RSS
 

Posts Tagged ‘Photographers’

33 Inspiring Websites of Landscape & Travel Photographers

16 Jul

Landscape and travel photography are closely intertwined with each other. Travel photography, as many sub-genres of art and photography are, is largely undefined and encompasses a wide range of people, locations, cultures and ideas, including landscape photography. Such kinds of photos express the feeling of time and place, its mood and atmosphere without geographic limitations. The borders between amateur and Continue Reading

The post 33 Inspiring Websites of Landscape & Travel Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on 33 Inspiring Websites of Landscape & Travel Photographers

Posted in Photography

 

Insiders Only: 70+ Best Online Marketing Tools for Photographers

16 Jul

As a beginner photographer with over 5-year background in the Internet Marketing, I understand the importance of establishing a firm online presence. I surely need to master my shooting and retouching skills, but I also pay attention to the business side of my hobby to ensure that there’s a market for my product and it’s growing along with the quality Continue Reading

The post Insiders Only: 70+ Best Online Marketing Tools for Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on Insiders Only: 70+ Best Online Marketing Tools for Photographers

Posted in Photography

 

Email Insiders Only: 2014 SEO Guide for Photographers

05 Jul

Your portfolio website could be the most beautiful, functional and user-friendly site in the world, but if no one ever sees it, then what’s the point? If no one visits your precious site, it wouldn’t do you any good. So you have to make search engine giants like Google, Yahoo or Bing notice you and send loads of targeted traffic Continue Reading

The post Email Insiders Only: 2014 SEO Guide for Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on Email Insiders Only: 2014 SEO Guide for Photographers

Posted in Photography

 

5 Not-So-Obvious Mistakes Photographers Make When Starting a Business and How You Can Avoid Them

29 Jun

By plantoo47

When starting your photography business it’s easy to get caught up in how good your portfolio looks, buying new equipment, or how many followers you have on social media. While these tasks are important, you risk overlooking some crucial numbers that will help you to hold yourself accountable and succeed as a result.

Large corporations have whole departments tracking data to help their CEO’s make better business decisions. So why is this completely overlooked in one-person businesses?

In this article you will learn the Five not-so-obvious mistakes photographers make when starting a business. I will also give you some handy tips on how you can avoid these mistakes in the future.

Mistake #1 – Not knowing your income goal

One of the most common mistakes you can make as a freelance photographer is not setting any targets around how much money you want to make. I think we can all agree that it is an amazing feeling to be able to earn enough money to support yourself.

An effective way to grow your income is to first be aware of how much you’re currently earning so that you can figure out how much you want to earn in the future. Have a good solid brainstorming session about the next 12 months and really ask yourself, “How much do I want to realistically earn this year?”

By Simon Cunningham

Making a million dollars a year photographing would be fantastic, but you have to be realistic about your financial goals. You don’t want to set a figure that is so high that you feel discouraged. You also don’t want to set a figure that undervalues your talent. You want to choose a figure that makes you feel a little stretched but is still achievable with some hard work.

A good place to start is to look at how much income you made in the last year, and then add 30% on top of this amount to calculate how much you’d like to make in the next year. For example, if you earned $ 15,000 last year, your goal this year should be $ 19,500 ($ 15,000 x 1.3).

If you don’t have any income records from last year, just choose a figure that you feel comfortable with, and that is attainable.
After you’ve worked out your target income for the year, the next thing to do is calculate your average fee. You can calculate this by dividing your total income by the number of sales (clients) you had over the last year.

So now that we know what your target income and average fee is, we can move on to calculate the number of photo sessions required to reach your target income goal.

By Historias Visuales

Mistake #2 – Not knowing how many photo sessions you need to do

The number of sessions that you need to do in the next 12 months is dependent on your target income and average fee. For example, to make $ 20,000, you will need to do 40 sessions within the next 12 months to reach your income goals. This is calculated by dividing your income goal of $ 20,000 by your average fee, which in this example is $ 500.

Your required number of sessions may feel daunting at first. It’s important to break it down into smaller increments so that you can visualize these amounts so it appears more attainable, so 40 sessions for the year turns into 3.3 sessions per month. This is calculated by dividing 40 sessions by 12 months.

