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Posts Tagged ‘Photographing’

Photographing A Same-Gender Wedding or Ceremony

03 Sep

Recently there has been several big changes in the way the US handles same-sex marriage.  Now, I don’t write about politics, which I think is lucky for all of us in the same way that I don’t cook is lucky for the people I live with.  I write about photography and people.  I also don’t make predictions about laws and the world, mainly because I’m not sure what I’m going to have for dinner tonight and as I write this, it’s almost 8pm (cereal is always a safe bet at this point though), but I will say this: as same-gender marriage becomes more accepted and recognized, the need for photographers who will happily and professionally photograph these weddings as they would any other, will increase.  And I hope to be one of the first photographers in my area a couple thinks of for these jobs.

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I have been lucky enough to photograph several same-sex weddings and commitment ceremonies.  For this article, I will be referencing the beautiful wedding of Jeremy and Randy, who when I asked, were thrilled to allow me to show their images.  I met these wonderful men because Jeremy’s mother placed a hefty bid on a “photography event” that I had donated to a non-profit for their annual fundraiser auction.  I had no idea what would be the outcome and I couldn’t have been more thrilled that this lovely woman won my random donation that to be honest, I got a little bullied into.  I was certain that I would end up photographing some D list celebrity in the famous mountain town where I donated the “prize” and often worked in.  Or maybe that I would be asked to do something crazy and/or scary and have no way to back out.  Like a scuba diving photo shoot.  (I’m terrified of scuba diving.  I think.  I’ve never actually tried.  But I certainly don’t want to.)

Instead I ended up fourteen thousand feet above sea level on a beautiful September day.  I hauled up the cake and live butterflies awaiting their ceremony release who I talked to the whole 30 minute drive, telling them that all would be well and shhhh, shhhhhh…….your wing flapping is making me nervous!.  But that’s another article I may write someday titled “Hauling Live Previously Frozen Butterflies Is Not For The Weak Of Heart”.  Anyway…..I am a photographer that proudly photographs same sex weddings and unions.  I am not gay myself.  I am not some crazy liberal (well, maybe a little).  I am a person who believes that when any two adults love each other and want to announce that and celebrate it and make promises in front of their friends and families and perhaps feed us all cake in the meantime, that’s a pretty special thing that needs to be documented.  And if you’ll have me, I’m thrilled to be the one to do it.

Here are six tips for photographing a same-gender wedding or ceremony:

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1. It isn’t any Different

It’s two people that love each other.  And if you signed up for this, it’s like any other wedding you’ve ever done or been to.  Simple as that.  Show up, do your job, eat cake.  If there is even a small part of you that doubts you can do this (beyond the normal doubt that many of us photographers have at any given moment), pass on the job and allow a photographer that can to do it.

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2. Find your Groove

Okay, I lied.  It’s a little different.  Only because we have been programmed to think that it’s different.  The truth is, it may take you a bit to figure out the specifics.  But you will.  I’m as open-minded as they come and truly believe we should be allowed to love (and marry) whoever we want.  None of this changes the fact that I only have a few gay friends, most of which aren’t close friends, and all of which I haven’t been around them and their romantic partner or dating life much.

So while it doesn’t bother me a bit, seeing romantic gestures between two people of the same gender is still a somewhat unfamiliar concept to me.  But here is the other truth: I’m not a sappy person by nature and witnessing public displays of affection between any two people makes me a little nervous.  At any wedding I photograph, there is a moment of dread realizing that I will be watching kissing and non-stop declarations of love all day.  In all fairness, this may be because I am a cynical single person.  And my therapist may have mentioned something about intimacy issues.  I assume that’s mainly because I’m perfect in every other way and she had to make something up to prolong the relationship.  At any wedding, at some point I am able to brush off the cynicism and give in to the beauty of two people pledging to each other.

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3. Realize the Gravity of what you’re Doing

You will likely never shoot a ceremony or event where you are more appreciated.  I asked Jeremy what the difference is when hiring a photographer for a same-sex wedding; I fully expected to get back a response about how I needed to realize that it wasn’t any different.  

