RSS
 

Posts Tagged ‘Photographers’

Introducing The Photographer’s Oil Collective

30 Dec

For almost ten years now, Strobist has embraced the idea that by freely sharing knowledge we can all learn to make better photos. And because photography is now digital, with low barriers to entry and instant visual feedback, that learning process is simpler than ever.

As photographers, we owe much to the ease of the digital process. But digital has also stripped much of the value from our work. Ones and zeroes want to be free.

Starting today, the Photographer’s Oil Collective is a strong push back against that trend. Rather than just creating painterly light, a photographer can now create a high-quality oil painting. And it can be done at a surprisingly accessible cost.

The portrait above is a painting, done by POC artist Zhixing Zhang from a photo by Moscow-based photographer Alex Mazurov. As a photo, it was one of many. As a painting, it is a one-of-a-kind object, designed and destined to last.

I first ventured into the rabbit hole of oil reproduction in 2012. It started as an idea — a lark, really — to translate a photo that had great sentimental value into something that would exist in our family for many generations.

Having shot the photo of my kids in 2008, I was long familiar with it. But when the painting (seen above) arrived I was overwhelmed by how strongly I was drawn to it. It somehow felt much more significant than the photo. A collaboration between subject, photographer and a skilled artist 10,000 miles away.

A painting is just different. It is a time-consuming and organic process, with half a dozen layers of semi-transparent oil. Skin tones look luminous.

My first experience with this was that of an enthusiast photographer. Literally, a dad with a camera. As I spent more time with the painting, and thinking about the personal value that it unlocked for me, I starting thinking of it in the context of professional photographers. With the right painters and the right training (on both sides of the image creation process) this could unlock great value and entirely new business models for us.

With prints, we quietly acknowledge that we are competing on price with the neighborhood Costco. With paintings, we are competing with artists who routinely charge thousands of dollars for a simple portrait. And much more for larger/more complex work.

But in theory, we could produce better work —a nd at a cost that would create a new business model for photographers. There was so much potential.

So I traveled to Xiamen, China, where Zhixing Zhang lives and paints. Xiamen is a world center for commercial oil painting, and Mr. Zhang is a leader in the community of artists who live there. With the help of a team of local art directors and translators, we searched among the over 5,000 oil painters in the city to create a small group of hand-picked artists. As a result, we were now partnered with four exceptional reproduction oil painters.

A good start.

But they would need to learn to think like photographers; to develop a better understanding for our needs. They’d have to more closely align their palette with the more muted colors in what the West sees as classic paintings. So we commissioned multiple rounds of paintings from each of our painters, fine-tuning them to be able to better work with us.

(And to the photographers who graciously agreed to be involved in the testing/education process with us: Thank you.)

And the education would not end there. Photographers would also need to learn how to create photos that could be best reproduced as oil paintings. For both sides, education would be the key to bridging that knowledge gap. But that sort of thing is our bread and butter at Strobist.

The information photographers need to know (to meet the painters halfway) is now in place. And we are adding to that knowledge base continually. Our growing list of white papers will include education on technical considerations, shooting/lighting methods, business models and more. In short, it will contain everything you will need to know to become capable of producing a beautiful painting — for your clients, or for yourself.

I have spent the last ten years learning to think outside of the box as a photographer; to challenge assumptions and to unlock possibilities. Strobist is one of the results of that line of thinking.

Today, I am equally proud to introduce the Photographer’s Oil Collective. With studios in Xiamen, and administrative offices in Dubai, photographers anywhere in the world can now offer museum-quality oil portraiture for their clients.
__________

Credits, from top:
POC Painting by Zhixing Zhang from a Photo by Alex Mazurov
POC Painting by Zhixing Zhang from a Photo by David Hobby
POC Painting by Zhixing Zhang from a Photo by R.J. Kern

From front page, L to R:
POC Painting by Zhixing Zhang from a Photo by Brian Rickey
POC Painting by Ivy Lin from a Photo by Ivan Kosmynin
POC Painting by Zhixing Zhang from a Photo by Alex Mazurov
POC Painting by Thomas Linn from a Photo by David Hobby
POC Painting by Ivy Lin from a Photo by Bill Gekas

Strobist

 
Comments Off on Introducing The Photographer’s Oil Collective

Posted in Photography

 

