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Posts Tagged ‘Nikon’

Nikon unveils KeyMission 360, a rugged 4K-capable action camera

06 Jan

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Nikon has announced a shockproof and waterproof spherical 360-degree action camera. Called KeyMission 360, it promises to ‘put 360 virtual reality in the hands of any enthusiast’ and offers 4K UHD recording. Shockproof to 2m / 6.6 ft and waterproof to 30m / 100 ft, the camera includes electronic VR stabilization and houses an image sensor and lens on opposite sides of the device to create immersive stills and video. No other firm specifications are available at this time; Nikon expects to officially release KeyMission 360 in Spring 2016.


Press release:

NIKON CHARGES INTO THE ACTION CAMERA MARKET WITH THE 360-DEGREE KEYMISSION 360

With the New KeyMission 360, Consumers Can Capture and Share an Exciting, Uniquely Immersive Perspective of Their Life and Passions

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced its entry into the action camera market with the development of an exciting lineup of products that build on Nikon’s legendary excellence in optical technology and imaging innovation. The first in the lineup will be the Nikon KeyMission 360 a rugged camera capable of recording true 360-degree video in 4K UHD allowing users to share new perspectives and explore imagery like never before. 

The Nikon KeyMission 360 features an image sensor and lens on opposite sides of the device, with images from each combining to create a single immersive, ultra-high-definition 360-degree video and still image. A terrific companion for a wide range of travel, sports or when an adventure takes a turn off the beaten path, the camera is designed to be easy to use and withstand the elements. Waterproof (approx. 100 ft./30m), and ready to stand up to dust, shock and low temperatures, the KeyMission 360 also features electronic Vibration Reduction (VR), enabled through applications during playback, that reduces the effects of camera shake to help produce sharp and crisp video quality.

Nikon will exhibit reference models of the KeyMission 360 at the Nikon booth at the 2016 Consumer Electronics Show (CES) from Wednesday, January 6 to Saturday, January 9, 2016 in Las Vegas, Nevada. The KeyMission 360, the first of Nikon’s lineup of action cameras, along with a variety of dedicated accessories, will officially be released in Spring 2016. For more information about the KeyMission 360 and other Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Making (radio) waves: Nikon releases SB-5000 Speedlight

06 Jan

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The Nikon SB-5000 Speedlight is the company’s new flagship flash, released alongside the flagship Nikon D5 camera. The standout feature for the SB-5000 is its ability to operate and trigger via radio frequency, a first for Nikon’s line of portable flashes.

Nikon claims that when the flash is paired with the WR-R10 Wireless Remote Adapter set and a D5 or D500, the flash will operate without a direct line of sight at a range of up to approximately 98 feet (30 meters). With that same combination, the flash will be able to control up to six groups or 18 Speedlights for when you want to get really fancy. Although we haven’t had a chance to try this system out yet, we’re hoping that Nikon CLS features like TTL/Manual and Flash Exposure Compensation settings will be accessible via the camera menu system – especially since a radio-controlled commander with dedicated dials and buttons (like Nissin’s Air 1 system) isn’t available from Nikon. The SB-5000 retains similar optical-control and triggering capabilities as the other advanced Speedlights in the company’s lineup.

Attaching the WR-R10 to your camera should give you full control over up to 18 Speedlights (up to 6 groups) directly from your camera, without the need for any other flashes or commanders attached to your camera. This should be a boon for off-camera flash photography.

This is a significant addition to Nikon’s flash line-up, not only for the radio-triggered control it brings during applications where line-of-sight isn’t feasible or practical, but also because pairing flashes to the WR-R10 is arguably more preferable to pairing to the outdated SU-800 commander (which is so dated that it attaching it to your camera disables Auto ISO). 

Also new for the SB-5000 is a redesigned cooling system promising improved consecutive firing times before cool-downs, and 120 continuous shots at 5-second intervals. Controls are updated with an ‘i’ button for frequently used settings, and the flash head maintains tilt-and-rotate capability.


Press release:

New Radio Controlled SB-5000 Speedlight: Lighting with No Limits

The Nikon D5 is optimized to work with the newest flagship Speedlight, the SB-5000, illuminating new possibilities in creative lighting. A first for Nikon, the flash operates via radio frequency and will operate without a direct line of sight for a range of up to approx. 98 feet (30 meters). This new-found flexibility lets photographers place lights in different rooms, around corners and work seamlessly in bright ambient light with maximum efficiency. When paired with the WR-R10 and the D5 or the D500, this Speedlight can control up to six groups (A-F) or 18 Speedlights for truly advanced wireless lighting. It is also possible to perform Advanced Wireless Lighting using either radio-controlled (up to three groups) and/or optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight or the SU-800 Commander (as a master or commander unit) and a WR-R10 (as a commander) onto the D5.

The new smaller SB-5000 Speedlight also has a radically new design that includes its own internal cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, and can fire up to 120 continuous shots at 5 second intervals. Controls have also been streamlined and refined, with the addition of an “i” button for access to frequently used settings. The design also integrates versatile bounce ability, with the flash head capable of tilting down to -7° or up to 90°, and rotate horizontally 180° to the left and right.

