Though they come with vastly different sensor sizes and price tags, the Panasonic Lumix GH4 and the Sony Alpha 7S are similar in spirit. They’re both meant for video recording as much as they are for stills. To that point, the 12.2MP full frame A7S and 16MP Micro Four Thirds GH4 are both capable of 4K video output and offer extensive video features. Our comparative review takes a detailed look at how these cameras perform in terms of video and stills, as well how they stack up against one another. Read part one
Tag: Part
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1939: England in Color (part 3)
Their relative rarity makes the discovery of color images from the distant past perennially fascinating. In the final part (for now at least) of a three-part article, Barnaby Britton shows us a selection of images taken from a collection of 75 year-old color slides found in his grandmother’s attic. Some better preserved than others, the photographs provide a unique glimpse into England in August 1939, on the eve of WWII. See photos and read more of the story…
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1 June, 2014 – Leica 24/1.4 M Summilux ASPH, Part Of The Special “Leica M Edition 100” Set
It’s a crazy time in the camera industry. Here we are in a Photokina year and major announcements are being made every week. One has to wonder what the camera makers are holding back to show at Photokina. Well, Leica a few days ago decided to make a special announcement to celebrate their “100 Years of Leica Photography” with the “Leica M Edition 100”. Sean Reid a regular contributor on Luminous-Landscape gives us a peek at this “Limited Edition 100”. Some might say when you read about this special kit, that Leica has lost its way, but so far that hasn’t been the case. Sean’s take on the NEW 24mm 1.4 lens is of special interest. Will Leica eventually mass produce this lens? Read on to find out.
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Winners of the 2014 Sony World Photography Awards, part 2
The World Photography Organization has announced the winners of its 14 Professional categories. American photographer Sara Naomi Lewkowicz was named as 2014’s L’Iris d’Or/Sony World Photography Awards Photographer of the Year. Selected from 140,000 entries from 166 countries, Lewkowicz’s story is a a stark and intimate look at domestic violence. See gallery of winners
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1939: England in Color (part 2)
Color photography has been around in one form or another for a very long time, but has only been the norm for about forty years. Their relative rarity makes the discovery of older color images perennially fascinating. Editor Barnaby Britton found a large collection of 75-year-old color slides recently in his grandmother’s attic. We showed you the first set last week. See part 2 of ‘England in Color’
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1939: England in Color (part 1)
Color photography has been around in one form or another for a very long time, but has only been the norm for around forty years. Their relative rarity makes the discovery of older color images perennially fascinating. After all, early color offers us a view of the past in the colors and tones of our own experience and memories. Which brings us to a box that editor Barnaby Britton found recently in his Grandmother’s attic. See photos and read more of the story
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Finding the Time to do Photography Part 1- Business Trip to Las Vegas
The Fire Wave at Valley of Fire State Park.Exposure: ISO 160, 4 minutes, at f/16. EOS 5D Mark III with EF 16-35 f/2.8L II.
About a month ago, a question was posed on the DPS Facebook Page, “What is the number one obstacle to you taking better photos?” While some answered that they were unsure how to set exposure in Manual mode, and others thought their gear might be limiting them, the overwhelming number one answer was TIME. In this day and age of being always on, always connected, and always on the go, it can be difficult to find time to do photography. Like many, my day job, which isn’t as a full time photographer, keeps me busy and eats up much of my time. On weekends, I can occasionally make time but often life and family get in the way.
Scenic Drive in Valley of Fire. 1/10, f/16, ISO 100. EOS 5D Mark III with EF 24-70 f/2.8L II.
So what to do when you need a fix? There are several things you can do. What I do is to take advantage of my job when I can. I do occasionally travel for work, and when I do, I bring my camera with me. While I may not have an entire day, often I can find an hour at the end of the day, or I can even go shoot at night. This was true when I went to Las Vegas recently for a trade show. I had two days of training seminars, two days of trade show setup and four full days of trade show to work. Was I tired at the end of the day? Yes, but photography is how I relax, so it seemed only natural to eschew the neon glow of the restaurants and casinos and go grab my camera.
