If you want to get an entire structure or room into your frame or opt for a dramatic composition, pack a wide-angle lens in your bag.

architecture photography tips

Keep in mind that there will be times when even a wide angle lens may not be adequate to capture an enormous structure or a sense of place – here the knowledge of shooting panoramic images can come in handy.

architecture photography tips

On the flip side, you may not want to show everything and just focus on some interesting details. Pack a zoom lens to capture those details which help to convey the more ornate and interesting characteristics of architecture.

arnos-vale-entrance-architecture

architecture photography tips

Also, a telephoto lens allows shooting your subject from further away and can help a building’s walls and lines appear straighter (with less distortion).

2. Compose Yourself

Interesting architectural photography benefits from good composition. While distortion can add drama and lend to that artistic feel, buildings leaning backwards or looking too distorted can be less appealing. Always consider your angles and how you want to convey your subject.

architecture photography tips

Photographers who specialize in architectural photography find themselves correcting skews in the post-processing phase or invest in a tilt-shift lens to avoid distortion in the first place.

If you are starting out and want to play around with the dramatic feel, you can shoot from lower or higher angles to maximize the disfigurement. Remember while doing this can be interesting, it is recommended to reduce the effect so that it is not too distracting.

architecture photography tips
Move around and try different angles – shoot straight up, get closer or further away, go low to the ground or higher than the building if possible and see what enhances your architecture.

3. Lighting

A major challenge with architectural photography is that you have no control over the position and orientation of the subject (especially when it comes to buildings), so most times you have to make the most the available light.

architecture photography tips
One of the most interesting (and recommended) lighting options for buildings is when light falls on its side and front (side-front lighting). This angle of lighting provides a decent amount of illumination and can cast interesting shadows across the face of a building, which gives it a more three-dimensional look. So scout out your location at different times and see how the light and shadows change the look and feel of your image.

architecture photography tips
Be wary with strong back lighting when shooting buildings since it can create uniform dark surfaces, unless you are going for that silhouetted look. Again the time of day comes into play and if the structure itself has lights, it adds to the photo.

architecture photography tips
Alternatively, you can shoot at night. Many buildings and cities are designed with night time in mind. Even bridges, sculptures, and windmills can be interesting pieces to photograph after dark. Look for color and the way the buildings are lit and use a tripod!

4. Time Investments

As noted there is little control over large-scale lighting on existing grand architecture, so work with the light that is already there. You can do this effectively by investing time to determine what light is most flattering.

architecture photography tips nighttime

Does the building look better in the morning sun or at sunset? How about at night – is it lit or does it make a great silhouette? Are there interesting reflections in the daytime or a lot of texture to capture? Remember that different times of the day and varying weather conditions can change the mood of your architecture.

architecture photography tips light

Conclusion

Architectural photography is interesting and can be quite exciting. Give yourself time to see architecture from alternate angles, at different times of the day and study it long enough to know what you want your end result to be. Invest the time – it can be worth it.

What is your favorite type of architecture to shoot? Please share some of your shots and techniques with us in the comments below..

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Tips and Resources for Doing Android Phone Photography

20 Dec

Everywhere you go in the world today you will find someone, or many people, with their phones in the air capturing what they see. They all have a camera with them because they have their phones and can photograph everything they see. Phones have had cameras in them for quite a few years now, but slowly over the years they have improved and today many phones are amazing.

However, when you look around at phone photography there does seem to be an emphasis on iPhones and their cameras. While this article isn’t about which is better, it is important to remember that when it comes to phones Android has a much larger market share and therefore more people are using Android phones and their cameras.

Android phone photography tips

The camera user-interface for the Samsung Galaxy S7 Edge.

For this reason, this article is going to concentrate on Android photography, as there are many who seem to think that everything is made for the iPhone and if they don’t have one they are missing out. That really isn’t the case and since beginning research for this article so many things have come to light.

Phone

Not all phones are the same, nor are the cameras in them. If you are serious about using it for photography, then it would be good to do your research and get one that has a good camera.

While Samsung has had some bad press lately over the debacle with the release of the Note 7, it has to be remembered they are still good phones and the camera in the Galaxy S7 Edge is said to be the best still camera (inside a mobile phone) on the market. It is very clear and the photos have an amazing quality. This is the one I use.