35 Super Valuable and Affordable Gift Ideas for Photographers

15 Dec

It’s just a couple of weeks before Christmas and many of you are probably struggling to complete the holiday shopping on time. As always, Photodoto is here to help! If you have photography buffs on your list, this round-up of affordable gift ideas for photographers will definitely come in handy. In this collection you’ll find some of the best digital Continue Reading

The post 35 Super Valuable and Affordable Gift Ideas for Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on 35 Super Valuable and Affordable Gift Ideas for Photographers

Posted in Photography

 

Best Black Friday & Cyber Monday Deals for Photographers 2015

26 Nov

While Black Friday was born in the United Sates, people from all over the world now wait for this day to do some serious shopping too, and photographers are no exception. The Friday after Thanksgiving has become popular everywhere marking the beginning of the winter holiday season. So are Black Friday deals really a “big deal” for photography enthusiasts? Yes, Continue Reading

The post Best Black Friday & Cyber Monday Deals for Photographers 2015 appeared first on Photodoto.


Photodoto

 
Comments Off on Best Black Friday & Cyber Monday Deals for Photographers 2015

Posted in Photography

 

For Women Photographers: Review of the Madison Camera Bag by Aide de Camp

24 Nov

Last weekend, I went out on a photo date with Madison, and came home swooning. In a world where camera bags largely take the form of backpacks, shoulder sling bags, and messenger bags, finding a vessel to transport camera gear is notoriously difficult for women who would rather carry something that appears more feminine.

That is the problem identified by Michele Ng, a former marketing executive who founded Aide de Camp with the intent of producing attractive camera bags for busy and active women. The result is a collection of bags that, on the surface, resemble purses or totes that a woman would be proud to flaunt on her shoulder, yet on the inside are padded and structured to keep expensive camera gear safe. I took Madison, one of Aide de Camp’s flagship bags, on a test run and was very pleasantly surprised with the results.

Suzi-Pratt-Madison-6

Impressive from the get-go

Aide de Camp’s products impress from the moment you open their packaging. Instead of the distinctly unstylish cardboard and bubble wrapped items we’ve come to expect from most other retailers, the Madison camera bag arrived at my doorstep in a sturdy black cardboard box and black fabric pouch, both totally solid enough to reuse in other ways. It was like unwrapping a Christmas present, and it set the tone for the pretty, yet functional, product inside.

fashionable camera bag

Surprisingly large

Madison’s approximate dimensions are 14.5″W x 8.5″H x 8″D, making it a pretty sizable shoulder bag, as pictured below with a Canon 70-200mm f/2.8 in the frame as a reference to its size. The bag has two main compartments; one with a thickly padded, removable camera insert box, and the other with thinner compartments for holding everyday items such as a wallet, tablet, e-reader, etc.

The spacious, easily accessible, secondary pocket was a definite perk as many other camera bags seem to add extra pockets as an afterthought, making them impossibly thin and difficult to access. Also, the removable insert is sold on its own item on Aide de Camp’s website, making it easy to convert just about any spacious bag into a camera bag. Given the fact that Madison, and most Aide de Camp bags, come with a removable camera insert, this bag could easily double as a weekend or overnight bag.

Suzi-Pratt-Madison-4

Suzi-Pratt-Madison-5

Fits more gear than you would expect

Given Madison’s ample size, it should come as no surprise that you can pack almost all of your essential camera gear in this bag. The bag’s website promised that both mirrorless camera systems and small DSLR cameras could fit, yet I was amazed when even my larger Canon 5D Mark III with a 50mm f/1.4 lens attached was able to comfortably sit in Madison’s camera insert box without feeling too cramped. I was also able to put a Canon 580 EXII flash, a Canon 16-35mm f/2.8, and Canon 70-200mm f/2.8 lens in the camera section of the bag and zip it up without too much of a hassle, although the telephoto lens was just barely able to fit. Even with the camera section fully maxed out, the secondary pocket was still pretty spacious and I could easily slip a tablet, e-reader, and other essential items in with no problem.

Suzi-Pratt-Madison-2

Made of premium materials

After unwrapping Madison, I was struck by how solidly built the bag was, while at the same time maintaining a sleek, rich appearance. Madison’s exterior is composed of water-resistant lightweight nylon along with genuine leather handles and trim, and 14-karat gold plated zippers. The bag itself has two short 9″ long handles, but it also comes with an optional cross body strap that is adjustable from 34-53 inches in length.