Pricing and Availability:

The Nikon SB-5000 AF Speedlight will be available in March for the SRP of $ 599.95.

Nikon SB-5000 Key Specifications

  • Price: $ 599.95
  • Commander function: Yes
  • Remote function: Yes
  • Transmission mode: Radio control and optical communication
  • Transmission range: Radio control approx. 98 ft. (30m), optical communication – line of sight
  • Guide number: 34.5 m / 113 ft. (at 35mm) 55m / 180 ft. (at 200mm) (FX format, ISO 100)
  • Lens coverage: 24 to 200mm lens, 14mm with wide panel (FX format)
  • Minimum recycling time: 1.8 sec. (approx.) with Ni-MH (2600 mAh) batteries, 2.6 sec. (approx.) with AA-size Alkaline (1.5V) batteries
  • Flash duration: 1/980 sec. at M 1/1 (full) output, 1/30,820 sec. at M 1/256 output
  • Optional power supply: SK-6 Power Bracket Unit, SD-9 High-Performance Battery Pack
  • Wireless groups: Radio controlled: Master + 6 groups; Optically controlled: Master + 3 groups
  • Dimensions: 73 x 137 x 103.5mm
  • Weight (sans batteries): 14.9 oz. (420 g)

Articles: Digital Photography Review (dpreview.com)

 
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Nikon fills in the blanks on professional grade D5 DSLR

06 Jan

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Nikon has formally announced its D5 professional DSLR, a 20.8MP full frame capable of shooting at up to 12fps with AF and 14fps without. The camera features an all-new autofocus module with 153 points, 99 of which are cross-type, sensitive to both horizontal and vertical detail. The RGB metering sensor has also been doubled in resolution: up from a 91,000-pixel to a 180,000-pixel sensor. This should ensure more accurate metering and better precision in object tracking with continuous AF. It’s also Nikon’s first DSLR to be capable of 4K video capture and its first high-end camera to include a touchscreen. 

The D5 is based around a new processor, which Nikon is referring to as EXPEED 5. It will offer a conventional ISO range stretching from 100 to 102,400, with low settings down to ISO 50 and extended high ISOs of up to 3,280,000. According to Nikon, the higher ISOs benefit from improved light transmission of the color filter array to get more light to the sensor. A 3.2″ 2.36K dot XGA LCD with touchscreen functionality is included. Unfortunately, it doesn’t offer direct access to AF point selection with your thumb in OVF shooting like the D500 or D5500.

The upgrade to the AF system is significant: combined with Nikon’s industry leading object tracking (‘3D tracking’), we’d expect phenomenal ability of this camera to follow your subject and keep it in focus no matter where it moves to within the frame. Whether you’re shooting sports, weddings, or candid portraiture, the higher density of points should provide higher precision in tracking your subjects with pinpoint accuracy, an area in which Nikon already leads the industry. More cross-type points means better AF performance in tough lighting situations with challenging subjects, such as in low light or backlit scenarios. Freelance sports photographer Matthias Hangst is already claiming that ‘the D5 has the best AF system. Tracking of erratic moves is brilliant.’ 

Freelance sports photographer Matthias Hangst claims that AF object tracking performance of the D5 is brilliant, able to track erratically moving subjects in even challenging light, such as the backlit scenario pictured here.

The AF module also includes its own dedicated processor, presumably to deal with the vast information coming from the 153 AF points and 180K-pixel RGB metering sensor for tracking. Combining this AF prowess with minimal mirror blackout times during continuous bursts should translate to enhanced ability to follow moving subjects at high frame rates – which Nikon correctly emphasizes is difficult to do with mirrorless cameras. 

Low light sensitivity of the AF points have also been improved: the central point is sensitive down to -4 EV, with all other points sensitive to -3 EV. These ratings would suggest the D5 is the leader in low light focus ability at this time. Nikon hasn’t made any claims yet about increased focus precision with faster lenses (a la Canon), though. 

Nikon is emphasizing the 4K video capabilities of this camera, and while it includes options such as flat picture profile, Nikon has given no details yet of whether the camera has support tools such as focus peaking or zebra highlight warnings. 4K is recorded using the H.264 codec, but no bitrate information is provided as of yet. Historically, Nikon cameras have had low bitrates in video, yielding somewhat hard-to-grade footage.

We’ll be publishing more detailed analysis of the D5 and the co-announced D500 soon, and for more information, see the press release below.

Jump to:

  • Press release
  • Specs

Press Release:

In Addition to the D5, Nikon Releases Imaging Accessories Including Powerful New SB-5000 Speedlight and WT-6A Wireless Transmitter

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the latest in the acclaimed series of flagship FX-format professional DSLR cameras, the Nikon D5. Far surpassing mere evolution, the D5 boasts a myriad of powerful new imaging innovations, including a Nikon-developed 20.8-megapixel CMOS sensor, an all-new 153-point AF system, 4K UHD video capture and EXPEED 5 image processing to give photographers the best balance of performance, precision and low-light ability. Nikon has also announced additional products, including the WT-6A Wireless Transmitter and the exciting new SB-5000 Speedlight, Nikon’s first radio frequency (RF) controlled flash.

