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Our new Nikon D780 gallery takes you to the Canadian Rockies for photos mountains, people and, of course, a couple of ducks. Because who doesn’t love ducks?
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Watch DPReview TV’s Nikon D780 review
Articles: Digital Photography Review (dpreview.com)
The Nikon D780 is a two-trick pony: it combines the great DSLR experience of Nikon’s D750 with some of the great mirrorless features found on the Z6. Does it manage to do both well? Chris and Jordan seem to think so.
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Articles: Digital Photography Review (dpreview.com)
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Nikon has released a trio of firmware updates for its Z6, Z7 and Z50 mirrorless cameras. Aside from the Z50, the Z6 and Z7 updates bring a number of major new and improved features, including expanded CFexpress, animal-detection autofocus (AF) and more.
Firmware version 3.00 for both the Nikon Z6 and Z7 are identical across the board in the new features and functionality they bring to the camera systems. First, Nikon has added support for ProGrade and Lexar CFexpress (Type B) memory cards. Nikon has also added a new animal-detection AF, meaning the Z6 and Z7 ‘can now detect and focus on the faces and eyes of dogs and cats,’ even in movie capture mode.
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Subject-tracking AF has also been improved, with the ability to activate it using the Fn1 or Fn2 buttons on the camera body or barrel of the lens when using compatible Z-mount lenses. Nikon has also changed the behavior of the camera when subject-tracking AF to make it more resemble the experience of shooting with Nikon’s signature 3D-tracking options found on Nikon’s DSLRs. In Nikon’s own words:
‘Subject tracking for still shooting in AF-C mode has been modified to provide a more familiar operational feel similar to that of 3D-tracking feature built into Nikon DSLR cameras. To enable the feature, users can hold the AF-ON button or half-press the shutter-release button to initiate. Subject tracking disengages when users take their finger off the button, causing the camera to switch back to the original focus point before subject tracking began. Additionally, the transition from the Auto-area AF display to the subject selection display can be assigned to a custom control button, allowing for a more customized user-experience.’
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Other changes include a new custom settings, support for the focus limit switch on select Z-mount lenses (only the Nikkor Z 70–200mm F2.8 VR S offers it at this time), and improved responsiveness when switching to manual focus ‘when the focus or control ring on a Z mount lens is rotated during autofocus.’ Fixes have also been made for viewfinder brightness issues, Bluetooth connection issues on iOS and a rare phenomenon wherein horizontal lines could appear across photographs captured with the device.
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Moving onto firmware version 1.10 for the Z50 mirrorless camera, Nikon has added the same focus limit switch option as it did on the Z6 and Z7, and movies shot in self-portrait mode are now filmed using full-time autofocus (AF-F), regardless of what option is selected for the current autofocus mode.
You can download the latest firmware updates for the Z6, Z7 and Z50 on Nikon’s website.
Articles: Digital Photography Review (dpreview.com)
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| Keiji Oishi, Department Manager of Nikon’s UX Planning Dept, Imaging Business Unit. |
We were at the Consumer Electronics show in Las Vegas last month, and during our time on the floor we sat down with Keiji Oishi, Department Manager of Nikon’s UX Planning Dept, Imaging Business Unit.
In a wide-ranging conversation, Mr Oishi gave us an insight into Nikon’s strategy at all levels of its business, and shared some details of Nikon’s (then very much under wraps) new professional flagship, the D6.
The development of the Z-series is our core focus, but we need to support the demands of our DSLR customers, for the latest technologies. The D780 represents a leap in terms of technology compared to the D750. The D780 has what we might call ‘over-class’ features for a DSLR of this type, such as the autofocus algorithm from the D5, and the shutter mechanism of the D850.
It also incorporates some of the advantages of mirrorless technology, such as live view autofocus performance and Eye-Detection AF. It’s all combined in one model.
The D750 is a very good camera, and its sales are good because of its well-balanced specifications and its price point. But some customers were starting to consider replacing [their D750] because their camera body is five years old.
We’re at a transitional stage at the moment, with our customers. They’re wondering which platform is better for their needs
Some people we’ve pointed towards the Z 6 or Z 7, because of the advantages of mirrorless, but some customers want to stick with DSLR because of the optical viewfinder, autofocus performance in some situations, and also the long battery life. For those customers looking to replace their D750, we wanted to prepare two options – the Z-series lineup, and also DSLR.