Get one that matches your needs

The camera, as with most, has lots of different settings and modes so you can find one that will be suitable for the type of photography that you are shooting.

If your intention is to use your phone a lot for photography then be sure to select on that has what you need. Also, make sure that it is easy to get the photos from the phone to your computer. In today’s phone market, though, that is easier than ever.

Android phone photography tips

Some food photography with the Samsung Galaxy S7 camera.

Apps for photography

We live in a world of apps. There seem to be apps for everything. Whether they are good or not is another story.

If you go to the Google Play Store and search for cameras you will be given an overwhelming choice. You can get apps for image sharing, doing effects, making selfies, collages, and so on. The list seems endless. Just the popular results give you over 200 choices.

Android phone photography tips

Photos taken with the Instant Camera App.

Most of them are free, so if you are unsure which ones to use you can install them, try them out, and if you don’t like one then just uninstall it. The reviews and number of stars can be a good indicator, especially for ones that you have to pay for. If you have to spend money, then you want to make sure it is a good purchase. Having said, though, many of them don’t cost a lot.

I purchased Instant, which imitates the type of image you would get with a Polaroid camera. After playing around with it for a bit I discovered that there are lots of filters in the app to create many different effects. It is set up for you to shake or blow the image for it to be revealed, like the original Polaroids. Even though you know you don’t need to do it, it almost seems irresistible to not shake or blow on it.

Android phone photography tips Instant app Polaroid.

Taking photos with the Instant Camera App.

Retro camera app

Another one that you can try out is the Retro camera. It’s free and comes with several different cameras. If you press the camera icon in the app you can scroll through and find different ones. I quite like the Xoloroid one and the Fudgecan.  This app does not seem to have the filters, but you can choose to either take colour or black and white images with it.

Android phone photography tips retro camera

The Retro Camera app as it is taking an image.

They are great fun to play around with and I do suggest you try many apps. You might even fall in love with one.

Android phone photography tips retro app

Using the cameras within the Retro Camera app you can get a variety of results with each of the different options.

Lenses to attach to your phone

Lenses for mobile phones have been around for a while, but there does seem to be the impression that they are only for iPhones. I thought the same thing too. But, there are many lenses available for you to attach to your Android phone.

Lensbaby has lenses for the iPhone. When asked why didn’t they do them for Android the answer was simple. They did, but people didn’t seem interested and they didn’t sell. Perhaps the reason they didn’t sell well, was because people didn’t know about them. Well, now you do.

It is unknown how many lenses there are for Android, but apparently, a lot of the ones for iPhones can also be used on Androids. They use a magnetic ring that sticks over the top of the camera on the back of your phone. Some rings are better than others, and some don’t work very well.

Lensbaby

There are three phone lenses from Lensbaby and they all do different things. Along with them is an app for your phone that helps you take photos.

  • The Lensbaby LM-10 is a two-way lens, meaning you can turn it around and use the opposite end as well. The sweet spot is in the center for both ends, but one end will let you get closer than the other. It is a bit like reversing the lens on your camera.
  • LM-20 has a bigger sweet center spot and lets you take more normal images.
  • LM-30m this is very sharp in the middle and gives a crazy effect around it. Some say the photos are mind-bending, and can too strange. You do have to think about where you would use this lens. It isn’t suitable for everything.
Android phone photography tips Lensbaby LM-10

Lensbaby Lenses

The magnetic ring that sticks to the camera is great and doesn’t come off when you take the lenses off. However, it can be hard to focus using it and if you leave it on, the camera can move so it may need readjusting next time.

One thing that is quite good is that you can take it on and off a bit. I’ve done it up to four times and often leave it stuck to the back of the phone until I need it, and then move it over the camera when I’m ready to shoot.

Android phone photography tips lenses

Macro photo taken using the Lensbaby LM-10

Lensbaby app

As previously stated, Lensbaby also has a free app that you can download that lets you have a lot more control over the images. You can move the sweet spot around, or lock it to one position. Be aware that the LM-10 does reverse the image when you are taking it, so you need the app so you can reverse the view so it appears right way around.