“The D5 doesn’t simply get the shot that others might miss– it helps get the shot that others just simply cannot,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “With these new products, it becomes evident that photographers who choose Nikon cameras and NIKKOR lenses are equipped with an unrivaled system to surpass even the most demanding imaging expectations.”

The Nikon D5 once again redefines what a DSLR is capable of capturing, and is engineered with the ideal balance of resolution, low-light ability, system speed and processing power. The resulting camera body is truly worthy of the flagship moniker, giving professional photographers and multimedia content creators an indispensable tool to make their creative vision a reality with superior image quality. The D5 introduces many technological firsts for Nikon and offers many new features that share a common goal: to get the shot, no matter what.

New Features Include:

  • Astounding Low-Light Performance – The Nikon D5 offers an unprecedented native ISO range, from 100 to 102,400, reinforcing the D-series reputation as the leader of low-light image capture. A veritable new world of shooting opportunities awaits, as advancements in noise reduction and processing help capture low-noise images with fantastic fidelity that were previously impossible. The D5 tames the shadows, whether shooting a newlywed couple’s candle-lit first dance or sports with minimal lighting. The D5 also realizes unprecedented image quality in the high-sensitivity range between ISO 3200 and 12800 — the range favored by sports photographers. In addition, the D5 affords the ability to use higher shutter speeds with minimal illumination, letting photographers capture stunning images that are sharper, clearer and more colorful than ever before. As an added benefit, the next generation autofocus system performs in near darkness, acquiring focus in as little as EV-4 illumination. For extreme low-light ability, the ISO range is expandable from 50 (Lo-1) to a staggering ISO 3,280,000 (Hi-5), offering near-night vision capability that’s well beyond the visibility of the human eye. This extreme sensitivity is a benefit to photojournalists as well as for surveillance and security applications, letting users get shots others cannot see without a flash. This vast ISO range is also available to those capturing 4K UHD video, opening up new possibilities for multimedia and spot-news capture.
  • Exhilarating Image Quality – The Nikon D5 delivers on the promise of stunning image quality with the adoption of a new, Nikon-developed 20.8-megapixel FX-format CMOS sensor. The camera is designed to achieve the optimized balance between the large full-frame sensor size, resolution and the new EXPEED 5 image processing engine. Users can be confident that images will have enhanced sharpness and clarity, faithful skin tones and the unequaled dynamic range that Nikon pros have come to love. EXPEED 5 also helps to enhance noise reduction, letting photographers take full advantage of the D5’s immense ISO range. When paired with legendary NIKKOR optics, the D5 is truly a tool to help photographers capture the sharpest images possible with astounding clarity and radiant colors.
  • Powerful Performance – Nikon’s EXPEED 5 engine also serves to dramatically enhance camera performance, delivering low noise, high-speed image processing and offers the additional processing power needed for 4K UHD video. For professional sports and wildlife photographers, the D5 is capable of capturing images at 12 frames-per-second (fps) with full AE and AF, helping to ensure that the decisive moment is caught in crystal clarity and absolute sharpness. Users can also shoot at up to 14 fps with fixed focus and exposure and the mirror locked up, ideal for remote capture. Because the action won’t take a break, the extended buffer lets users shoot for up to 200 frames of 14-bit lossless RAW/NEF files + JPG fine*. The new processor is also 25% more efficient with up to 3780 shots per charge.
  • Fast Acquisition, with Precision – An exciting addition to the D5 is an all-new AF system with Nikon’s first dedicated AF processor. The Multi-CAM 20K AF sensor module offers superior AF performance with 153 AF points, including 99 cross-type sensors – triple the AF points from Nikon’s previous flagship, the D4S. Of these 153 points, 55 AF points/35 cross-type points are selectable by photographers to quickly and easily frame any shot. The system is configurable in 153, 72 and 25-point coverage when used with Continuous AF, allowing for stellar AF tracking performance of even the most rapidly moving subjects throughout the frame. Fifteen of the AF points are also functional up to f/8, further aiding those who require extreme telephoto capabilities, including wildlife photographers. This all-new AF system is coupled with a new 180K pixel RGB metering system and Advanced Scene Recognition System, helping to achieve optimally balanced exposures and accurate white balance in even the most challenging light. 
  • Rugged Reliability and Unsurpassed Usability – Downtime is never an option, so professionals need a camera that is going to be reliable and augment a demanding workflow. The Nikon D5 delivers with rugged construction and robust weather sealing, coupled with a familiar yet enhanced Nikon interface. A new 3.2” 2359K dot XGA LCD adds touchscreen functionality, allowing the user to easily pinch, zoom, swipe and scrub in playback, and also enter text faster than ever before. Being the champion of low-light, it is only natural that additional buttons and dials illuminate for enhanced visibility, while two additional Function buttons have been added for increased customization. The camera also features a Quick Release Mode setting for rapid access to release mode settings. Additionally, a new shutter and mirror sequencing mechanism nearly eliminates blackout time and mirror slap for bright, consistent views during high-speed shooting– realizing truly confident tracking of fast, erratically moving subjects that were previously difficult to achieve. The D5’s shutter itself is tested to 400K actuations for maximum durability. When paired with the WR-R10 wireless remote controller (transceiver) and WR-A10 Wireless Remote Adapter, the D5 is also able to interface with Nikon’s newest Speedlight, the RF controlled SB-5000, for new possibilities in lighting control. **
  • Rapid and Flexible Workflow – Further enhancing speed, the D5 is able to utilize the superior read and write speed of XQD memory cards, which are up to 35% faster than CF cards. To appeal to a wide variety of photographers, the D5 will be available in two versions; with either dual XQD card slots or with dual CF card capability. For maximum efficiency the camera is also capable of shooting smaller RAW Size S or M file types (12-bit, uncompressed), for greater flexibility when transferring batches of files from the field, while retaining image integrity. Photographers can also use the built in 1000 Base-T 400MBps Ethernet connection for image transfer, with speeds up to 1.5x faster than D4S.
  • Multimedia Powerhouse with 4K/UHD Video – The Nikon D5 is the first Nikon DSLR capable of capturing 4K UHD video (3840×2160 at 30p), letting users create stunning ultra-high definition video with beautiful clarity and color. Multimedia content creators can also use the D5 to create 4K time-lapse videos in-camera using the Time-lapse Movie function, and can create 8-megapixel still images from frame grabs. A great addition to any production environment, the D5 includes all of the most popular pro-level features of the Nikon D810, including Full HD 1080p video at a variety of frame rates, uncompressed HDMI out, simultaneous live view and headphone/microphone connections. Additionally, the D5 adds a feature to smooth exposure transitions using the Auto ISO function as well as exposure compensation to create natural-looking exposure transitions in video.