I can’t say that we’ll do that forever, but we’re at a transitional stage at the moment, with our customers. They’re wondering which platform is better for their needs. And given the current state of our technologies we’ve concluded that we should prepare both options right now – Z-series, and DSLR, because of the [different] advantages of both platforms, for different customer needs.
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| The Nikon D780 is a significant upgrade over the D750, offering a lot of the same technologies as the mirrorless Z 6 in a solid, power-efficient DSLR form factor. |
We haven’t finalized our plan yet. At this time I can say that we will prioritize both DSLR and mirrorless. We also want to complete our Z system: that’s the first priority. At a certain point, we hope that all DSLR customers will [ultimately] be satisfied by the features provided by mirrorless, and will shift to the Z system. That’s the goal. But until then, we will continue to develop DSLRs.
We’re actually going in both directions. The Z 50 is a good entry-level body, using the DX format, but we also want to expand the FX lineup at both the high-end, and the more affordable level.
The Z 50 is a well-balanced body. The beauty of the Z 50 is that it uses the same mount as our FX cameras, so Z 50 customers can use DX and FX lenses. But if they require more, let’s say high image quality or more resolution, we can point them towards the Z 6 or Z 7..
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| Nikon’s DX format Z-mount lens lineup currently consists of only two ‘kit’ zooms but Nikon sees FX-format lens compatibility as a major advantage of the Z-mount compared to some competitive systems. |
Currently, our 16-50mm and 50-250mm [DX format Z-mount lenses] offer very good optical performance. So first of all, I would like Z 50 customers to explore those two lenses. And on our roadmap we have another lens, the 18-140mm, also for those customers. We want to make [DX lenses] affordable, and of the right size.
Some of our FX customers also want more affordable, smaller lenses, for example pancake lenses. if we can make those kinds of lenses [for FX] they will provide a good solution for both DX and FX-format customers. We have a 28mm and a 40mm [already] on the roadmap [for full-frame].
Nikon is fully committed to the future of the Z system, and we will have 23 lenses by the end of 2021
We need to make these kinds of lenses. The roadmap is always evolving, year by year, which is why we don’t put any dates on it. Additionally, we understand that many potential customers are interested in teleconverters and we are thinking about it. Although [teleconverters] are not in the Lens Roadmap, we understand the necessity of those accessories. Nikon is fully committed to the future of the Z system, and we will have 23 lenses by the end of 2021.
There are almost no restrictions for the Z mount system, compared to F-mount. The approach to lens design is totally different than for the F-mount system. Our engineers get to enjoy lens design from scratch. They can aim for ultimate image quality.
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| The Nikon Z 50mm F1.8 S is one of the company’s first lenses designed from scratch for a wide diameter mirrorless lens mount. Without the physical restrictions imposed by the narrow F-mount, Nikon’s optical engineers were able to deliver excellent performance, even at maximum aperture, |
Yes, that’s true.
Basically, they’re just saying “more lenses!” But we’re getting most requests for a pancake. The mirrorless camera bodies are smaller than DSLR, but the lenses are still the same size. A lot of our Z 6 and Z 7 customers want to make their system size much smaller, so this is a priority for us.
The number of card slots was one of the [most common] pieces of feedback. Also, we have received requests for a vertical control grip. Customers are used to the D850 or D750, with two slots. With the Z 6 and Z 7 we wanted to minimize the [body] size.
It hasn’t been as popular as vertical grips for the DSLRs, but some customers really appreciate the additional battery capacity.
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| In developing the Z 6 and Z 7 Nikon placed priority on minimizing the size of the camera bodies. As such, the company opted for a single card slot, supporting high-speed XQD / CFexpress media. Apparently, one of the most-requested features from Z 6 and Z 7 owners for future models is another card slot. |
Actually, our APS-C customers are unique, I think. There are two kinds: one is the person who wants a second camera. They’re really [interested in] system size. For those people, APS-C makes sense because it makes the cameras smaller.
The other kind is first-time camera buyers. We want to promote [the Z 50] to these people as an affordable, small camera that creates good stills and video. Because these customers don’t just stick to stills, they also want to enjoy movie capture. We feel the Z 50 offers a good balance for both these kinds of customers.
Nikon’s advantage is that we have a full lineup, for both DSLR and mirrorless, that satisfies the needs of many kinds of customers. This still isn’t offered by other manufacturers, so far.