Instead, he told me this:  ”The act of asking a photographer to do my wedding was in itself anxiety-provoking. I wasn’t worried about them being booked already, but rather of them not approving of my wedding at all! A wedding can be even MORE emotional for same-sex couples, because chances are at some point in their lives they were sure this day would never be possible.” Weddings are a great deal of pressure, but at a same-gender ceremony you have the added bonus of being pre-approved. Just by being happy to do it, you have made the couple incredibly happy. The images you take are beyond the wildest dreams of the couple because they likely haven’t thought their wildest dreams are possible.

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4. Find out the Details Beforehand

At most of the weddings I have shot, I have done nothing more than exchange a few emails with the couple and possibly taken engagement photos. There aren’t a lot of odd pieces of a wedding that I haven’t seen after having shot so many; divorced parents, possible drunk relatives, non-traditional requests, a roomful of unclothed bridesmaids, rain, unclothed bridesmaids in the rain.…..I’ve seen it all. Though in this situation, I want to know if there are specific relatives that I maybe need to be aware of.

For example, both of Jeremy’s grandfathers are extremely conservative and yet showed up to the wedding anyway after saying that they wouldn’t. This created a very emotional piece for everyone who was aware. You can’t prepare for every possible situation, but get as many details as you can beforehand. It’s more prep work, but it will serve you well in the long run.

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5. Educate Yourself

Many same-sex weddings don’t adhere to traditional wedding outlines. Know beforehand if there will be anything specific happening in their ceremony that might be important. There many be similarities, but there is often an entire separate set of emotions that happen. Know in advance that this is more than just a wedding day; this is a celebration that most thought never could happen.

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6. You mustn’t Worry about it!

I spend most days worried that at some point, I’m going to make an idiot out of myself. This is because most days, at some point, I make an idiot out of myself. At a same-gender weddings I worry quite a bit that I am going to put my foot in my mouth and say something insulting that I in no way meant insulting. If I ever have, and I seriously wouldn’t put it past me, no one has ever mentioned it. This tells me two things:

  1. that it’s possible people are just used to my flavor of obnoxiousness at this point, and…
  2. there is room for a bit of putting your foot in your mouth. While plain out rudeness is of course unacceptable, if you slip-up don’t stress about it.

My grandmother used to always say “You worry too much! You mustn’t worry about it!”.

She also used to say “All the beautiful clothes in your closet and that is what you decided to wear?”, but I prefer to concentrate on the good things.

Be sensitive to the event, but chances are if you got this far into in, it’s for good reason. At this wedding, I accidentally referred to Jeremy as the bride several times. And each time he teased me that he was likely the worst Bridezilla I’ve ever come across.

He wasn’t. Not even close.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photographing A Same-Gender Wedding or Ceremony


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The Zen Guide to Photographing Stars Like the True Master You Are!

23 Aug

Our fascination with the stars has lasted for eons. So it is no surprise that so many photographers rotate their lens into a vertical postion to capture these natural wonders! But as many of you may have already found out, photographing stars can be a little tricky, as many factors come into play, and certainly the most irritating is that, Continue Reading

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Photographing Tweens and Teens

14 Aug

By Lori Peterson

Booking teens and tweens for photo shoots is always fun. They have so much energy and enthusiasm and it really shows once they step in front of the camera. For that time when they are in front of your camera they feel like they are celebrities. That can be good for fragile egos and low self-esteem, especially when their hair and makeup is done and they look absolutely gorgeous.

Teens and tweens of today have seen enough modelling shows that they know the drill for posing. Some of them even have that runway walk down too! It’s very easy as a photographer to get swept up in our posing and our images and we can forget how old (or young) our client really is.

Keeping yourself engaged with your client and talking about school, their friends, music they like (which you may have never even heard of!) can be easy ways to make them feel at ease and remind you of who is in front of your camera. Keep their posing simple, not too suggestive.

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Wardrobe seems to be a fairly contentious subject when it comes to teens and tweens, but I have the rule that if the parents have seen the wardrobe and have no problem then it’s not for me to judge. You want them to look like themselves and you don’t want it to look too out of their norm or they won’t want to show the photos off to their friends.

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You aren’t there to parent them or to lecture on them their choice of clothing; you are there to take portraits. This is why consults before the shoot are so important. Going over wardrobe is one component that you should incorporate into your shoots so that you can decide where best to pose them and what works best for each location. Going over wardrobe also includes shoes, jewellery, and even hair and makeup. Talking to the parents about their expectations for the shoot is also very important.