Overall the lenses are great and are small enough to carry around in your pocket or bag when you’re out. I use them a lot for macro photography.

Android phone photography tips Lensbaby

Three images, the first taken with the Lensbaby LM-20, the second two taken using the LM-30 lens.

Photojojo

Another company that has produced lenses is Photojojo. You can buy all five or just a couple of them. They have standard lenses, but they also have some special effects ones as well. They are the only company that I saw with a polarizer, which could be very handy for some situations.

Here is a list of what they have:

  • Fisheye
  • Superfisheye
  • Polarizer
  • Wide/macro
  • Telephoto lens
Android phone photography tips Photojojo

Photojojo lenses

They are all good but the super fisheye is probably the one I’ve played with the most. It is very wide and distorted. You will get your hand holding the camera in the shots you take with this lens. The other lenses are much what you would expect.

The Photojojo lenses come with the magnetic rings to attach to your camera, but they don’t stick very well and when you remove the lens, the ring often comes off as well. If the lens is a bit heavy, like the super fisheye, when you angle the phone down it will just come off, along with the ring.

Android phone photography tips Photojojo lenses

Photos taken with the Photojojo lenses, the super fisheye.

I’ve been using the Lensbaby rings with the Photojojo lenses. Sometimes you have to move the lens or the ring around, but you can get them to work together if you are patient.

Photo editing apps

When you start taking photos with your phone the next progression is to start sharing them with the world on social media places like Facebook or Instagram. You could just post them straight up, use the filters that come with Instagram, or you can do some fine tuning of the images photo editor apps.

If you do a search for photo editors in the Play Store you will be given many choices. As it was for the cameras, you need to go through and see which ones you think will work for you and your purposes. We are going to look at two here.

Snapseed

Snapseed is a photo editor app that has been around for a while. It is free and fairly easy to use. While it does have some filters that you can just add to your image, it also has quite a few adjustments as well. Often, that is all you need to do, just do a few tweaks and the photo is ready to be saved.

As with any software that allows you to make changes to your images you always have to save it. On your phone, Snapseed will make a new gallery for your new saved edited images. You will end up with two of every image, the original and the edited version. When you are sharing, make sure to choose the one from the Snapseed gallery.

leannecole-androidphone-snapseed

The photo on the left was taken with my phone and then processed in Snapseed on the right.

Lightroom Mobile

To get Lightroom Mobile for your phone you have to be a subscriber to Adobe for Photoshop CC and Lightroom CC. It comes as part of the package. Once you are a subscriber you can download the app and sign in.

Get a 20% discount on Photography Plan using this link for dPS readers only! 

It doesn’t work like Lightroom CC on your computer, rather is very similar to other photo editing apps like Snapseed. It is easy to navigate around and figure out. Again, save everything you do and it will export it into a Lightroom gallery for you on your phone.

If you don’t subscribe, then don’t do it just to get this app. Snapseed is probably just as good, and if you don’t like it there are lots of other editing apps. Ask around and I am sure you will get a list for a lot of them. One thing that is great is the ability to install them, and if you don’t like, just uninstall.

Android photography round-up

Taking photos with your phone can very enjoyable and just because you have an Android that doesn’t mean you can’t take photos just as well as those with iPhones. Don’t let Apple users tell you your phone isn’t as good. Now you know that you can take good photos just as good, maybe even better.

In the end, it comes down to the person holding the camera (you) and how good you are. Have faith and share your photos. I would love to see them in the comments section below.

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Rangefinder magazine announces 30 rising stars of wedding photography for 2016

20 Dec

30 Rising Stars of Wedding Photography

Rangefinder magazine has announced selections for its fifth annual 30 Rising Stars of Wedding Photography for 2016, based on submissions by photographers from over 200 countries. Rangefinder is the official publication of the annual Wedding and Portrait Photographers International (WPPI) conference, and honorees will be featured in the December issue of Rangefinder, as well as on display at the WPPI Conference+Expo from Feb. 5-9 in Las Vegas, Nevada. 

We’ve highlighted a few of our favorite photos from this year’s selections, and you can find a complete online gallery here.