We want to create a new group of customers. Of course we want to prioritize our existing users, but we also need to capture more new photographers, who are currently enjoying using their smartphones, but who want to move towards better image quality, to differentiate their work from others. For those customers we want to send the message that we can help them create good images with a small platform. With the wide diameter of the Z mount we can create very good optics.
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| The size difference between the Z-mount (left) and the legacy F-mount (right – obviously) is significant. The wider diameter and much shorter flange-back allow Nikon’s optical engineers a much greater degree of freedom when designing lenses for Nikon’s new Z system. |
We want to emphasize the benefits of the Z-mount diameter, and short flange-back distance, which differentiates the image quality from our cameras from others. So by introducing our technology to those customers we want them to understand the beauty of our system, and bring them into our world.
We understand that we need to keep on evolving, with the Z series as our first priority, and complete our lineup of Nikkor Z lenses and accessories.
Some of our customers still see an advantage to DSLRs, because of their particular usage needs
By having a full system lineup, the customer can easily enter the system and see the great advantages of the mount diameter and short flange back. This is our strategy.
We have seen some impact, but much less than we anticipated. Some of our customers still see an advantage to DSLRs, because of their particular usage needs.
We’ve really prioritized video customers, at both entry-level and high-end. The Z 50 is a good solution for an entry-level video customer, like a YouTuber. But for professional customers, we introduced new firmware for the Z 6 and Z 7 for RAW video output. That’s the kind of approach we want to take – step by step, and we want to keep those kinds of professional-level features in future products.
I can’t share the exact number but it’s more than we expected. It was a real surprise.
We want to do regular scheduled firmware updates to keep the products up to date
To be honest, it was just a question of resources. But after I took over product planning, we are planning to schedule firmware updates more frequently. We don’t want that kind of delay [again] between the announcement of firmware and its availability. We want to do regular scheduled firmware updates to keep the products up to date for a long time.
The D6 has two big advantages. The first is the performance of its new autofocus system, and also the interface for transmitting images. These two advantages are of major importance to professional photographers, who need more rapid data transfer and more focus accuracy. In these respects the D6 is a dramatic jump from the D5.
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| the forthcoming D6 is a powerful camera designed to satisfy the needs of Nikon’s most demanding customers, but it’s still a fairly traditional, stills-focused DSLRs. |
Basically yes.
Yes, we had a lot of requests from D5 users around stills features, but fewer requests and opinions about movie enhancements. Most of the customers for the D5 don’t need things like 4K, 60p video for sports shooting. If they were shooting for commercial uses like weddings, maybe they would need it, but not for sports.
The Z 6, yes, or the D850.
Mr Oishi is a candid and engaging interviewee, and a man who is clearly passionate about his company and its customers. Few other manufacturers have quite as much history behind their brand, and for this reason alone Nikon’s move into full-frame mirrorless was probably always going to be a little fraught.
Despite the fact that Nikon’s Z 6 and Z 7 are among the most well-rounded mirrorless ILCs on the market, and certainly among the nicest to use, the cameras have attracted some criticism from the company’s own customers over the past 18 months. Some people complained about their single card slots, some people complained about the limitations of their autofocus implementation, some people complained about the lack of a proper vertical grip, and some complained about their cost (because some people always complain about the cost).
It just goes to show that you can’t please all of the people all of the time. But you can try. I’m sure that a lot of our readers will be pleased to hear Mr Oishi’s comments about more regular firmware updates, for one thing, but the launch of the attractively well-featured D780 is another indication that Nikon is genuinely keen to keep its customers happy – whatever system they’re invested in. Mr Oishi all-but confirmed that during this ‘transitional stage’, Nikon will create both mirrorless and DSLR bodies which share common technology.
Nikon would like to transition its customers over to mirrorless at some point, en masse, but the company is in no rush
The Z 7 is already (almost) a D850 without a mirror, and the new D780 seems intended both to reassure Nikon’s wider DSLR customer base that the company hasn’t forgotten about them, and also to satisfy the immediate needs of D750 owners interested in an upgrade. Nikon is probably also hoping that the raft of ‘mirrorless’ technologies offered in the D780 will smooth an eventual transition to Z-mount, if and when buyers choose to make the ‘big’ switch.