Go over your contract with both the client you are shooting and their parent and let them know what your own expectations are during the shoot. Let them know about whether you allow parents to take photos during the shoot with their cell phone or with another camera too. Let them know what your policies are regarding afterwards when the photos are posted to social media. A lot of photographers have issues with people re-editing their images or cropping out their watermark. If you outline your specific rules for your images verbally and in your contract then you have a smaller chance for clients violating those policies.

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Working with teens and tweens can be a lot of fun for photographers. They might be a little uncomfortable in the beginning, but once you get them started with the shoot and talking, it will almost be second nature for them to be their natural selves and let their personalities shine through. A lot of parents prefer these types of photo shoots for their teens and tweens to the traditional school portraits because you can see their personalities and their uniqueness in the images.

Lori Peterson is an award winning photographer based out of the St. Louis Metro Area. Her dynamic work ranges from creative portraits to very unique fine art photography. Lori’s work can be seen at www.loripetersonphotography.com and also on her blog at www.loripetersonphotographyblog.com. You can follow her on Facebook at https://www.facebook.com/LoriPetersonPhotography.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photographing Tweens and Teens


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Photographing Adults: the Hardest Group of All

06 Aug

Step one: surround them with kids or puppies or something so they relax and act normal.

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Okay, fine.  That’s not always possible.  It’s hard to get your hands on a bunch of puppies for one.  It’s a little easier to find a bunch of children, but then there you are…… stuck with a bunch of children.

Adults are so awkward in front of a camera.  It’s just so much PRESSURE.  To look GOOD.  And NORMAL.  I’m am one of the biggest offenders of this.  A running conversation with me while I’m getting my picture taken goes something like this:

Is my hair doing something weird?  I feel like my hair is doing something weird.  

Oh man, you totally just noticed that my right eye is smaller than my left didn’t you?  I hate that.  I was always going to have it fixed, just as soon as laser eyelid reconstruction became available. 

Can you tell me when you’re actually shooting because I want to be sure I’m sucking it in and looking as skinny as possible. 

Why did I wear this shirt?  It only highlights my big weird left eye and my non-ability to suck it in.  That was so stupid.  Can you Photoshop in a different shirt?

Can you try to get my toes in the picture?  Because I painted them last night and that’s about the only part of me that probably looks okay right now.

Nope, scratch that.  I just saw a chip in the polish.  Great.  Just great.  

The whole thing is ruined.  No sense in even trying at this point, as clearly I will break your camera.

Now feels like a good time to mention that I’m not exactly low maintenance.  On any level.  But I also know that I am not the only one that does that, and I know this because every time I photograph an adult, this is the type of things I hear from them too.  Kids have it made when it comes to getting their picture taken—everything they do looks cute.  And if it doesn’t?  What do they care?  They have much more important things to worry about like why the chicken nuggets that are shaped like dinosaurs taste different than nugget-shaped ones.  (Though to be fair, I’m kind of curious about this too.)

Here are five tips for photographing adults without involving puppies:

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1. Keep them Busy

If I had a dollar for every adult I have asked to twirl and dance around, I would have enough dollars to buy this 200 pound St. Bernard I’ve had my eye on with enough left over to keep him in food for at least a week.  Adults fight me every time on this one, but I force it because I can, and hey, we’re all grown-ups here.  I don’t care about their twirling skills a bit.  What I want is for them to loosen up and let go of their worry over how they are going to look.  Ask for something to do something goofy and you’re likely to get a true smile and a natural stance.

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2. Use your Surroundings

Adults don’t often come with a car full of stuffed animals to include in the pictures (and boy if they do, I’m outta there so fast), so you have to find parts and pieces of the world around that are going to make the image interesting and personal.  I love me some sky if it’s an option.  I also don’t mind a little concrete but whatever it is, utilize it as a way to draw interest to the person and tell a little story.

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3. Give them Something to Do with their Hands

It’s a lot to ask of someone to just stand there and look cute and often the most awkward part of that is not knowing what to do with your hands.  Offer up anything but shoving them in pockets to avoid the inevitable “I don’t know what to do right now” look.