When you’re setting your income goal, think about how much time you want to take off for the year. You need to give yourself leeway for traveling, illness, recovery, planning and so forth. Just because you’re a business owner doesn’t mean you don’t need
to have time off like the rest of the world.

Going back to the example, the number of sessions required is 3.3 per month. Let’s round this down to three sessions to make things cleaner. This means you need to do 0.75 sessions per week.

By Korry Benneth

If you’re not comfortable with the volume, you could tweak your targets. For example, if you were to get more skilled at charging higher fees, we could set your average fee to $ 1000 instead of $ 500. How would this impact your volume? Well $ 20,000 divided by $ 1000 is 20. That’s 20 less photo sessions you have to do for the year, which equals out to just 1.6 sessions per month or only one photo session every couple of weeks.

So the next question is, should you focus on doing more sessions, or should you learn how to effectively increase your fees? The choice is ultimately up to you, but this example illustrates the importance of knowing your numbers so you can make the necessary adjustments in your business that will help you succeed.

Mistake #3 – Not knowing how many inquiries you need

Inquiries are the first point of contact you have with potential clients. Your main goal when you receive an inquiry is to convert it into a booking.

Measuring the number of required inquiries in your photography business can be a little challenging as some of the people that contact you initially don’t end up booking for various reasons. So as a rule of thumb I like to use a 50% conversion rate. This means that to get three bookings for the month, you need to get at least six inquiries.

As you can see, generating inquiries is easily one of the most important steps in the sales process. When it comes down to it, if you want to achieve your goal of $ 20,000, you need to generate six inquiries per month with an average fee of $ 500. Once again, you will only know this if you are aware of the important numbers in your business, which I’m sure, most of your competition is overlooking.

Mistake #4 – Not knowing how many bookings you need

Converting enquires into bookings is another often overlooked part of the photography sales process. Not only do you get the opportunity for income now, it gives you an opportunity to book future business through referrals.

By Ken Teegardin

The number of bookings required in your business should match the number of sessions required. So if you need to do three photo sessions per month, then you also need to book three clients per month.

Obviously the bookings you get today could help get you more sessions in the future. However, I have found that these numbers tend to correct themselves if you focus on getting your target bookings each and every month. So if you’re not doing enough sessions, you have to revisit your bookings and see how you can increase your inquiries.

Mistake #5 – Not having a method of keeping track of your numbers

Hopefully by now you have a better understanding of the relationship between different targets in your photography business. It is clear that more inquiries lead to more bookings, which lead to more sessions, which ultimately leads to more income.

It’s all well and good to be aware of the numbers, but to make significant change in your photography business requires you to hold yourself accountable and ensure that you’re following through on your goals. There are a couple ways you can do this.

One way is to draw a table in your notebook that displays each target for the month. You then record a dash next to the target when you get it done. So if you have a target of three sessions for the month, every time you do a session you draw a dash next to this target. You can also break this down into weeks if that makes it easier for you to update.

By Wendy House

You could also track your numbers by drawing up your targets on a whiteboard in your home office or studio. This is an excellent idea as you’re constantly looking at it.

Another way to do this is to create a spreadsheet. I know a lot of creative professionals cringe when they hear the word “spreadsheet”. However I encourage you to push through your barriers and use a spreadsheet to track your numbers.

The advantage of a spreadsheet is that it does all the work for you. All you have to do is input your progress and the spreadsheet can tell you how you’re doing. I can just hear what you’re saying at the moment. “Michael, this sounds great, but how do I actually create this spreadsheet you’re talking about?” I thought you might ask, so I’ve prepared a spreadsheet for you to download for you to use in your business. I initially created this spreadsheet for my partner’s photography business to track her numbers, and it really helped change her mindset in her business.

Before using my tool she couldn’t tell me what percentage of inquiries were converting into bookings. After she started tracking her numbers, she felt empowered and knew exactly how her business was going at any given time. Sometimes it was a pleasant surprise to know that she smashed her targets, other times she knew that she had to find ways to generate more business.