It’s clear from talking to Mr. Oishi that Nikon would like to transition its customers over to mirrorless eventually, en masse, but the company is in no rush. Several things have to happen before a full transition to the Z-mount becomes realistic. One of those things is lenses. Mr Oishi mentioned that 21 lenses will be available for Z-mount by the end of next year, and repeatedly stressed that the roadmap is very flexible, based on requests from Nikon’s customers. As it stands right now, that roadmap includes a couple of vital professional-friendly telezooms, as well as a 105mm macro and more primes.
Another factor, of course, is that compared to beginners and enthusiasts, transitioning professional sports and photojournalism photographers (a vital demographic for Nikon) over to mirrorless will be a slow and gradual process. These people rely on their cameras to make a living, one split second at a time. Despite its impressive feature set, the new D6 is still a fairly traditional, stills-focused DSLR, because that’s the kind of camera that Nikon’s pro users are asking for.
For now.
Articles: Digital Photography Review (dpreview.com)
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At long last, Nikon has released details of its newest flagship DSLR, the D6. As a camera that will find its way into the hands of sports and action photographers around the globe, it needs to live up to the speed, durability and quality of its predecessors – and though it doesn’t appear to break significant new ground, we expect the D6 will continue to serve the needs of demanding photographers very well indeed.
At the heart of the D6 is a 20.8MP sensor, offering the same resolution as the D5, but it’s now coupled with a new Expeed 6 processor and offers up to 14fps burst shooting with ‘E-type’ lenses (those with electromagnetically controlled diaphragms). Switch into live view, and the D6 will shoot silently at up to 10.5fps at full resolution – users can also opt for 30fps for 8MP files and 60fps for 2MP files if needed. The native ISO range covers values of 100 to 102,400, with an expansion up to 3.2 million.
The result is AF coverage that is 1.6x denser than that of the D5, and each point uses a ‘triple-sensor arrangement’
Perhaps the biggest change for end users, though, is an all-new autofocus system. Though the total number of points has gone down from 153 to 105, now all of those points are selectable and cross-type, and each uses a ‘triple-sensor arrangement,’ which we’ll be asking for more details about. The result is AF coverage that is ‘1.6x denser than that of the D5.’ Fifteen of the central points are F8 compatible, and the center point can focus down to -4.5EV. All other points are good down to -4EV. Nikon is also promising that the detection area for single points and groups is expanded, so focus can still be achieved even if the subject moves slightly outside the zone in use.
In terms of video, the D6 continues to offer 4K/30p recording, but now comes with focus peaking and an option for MP4 recording.
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The D6 makes do without any Compact Flash option, with Nikon offering a single version of the camera with dual XQD / CFExpress card slots. There have been some other tweaks as well, including a maximum shutter length of 30 minutes, the option to shoot different quality or sizes of JPEGs to different cards (basically a JPEG + JPEG shooting option), and Wi-Fi with Bluetooth as well as GPS capability are now built-in. The D6 has gigabit ethernet like the D5, but Nikon is promising 15% faster transfer speeds. Weight has gone up just slightly, from 1405g to 1440g including battery and memory cards.
Expect to see quite a few of these at the 2020 Tokyo Olympic Games! The Nikon D6 will be available April of 2020 with a suggested retail price of $ 6499.95 USD. Let us know what you think of Nikon’s newest DSLR in the comments.
Press release:
The New Nikon D6 Offers the Most Powerful AF System in Nikon’s History, and Continues the Brand Legacy of Professional Cameras That Deliver Connectivity, Dependability and Streamlined Workflow
MELVILLE, NY (February 11, 2020) –?Today, Nikon Inc. has unveiled the D6, a new professional-grade DSLR built for those in need of extreme reliability and ultimate performance. The D6 addresses the needs of professionals and press agencies and is faster and more powerful than ever before. Offering the most powerful AF system in Nikon’s history, this flagship DSLR camera delivers crucial improvements to modern workflow while also accelerating file transfer capabilities. Promising unparalleled low-light performance, powerful agility, advanced 4K UHD multimedia capabilities and a mechanical shutter frame rate boosted to a staggering 14fps, the D6 will redefine the way pros work.
“The D6 is purpose-built and inspired by the valuable feedback of professional users,” said Jay Vannatter, Executive Vice President of Nikon Inc. “The world relies on photojournalists and professionals to document every corner of the globe through impactful images; Nikon cameras are trusted to stand up to any job and help photographers capture the shot, time and time again.”