New Radio Controlled SB-5000 Speedlight: Lighting with No Limits

The Nikon D5 is optimized to work with the newest flagship Speedlight, the SB-5000, illuminating new possibilities in creative lighting. A first for Nikon, the flash operates via radio frequency and will operate without a direct line of sight for a range of up to approx. 98 feet (30 meters). This new-found flexibility lets photographers place lights in different rooms, around corners and work seamlessly in bright ambient light with maximum efficiency. When paired with the WR-R10 and the D5 or the D500, this Speedlight can control up to six groups (A-F) or 18 Speedlights for truly advanced wireless lighting. It is also possible to perform Advanced Wireless Lighting using either radio-controlled (up to three groups) and/or optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight or the SU-800 Commander (as a master or commander unit) and a WR-R10 (as a commander) onto the D5.

The new smaller SB-5000 Speedlight also has a radically new design that includes its own internal cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, and can fire up to 120 continuous shots at 5 second intervals. Controls have also been streamlined and refined, with the addition of an “i” button for access to frequently used settings. The design also integrates versatile bounce ability, with the flash head capable of tilting down to -7° or up to 90°, and rotate horizontally 180° to the left and right. 

New WT-6A Wireless Transmitter

Nikon has also announced the WT-6A Wireless Transmitter for use with the D5. An ideal solution for professional image transfer, the WT-6A can transfer with speeds of up to 130 mbps wirelessly and supports the fast IEEE802.11ac standard. The connectivity distance has been extended to approximately 656 ft. and can be used to transfer images to an FTP server or to a computer. When in HTTP mode, the unit can be used to operate camera controls, begin Live View shooting or start/stop HD video recording.

Price and Availability:

The Nikon D5 DSLR will be available in March for a suggested retail price (SRP) of $ 6,499.95***. The Nikon SB-5000 AF Speedlight will be available in March for the SRP of $ 599.95. The WT-6A Wireless Transmitter will also be available in March, with the SRP of $ 749.95. For more information on these new Nikon products, please visit www.nikonusa.com.

About Nikon

Nikon, At the Heart of the Image™. Nikon Inc. is a world leader in digital imaging, precision optics and photo imaging technology; globally recognized for setting new standards in product design and performance for an award-winning array of equipment that enables users to tell their stories through amazing photos and videos. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the Nikon 1 compact interchangeable lens camera system. Nikon Corporation, the parent company of Nikon Inc., recently announced the production of 95 million NIKKOR lenses in 2015, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook, Google+, Twitter, YouTube, Instagram, Vimeo and Flickr.

 *When using approved XQD cards.
 **Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
 ***SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.