Suzi-Pratt-Madison-1

Only one feature to be wary of

For all of Madison’s fashionable and practical features, there is one glaring detail that is hard to notice: the bag’s straps are not padded, making it not very ergonomic if you were to pack the bag with heavy camera gear. In that sense, it’s wise to follow Aide de Camp’s recommendation and only put mirrorless or compact DSLR camera gear in this bag if you plan to carry it for a long time.

Over to you

Do you think there’s a demand for camera bags that appear more feminine and fashionable? If so, would you give Madison a try? Have you tried other similar brands? What did you think?

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post For Women Photographers: Review of the Madison Camera Bag by Aide de Camp by Suzi Pratt appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on For Women Photographers: Review of the Madison Camera Bag by Aide de Camp

Posted in Photography

 

Photographer’s Guide to Using Graphic Tablets for Lightroom Editing

24 Nov

There are several gadgets we can use to improve our performance in Adobe Lightroom, if our intent is to post-produce images quickly and neatly with professional results. However, there is no better tool for a talented photographer than a good graphic tablet. Read on to learn how a graphic tablet can be used with Adobe Lightroom and how it can Continue Reading

The post Photographer’s Guide to Using Graphic Tablets for Lightroom Editing appeared first on Photodoto.


Photodoto

 
Comments Off on Photographer’s Guide to Using Graphic Tablets for Lightroom Editing

Posted in Photography

 

Manfrotto launches D1 backpack for photographers using drones

21 Nov

Accessories manufacturer Manfrotto has introduced a new series of backpacks designed for photographers who fly drones. The Aviator D1 Drone Backpack holds a medium sized quadcopter such as the DJI Phantom 3 along with all the accessories that go with it, as well as a DSLR, a laptop and a tripod. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Manfrotto launches D1 backpack for photographers using drones

Posted in Uncategorized

 

Reuters will no longer accept edited Raw files from freelance photographers

19 Nov

In an email to freelance photojournalists this week, Reuters has confirmed a change in its photo submission policy requesting that photographers submit JPEGs rather than edited Raw files to the news agency. The message also states that original JPEGs with ‘minimal processing’ are acceptable, for example, level corrections and cropping. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Reuters will no longer accept edited Raw files from freelance photographers

Posted in Uncategorized

 

Think Tank launches Lily Deanne series of shoulder bags for female photographers

24 Oct

Think Tank has launched the Lily Deanne, its first series of photo bags designed specifically with women in mind. The shoulder bag is available in three sizes, each designed to accommodate pro-sized camera bodies and lenses. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Think Tank launches Lily Deanne series of shoulder bags for female photographers

Posted in Uncategorized

 

A Quick Guide to Email Marketing for Photographers

14 Oct

Photographers are turning to social media these days to try and get their names out there and reach their target audiences. Being active on social media is critically important for small businesses these days, but more traditional online marketing tactics, like email marketing, are still very useful. Ignoring email as a part of your marketing campaign could cost your photography Continue Reading

The post A Quick Guide to Email Marketing for Photographers appeared first on Photodoto.


Photodoto

 
Comments Off on A Quick Guide to Email Marketing for Photographers

Posted in Photography

 

Responsibilities of Landscape Photographers

21 Sep

It is hardly questionable that landscape photography is both rewarding and fun. The whole process from planning and researching an outing, to making your way to a location during ideal conditions and, finally, producing a completed image of an exquisite vista can be so fulfilling it’s easy to see why it is such a popular genre.

Iceberg

Unfortunately, there are costs to this popularity. Even though most landscape photographers do identify as environmentally-minded, the sheer number of visitors to some locations can cause adverse effects despite the best of intentions.

There are a few things you can look out for and practices you can take up to help ensure that you nullify – or at least minimise – your environmental impact on your next photography trip.

Watch your step

Chances are you have heard the often-quoted, “Take only photographs, leave only footprints”. It’s a good starting point that simply means do not intentionally damage your surroundings and do not leave your litter. Sadly, it doesn’t go far enough.

Moss in Iceland takes decades to grow but moments to permanently destroy.

Moss in Iceland takes decades to grow, but moments to permanently destroy.

Many ecosystems are extremely fragile and footsteps alone can cause catastrophic damage. Take Iceland’s mossy lava fields: that moss can take many decades to grow, but it can only handle being stepped on two or three times before it’s destroyed permanently.