The Most Powerful AF in Nikon’s History: The D6 leaves nothing to chance. To maximize hit rate, it is equipped with a newly developed, densely packed 105-point AF system in which all the focus points utilize cross-type sensors and all points are selectable. Through the new focus point layout and the use of a triple-sensor arrangement for each focus point, the D6 achieves AF coverage that is approximately 1.6x denser than that of the D5. The D6 also sports an expanded focus detection range which increases the detection area for single point AF and dynamic area AF, making it easier to achieve focus on a subject even when slightly outside the focus point.
Improving upon Nikon’s popular Group AF mode, this function has evolved with support for 17 custom arrangements from which users can choose according to the scene or subject movement. The D6 also demonstrates superior low-light AF performance. The center focus point works down to -4.5 EV1 and the others to -4 EV, making autofocus possible even in dark situations or with low-contrast subjects.
Unparalleled Performance: The new EXPEED 6 engine’s superior image-processing capabilities combined with the vast amount of information provided by the new dedicated AF engine drives high-level performance in any situation. To help capture the decisive moment consistently, the D6 boasts a 14fps2 mechanical shutter with full AF and AE. The D6 can also shoot completely silent for sensitive situations, capturing full resolution at 10.5 fps. For faster frame rates, the Nikon D6 is able to take 2-megapixel images at approx. 60 fps and 8-megapixel images at 30 fps in Live View mode.
The D6 leverages a 20.8-megapixel FX-Format CMOS sensor, creating images that pop with stunning detail and true colors and exhibit incredible dynamic range. The ISO ranges from 100 to 102,400, which helps to preserve sharpness and subtle details in even the most challenging light. Additionally, ISO is expandable up to 3.2 million, giving photographers the ability to truly conquer the dark.
Concentration on Workflow: Building on Nikon’s history of serving professionals, the D6 is the most customizable Nikon DSLR yet, designed to speed up the workflow of any user during and after capture.
Absolute Reliability: Nikon’s flagship cameras remain trusted in the industry and have been proven on the sidelines, in the studio and even in outer space. With a magnesium alloy camera body and extensively weather-sealed design, the D6 is as tough as the professionals who use it, ready to take on the harshest shooting conditions. The camera offers long-lasting battery life, delivering the safety net and energy-saving performance that pros need on daylong outings. The D6 also employs a USB-Type C connector for faster direct-to-PC file transfer rates than previously possible with the D5.
Endless Lens Choices: By pairing the D6 with Nikon’s extremely diverse selection of F-Mount NIKKOR telephoto lenses, professionals have the most advanced imaging solution in Nikon’s history. No matter the job, the client or the location, there’s a NIKKOR lens, from the ultra-wide to the super-telephoto. The D6 is also compatible with Nikon’s line of creative Speedlights, offering extra creative freedom to enhance natural light and add artistry and drama to any scene.
Pricing and Availability
The new Nikon D6 will be available in April 2020 for a suggested retail price (SRP) of $ 6,499.95* for the body only configuration. For more information on the latest Nikon products, please visit www.nikonusa.com.
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1. At ISO 100, 20°C/68°F.
2. With continuous-servo AF (AF-C), manual (M) or shutter-priority auto exposure (S), a shutter speed of 1/250 s or faster, and other settings at default values are trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its Affiliates is under license.
3. Available in station mode; not available in some countries or regions.
4. Wi-Fi® and the Wi-Fi® logo are trademarks or registered trademarks of the Wi-Fi Alliance.
5. GPS function is not available in some countries or regions.
6. CFexpress is a trademark of the CompactFlash Association in the United States and other countries.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.
All Nikon products include Nikon Inc. limited warranty. Images are for illustrative purposes only. All Nikon trademarks are trademarks of Nikon Corporation. Nikon Authorized Dealers set their own selling prices, which may vary. Nikon is not responsible for typographical errors.
All other trade names mentioned in this document are trademarks or registered trademarks of their respective holders.
Articles: Digital Photography Review (dpreview.com)
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We’ve been busy as heck putting the Nikon D780 to the test, both in our lab and in the field. And the camera’s proving to be a great all-arounder, regardless of our subject matter or lighting conditions. What you’ll find here is an updated gallery with many additional samples as well as a wide selection of Raw conversions.
