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Posts Tagged ‘Nikon’

Nikon apologizes for awarding prize to digitally altered photo

03 Feb

Last week, Nikon Singapore chose an image submitted by photographer Chay Yu Wei as the winner of a ‘casual photo contest.’ Critics quickly pointed out that the airplane featured in the image had been digitally inserted, given away by the highly visible white square around the plane’s silhouette. Nikon and Yu Wei have both issued apologies over the submission, with Nikon saying it will bolster its image reviewing process ‘to avoid similar situations in the future.’

Nikon, which has since deleted the original Facebook post awarding the photograph, posted a status update on Saturday that reads:

We have heard your comments and feedback on this, and you are right – we should not compromise standards even for a casual photo contest. We have dialogued internally, with the community and with our loyal fans, and Yu Wei has also posted his own views on this issue. We have made an honest mistake and the rousing response from the community today is a reminder to us that the true spirit of photography is very much alive. Moving forward, we will tighten our image review process to avoid similar situations in the future. Thank you once again for all your responses today – for your humour and most of all, your candour and honesty. We hope not to disappoint you in the future and to continue to have your support.

Most sincerely, your Nikon team

Yu Wei posted his own lengthy apology on his Instagram account, saying in part:

Like one user commented, I was on a photo walk in Chinatown and I chanced upon that set of ladders. I snapped a picture of it, and subsequently felt that a plane at that spot would make for an interesting point of view. Hence, I inserted the plane with PicsArt and uploaded it to Instagram. That’s how I use Instagram, sometime it’s to showcase the work I’m proud of, sometimes just to have fun. This case, that small plane was just for fun and it was not meant to bluff anyone. I would have done it with photoshop if I really meant to lie about it, but no, it was a playful edit using the PicsArt app and uploaded to Instagram. When my friends commented with some questions, I also answered it jokingly, saying it’s the last flight of the day and saying it was my lucky day that I did not wait too long. At that time, of course everyone who read it took it as a joke, before this issue arrived and it is taken seriously.

However, I made a mistake by not keeping it to Instagram as a casual social media platform. I crossed the line by submitting the photo for a competition. I meant it as a joke and I’m really sorry to Nikon for disrespecting the competition. It is a mistake and I shouldn’t have done that. I also shouldn’t have jokingly answered Nikon that I caught the plane in mid-air and should have just clarified that the plane was edited in using PicsArt. This is my fault and I sincerely apologise to Nikon, to all Nikon Photographers, and to the photography community as general.

While Nikon’s apology seems genuine, we can’t help wondering how such an obviously altered image slipped through. We’re also not quite convinced by Wei’s apology, and DigitalRev points out that the concept for the image may not even be his either. What’s your take on the controversy? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon KeyMission 360 price and specs appear on retailer’s website

03 Feb

The Nikon KeyMission 360 action camera was unveiled at an event in early January, and while Nikon offered some details about the model, it did not reveal the price. Now, nearly a month later, the camera has surfaced on German retailer Cyberport’s website with a list price of €499 and a features list.

The KeyMission 360 records 4K UHD video, is waterproof to depths of 30m/100ft, shockproof from heights up to 2m/6.6ft, and has electronic image stabilization, according to Nikon. The product listing includes some additional specs, including support for microSDHC/SDXC media cards, WiFi, NFC, Bluetooth, an integrated microphone, non-removable Li-Ion battery and USB 2.0.

Nikon said during its January event that it is aiming for a Spring 2016 release; it has not confirmed pricing.

Via: NikonRumors

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Japan announces price increases of up to 18% for lenses and flash units

29 Jan

Nikon has released details of price increases it will implement in the Japanese market from the beginning of March this year. The changes will affect a total of 73 of its DX and FX lenses, as well as three teleconverters. In addition, 21 lenses for the Nikon 1 system will be included, the FT1 mount adapter and six Speedlite flash units along with the systems associated wireless remotes. Newer lenses, such as the recently announced AF-P 18-55mm F3.5-5.6G/VR, the 200-500mm F5.6E ED VR, the 24-70mm F2.8E ED VR and the 24mm F1.8G ED are not included in the list. 

The degree of increase varies across the board, but some products, such as the SB-300 flashgun, will face a price hike of close to 18%. Others though will be increased by less than 5%. 