Nikon D5 specifications

Price
MSRP $ 6499
Body type
Body type Large SLR
Body material Magnesium alloy
Sensor
Max resolution 5588 x 3712
Image ratio w:h 1:1, 5:4, 4:3, 3:2
Effective pixels 21 megapixels
Sensor photo detectors 21 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type CMOS
Processor EXPEED 5
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-102400 (expandable to 50-3280000)
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG (Exif v2.3)
  • Raw (NEF, 12 or 14 bit, lossless compressed, compressed, uncompressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp No
Number of focus points 153
Lens mount Nikon F
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (tunnel)
Viewfinder coverage 100%
Viewfinder magnification 0.72×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Single-frame
  • Continuous low
  • Continuous high
  • Mirror-up
Built-in flash No
External flash Yes (via hot shoe and flash sync port)
Flash X sync speed 1/250 sec
Drive modes
  • Single-frame
  • Continuous low
  • Continuous high
  • Mirror-up
  • Quiet shutter
  • Self-timer
Continuous drive 14.0 fps
Self-timer Yes (2, 5, 10, 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 2/3 EV, 1 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (30p/25p/24p), 1920 x 1080 (60p/50p/30p/25p/24p), 1280 x 720 (60p/50p)
Format MPEG-4, H.264
Videography notes 1.5X crop mode with DX lenses
Microphone Stereo
Speaker Mono
Storage
Storage types Dual CompactFlash or dual XQD
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Optional
Wireless notes Requires WT-5A or WT-6A
Remote control Yes (wired, wireless, smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL18a lithium-ion battery & charger
Weight (inc. batteries) 1415 g (3.12 lb / 49.91 oz)
Dimensions 160 x 459 x 92 mm (6.3 x 18.07 x 3.62)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes GP-1A

Articles: Digital Photography Review (dpreview.com)

 
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Nikon brings stepping motors to its DSLRs with two 18-55mm AF-P lenses

05 Jan

Nikon is bringing stepping motors to its DSLR lens lineup for the first time with a pair of ‘AF-P’ lenses, both of which are collapsable 18-55mm zooms (one with vibration reduction, the other without). Nikon says that its stepping motor lenses are both faster and quieter than their predecessors, making them quite appealing for video recording. These lenses have two aspherical elements as well as a Super Integrated Coating, with the VR model reducing shake by 4 stops (using the CIPA standard).

These aren’t the company’s first lenses to use this type of AF motor – they can be found on most, if not all, of the lenses for the Nikon 1 system.

Nikon has not disclosed pricing or availability information for either lens.


Press release:

AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR / AF-P DX NIKKOR 18-55mm f/3.5-5.6G

Fast and quiet AF with adoption of a stepping motor
Compact and lightweight normal zoom lenses covering the 18-55mm range of focal lengths with a maximum aperture of f/3.5-5.6

TOKYO – Nikon Corporation is pleased to announce the release of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, two normal zoom lenses compatible with Nikon DX-format digital SLR cameras.

The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G are 3.1x normal zoom lenses covering the 18-55mm range of focal lengths (effective angles of view equivalent to those of a lens with 27-82.5mm focal lengths in FX and 35mm [135] formats). They are the first “AF-P” lenses for Nikon digital SLR cameras, utilizing stepping motors to drive AF for fast and quiet autofocusing. In addition, they have a compact and lightweight design for which retractable barrels were adopted for excellent portability, and the use of two aspherical lens elements has resulted in superior optical performance with which various types of aberration, including distortion and spherical aberration, are effectively suppressed. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR is also equipped with a vibration reduction (VR) mechanism offering camera shake compensation equivalent to a 4.0-stop* (with testing in accordance with CIPA standards) increase in shutter speed.

The combination of superior AF performance and excellent agility afforded by these lenses makes them perfect for those ready to try their hand at full-scale photography with a digital SLR camera.

AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G Primary Features

  • “AF-P” lenses that achieve fast and quiet AF with adoption of a stepping motor for AF drive operation
  • Compact and lightweight 3.1x 18-55mm (effective angles of view equivalent to those of a lens with 27-82.5mm focal lengths in 35mm [135] format) normal zoom lenses utilizing a retractable barrel and compatible with the Nikon DX format
  • Adoption of aspherical lens elements (2) achieves superior optical performance with which various types of aberration are effectively suppressed
  • Equipped with a vibration reduction (VR) mechanism offering camera shake compensation equivalent to a 4.0-stop* (with testing in accordance with CIPA standards) increase in shutter speed (AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR)

*At the maximum telephoto position when a digital SLR camera equipped with an APS-C size image sensor is used.


Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR / AF-P DX NIKKOR 18-55mm f/3.5-5.6G specifications

  Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G VR Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G
Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 18–55 mm
Image stabilisation Yes (4 stops) No
Lens mount Nikon F (DX)
Aperture
Maximum aperture F3.5 – F5.6
Minimum aperture F22.0 – F38.0
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 12
Groups 9
Special elements / coatings Two aspherical elements + super integrated coating
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.38×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 205 g (0.45 lb) 195 g (0.43 lb)
Diameter 65 mm (2.54)
Length 63 mm (2.46)
Materials Composite
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 55.0 mm
Hood supplied No
Hood product code HB-N106
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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CamFi is an alternative wireless controller for your Nikon or Canon DSLR

05 Jan

CamFi is a new option for those photographers looking to control their Nikon or Canon DSLR wirelessly. The device mounts on the hot shoe of compatible DSLRs and creates a Wi-Fi network that you can connect to using a PC or Mac as well as Android and iOS mobile devices. At $ 130 CamFi is priced well below manufacturer-provided options for high-end DSLRs. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces ultra-wide 14-20mm F2 lens for Canon and Nikon crop sensor DSLRs

01 Jan

Kenko Tokina has launched the Tokina AT-X 14-20mm F2 Pro DX lens for Canon and Nikon DSLRs with APS-C sensors. That’s equivalent to 21-30mm on Nikon bodies and 22-32mm on Canons.

This ultra-wide zoom has a pair of super low dispersion elements in the back and a plastic aperhical element in the second group that promise to reduce flare and ghosting. It also sports nine aperture blades, a one-touch focus clutch mechanism and internal focusing.

Pricing and availability have yet to be announced.


Press release:

Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX

Characteristics 

The fast F2.0 Zoom lens of Tokina
Since the maximum aperture of F2.0 is given this lens, it’s possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night). 

Adopt highly precise Plastic Aspherical lens
The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare. 

Arrange highly precise Glass molded Aspherical lens
2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses. 

Compact Body and Excellent Operability
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size. 

The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. 

In low brightness situation, use it demonstrates its preeminent power. 

Specifications 

  • Focus distance: 14 – 20 mm 
  • Brightness: F2.0 Canon 
  • Format : APS-C 
  • Minimum aperture: F22 
  • Lens configuration: 13 elements in 11 group 
  • Coating: Multilayer film coating 
  • Angle of view: 91.68° ~ 71.78° 
  • Filter size: 82mm 
  • Shortest Object Distance: 0.28m 
  • Macro maximum magnification: 1:8.36 
  • Focus method: Internal focus 
  • Number of Aperture blades: 9 
  • Maximum diameter: 89.0 mm 
  • Full length: 106.0 mm 
  • Weight: 725 g 
  • Hood (Attached) : BH-823 

Above mentioned specifications are for a Nikon mount. 


Tokina AT-X 14-20mm F2 Pro DX specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 14–20 mm
Image stabilisation No
Lens mount Canon EF, Nikon F (DX)
Aperture
Maximum aperture F2.0
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 13
Groups 11
Special elements / coatings 2 super low dispersion + multilayer film coating
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.12×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 725 g (1.60 lb)
Diameter 89 mm (3.5)
Length 106 mm (4.17)
Sealing No
Colour Black
Zoom method Rotary (internal)
Zoom lock No
Filter thread 82.0 mm
Hood supplied Yes
Hood product code BH-823
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Gear of the Year 2015: Nikon D750

08 Dec

This is less the story of a DPReview.com editor professing his favorite piece of gear from the year, and more the story of a photographer and system owner holding out several years for the perfect camera. This isn’t about Nikon vs Canon or Sony or mirrorless vs DSLR. It’s about investing in a system, expectations, and the joy of photography.

Nikon D750 – What I love:

  • 24MP Full-frame sensor offers excellent high ISO performance and great dynamic range
  • 1080/60p video capture
  • Robust build-quality, while remaining fairly light-weight for a Full-frame DSLR
  • Flip out 3.2″ LCD lets me get those high and low angles I so crave for skateboard photography
  • 51-point AF system performs well, even in very dark or low contrast shooting environments

In the Winter of 2012 I purchased a lightly used Nikon D700 for a trip I was planning in the Spring, to document Egypt’s first-ever freely-held presidential elections. While the camera was technically a current model, it had been on the market, at the time of my purchase, for nearly four years.

I had also strongly considered the D800 at the time, which had been announced a few weeks prior. But after field testing the camera (I was working at Popular Photography at the time), I decided that is was simply not the body for me. I was upgrading from a Nikon D300, and the D800 felt too much like a studio camera: the Raw files were far larger than I needed, or was used to, the burst not fast enough (the D300 with a grip gave me 8 fps), and the price, way more than I could afford to pay. It’s also worth mentioning that the D600 had not been announced yet. So my options were pretty much limited to a camera that appeared to be near the end of its product life.

Fast forward two and half years to the late Summer of 2014. I had been using the D700 aggressively for freelance work, and put more than a half million actuations on it. Despite the rubber skin starting to peel a bit, the camera still functioned like new. Still, I couldn’t help but feel like I was ready for an upgrade, the same upgrade I had been yearning for when I initially settled on the D700, due to lack of options.

ISO 640, 1/1000 sec F5.6 shot with a Nikon 24mm F2.8D lens affixed. The D750 is the only Full-frame camera in Nikon’s line that offers an articulating LCD, which I used to frame this image.