First of all, the day I arrived, my flight got in earlier in the afternoon. I rented a car and headed out to Valley of Fire State Park, about 45 minutes northeast of Las Vegas. I got a mixed afternoon of clouds, which parted for a nice sunset. I then hung around for darkness and got a few night shots just to finish things off.
The next day, the work began, but after my work day ended, I headed out to the strip to shoot some of the neon. The Vegas strip is an awesome place to shoot no matter what you like to shoot. Cityscapes, architecture, or people, it’s all there and it’s there every night. You need only spend an hour and you’ll get more than your fill. The beauty of it all is, Las Vegas makes its own light, so you can shoot 24-7 there.
Valley of Fire Storm. 1/1000, f/8, ISO 1600. EOS 5D Mark III with EF 24-70 f/2.8L II. I managed to catch the Valley of Fire on one of the few days it rained all year.
Elephant Rock, in Valley of Fire, at night. 15 seconds, f1.4, ISO 800. EF 24mm f/1.4L II.
Get over your objections
I know what your objections will be:
- I can’t carry everything I need.
- I don’t have room in my luggage.
- I’m tired after a day of work.
I’ve said all of those myself, and at times, this attitude won out. But if you have a passion for taking pictures, you’ll find a way. I carry a small travel tripod- a Gitzo 1541T. It fits right in my luggage. I realize that one’s a bit pricey, but there are many other options. Try a Gorillapod. They are small, lightweight, and come in a variety of sizes to fit almost any camera. Perfect for traveling light.
Don’t want to carry a DSLR? Get yourself a smaller setup you won’t mind carrying. I own a Canon G16 for when I don’t want to bring my full kit. I can still shoot RAW, have full manual control, but it’ll fit on my belt. And if you do want a DSLR? Consider minimizing your kit for travel. Pick one or two lenses that can cover most of the standard range. I always have a hard time minimizing, but when I do, I usually carry my EOS 5D Mark III with EF 16-35 f/2.8L II and EF 24-70 f/2.8L II. This is the kit used for the shot of Fire Wave, and of Scenic Drive. I added the EF 24mm f/1.4 for night shooting. If you’re using a DSLR with an APS-C sensor, an 18-135 is an excellent choice for a do-it-all lens.
I’m not saying finding the time is easy. Sometimes it will require sacrifice. But I have never regretted spending even a minute with my camera, even when I was tired, or pulled in many directions. If photography is a passion for you, you make time. I’m not saying every day. But I do make it a point to make time to indulge my passion. You should too. Even if it’s just a minute. In part two, I’ll discuss ways to make time when you’re at home.
EOS 5D Mark III with EF 16-35mm f/2.8L II. 5 seconds, f/11, ISO 200.
EOS 5D Mark III with EF 16-35mm f/2.8L II. 1/25, f/8, ISO 640.
Fire Canyon. EOS 5D Mark III with EF 16-35mm f/2.8L II. 1/5, f/16, ISO 100.
The post Finding the Time to do Photography Part 1- Business Trip to Las Vegas by Rick Berk appeared first on Digital Photography School.
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Winners of the 2014 Sony World Photography Awards, part 1
Sony World Photography Awards has announced the winners in their Open, Youth and National categories. The winning photos were selected from more than 70,000 images submitted by enthusiasts all over world. An overall winner with a $ 5,000 (~£3,024) cash prize and judging of the remaining categories will be announced on April 30. See gallery
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Engineering a Dream: Benjamin Von Wong profile, part 2
In part 1 of our interview with Montreal-based photographer Benjamin Von Wong we asked him about his transition from mining engineer to full-time photographer. In part 2, Von Wong talks about how some of his more famous images were created. Follow the links below to read the concluding part of our interview and take a look at more of Von Wong’s dramatic photographs. Learn more
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Engineering a Dream: Benjamin Von Wong profile, part 1
Benjamin Von Wong describes himself as a combination photographer, producer, artist, visual engineer and, perhaps more than anything, a storyteller. Few of the stories the Montreal-based shooter has to tell are not quite as fantastic as the one that describes his own ascent to fame in the photo world. In part 1, we talk to Ben about his rapid rise to fame and how he transitioned from his day job to a full-time photography career. Learn more