You don’t have to look at your numbers daily. I recommend updating your numbers at the end of each week. I also suggest that at the end of each month you send your numbers to an accountability partner. Knowing that you have to submit your numbers will only motivate you more. Choose someone you trust and you’re comfortable enough with to share your goals. This could be your spouse, sibling, good friend or business buddy. Sometimes all you need is some encouraging words to keep you focused in your business.

Bonus mistake #6 – Not tracking your expenses

It can be somewhat soothing to plan and think about how much money you’re going to make. Having said that, it’s just as important to understand how you’re spending your income.

Lots of new and even seasoned professional photographers overlook this highly important step. Reducing your costs is another method of making more money so you can spend it on more important things, like a new lens or a holiday.

By Jorge Franganillo

So how can you go about tracking your expenses? Well it’s quite simple, use accounting software. There are many accounting solutions on the market that are both free and paid. Personally, I recommend going with Wave (because it’s free) or Xero (because it’s awesome). Both systems allow you to automatically pull your transactions from your business account bank statement directly into your accounting software. This means you don’t have to spend hours entering your expenses. Pretty cool huh?

Most photographers get overwhelmed when they think of financial management. But investing time in this area will do wonders for your business.

By far the most important feature of accounting software, is the ability to create reports that allow you to see where, and how much, money you are spending in your business. From there you can make necessary adjustments to cut back on your costs.

By M.Kemal

Bringing clarity to your business

The whole purpose of this article is to bring clarity into your business. A lot of photographers like yourself start a business because you want to earn a living doing something that you enjoy. But you soon come to realize that making a living and growing your business is not easy. It can be overwhelming thinking about how you’re going to get through tomorrow’s to-do list while keeping all of your existing clients happy. This overwhelming feeling often leads to “fog brain” and prevents you from having clarity in your business.

Being aware of your numbers will ultimately help you make better decisions. Instead of spending one hour on Facebook today, you could spend that time contacting potential referral partners for your business.

At the end of the day, activities that generate more inquiries are much more important than getting bogged down with emails, packaging, social media, design and other administrative activities, especially when trying to reach higher income targets. Get someone else to do those things so you can focus on what’s important: servicing your clients, doing sessions, finalizing bookings and generating so you can fund the lifestyle that you want and deserve.

For more photography business tips read these articles:

  • The Ultimate Guide to Going Pro as a Photographer
  • How to Calculate Your Cost of Doing Business – And Other Necessary Numbers
  • 5 Things to Consider Before Starting Your Photography Business
  • 30 Things you Should Know to Help you Start a Photography Business

The post 5 Not-So-Obvious Mistakes Photographers Make When Starting a Business and How You Can Avoid Them by Michael Ofei appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 5 Not-So-Obvious Mistakes Photographers Make When Starting a Business and How You Can Avoid Them

Posted in Photography

 

Thecus N2560 NAS storage for photographers – review

22 Jun

This will be an overview of the N2560 and also a little bit of practical advice for people that have a computer with almost zero disk space remaining, and no clue what to do about it!

Let’s start with the Thecus N2560 network attached storage (NAS) that we were sent to try out.

Thecus N2560 NAS on Amazon

The N2560 is a relatively small (when compared with the Synology 1512+) NAS device that holds two 3.5″ SATA disk drives, and sits quietly (20db) in the corner of your home office serving your images, document, media – whatever. When idle, the little guy only uses 9W of power and 14W under load, so it’s also reasonably electricity efficient.

simon pollock photography melbourne

Let’s look at what a NAS is if you have never used one, or considered using one. Lets say you have a wireless (or non-wireless) router in your home that you use to connect to the internet and that router has a spare network port (the rectangular looking one) Well, in very basic terms, you connect the N2560 to that spare port and with a little configuration, you’re able to access the drive space from your home network without being physically attached to the NAS itself. With the Thecus, and many other brands, you can also use their configuration service to set up your NAS to allow you to connect from outside the house, on the go.