Above: Lato Photography/Laura&Tommy (Italy) “One of our favorite weddings of the last season. We were dealing with very difficult and shiny light, and we had to get the best from that situation so we captured this moment using a 45mm tilt-shift lens to create a softer background. The strength of this image comes from their hand positions creating a harmonious line, the delicate colors of their clothing matching with the background and, of course, the bride’s look.”

Lukas Piatek (Germany)

During a wedding day, I often try to take photos of small children. They are not disturbed by the camera at all and just do whatever they would do if I was not around. This little boy was basically running around the dance floor the entire evening, and at one point, I literally waited for him to do something special. I did not expect, however, that he would jump so perfectly, raising his arms in the air, looking into the light and being perfectly centered and framed on the dance floor. The shot was made two years ago and it was my favorite photo from that year.”

Jacob Loafman (USA)

“So, this couple’s ceremony and reception were held at their church. However, their church had recently built a brand new building, but they informed me they still had access to the old church. They wanted to know if I would like to do the main wedding party and bride/groom portraits there. I excitedly agreed and we headed that way. As soon as we walked in, I almost fell over from how amazing the building was inside. It was vacant. Completely vacant. This vacant space still featured the remnants of where the previously used cross hung on the wall. It was just beautiful.”

“I noticed there was still access to the balcony and wanted to do a full wedding party portrait from up there. My idea was to just have them arrange themselves randomly. I provided very little direction, as that’s what I wanted. My desire was to create a group portrait that felt more like an album cover, where the entire group was the focal point, but the vacancy and tattered old floors added an element of interest to the shot. After I released the shutter button a few times, I knew I had accomplished what I was going for.”

People Truelove Tellers (Spain)

“This was a very lucky one. We didn’t actually want to shoot it because we were running out of time and were on our way to another spot for portrait pictures. We were driving in a tiny, narrow and lonely road in the middle of nowhere outside of Madrid, and suddenly a full flock of sheep crossed the road. That was perfect because they ran away to the hill in the perfect direction of the sunset. I asked for the couple to follow them and the photo came!”

Tim and Laura Sullivan (USA)

“Chip and Karyn had a lot they wanted to do for their wedding (ranging from Prince impersonators to multiple live bands), but in the end, they chose an in-town elopement with just their two kiddos and us. Tim officiated, Laura took the ceremony photos, and we spent the day gallivanting around some of the most gorgeous spots in Seattle (we even organized a private chef in an industrial loft for them, because going above and beyond for our clients is our favorite thing). This shot is from the deck of their unfinished condo during their ceremony. Our florist came in and covered the construction dust with the most gorgeous arrangements, almost like their own little Wonderland. Their daughters were crying, we were crying—oh man, was it all memorable.”

Marko Marinkovic (Croatia)

“My editing process aims to resemble the colors of the visual artists from the 16th and 17th century as they, among others, struck a foundation for all of us. Each of the paintings I visit for inspiration gives me insight on the thought process a painter must go through in order to recreate 3D light on a two-dimensional surface. From framing the scene on the square canvas to choosing the color palette, it stays pretty much the same in photography today. Spoiled by the digital era we often overshoot and undermine the thought process behind the images we create.”

The Hendrys (Scotland)

“This was one of the most heartfelt weddings we’ve captured to date. The sun was out—when it was forecasted to rain heavily—emotions were running high and the couple and their guests exuded happiness throughout the whole day. At that moment, we thought to ourselves, is this really our job?! And from then on, we knew it was what we wanted to continue doing for as long as we possibly could.”

Lucy Spartalis (Australia)

“Working with Paul and his groomsmen was like spending a day on the set of Monty Python. LOOK at those mustaches; socks; sexual poses. My partner Alastair and I were wiping tears away between every shot. At one point, someone did a handstand and someone else started posing provocatively on the floor. I could’ve just shot them as they already were, but with a little zhuzhing (I checked that spelling, by the way—what a word)—positioning Paul between the spread legs of the groomsman behind him, asking another gent to kneel on one knee to create a mid-level point of interest, etc—we created a more balanced and dynamic composition. I don’t like to pose people too heavily in most cases, but when you’re onto a good thing, a little directorial tweaking can really take things to the next level.”