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4. Show them how You would do it

Every time I photograph an adult and have an idea for a pose or concept, I do it first.  ”I would lay down in this patch of dandelions like this, but you may find that it feels better to you to do it a little differently”.  I encourage them to try it and see what feels comfortable.  In reality you’re just giving them a starting off point.  Once they feel like they are “doing it right” they will become more comfortable and be able to sink into a place that feels natural to them.

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5. Reassure them….  Lots

While I am shooting, I’m always encouraging.  In an obnoxious and loud way because that’s just how I roll.  I’ll tell them I love what they’re doing, or that they look perfect in this light, or that I’m getting tons of great stuff.  Sure, every once in a while I admit that something looks stupid but only because my idea didn’t work out.  And I’m a big believer in adults thinking I have a magical darkroom where I sprinkle special fairy dust on everyone’s faces and wrinkles and dull skin and that extra 10 pounds you swear exists that doesn’t, just magically goes away.  And then I go out to my money tree and pick todays offerings.  Seriously though, adults take a lot of comfort in knowing that you look at faces all day long and can be trusted to make sure the end result looks great.

And it never hurts to mention that as far as you can tell, both of their eyes appear to be the same size and you like their shirt.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Photographing Adults: the Hardest Group of All


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6 Easy Tips To Photographing Strangers In Perfect Candid Moments

05 Aug

Candid photography is responsible for the best photographs in the world. Just take a look at all the of the most striking images you’ve ever seen, almost all of these are from candid shots when photographing strangers. When photographing strangers, a photographer is bestowed many plus points: Images are considered far more credible the less contrived they are You have Continue Reading

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It’s Not Always Sunsets and Kittens: Photographing the Tougher things in Life

02 Aug

Not every shoot I’ve done is full of lollipop promises, cute matching (but not too matching) outfits, and happy families throwing their kids up into a perfect blue sky with puffy cloud dreams.  In fact, typically the ones that didn’t, are among the most important pictures I have ever taken.  The ones that there are no road maps for, no instructions, and no cheat sheets.  Several years ago I photographed a beautiful wedding of a young couple deeply in love on a perfect July day.  I shot the wedding, went home, and put those images at the bottom of my “waiting to be edited” stack.  Which is where they stayed until I got a random call that the groom, a police officer, had gone missing in an attempt to save a young girl who had almost drowned in a fast moving river.  For three days rescue teams searched for him, until they found his body a day shy of his and his new bride’s first month anniversary.

I Googled everything I could think of in an attempt to edit the images, perfectly and quickly with poise and professionalism, as I knew that they would now would hold a gravity beyond what I could have ever imagined when I shot them.  I found nothing—no road map, no instructions, no guide for this massive task I had ahead of me.  Instead I holed up in my office for a weekend with a bottle of scotch and a case of tissues, emerging in time for them to be delivered to his bride at his memorial service.  Those images are now locked in a vault of sorts for me professionally, and I can only hope that by now they perhaps bring an amazing and strong woman great comfort and lovely memories of a beautiful day in her life.

Photography is a very powerful thing.  And having the ability to do it is an incredible gift.  Not all tough to photograph events will be dire, but do photography even just as a hobby for long enough and you will find yourself in situation beautiful in it’s complexity and the images you take poignant beyond words.

This is a picture of my dear friend, her son, and her son’s birth mom.  It’s out of focus and isn’t properly exposed.  The kid is wearing a Captain America costume and was feeling especially “spirited” on this day.  It is all of the makings of disaster.  Yet it is one of my favorite images and incredibly important to both myself and the people in it.  A picture doesn’t have to be technically perfect to be amazing.  Sometimes it’s just you being in the right place at the right time, hauling a camera in tow.  Sometimes it’s a matter of you being invited to something very special because you have been trusted to document it.  What a beautiful responsibility that is.  Sometimes it’s not about the where and the how you do it; it’s about that you showed up and did it.  The pictures you take may turn out perfect.  They may not.  Either way, they will be treasured as great gifts.