The company cites pressures from increasing costs of raw materials for the price rises, and claims that it has done all it can to absorb the additional costs itself.

As the information was intended only for the Japanese market there is no mention of the rises coming into force in other regions. We’ll update this story with more details as and when we receive them.  

For more information see the notice posted on the Nikon Japan website. 

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D5300 and D5500 firmware 1.01 adds support for AF-P DX 18-55mm F3.5-56 lenses

28 Jan

Nikon has released firmware version 1.01 for its D5300 and D5500 cameras. Both updates add support for the AF-P DX NIKKOR 18–55mm F3.5–5.6G VR and AF-P DX NIKKOR 18–55mm F3.5–5.6G lenses, Nikon’s first DX lenses to offer stepping motors, as well as an a5 Manual focus ring in AF mode option for the D5500. Both updates also bring several bug fixes correcting issues affecting each model, such as camera freezing.

Nikon D5300 Firmware version 1.01:

  • AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR and AF-P DX NIKKOR 18–55mm f/3.5–5.6G lenses are now supported. Vibration reduction can be enabled or disabled using the new Optical VR option in the photo SHOOTING MENU, which is displayed when an AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR lens is attached.
  • The following issues have been addressed:
  • Choosing negative values for Exposure compensation in the RETOUCH MENU > NEF (RAW) processing display did not have the desired effect.
  • Continued scrolling of the menus for some languages would cause the camera to freeze.

Nikon D5500 Firmware version 1.01:

  • AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR and AF-P DX NIKKOR 18–55mm f/3.5–5.6G lenses are now supported. Vibration reduction can be enabled or disabled using the new Optical VR option in the photo SHOOTING MENU, which is displayed when an AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR lens is attached. The CUSTOM SETTING MENU now contains an a5 Manual focus ring in AF mode option that can be enabled or disabled when an AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR or AF-P DX NIKKOR 18–55mm f/3.5–5.6G is attached.
  • The following issues have been addressed:
  • Noise would occur at four-second intervals in audio output to external recorders connected via HDMI in movie live view.
  • Choosing negative values for Exposure compensation in the RETOUCH MENU >  NEF (RAW) processing display did not have the desired effect.
  • Selecting ON for Exposure smoothing during interval timer photography would result in all shots after the first being overexposed.

The Nikon D5300 firmware update and D550 firmware update are both available from Nikon’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases D500 4K UHD sample video

22 Jan

Nikon has released a 4K UHD sample video recorded with the newly unveiled D500 DSLR. The Nikon D500 and full-frame D5 are the first Nikons to offer support 4K UHD capture at 3840 x 2160 at 30p/25p/24p. Open the clip above in YouTube, select 2160p and throw it into full-screen mode for the full effect – though you might want to proceed with caution if heights make you queasy.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon 24-70mm F2.8 ED VR real-world sample gallery

14 Jan

Winter can be a stark wonderland in the Pacific Northwest, especially east of the Cascade mountain range. Editor Barney Britton spent some time with the new Nikon 24-70 F2.8 ED VR lens amongst the snow-covered rolling hills, waterfalls, forests, and even sunny beaches our beautiful state provides. VR brings a level of hand hold-ability to a popular range of focal lengths that should make it easier to make sharp images with the 36MP Nikon D810.

Before you follow the link below to see how the lens performed in the set of real-world samples we provide here, it’s worth keeping some things in mind. A high-resolution camera demands critical focus: even the slightest misfocus will be easily visible, and small focus errors aren’t uncommon when using DSLRs in the field. Furthermore, on full-frame, even an aperture of F8 has limited depth-of-field, so infinity-focused shots may show a slight decrease in sharpness for objects closer in the foreground. With these caveats in mind, we still found the sharpness of the lens to be somewhat lacking relative to our high hopes.

We’ve only tested one copy of this lens, and it’s always hard to determine if the sample we received is truly a representative sample. We’ll be requesting a second copy to verify that our sample isn’t an outlier, but based upon findings from both DxOMark and Roger Cicala over at LensRentals, the less-than-stellar sharpness results aren’t too surprising. 