The Thecus is a multi-award winning device and has shown me great performance with 2GB of memory and the 1.6Ghz Intel Atom processor, and while I tried to run a small Lightroom catalogue, raw image library on the N2560. While it was a bit slow across my network (wired, 1Gb cat6 network via an Apple Airport Extreme )  it was useable for smaller Lightroom libraries, and adds a load of flexibility, too. With the T On The Go, iOS app (there are Android versions of Thecus apps, too, rejoice!) you can upload (you can auto upload photos you take with your iPhone, you can also turn it off and ask it to only upload via Wifi etc – well thought out!) download, manage, stream media etc. (audio types will like the Thecus’ ability to playback FLAC audio files).

Thecus N2560

There’s really not a lot to say about the device aside from it can be a bit tricky to configure if it’s your first time – I had a handful of IP Address issues (What’s an IP Address? They’re the things inside your network that tell other things where everything is, basically – kinda like digital street numbers) Once configured though, it’s not skipped a beat and I’ve been running it alongside my beautiful direct connected Promise R8 and my primary Synology NAS for just over a month.

The Thecus N2560 performs really well, with good speeds for a network connected device at this price point, and I have no complaints with it. If you’re interested, you can read all of the tech specs on the website and learn all you need to know about the N2560 but I thought I’d take this in a slightly different direction and talk about some of the things you can do with a NAS in a photographic environment.

Your computer is FULL and you need to do something!

So you’re at that point where your computer is almost full up with your data, there are multiple paths you can go down to sort this out, but let’s focus on two – direct connected external disk drives and NAS.  But first, a couple of things about your computer being FULL!

Some people might say “my computer is out of memory!” There are two things they could be talking about:  (1) HD space (hard drive or hard disk, both are acceptable) is where the stuff you load onto your computer, like programs, music, photos etc go to live, or (2) Memory or RAM on the other hand is the stuff that your programs all load into and run.

An analogy if you will.Disk space are the seats in your car – when they’re full, you need a trailer or a bus (external disk or NAS). Memory is like the engine in your car, it makes the car run and you can upgrade it to make your car go faster if you need to. (Mmmm – turbo!) – If you’re still confused, ask questions in the comments, I don’t bite!

So, why would you want to buy an NAS?

With a traditional external disk drive, you can plug it into your computer, load things onto it and download things from it. In most cases this is the quickest way to backup, aside from having a disk physically in your computer, directly connected to your computer’s brain – so to speak. There are multiple ways you can connect drives these days, too, just to add a splash of confusion to your choices – USB, Firewire, Thunderbolt being a few of the ways. They have different benefits and speeds.

So, why would you buy an NAS? (and sure, with some external drives you can do these things, too)

  • Use Windows or Mac where most direct drives are one or the other
  • You have the ability to connect from outside your house (personal cloud – on the go)
  • You can use iOS / Android apps to view the contents of your NAS (photographs!)
  • Cloud backup / USB3 backup to the Thecus (USB one touch button) Backup people, I’ll say it again – backup!
  • Media playback on your TV / Audio playback on your Hifi.

Here’s a scenario where my NAS came into its own recently – I was showing a client some portraits for the set of images I’d taken. They were the images I’d chosen that worked for what she wanted. We came to the end of the viewing which was via my iPad in her house, and she asked if there was another specific photograph that she had in mind from the shoot – turns out there was. As I’d put the entire unedited folder into the “working directory” on my NAS, I connected to the internet via my iPhone hotspot and browsed the NAS to show her the set of images that I’d not chosen. We found her photograph and everyone was happy!

The one thing that the NAS is not is a 100% foolproof backup – you must remember this. Sure, the Thecus is a two-drive unit and depending on how you set up those two drives (raid 0, 1 or JBod, I’ve talked about this before – not this time), you do get some redundancy, but always have multiple copies of important stuff – you don’t know the pain of losing a backup until you’ve lost client work that you can’t get back, or worse, family photos that mean a lot and are irreplaceable. If i’ve said it once, I’ve said it a thousand times – backup people! 

It’s all too technical for me!