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Every once in a while I get asked to photograph someone (or a pet) who is gravely ill, or a funeral or memorial service.  I have never been in a situation personally to want a photographer at something like this, but I am always honored when asked to do something so significant.  This is one of those situations where if you have any reservations at all, you should politely decline.  It’s a heavy task, one that can only be done with complete focus and presence.  The first thing I do if I’ve been asked to photograph something like this is make absolutely certain that the immediate family members are all in agreement in wanting my services and what exactly that means to them.  While I have personal guidelines, I want to be sure that what they are wanting works with these, and also something I will be able to do with great compassion.  Each time I’ve photographed this type of situation I have come across someone that didn’t feel I should be there or was confused by my presence and camera.  My best advice is to reply very simply and quietly: “I was asked to be here today” and move on.  Not everyone will understand why a photographer was requested.  Often I don’t understand myself.  But I know that I am doing something important as part of a healing process for another and that’s reason enough.

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Sometimes the occasion is joyful and wonderful and still requiring of great tact and compassion.  Homecomings, be them military or adoption or just long awaited, fall into this category.  If you have been invited to something like this, take a moment to be a bit proud of yourself.  Go on—I’ll wait.  This means that you have been asked to be part of a moment so delicate and special that your abilities are obvious and you are trustworthy beyond measure.  Your camera may have been your golden ticket in the door, but your skills is what will get the job done.  This is one of the few times I stay completely out of the way and ask nothing of anyone.  I am there only to document, not set-up moments or force poses and smiles.  The event will happen so naturally and beautifully on it’s own that you need only to trust in yourself, stay alert and in the moment, and know that the most intense moments will happen very, very quickly.      IMG_0207b

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In my humble opinion, there is no greater honor than being trusted to photograph someone.  Making the honor of being asked to photograph a human coming into this world the highest of the high.  If you ever get the chance the witness life start, I highly recommend it.  Most of this is going to be common sense, but in this case, don’t shoot for the moon.  You are documenting something so special, so amazing, there is no need to force a specific shot.  In a perfect world, you’ll be allowed to stand near the mother, at the top of the bed (or similar), lessening the chances of angles that no one will want pictures of, and increasing the chances of being able to stay out of the way.  Photographing a birth is one of the only times I truly have to use everything I have to hold it together and do my job.  But it turns out you can focus (literally and figuratively) through a layer of tears pretty easily if you need to.  Much like birth itself, this is pure adrenaline; nothing to plan, no way of knowing what shots you are going to get.  I do like to always ask if there is something special that is hoped for—perhaps the first bath or a picture of the baby getting weighed.  Things like that are usually possible and of importance for some.  Photographing births is a game of hurry up and wait and only a couple of things are certain: good glass, a high ISO (no one wants a flash here and the room is often dark), and impeccable manners.

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These type of images may not end up being part of your portfolio, they may not be technically perfect in any way, but likely to someone they will mean everything.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

It’s Not Always Sunsets and Kittens: Photographing the Tougher things in Life


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Then and now: Photographing the Bay Bridge

28 Jul

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Peter Stackpole was just 21 when he brought his Leica A to the top of the still-under-construction San Francisco-Oakland Bay Bridge. It was 1934, and Stackpole had no official authorization to capture images that would eventually land in Vanity Fair. Decades later, photographer Joseph Blum captured yet another bridge project in the bay area. Despite considerably tighter safety restrictions, he made soaring images of the modern construction site. Click through to see samples, then and now.

News: Digital Photography Review (dpreview.com)

 
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Royal photographer shares tips on photographing babies, #royalbaby etc…

23 Jul

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As Prince William and the Duchess of Cambridge celebrate the birth of a baby son (OMG! #shinynewprince), official Royal photographer for The Sun (that’s the British tabloid newspaper) has shared some tips for photographing babies. Arthur Edwards knows what he’s talking about, having photographed the proud father, William, when he was an infant. Click through for some of Edwards’ top tips for photographing babies – assuming of course that you’re not utterly bored of the whole thing by now. 

News: Digital Photography Review (dpreview.com)

 
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Posing Guide for Photographing Women: 7 More Poses to Get You 21 Different Photos [Part III]

20 Jul

A post by Kaspars Grinvalds from Posing App.

This is the third article in the series. You may want to look at the previous ones here: 7 standing poses [Part I] and 7 sitting poses [Part II].

Let’s move on with 7 lying down poses for women. And again I’ll briefly try to describe the process, how I tried to slightly adjust these poses in order to get three different photos for each pose.