While sharpness is generally good, particularly across the field, absolute sharpness in the center doesn’t appear to be better, or even as good as, the original non-VR 24-70mm F2.8 Nikkor. Roger’s results, as well as DxO’s findings, confirm somewhat decreased central sharpness but increased consistency across the frame. Roger suggests this may in part be due to a prioritization of minimal field curvature and astigmatism with absolute sharpness perhaps being the cost. Our samples do appear to confirm a relatively flat field of focus – which will be useful for many applications. Close-up sharpness sometimes suffers, as does sharpness at the long end, while chromatic aberration continues to be an issue much like the original.

That said, overall build appears to be – at least subjectively – improved, and Nikon’s Vibration Reduction (VR) promises to be a boon for photojournalists. Paired with the D810, our experience and preliminary testing indicates VR to be incredibly effective, and we expect it’ll prove indispensable at times, while overall raising the convenience factor of the body and lens combo. For some, this may even make up for the less-than-ideal sharpness which, by the way, we only call out because of the high bar set by recent primes and venerable zooms like the Canon 24-70 F2.8 II (which lacks VR, mind you). In isolation, this new lens is plenty sharp. 

But without further ado, have a look at the sample gallery yourself, and let us know what you think in the comments!

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Nikon D5

13 Jan

Hands-on with the Nikon D5

Back in November Nikon teased us by announcing that a new D5 DSLR flagship camera was in development. Fortunately, we didn’t have to wait long for ‘development’ to turn into ‘product.’ At CES 2016 we got the chance to meet the D5, up close and personal.

At its core is a brand new 20.8MP FX-Format CMOS Sensor and Nikon’s EXPEED 5 image processor. It uses a new autofocus system with 153 AF points, 99 of which are cross-sensor. Compared to the D4s, those AF points are spread out to cover a greater portion of the frame. The D5 also features updated AF algorithms. In terms of speed, it is capable of 12 fps bursts with AF and 14 fps with the mirror locked-up.

The new AF system, coupled with the camera’s 180k-pixel RGB metering sensor, should also result in improved subject tracking capabilities. The metering sensor has doubled in resolution compared to the 91k-pixel sensor in the D4s. The D5 is also capable of 4K UHD video capture (albeit with a 3 minute limit and a nearly 1.5x crop factor).

As you would expect, the D5 feels like a brick in your hand. Maybe two bricks, actually. That’s not a complaint. It’s what we’ve come to expect from Nikon’s flagship cameras.

Hands-on with the Nikon D5

The D5 looks very similar to its predecessor, the D4s. In fact, in terms of their dimensions, the two cameras are exactly the same. Don’t be fooled by the familiar looks, though, the D5 is an entirely different camera beneath its magnesium alloy body.

For one, it is now capable of native ISOs ranging from 100-102,400 and expandable from ISO 50-3,280,000, (the upper ISO is Hi-5). We shot a couple images at ISO 102,400 using the D5 on display in Nikon’s booth at CES. And though we were unable to take the images with us to download and inspect closer, our initial impressions of the highest native ISO offered on the D5 are positive.

Hands-on with the Nikon D5

In-hand, the D5 feels exactly like a professional camera should; it is well-weighted and offers plenty of grip to wrap your hands around, with ample control points. Three of those points are custom function buttons that can be set to one of numerous functions by the user (a few other buttons remain re-assignable as well). And like Nikon’s flagship cameras before it, the D5 has a built-in vertical grip with a dedicated shutter and dual control dials.

Because this camera is designed for use by the world’s top photojournalist and sports photographers, in what could often be less-than-deal conditions, it is built extremely tough. The entire body is constructed from magnesium alloy and it is fully weather-sealed. The shutter is also rated to 400,000 actuations.

Hands-on with the Nikon D5

The 3.2-inch 2.36 million-dot LCD is a serious upgrade over previous models and other cameras typically sporting a 1.2 million-dot LCD. Images on it look really crisp. The LCD is also touch-sensitive, though according to Nikon PR, it can not be used to select AF points when shooting stills using the optical viewfinder (a feature available on both the D5500 and now the D500). We were told that the D5’s touch capabilities are largely gear toward video shooting.