Heather Liddell (New Zealand)

“Spring weddings are something special. Julia was greeted by an ecstatic Graham and a sun shower when she reached the top of the aisle. The beads of water caught the light and created the most amazing effect. I crouched low so I could create an angle to get in a little sun flare and to make sure that the rain drops would be highlighted against the dark hedge.”

Pablo Beglez (Spain)

“A few minutes after Paula got out of her room to go directly to the altar, she had a problem with the dress. The designer was there with us and had to take a needle and thread and sew the dress right there. Those were some minutes of stress, but it finally was great.”

Jacob Murphy (USA)

“It was toward the end of the night and the dance party was reaching a crescendo, but I couldn’t help but notice this perfect vignette of everyone’s shoes. I love when details can tell a strong story too. I used an indirect tunnel flash technique to make this photo more interesting.”

Articles: Digital Photography Review (dpreview.com)

 
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4 Tips For Doing Eye-Catching Landscape Photography

20 Dec

Landscape photography is everywhere today and for good reason – the world is beautiful! However, because landscape photography is so popular, it can be difficult for your photographs to grab the eyes of your desired viewers. While there’s no way to predict exactly what image will stand out in the crowd, you can use these four techniques to give your photography the edge when it comes time to grab some eyes.

Landscape Photography

#1. Define your vision

As a photographer you are not only taking a photograph, you are sharing a vision – your vision. It’s important to remember this concept every time you’re capturing an image. This is important because if you are aware of why you’re attracted to a scene, and why you want to share it with others, the easier it will be for your viewers to connect with what you saw.

This does not mean that you have to stick with the same definition of vision through every photograph you take. Instead, you should try to adapt and evolve your vision each time you go out to take photographs. Letting your experiences influence the choices you make in your photography will allow your photography to express your individuality as a person.

#2. Perspective

Landscape Photography

It’s easy to see a beautiful landscape and take a photograph of what you see, but that is often not enough to grab the eye of your viewer. After you’ve defined your vision for a specific photograph it’s time to answer some questions about the perspective you wish to convey.

Do you want to photograph from a low angle or from above the scene? Are you thinking of using a super wide-angle lens or would your scene be better suited for the compressed look of a telephoto? You can even begin to think about what type of post-production techniques you will use. Will it be HDR, black and white, vibrant and saturated, or muted?

Each photograph you take is going to be unique in its answers to these questions. There’s no one-answer-fits-all solution here, it’s just a matter of finding out what works and learning from experiences over time.

#3. Be purposeful in the choices you make

Landscape Photography

If you’re going to overexpose a photograph, have a reason why. If you’re going to post-process an image using the HDR technique be sure do it because it makes sense, not because you want it to be HDR. Making purposeful decisions in your photography will make every photograph you take better.

In regards to post-production in general, be sure to use it as a tool to elevate your great photographs to the next level, and not to save your misfires from the trashcan. Post-production is not what makes a photograph great, it can only enhance an already great photograph allowing it to stand out, above the crowd.

#4. Subject matter, light, and the basics

Landscape Photography

Finally, a boring landscape, shot in bad light, with the wrong techniques is not going to win any love from the peanut gallery so brush up on the basics first. Learning how to photograph in the right lighting conditions, how to properly use a tripod, and how to achieve the perfect exposure of your scene will allow you to create more eye-catching photographs.

What else?

Do you have some other tips for achieving eye-catching landscape photographs? Share them with us in the comments below!

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The post 4 Tips For Doing Eye-Catching Landscape Photography by John Davenport appeared first on Digital Photography School.


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Weekly Photography Challenge – Flight

14 Dec

Things that fly or defy gravity have always fascinated humans. These 20 images of airborne objects capture flight perfectly.

Susanne Nilsson

By Susanne Nilsson

Weekly Photography Challenge – Flight

What sorts of subjects can you think of that take flight, or glide through the air? How about these:

  • Birds
  • Planes
  • Kites
  • Gliders
  • Flying squirrels
  • Paper airplanes
  • Bugs, butterflies, dragonflies, etc.
  • Balloons
  • Hot air balloons
  • Ski jumpers?
  • Skate boarders?

Can you think of any others?

Simon Plestenjak

By Simon Plestenjak

William Warby

By William Warby

Chris Harrelson

By Chris Harrelson

Heather

By Heather

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

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