There are countless other examples of fragility in the world, such as California’s Mono Lake and its Tufa formations. It is easy, however, to prevent this damage. Just adding a little bit of extra location research before you head out can reveal any extra care you should take to prevent any damage.

If you’re traveling abroad and find that obtaining the relevant information is difficult, don’t be afraid to ask local people or officials. I once listened to an impassioned Icelandic warden rant about a tourist who drove a rented 4×4 and devastated about a quarter mile of moss just to stand at the edge of a lake for five minutes. Just ask around, they will probably be grateful for your concern and may even be able to turn you on to lesser-known opportunities.

Follow local regulations

In areas that you're required to stay on marked trails, the rule is usually to keep you safe.

In areas you’re required to stay on marked trails, the rule is usually there to keep you safe.

People failing to keep to required areas on marked hiking trails is one of the most commonly ignored regulations. Although taking a few steps off a trail can seem harmless enough, often those rules are put into place for safety reasons. Things like unstable terrain, sheer drop-offs and even wildlife can all cause danger to visitors.

While it can be rationalised that using common sense should negate most danger, you should consider that most of these regulations will be the product of insurance policies. If, for the sake of photos, these regulations are seen to be constantly ignored then it isn’t much of a stretch to imagine future access to these areas being limited or restricted to photographers.

Large rock formations, boulders and cliffs all pose a danger to hikers.

Large rock formations, boulders and cliffs all pose a danger to hikers.

Other concerns when it comes to local regulations involve the law as it relates to photography. While in most places you are well within your right to photograph whatever you see, that is not the case everywhere. Belgium and France are both examples of countries where Freedom of Panorama is limited in some way. For example, when the Eiffel Tower is lit up at night it is considered a copyrighted scene and images of it cannot be published without explicit consent.

Now, a quick search on Flickr reveals a huge number of images of the Eiffel Tower at night and further research reveals that the regulation is primarily concerned with commercial usages. As such, this aspect may not seem extreme and probably will not cause any aggravation while you’re travelling, but you should still pre-empt any possible clashes with local authorities by thoroughly researching relevant laws in the country that you’ll be photographing in.

Consideration of others

Sheep worrying causes a significant loss of livestock annually and it can cause farmers to revoke access to their land.

Sheep worrying causes a significant loss of livestock annually and it can cause farmers to revoke access to their land.

Beyond legal and environmental implications, it is important to consider other people who are around you. Courtesy and tact go a long way towards this and will often prevent any conflict before there is even a need for resolution. Simple acts like working as quickly as possible to move out of a prime viewing spot in a crowded space and not blocking the passage of others are simple ways to help ensure that you’re not preventing someone else from enjoying a location. If in doubt, try to ask yourself if there’s any way you are being an imposition on others. If so, consider changing your behavior accordingly.

An incident I witnessed at the popular Svartifoss waterfall in Iceland should drive this point home. The waterfall is at the end of a moderately steep half-kilometre trail. As it’s so short a distance, and the waterfall is so spectacular, it gets very crowded. The closest you can get to the waterfall is a rocky outcrop big enough to fit three or four people. To the left, it’s possible to stand in the stream.

While a large crowd awaited their turn for the best views, a woman and her young daughter had commandeered a position in the stream. The girl was dressed in a leotard and was being directed by her mother to perform a variety of dance poses as the latter took photos on her phone. In the forty-five minutes they were doing this, it was obvious that the girl was extremely uncomfortable among the massive group of tourists, yet her mother’s only agitation was her daughter’s apprehension. With the tension between the pair and the presence of a young girl in a leotard dominating the only view of the waterfall, there was a palpable discomfort among the dozens of tourists.

I don’t believe there is anything wrong with what they were trying to achieve, but the whole situation could have been vastly different with a bit of forward planning. Had they known what they were doing beforehand, and then gotten it done in a few altercation-free minutes, they could have achieved their results and the experience wouldn’t have been tainted for everyone else present.

Conclusion

Landscape photography is a great pursuit. The rewards to the photographer and their audiences are many, but certain behaviors can be detrimental for both the landscape and the people in it. For the most part, common sense and thorough research will steer you in the right direction.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post Responsibilities of Landscape Photographers by John McIntire appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Responsibilities of Landscape Photographers

Posted in Photography