A new, programmable Fn-3 button has been added to the back of the camera, where the info button previously was on the D4s. Aside from that change, the back of the D5 is largely the same as the D4s, which is a good thing. The AF sub-selector joystick remains in the same exact spot (right below the AF-On button). In use we’ve found the sub-selector to be the most efficient way to select an AF point, compared to using the somewhat slower-to-use D-pad. And we are happy to see the sub-selector also make its way to the Nikon D500.

One design tweak that may go unnoticed can be found in the area around the viewfinder: it is now removable. Simply slide it up. Nikon engineered the camera this way to make it easier to attach a rain hood. According to Nikon PR, the company is currently developing a hood specifically for the D5, which will likely be announced in the coming months. 

Hands-on with the Nikon D5

It’s nice to see the ISO button move to a more logical spot, right by the shutter, on top of the camera. Previously, many photographers would remap the movie record button to ISO, but the presence of a dedicated ISO button will be a boon for one-handed operation.

The mode button has also moved (to make way for the ISO button) to the top left. The video record button has also migrated a bit further out on the grip, making it easier to hit with your shutter finger while your eye is to the finder. 

Hands-on with the Nikon D5

The D5 comes in two flavors, either with dual CF or dual XQD slots. For those seeking to make the most of the D5’s speed capabilities, the XQD version is going to be the better option – we’ve heard reports that with fast XQD cards, the camera will really take 200 Raw shots before slowing down its shooting speed. Still, many shooters, especially pros, have invested heavily in CF, and it is nice to see Nikon continuing to support CF in its higher-end offerings.

Users also have three different size options for saving raw files. Raw sizes medium and small result in 12-bit lossless compress NEF files, while full size Raw images can be shot in up to 14-bit lossless uncompressed NEF files. We’ll be curious to check if bit-rate drops at the highest shooting speeds: for example, we found 6fps on the D7200 to cause a small loss in dynamic range due to 12-bit readout.

As with all dual slot Nikon DSLRs, users can elect to shoot Raw+JPEG and have their Raw files save to a separate card from their JPEG files (or not).

Hands-on with the Nikon D5

The D5 gains an additional Function button on the front of the body (to the left of the lens mount) compared to its predecessor, the D4s. In hand, we found the new Fn-2 button to be very easy access whether you are gripping the camera vertically or horizontally. This addition of this button makes more customizable one of the most customizable DSLRs in the industry.

Speaking of the gripping the camera, the D5 is extremely comfortable to hold: the the grip is quite large, and very deep. With a camera this size, a solid grip is paramount to the overall ergonomics of the camera. 

Hands-on with the Nikon D5

There are plenty of ports on the D5, including a Nikon 10-pin, USB 3.0, 1/8″ headphone, 1/8″ microphone, HDMI C and LAN ports. 4K video can be outputted over HDMI, which is one way around the 3 minute time limit for internal 4K capture. That said, at this time, we do not know how good the signal being sent is – particularly whether or not the video is truly sampled at 8 or 10 bits per color channel.

Hands-on with the Nikon D5

Here you can see all of the ports, once the rubber seals have been pulled back. USB 3.0 is a bump up from the USB 2.0 port on the D4s. Wi-Fi functionality can be added to the D5 via WT-5A and WT-4A Wireless Transmitters.

Hands-on with the Nikon D5

Compared to a (relatively) normal-sized head, the D5 is enormous. Then again, when it comes to this class of camera, the large size is expected. Here you can see just how easy it is to access that new Fn-2 button with the camera held vertically.

Hands-on with the Nikon D5

The D5 uses the same EN-EL18a battery as its predecessor. It is CIPA rated to last 3780 shots per charge, meaning you likely won’t be reaching into your bag often for an extra battery. From our experience, that should be more than enough shots to get most users through a full day of shooting, and then some.

Articles: Digital Photography Review (dpreview.com)

 
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Top 5: Hands-on with Nikon D500

08 Jan

Top 5: Hands-on with Nikon D500

CES 2016 has turned into a big event for Nikon thanks to the release of the company’s new D500 and D5 DSLRs. We were able to get some hands-on time with both cameras, and it’s fair to say that we’re impressed with what we’ve seen so far.

Fans of Nikon’s performance-oriented APS-C cameras have been imploring the company for years to release an update to the well regarded D300s. (OK, maybe ‘imploring’ is the wrong word – shouting, demanding, and even begging may be more accurate.) The wait is finally over, and Nikon has come through with the long anticipated D500, a camera sure to appeal to those who have waited so long.