I’ll never forget the day Nikon first unveiled the D750 to us in a press meeting. It was an incredibly muggy August afternoon in New York City. As I walked down Park Avenue with a co-worker, I felt anxious. Rumors had been circulating for months of a new full frame camera, and I was eager to find out if they were true. Moreover, I was eager to find out if the camera I had long dreamed of, since the day I started shooting with my D700, was going to come to fruition.

At the time, both the Nikon D610 and D810 had been announced. But like so many Nikon shooters upgrading from a D700 or D300, neither camera felt right. I already mentioned my misgivings about the D800 (and the same go for the D810), but on the other end of the spectrum, the D610 felt too plasticky and simply not-professional enough for my use. By comparison, both the Nikon D700 and D300 are substantially more ruggedized than the D610 and I was not willing to purchase a new camera that felt less robust than that I was replacing.

Needless to say, Nikon PR unveiled the D750 that afternoon, and it was everything I could have asked for: a robust weather sealed body, with an updated sensor, full video capture (neither my D300 nor my D700 offered any sort of real video mode), an articulating screen and built-in Wi-Fi. Months later, as the reviews rolled in, the verdict seemed clear: the D750 offered great image quality and excellent AF performance, in a feature-packed body that also happened to be smaller and lighter than both the D300 and D700 (without sacrificing build quality or weather sealing).

 ISO 1250, 1/400 sec, F4. Shot was a Nikon 85mm F1.8D lens affixed.

It wasn’t until the Spring of 2015 I was able to afford one: a wedding assignment on the East Coast (I had moved from New York to Seattle in the winter of 2014), was ultimately the reason I pulled the trigger on my purchase. The camera arrived a week before my departure, giving me little time to try it out before the big shoot. To further complicate matters, at the time, I was in between finishing a Sony A77 II review and starting a Fujifilm X-T10 review, which is to say, Nikon cameras and the way they function, were not at the forefront of my brain.

It didn’t matter. Picking the D750 up instantly felt familiar. I had been using Nikon cameras since 2006, including a D100 and D2h at my college newspaper, and I was pleased to see that generation, to generation, to generation, Nikon had largely kept menus, functions and button placements fairly uniform throughout the company’s high-end models.

“It was truly a moment of pointing, shooting and hoping. But the D750 did not let me down.”

The wedding proved to be an epic first field test for the D750. The ceremony took place outdoors, in torrential downpours. It was raining so hard during the reciting of the vows, I physically could not see anything through the viewfinder other than the red AF confirmation square lighting up on what I hoped were the bride and grooms faces. It was truly a moment of pointing, shooting and hoping. But the D750 did not let me down. Despite the shooting conditions, I was able to still capture all of the crucial wedding ceremony moments. And thanks to the camera’s image quality, I was able to work with the Raw files, which were substantial washed out due to fogging and moisture, to add back in some contrast and saturation.

  ISO 1250, 1/400 sec, F4. Shot was a Nikon 85mm F1.8D lens affixed.

Of course, one of the biggest selling points of Nikon DSLRs are the incredible dynamic range they offer, and the D750 is no exception. I shoot a ton of live music and band portraiture and the amount of detail I can recover from the shadows of Raw files is truly impressive. Simply put, the flexibility of Nikon’s Raw files have, at times, been job saving. The D750 also holds its own in very low light shooting as well as some of the very best cameras I’ve tested. The same goes for AF performance; I rely heavily on a camera’s AF system for shooting in dark venues (I try to avoid using a flash as much as possible), and the D750 provides AF acquisition speeds and performance comparable with the best.

Video capture and Wi-Fi were also two features I had long yearned for in my D700. And while you can find other DSLRs and mirrorless cameras that offer a wider range of video function, and higher-resolution capture, the D750 is still a pleasure to use for multimedia, and the video quality is very good. Wi-Fi connectivity is also painless to use, and quite handy for transmitting images in a pinch. A close friend of mine, who also purchased a D750 around the same time, swears the D750 has revolutionized the way he sends image of breaking news assignments back to his editor. Of course Wi-Fi connectivity in cameras is nothing new, but the D750 was the first full frame Nikon to offer it, and it does so in a reliable fashion.

 ISO 6400, 1/160 sec, F2.8. Shot with a Nikon 24mm F2.8D affixed.

At the end of the day, the D750 may not be the greatest camera of all time. And there are plenty of cameras that beat it out in specific shooting scenarios, but as a long time Nikon user, looking for the perfect all-arounder to compliment my system, it is the best camera for me.

Working at a website like DPReview, I constantly think about cameras in terms of the future. Will mirrorless cameras completely surpass DSLRs to become the pros’ tool of choice? Will the D760 do 4K? How about a Nikon full framer with a stabilized sensor, to bring VR to all lenses? The point is, we can dream and dream, and the perfect camera will always be just one rumor away. But at the end of the day, the best camera is the one you have. And I’m happy to call the D750 my own, finally.