It’s really not! You can see below the open door on the front of the little N2560, it takes two disks which are very easy to put in – you put the little slider bits on the sides of your disks and they simply pop straight in. The drives I’m using at the moment in all of my NAS devices are the WD Red NASware drives – I’m aware that all disks are either dead or dying from their first spin up (as my old boss used to say) and that any drive can and will completely fail when you need it the most, but so far I’ve had no problems with these disks. (I also use the WD My Passport Pro Thunderbolt external, all good there, too) With the drives in, you power her up after connecting your network cable (supplied) and follow the prompts basically. I mentioned I had a little trouble, and coming back from that trouble was slightly trickier than other devices (Synology, I’m looking at you) I’ve configured previously with slightly better graphical interfaces and directions. Once your config is complete, you’re set to use your Thecus as a local disk folder, media server, personal cloud, photo server etc.

N2560 Raid

You can see above the little blue USB port I mentioned in the points above. You can plug a USB 3 disk (also USB2 and 1 backward compatible) into the device and use the one-touch backup to take the content from that USB drive into the Thecus NAS, so if you are out shooting and backing up to an external USB drive, you can plug it into your NAS when you get home and with a button press, the data copies across – handy.

N2560_ANGLE_LARGE5

In conclusion, I’d say NAS isn’t for everyone, but if you’re looking for a well priced, entry level NAS to introduce into your digital workflow, this little Thecus N2560 would be a decent option. I’ve opted to give the NAS 4.5 stars because in my experience, the operating system could be a little easier to use – but then, maybe it’s just me!

The post Thecus N2560 NAS storage for photographers – review by Sime appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Thecus N2560 NAS storage for photographers – review

Posted in Photography

 

The Internet Cookbook: Top 10 IFTTT Recipes for Photographers

20 Jun

There are never enough minutes in a day. If only you could hire an assistant, limit your directions, and crank out more work, your photography business would benefit, right? Unfortunately, we’re not robots, so you’ll never be 100% productive. But online technologies could help you out! Today I’m going to tell you about a crazy-cool, online tool called IFTTT that Continue Reading

The post The Internet Cookbook: Top 10 IFTTT Recipes for Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on The Internet Cookbook: Top 10 IFTTT Recipes for Photographers

Posted in Photography

 

Top 10 Blogs Wedding Photographers Must Follow in 2014

13 Jun

There are a lot of wedding photographers, or just amateurs who shoot weddings, but there are also many who would like to brush up their photography skills. Along with skills and photography level, that would be awesome if a photographer may give some tips their clients on floral arrangements, invitation designs, wedding dress ideas, wedding color palettes, poses, and more. Continue Reading

The post Top 10 Blogs Wedding Photographers Must Follow in 2014 appeared first on Photodoto.


Photodoto

 
Comments Off on Top 10 Blogs Wedding Photographers Must Follow in 2014

Posted in Photography

 

Highly Intelligent ‘About Me’ Page Tips for Photographers to Build Their Brand

09 Jun

Crafting a compelling bio and writing the perfect pitch are quite challenging. Working in a service industry requires its own rules. Nobody wants to hire a person he doesn’t know, doesn’t trust or doesn’t like. That’s why talking about yourself is extremely important while creating your own brand. If you check your Google Analytics, you’d see that the ‘About Me’ Continue Reading

The post Highly Intelligent ‘About Me’ Page Tips for Photographers to Build Their Brand appeared first on Photodoto.


Photodoto

 
Comments Off on Highly Intelligent ‘About Me’ Page Tips for Photographers to Build Their Brand

Posted in Photography

 

Lessons you can learn from master photographers – Minor White, Ansel Adams, and Syl Arena

09 Jun

The reason I have put pen to paper (fingers to keys) is to share with you some simple tips and knowledge that can be gained from taking a look at some notable photographers. Some would even argue that these people are among some of the most creative and artistically idolized craftsmen who have ever captured light with a box. If you’re just starting out on your photographic journey these tips from some of the masters will hopefully help you along.