Standout features include a 20.9MP APS-C (DX) sensor, a significantly overhauled autofocus system, 10 fps shooting, and 4K/UHD video recording.

Top 5: Hands-on with Nikon D500

One of the obvious questions many have asked is ‘What happened to the D400?’ Nikon tells us that since this camera shares much of the same underlying technology and performance characteristics with the D5 that it made more sense to align the names of the two cameras as well. Bad news: if you’ve been waiting for the D400 it looks like you’re not going to get it. Good news: you can get a D500 instead. 

As you would expect, the D500 feels very solid in your hands and there’s no doubt this camera is intended to be a workhorse. The top and rear of the camera are magnesium alloy, while the front is made of carbon fiber. Nikon claims it has the same level of weather sealing as the D810.

Video shooters will be excited to learn that the camera shoots 4K/UHD (3840×2160) video at up to 30p internally. Additionally, it can output uncompressed video over HDMI (we’re still waiting for confirmation of the bitrate) and it’s even possible to do both simultaneously should you require it. To keep your shots steady, the camera includes 3-axis (horizontal, vertical, rotation) electronic VR in video that should work with any lens, but that particularly benefits when combined with optical VR in certain Nikkor lenses to yield incredibly stabilized video footage – with X, Y, roll, pan and tilt corrections in total. These 5-axes of stabilization we tend to see more in competitive mirrorless offerings, such as in the E-M5 II, or with the slew of 1″-type compacts we saw recently from Sony and Canon. So it’s encouraging to see in a more dated form factor like the DSLR. We haven’t yet had a chance to test this last feature in person but it’s definitely on our to-do list as soon as we get a chance.

In addition to the HDMI port for uncompressed video out, there are also microphone and headphone jacks as well as a USB 3.0 connection.

Top 5: Hands-on with Nikon D500

The bright viewfinder provides 100% coverage at 1.0x magnification and is a good match for the new 153-point AF system. In fact, it’s the same AF system that you’ll find on the D5. Since the AF system was developed for a full frame camera it provides coverage that extends almost to the edges of the frame. Of those 153 AF points, 99 are cross-type for enhanced precision. 

Another feature Nikon added to the camera (which we really want to test when we get hold of a production sample) is ‘Auto AF Fine-Tune.’ It’s designed to use the live-view image on the sensor to auto calibrate the phase detect autofocus system for any particular lens. We’ve been looking forward to this type of feature for years since in theory should greatly ease the process of micro-adjusting lenses.

Top 5: Hands-on with Nikon D500

The D500 gives you much, though not all, of the performance of the D5 in a smaller, crop-sensor body. For example, it can shoot 10 fps with a 200 shot raw buffer. To do this it utilizes the same EXPEED 5 image processing engine as the D5. In our hands-on test we were impressed with continuous shooting. Even the sound of the shutter firing at 10 fps is somehow satisfying, and that 200 shot raw buffer is… awesome.

Top 5: Hands-on with Nikon D500

The D500 includes dual card slots, including one XQD and one SD card slot. If you want to get the maximum performance out of the camera you’ll want to use XQD cards, which have higher write speeds (and come at a higher cost).

To get photos off the camera you can, of course, copy files from the card(s). However, the D500 also includes Nikon’s new SnapBridge technology that utilizes a bluetooth connection between the camera and a smart device, such as a mobile phone. Once paired, SnapBridge provides an ‘always on’ connection to the camera and supports features such as automatic upload of images and the ability to embed GPS data from a phone into EXIF data. Also, thanks to NFC it’s possible to perform ‘tap to connect’ procedure to pair a device. This is similar to the system Samsung has implemented on recent NX cameras and we’re looking forward to using SnapBridge on the Nikons.

Top 5: Hands-on with Nikon D500

The rear control layout should feel very familiar to Nikon users – there aren’t a lot of surprises here. The 3.2 inch touch screen is very bright and works well. We had no problem using it even under the bright, glaring lights of convention center booths and demo areas.

Top 5: Hands-on with Nikon D500

Similar to the rear control layout, the top plate should feel familiar to high-end Nikon users.