 ISO 3200, 1/400 sec, F2.2. Shot with a Nikon 85mm F1.8D affixed.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon issues D750 and D4s firmware updates, optimizes D750 VR with compatible lenses

02 Dec

Nikon has released firmware updates for its D750 and D4S DSLRs, providing both with a new external recording control option for use with external recorders using Atomos Open Protocol. At the end of a list of bug fixes, Nikon also mentions that the D750’s firmware version 1.10 introduces ‘optimal vibration reduction’ with vibration reduction lenses. We’re hoping this addresses a glitch in which VR can sometimes contribute to image shake.

Other notes on the firmware updates for both cameras relate to bug fixes in movie live view, and the D750’s update addresses some minor problems with HDR mode and in-camera Raw processing among other things. See below for more details.


Nikon D750 firmware version 1.10

  • An External recording control option has been added to the HDMI item in the SETUP MENU. If the camera is connected via HDMI to a third-party recorder that supports the Atomos Open Protocol (the Atomos SHOGUN, NINJA2, or NINJA BLADE), selecting On allows camera controls to be used to start and stop recording. More information is available in a supplementary manual.
  • Note:Choose an option other than 576p (progressive) or 480p (progressive) for HDMI > Output resolution in the SETUP MENU.
  • Fixed the following issues:
    – The brightness of the live view photography display would not change when a command dial was rotated to adjust exposure compensation with On (Auto reset) selected for b Metering/exposure > b3 Easy exposure compensation > Easy exposure compensation in the CUSTOM SETTING MENU.
    – Although the preview button would stop the lens down to maximum aperture when assigned the Preview role, the maximum aperture indicator would not appear in the monitor.
    – In rare cases, the shutter would not be released when the user attempted to take photographs in movie live view.
    – About 4 seconds of static could be heard on audio recorded with external HDMI recorders during movie live view.
    – The shutter speed, aperture, and ISO sensitivity displayed in the monitor during movie live view would differ from values in the final movie file.
    – Part of the focus point would disappear if the user zoomed in while the framing grid was displayed.
    – Volume could sometimes not be adjusted if movies were played with indicators hidden during full-frame playback (None (image only)).
    – Exposure compensation would fail to produce the desired results if a negative value was selected when NEF (RAW) images were processed using the NEF (RAW) processing option in the RETOUCH MENU.
    – Images would in rare cases fail to record correctly with HDR (high dynamic range) selected in the PHOTO SHOOTING MENU.
    – If On was selected for Exposure smoothing during interval timer photography, every frame after the first would be overexposed.
    – File numbers were not assigned in the proper sequence.
    – The focus point would not be displayed in the correct location in the monitor.
    – In some languages, characters or parts of characters would be missing from the SETUP MENU > Location data > Position display.
    – In some languages, characters or parts of characters would be missing from the SETUP MENU > AF fine-tune > List saved values display.
    – In some regions, nothing would be displayed when Conformity marking was selected in the SETUP MENU.
  • Some help text has been changed.
  • Optimal vibration reduction is now available with vibration reduction lenses.

Nikon D4S firmware version 1.30

  • An External recording control option has been added to the HDMI item in the SETUP MENU. If the camera is connected via HDMI to a third-party recorder that supports the Atomos Open Protocol (the Atomos SHOGUN, NINJA2, or NINJA BLADE), selecting On allows camera controls to be used to start and stop recording. More information is available in a supplementary manual.

Note:

  • Choose an option other than 576p (progressive) or 480p (progressive) for HDMI > Output resolution in the SETUP MENU.
  • Choose an option other than Auto for HDMI > Output resolution in the SETUP MENU when 640x  424; 30p or 640x  424; 25p is selected for Movie settings > Frame size/frame rate in the SHOOTING MENU.
  • Fixed the following issues:
    – In rare cases, the shutter would not be released when the user attempted to take photographs in movie live view.
    – About 4 seconds of static could be heard on audio recorded with external HDMI recorders during movie live view.
    – Exposure compensation would fail to produce the desired results if a negative value was selected when NEF (RAW) images were processed using the NEF (RAW) processing option in the RETOUCH MENU.
    – Images would in rare cases fail to record correctly with HDR (high dynamic range) selected in the SHOOTING MENU.
    – In portrait orientation, the monitor would not show the focus point in the correct location if 5:4 (30×24) was selected for Choose image area.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon announces development of flagship D5 DSLR

18 Nov

In a brief press release, Nikon announced the development of its D5 digital SLR, which will be the company’s next flagship camera. There aren’t any real details in the release, other than the expected promise of better performance and image quality. A new SB-5000 Speedlight and WT-6 Wireless Transmitter are also on the roadmap. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D810 firmware C 1.10 now available

30 Oct

Nikon has released updated firmware for its D810 DSLR, taking the software from version C 1.02 to C 1.10. The new firmware brings with it several changes, the majority of which are bug fixes. In addition to correcting issues, v1.10 adds an external recording control option for using the camera to start and stop third-party recorders connected over HDMI. Read more

Articles: Digital Photography Review (dpreview.com)

 
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