Minor White

Minor White by Imogen Cunningham

Portrait of Minor White by Imogen Cunningham

Born during the summer of 1908 in Minneapolis, Minor White held jobs as a waiter, bartender, and even worked in military intelligence during World War II. He was a very spiritual man and his beliefs spilled over into his photography. Co-founder of Aperture magazine along with Ansel Adams and other notable photographers, Minor was also an early advocate of the Zone System pioneered by Adams and Fred Archer. An early practitioner of infrared photography, White ventured into an array of subject matter but his work with the small, and often overlooked scenes and objects, such as frost on glass and dilapidated structures remain some of his most acclaimed.

Lessons you can learn from Minor White:

Make photographs all the time, even if you don’t have a camera.

Minor said that he was “always mentally photographing everything as practice”. This is solid wisdom for any photographer of any skill level. Unfortunately, the realities of most of our lives limit the time we get to spend with a camera in hand. The good news is that our artistic mind is never absent. Think about which exposure would blur that passing train just right. What aperture would give me enough depth of field to put that entire table into focus? You’ll be more prepared next time when you have your camera handy.

Don’t overlook small objects and details.

Some of Minors’ most celebrated works were of seemingly mundane or otherwise less than notable subjects. Be on the lookout for details and textures of things that you see every day. This is especially useful if you have an interest in abstract photos.

Drops of rain on my back door glass. Easily overlooked.

Rain on glass small

Simple occurrences made more interesting with a little creative thinking.

Ice on Firepit small 1

The early morning blue hour made this frost and ice on the cover of my fire pit look otherworldly.

Ansel Adams

Ansel Adams self portrait

The portrait of Ansel Adams taken by J. Malcolm Greany around 1947

Chances are, you have heard at least something about Ansel Adams, even if that something is that he was a famous early photographer. It’s true, he is considered by more than a few to be one of the best photographers of the twentieth century. There have been volumes filled with the ins and outs of this photographic master. Born on February 20th, 1908 into a well established family in San Francisco, Ansel Adams discovery of photography was unplanned. Ansel was a gifted piano player. An exceptional piano player in fact, so exceptional that he was set to become a professional concert pianist until he decided to commit himself fully to photography. Honestly, the next sections could be titled “What can Ansel Adams NOT teach you?”. The man was such a force in the early days of modern photography that it almost seems unfair to point out only a few practices that will help you improve your own work. However, I have managed to list some basic tips from Ansel Adams that you can put into action in order to make you a better photographer right now.

Lessons you can learn from Ansel Adams:

Slow down

I’m sure you’ve heard this before and possibly have read about the importance of slowing down and making your photographs with more deliberate intentions. Our crushingly convenient modern era of virtually unlimited and relatively low cost film (i.e. digital photography) has lent itself to making us potentially sloppy in our shooting. We sometimes press the shutter button entirely too often in order to get a suitable image for processing. I will shamefully raise my hand and admit that I too am guilty of this spray and pray method of shooting, more so in my earlier photography days right after I made the leap from analog to digital.

I did myself a favor, that I also encourage you to do for yourself, and decided to take things more seriously. Ansel would consider all aspects of his composition: from the elevation and tilt of his camera, the perspective of his lenses, the cast of shadows, even the future effects of the wind on the clouds. There will be times when you are racing against a sunset or you will be trying to catch some specific or fleeting moment and at those times you must shoot quickly and intuitively. Usually, however, we rush for no perceivable reason and often overlook or forget small changes that can make or break an image. So the next time the muse slaps you across the face to make an image, calm yourself down and work the problem. Think about what it is you are trying to do. Put yourself into the correct mindset to make better images and you might find, strangely enough, that your images become better also.

Teach yourself to see the finished product before you make the exposure.

The act of seeing or visualizing is another subject that has been touted by the photographic community many times. Visualization is one of those things that really can’t be brought about by technical instruction in the traditional sense; meaning there are no classes on visualization. Ansel Adams himself remarked that visualization cannot be taught, it is be learned. Think about that concept.

It’s undeniably true that some people learn faster than others when it comes to visualizing finished prints. However, it is equally true that no one started out being able to see in their mind’s eye the final result of a photo. Like most things, it takes practice, as well as patience, and more than a healthy helping of sheer determination. When you begin to see the print before it is made, then really all that stands between you and your vision is the selection of techniques which, similarly, require just as much determination and commitment to master.