The D500 also includes a built-in time-lapse feature. The camera can create 4K time-lapse sequences in-camera, and can utilize auto-ISO to create smooth transitions during capture.

Top 5: Hands-on with Nikon D500

MB-D17 battery

The D500 is powered by Nikon’s EN-EL15 battery, the same one used on many other Nikon models including the D750, D810, and D7200. We’re always happy to see this type of consistency across models as we hate having to carry a bag full of mismatched batteries around with us.

On the D500 this battery can power the camera through 1240 shots according to CIPA standards. In addition to the internal battery, Nikon has also produced a grip. The MB-D17 battery/grip provides an extra battery and duplicated controls for vertical shooting.

Top 5: Hands-on with Nikon D500

The 3.2 inch, 2.4 million dot rear touch screen extends from the body and flips up and down – a great feature for getting those low to the ground or overhead shots. It’s both bright and sharp.

Top 5: Hands-on with Nikon D500

Unlike the D300s, the D500 does not feature a built-in flash, making it one of the few features to disappear from the D500’s feature set, compared to its nominal predecessor. While we’re disappointed to see the flash omitted, Nikon assures us that they’ve made the change in order to achieve the maximum level of durability and weather sealing. Of course, the D500 is compatible with Nikon Speedlights, including the newest radio controllable flash, the SB-5000.

Overall, we’re very impressed with what we’ve seen in the D500. It may have been a long wait for those wanting to upgrade from the D300s, but we think the wait was worth it. This is a camera that has the technical chops and rugged build that should provide top-notch performance and stand up to almost anything you can throw at it. It’s also a great companion body for those who use a D4s – or maybe even a new D5 – for times when small size or long telephoto reach is critical.

The D500 is scheduled to ship in March and will be available for $ 1999.95 body only or $ 3069.95 with Nikon’s 16-80mm F2.8E ED VR lens.

Articles: Digital Photography Review (dpreview.com)

 
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CES 2016: Live from the Nikon press conference

07 Jan

Update: Thats a wrap! Thanks for following along. Keep an eye on our Twitter for more updates from the show this week and follow the links below for more on these launches from Nikon.


Aside from teasing its D5 professional DSLR last month, Nikon is keeping its latest products close to its vest. We’re in the audience at the company’s CES press event and you can follow along in real-time below. And don’t forget to leave your thoughts in the comments at the bottom of the page! 

Tweets by @dpreview

// Articles: Digital Photography Review (dpreview.com)

 
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Here at last: Nikon announces D500

06 Jan

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Nikon has announced the much-anticipated followup to its D300S, the 20.9MP D500 which the company calls its ‘best enthusiast DX offering.’ It features the same 153-point AF system and EXPEED 5 processor as the D5. It can shoot continuously at 10 fps with a 200 shot buffer for Raw images. It can also capture 4K/UHD video and also features ‘SnapBridge’, a constant connection to a smartphone using Bluetooth, similar to what Samsung did with its NX1. The D500 will be available from March at an MSRP of $ 1999.95 body only, or $ 3069.95 with the 16-80mm F2.8-4E ED VR lens.

The camera has a 100% coverage viewfinder offering 1.0x magnification. It also makes use of the XQD high speed memory format first used in the D4. It also has a flip up/down 3.2″ touchscreen LCD with 2.4 million dots.

The camera’s relationship to the D5 matches that shared between the D3 and original D300, with the APS-C format camera offering the same AF system and similar feature set with only a slight drop in continuous shooting speed and a much smaller body. And, as a first for one of Nikon’s APS-C DSLRs, the D500 also gets the illuminated buttons offered on the D5 for low-light working.

An AF module developed for full-frame means unprecedented frame coverage on the APS-C D500, in this case with cross-type sensors available out to the literal edges of the frame. Furthermore, Nikon is introducing Auto AF Fine-Tune, which appears to use Live View (focus at the image plane) to automatically calibrate (at least the center point of) the Phase Detect AF module for any given lens ‘with a few button operations’. This should help address arguably one of the biggest shortcomings of DSLRs relative to mirrorless cameras: the fact that the AF module is only a proxy for focus and, therefore, prone to inaccuracy. 