Pose 1

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Very simple pose to start with. After getting the model into initial position, ask her to raise the upper body as high as she comfortably can.

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Photo 1: The first picture is the result of recreating this simple pose. Notice that you should shoot from very low angle, nearly from the ground level.

Photo 2: With such a basic pose as this one, you always have different options to variate – different hand placements, head tilts, eye directions and face expressions. In this shot the only difference is hand placement and slightly lowered upper body.

Photo 3: And I continued by asking the model to lower down even more. Notice that tighter crop is also a nice option to differentiate your shots.

Pose 2

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Very similar pose as the first one, but this angle is better for including longer model’s body line in the frame. And notice that one of the model’s legs is bent in the knee. This helps to raise her bum up for a better looking body shape.

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Photo 4: If you compare this shot with the first one, you will notice that it is nearly the same pose, but the changed angle gives different look to the image.

Photo 5: And again I continued with different hand placement. Note that hand doesn’t support the head, it actually doesn’t support anything, it’s just placed in the hair.

Photo 6: And one more hand placement variation and tighter cropping.

Pose 3

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Another very similar pose to the previous ones, the main difference again is the shooting angle – right from the front. At this point the model hasn’t even moved from the initial position, it’s the photographer who moves gradually around her.

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Photo 7: Here the model already started to repeat the gestures from earlier shots. Don’t be afraid to take these nearly similar poses as these minor variations might be invaluable when selecting the final choice of images in post production.

Photo 8: The variations with both hands stretched in front.

Photo 9: And close-up crop again, but this time with the eyes closed.

Pose 4

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We continued with the next easy and straightforward lying down pose.

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Photo 10: An easy to describe and really easy to execute pose.

Photo 11: Again, only couple of options to change here. Arms could be connected under the breast line as in this example. The arms could also be stretched back behind the head for another variation.

Photo 12: And in this photo the model tried to achieve kind of dreamy look with eyes closed and hands placed asymmetrically.

Pose 5

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Lying down very low. Works very good as well for close-up portrait shots.

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Photo 13: As my model was lying on the sandy beach, I asked her to support the head on the hand, but in other settings the head might as well touch the ground.

Photo 14: Here I asked the model to raise the head higher and keep the hands placed asymmetrically.

Photo 15: And the next variation was sleeping pose with eyes closed.

Pose 6

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Lying down on the side. Couple of points to check. The left leg is crossed over the right. The left arm is rested on the hip and partly hidden behind the body. The right hand is placed under the head but it supports it with only the tips of the fingers. If the model’s head would be fully supported by the hand the pose would just indicate tiredness.

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Photo 16: Following the previously described instructions, the model easily recreated the sample pose.

Photo 17: Here basically only the right hand’s placement is different. And placing it down on the ground instantly raises her upper body higher.

Photo 18: From there she straightened the supporting hand and raised the body even more higher.

Pose 7

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And finally a bit more demanding pose. The biggest challenge for the model is to keep an air of relaxation. Ask her to fold her head back as far as possible while slightly facing it to the camera. And this posture for sure works best with eyes closed.

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Photo 19: If the model can manage to look relaxed, the results will be rewarding.

Photo 20: This pose is a nice variation to the previous one as it’s far more simple for the model to recreate.

Photo 21: And here I asked the model to raise higher up and took the shot from above.

So, together with the previous articles – 7 standing poses [Part I] and 7 sitting poses [Part II] – you now have lots of poses to choose from. For more variation and a more dynamic result I would suggest to choose a few from each article and mix them in a single shoot. You will very soon discover that even a small number of starting poses is more than enough to have a great, productive session.

All of these illustrations and many more posing samples are available on Posing App for your mobile devices.

Kaspars Grinvalds is a photographer working and living in Riga, Latvia. He is the author of Posing App where more poses and tips about people photography are available.

Post originally from: Digital Photography Tips.

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Posing Guide for Photographing Women: 7 More Poses to Get You 21 Different Photos [Part III]


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Photographing Twin Newborns by Hillarry Pitts

10 Jul

For you newborn and baby photographers out there, you know that it requires a ton of patience and time to work with these tiny little ones. You also know that photographing newborns before 10 days new is best as they still like to be curled, tucked in and swaddled tight. Well, you may or may […]
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