Use a tripod

To reiterate, please, use a tripod whenever and wherever possible. A tripod is one of the single most important tools you can use to increase the focal clarity and sharpness of a photograph. Minimizing camera shake and vibration is key to making crisp images, period.

Colorflowersmall

By using a tripod I eliminated the need to worry about vertical camera movement in the macro shot above. Ansel tells us that the ideal tripod is “a cubic yard of solid concrete with a 1/4″ X #20 bolt head sticking out of the top”. If you don’t have a huge block of cement lying around to attach your beloved camera to, then the next best thing is to obtain a quality tripod and use it.

Having some way to keep your camera absolutely still is essential when working with long exposures like the image below.

Cane Creek Cascades Star Trail Color3

Exposure time: approximately forty seven minutes. This long exposure time would not have been possible without the use of a tripod.

Using a tripod (correctly) also forces you to, again, slow down and think about the photograph you are intending to make. dPS has a superb article on tripod employment that can be found here.

Syl Arena

Syl Arena

Photo by Vera Franceschi

Syl Arena, is a uniquely humble and genuine person, author, teacher, lecturer, and a speedlite Jedi. He is a magician of sorts when it comes to creating and moulding light. Syl currently resides on the west coast around San Luis Obispo, California. His biography is brief and barely mentions any notable achievements of which there are many. The lessons I learned from him actually lean more towards the philosophical than the technical. That being said, you will find this section contains no real insight from Mr. Arena concerning artificial light manipulation or photographic technique in general. For that I would highly suggest you check out his blog or his new Q&A site for loads of information.

My first introduction to Syl was through the gift of one of his books (thanks Mr. Veneman), “LIDLIPS: Lessons I didn’t learn in photo school“. In that book, this highly educated, highly skilled, highly successful, highly haired photographer simply and truthfully listed page by page the things he was never taught. They ranged from personal revelations on the photographic process to small background stories of some of his location shoots. He mentioned nothing about technique or gear really, just lessons from his life as a picture maker, unpretentious and sincere.

Lessons you can learn from Syl Arena:

Don’t be afraid.

Your limited gear, your perceived skill level, your lack of obvious subject matter, your lack of confidence, fear of trying something new; don’t be afraid of any of these things, or anything else for that matter. You will never have the all of the best gear so don’t let it worry you. Instead, learn to make the best use of what gear you have. You will never learn all there is to know about making photographs so learn what you can, where you can. Feeling like you’ll never get an image just right? You are your own worst critic, so don’t hide your work from the world.

Be inspired, not intimidated.

This is one of the hardest things to overcome, especially if you are just beginning to learn about photography. It’s easy to feel envious or even jealous of other photographers work. This can sometimes lead to convincing yourself that your work has no merit. Chances are, that image you’re envying and ogling over is a product of hard work, patience, diligence, determination, perseverance, and many other great words that the thesaurus can produce.

Viewing other artists work is one of the best ways to grow your own creativity.

Take the work as seriously as you want, but not yourself.

As you grow and learn as a photographer, remember that we all started out understanding absolutely nothing about photography; so keep that in mind the next time someone asks you a question about one of your photographs in a less than learned way. Most likely, you have learned something from someone who was nice enough to teach you. Please pay it forward.

Have you learned any lessons from other master photographers? Who is your mentor? Please share in the comments below.

The post Lessons you can learn from master photographers – Minor White, Ansel Adams, and Syl Arena by Adam Welch appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Lessons you can learn from master photographers – Minor White, Ansel Adams, and Syl Arena

Posted in Photography

 

Lenstag helps photographers find stolen lenses and images

21 May

Screen_Shot_2014-05-20_at_2.47.12_PM.png

The website Lenstag bills itself as a tool for helping photographers find lost or stolen gear, but now it’s branching out to help people find images used without permission, too. Lenstag maintains a database of a user’s lens, camera body and accessory serial numbers and then trolls the web looking for photos posted with those registration numbers in the EXIF data of a photo. Learn more

News: Digital Photography Review (dpreview.com)

 
Comments Off on Lenstag helps photographers find stolen lenses and images

Posted in Uncategorized