We were pretty impressed with the similar low power Bluetooth option on the NX1 as way of keeping a constant line of communication open between the camera and a smart device, meaning that images can quickly be pushed or pulled across from device to device. This continuous connectedness should make Wi-Fi much easier to use and consequently more appealing.

Jump to:

  • Press Release
  • Specifications

Press release:

PRO PEDIGREE, DX AGILITY: THE NEW NIKON D500 ESTABLISHES A NEW ERA OF DX-FORMAT PERFORMANCE 

The Highly Anticipated Resurrection of the DX-Format Flagship Gives Photographers the Best Combination of Speed, Reach and Connectivity 

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the D500, a DX-format DSLR with pro-level features that gives photographers nimble handling, speed and extreme processing power in a compact and lightweight body. With amazing imaging capability, robust build quality and lightning fast performance, the D500 is sure to satisfy as the highly sought-after successor to the venerable D300S. Like its sibling the D5, the D500 benefits from Nikon’s latest technological innovations such as the totally new, blazing-fast Multi-CAM 20K 153-point AF system and 4K UHD video capture, yet adds a fun new way to share photos with Nikon SnapBridge built-in.

“Nikon has answered the call from photographers to once again re-invent this camera category and offer an unmatched combination of performance and value that is hard for any photographer to resist,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “When paired with the amazing imaging capabilities of legendary NIKKOR optics, photographers can capture intimate portraits, mind-blowing macros or action from extreme distances– the possibilities are endless.”

Pro-Level Image Quality, DX-Format Versatility

The D500 imagines the best of both worlds, offering advanced enthusiasts and pro photographers all the benefits of DX-format, such as smaller form-factor and lens crop, combined with many of the same advanced pro features found in the new Nikon D5. The new Nikon D500 features an all-new 20.9-megapixel DX-format CMOS sensor that renders images with outstanding colors and gorgeous tonality. This new sensor is coupled with Nikon’s new EXPEED 5 image processing engine, affording low noise and maximum processing power with a surprisingly small footprint and superbly balanced body.

The benefits of the DX-format are evident for long-distance applications like wildlife and sports photography, where telephoto ability is at a premium and weight reduction is welcome. With Nikon’s legendary FX or smaller-sized DX-format NIKKOR lenses, the sleek D500 is the ideal companion for wanderlust. When mated with the new AF-S NIKKOR 200-500mm f/5.6E ED VR lens, the D500 offers a remarkable 350-750mm equivalent focal range for a lightweight, yet super-telephoto duo. 

Because amazing images can happen even when the sun goes down, the D500 is capable of excellent low-light performance, with an ISO range of 100-51,200, expandable to 50-1,640,000 equivalent. From low-light cityscapes to action sports under the lights, the D500 is ready to tackle any imaging challenge.

Performance Meets Portability

Within the streamlined body of the D500 is a formidable processing powerhouse. Whether photographing sideline sports for the home team or animals in exotic destinations, a super-fast 10 frames-per-second (fps) burst speed with full AF and AE will help nail nearly any shot. This extreme speed lets users capture every fleeting moment in exceptional clarity, while a generous buffer allows for up to 79 shots (14-bit, uncompressed RAW/NEF) to be captured, so the moment won’t be missed.

To keep pace with the action, the D500 is fitted with the same AF system as the Nikon D5, the Multi-CAM 20K AF sensor module, with a separate dedicated processor for AF function. On the D500’s DX format sensor, the 153-point AF array fills the frame from side to side, letting users flawlessly track and lock-onto subjects from the edges of the viewfinder. Like the D5, the D500 utilizes the new 180K RGB Metering system and Advanced Scene Recognition System to help ensure balanced exposures and fantastic color rendition in nearly any shooting situation.

Controls and Rugged Construction Worthy of a Flagship

The D500 features an enhanced level of robust build quality, offering the same amount of rugged weather sealing as the Nikon D810. The durable body is a monocoque structure composed of magnesium alloy for the top and rear, while the front is reinforced with lightweight carbon fiber. The shutter mechanism has been tested for 200K actuations, helping to ensure maximum endurance. For further durability, the D500 excludes a pop-up flash, yet is compatible with Nikon’s newest radio frequency capable flash, the SB-5000 Speedlight (with optional WR-R10 & WR-A10)1.

It’s easy to compose and view images on the D500’s bright 3.2-inch, high resolution (2359K-dot) touchscreen LCD, which lets users interact with photos in playback, control the camera and operate menus. When mounted on a tripod or shooting from creative angles, landscape and event shooters will appreciate the reinforced tilting LCD screen, similar to that of the Nikon D750. Additionally, images are rapidly written to either a fast XQD card slot or to the additional SD card slot for maximum workflow efficiency.

Constant Connectivity with the New Nikon SnapBridge

The D500 marshals in a new way to share photos wirelessly with the new Nikon SnapBridge, making the camera’s built-in connectivity easier to use than ever before. SnapBridge allows for Bluetooth2 supported connection between your camera and compatible smart device, thus making automatic upload of your images possible. Once enabled, the camera stays connected to the smart device and transfers photos, eliminating the need to re-connect devices. Those looking to share images from their travels or from the field can also tag images for transfer in camera and can password protect their connection for added security. As an added benefit, the D500’s built-in Near Field Communication (NFC)3 capability easily connects the camera to a compatible smart device with just a tap, while built-in Wi-Fi3 capability allows for faster wireless image transfer.

For those looking for an even faster transfer solution, the D500 is also compatible with the new optional WT-7A Wireless Transmitter, enabling wired or wireless transmission of files to an FTP server or computer at faster speeds.

Advanced Video Features

Just like the D5, the D500 has the ability to capture striking 4K UHD video at up to 30p (3840×2160), as well as Full HD (1080p) video at a variety of frame rates. Ready for any production, the camera sports a host of pro video features derived from the D810, including uncompressed HDMI output and Picture Controls, but adds even more great features. These pro-level creative video features include the ability to create 4K time-lapse movies in-camera, Auto ISO smoothing to provide fluid transitions in exposure during recording, and the capability to record 4K UHD video to the card and output to HDMI simultaneously. When capturing 1080p Full HD content, the camera also has a new 3-axis electronic VR feature that can be activated regardless of the lens being used.  Challenging video exposures are no problem for the D500, as it also adds in Active D-Lighting to Full HD video to balance exposure values within a scene to help prevent blown-out highlights

Price and Availability

The new Nikon D500 DSLR will be available in March 2016 for a suggested retail price (SRP) of $ 1,999.95* for the body-only configuration. A kit will also be available, bundled with the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, for the SRP of $ 3,069.95*. The MB-D17-battery pack will also be available in March 2016 for the SRP of $ 449.95* and will add extended battery life and facilitate vertical shooting. The WT-7A Wireless Transmitter will be available in March 2016, for the SRP of $ 934.95*. For more information on these new Nikon products, please visit www.nikonusa.com.

1. Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
2 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license.
3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon D500 specifications

Price
MSRP $ 2000 (body only), $ 3069 (w/16-80mm lens)
Body type
Body type Mid-size SLR
Sensor
Max resolution 5568 x 3712
Other resolutions 4176 x 2784, 2784 x 1856
Image ratio w:h 3:2
Effective pixels 21 megapixels
Sensor photo detectors 22 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Processor Expeed 5
Image
ISO ISO 100 – 51200 (expandable to 50 – 1640000)
White balance presets 12
Custom white balance Yes (5)
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Fine, Normal, Basic
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp No
Digital zoom No
Manual focus Yes
Number of focus points 153
Lens mount Nikon F
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 1×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Built-in flash No
External flash Yes (Hot-shoe, Wireless plus sync connector)
Flash modes Auto, On, Off, Red-eye, Slow sync, Rear curtain
Flash X sync speed 1/250 sec
Continuous drive 10.0 fps
Self-timer Yes (2, 5, 10 or 20 sec)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes (2 or 9 frames in steps of 1, 2 or 3 mired)
Videography features
Resolutions 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-II compliant) + XQD
Storage included None
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes Wi-Fi with low energy Bluetooth
Remote control Yes (Optional, wired or wireless )
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-Ion EN-EL15 rechargeable battery & charger
Battery Life (CIPA) 1240
Weight (inc. batteries) 860 g (1.90 lb / 30.34 oz)
Dimensions 147 x 115 x 81 mm (5.79 x 4.53 x 3.19)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes GP-1

Articles: Digital Photography Review (dpreview.com)

 
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