See our Nikon D780 sample gallery
Articles: Digital Photography Review (dpreview.com)
We review Nikon’s ProRes Raw video upgrade for the Z6 and Z7 mirrorless cameras. In the process, Chris and Jordan explain the benefits of a Raw video workflow and why there’s no such thing as a free lunch.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
Find out more about Nikon’s ProRes Raw upgrade and how to get it
Articles: Digital Photography Review (dpreview.com)
The post Nikon Trade-Up Program for the D780 and the Z-Series Mirrorless Cameras in US appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
With competition coming from Canon, Sony, Fujifilm, and more, it seems that Nikon is doing whatever it can to keep buyers walking in the door. This includes a new trade-up program, which offers photographers savings when purchasing the Nikon D780.
The Nikon D780 is Nikon’s recently-released DSLR update to the Nikon D750; it features a 24.5-megapixel full-frame sensor, 7 frames-per-second continuous shooting (12 fps silent shooting), a tilting touchscreen, 4K video at 30p, and more.
While the trade-up program hasn’t yet begun, Nikon claims that you’ll be able to hand in “any working camera” when purchasing the Nikon D780. And that they’ll take $ 300 off the price of the D780, plus the “value of your trade-in.”
How will the trade-in value be calculated?
We can’t say for certain, but a similar deal has been offered on Nikon’s Z50/Z6/Z7 mirrorless lineup, promising trade-in value plus savings on a Nikon mirrorless model. To calculate the trade-in value, you’ll need to enter your camera model and condition. Nikon’s trade-in estimator will spit out a quote, and you’ll be able to claim the offered trade-in value (assuming that you’ve described your camera model and condition accurately).
If you’d like to test out your current camera on the trade-in value calculator, you can enter your camera model here.
Unfortunately, it doesn’t look like the trade-in values are on-par with current used marketplaces (e.g., eBay), so unless you don’t want to spend time selling off your own gear, it may make sense to just purchase the D780 (or the mirrorless bodies) separately and sell your gear elsewhere.
Now, Nikon does promise savings in the form of $ 300 off the D780. But a quick look at the parallel Nikon offer for the Z6 and Z7 shows that this “instant savings” simply makes the price competitive with an Amazon offering. For instance, Nikon supposedly drops $ 600 off the Z7 price of $ 3399.95 USD, taking it down to $ 2799.95 USD; compare this to Amazon’s current offer of $ 2796.95 USD, and your enthusiasm for these “instant savings” will immediately wane.
Regardless, we won’t know for certain until the D780 trade-up program officially debuts on February 3rd. It’s worth a look, especially if you’re looking to sell off your old camera without much hassle. Note that if you’ve already purchased the D780, you should still be able to grab the deal when it drops.
The post Nikon Trade-Up Program for the D780 and the Z-Series Mirrorless Cameras in US appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
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Nikon has launched a new trade-in program that gives its customers in the United States credit to put toward the purchase of a new D780 full-frame DSLR. The program will be live from February 3 through March 29 and includes credit for the value of the customers’ trade-in as well as an additional $ 300 credit. Nikon will allow customers to use the credits for the D780 body-only and for the D780 bundled with a lens kit.
The trade-in program is currently listed as ‘coming soon’ on Nikon’s website, though interested consumers can sign up to receive an alert when it goes live. The program will accept any camera from any brand; the only requirement is that it must be in working condition.
Nikon customers who have already ordered the D780 can retroactively apply the credit toward their purchase. The full-frame DSLR is available to purchase from a number of retailers for around $ 2,300 for the body only or around $ 2,800 with an included 24-120mm lens.
Articles: Digital Photography Review (dpreview.com)
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NASA astronaut Jessica Meir caught the public’s attention over the weekend when she published two selfies captured during a spacewalk using a Nikon D5 camera. Meir has shared a number of images from the International Space Station since her arrival in September 2019, though few were as impressive as her full-body selfie captured as a reflection in ISS solar panels.
Fine, visor up this time – but at least the magnificent Earth still makes an appearance too. All #spacewalk #selfies (and other photos) made possible with a Nikon D5 with a 28 mm lens in a protective housing (visible in center of 2nd photo). #SelfieSunday pic.twitter.com/AlmUjvCWDj
— Jessica Meir (@Astro_Jessica) January 26, 2020
Meir shared the images on January 26, tagging them with the #SundaySelfie hashtag. One is a traditional shot of her face while the other image is a full-body shot of Meir in her spacesuit as seen reflected in some solar panels. The Earth is visible as a bright band of light behind her, as are bits and pieces of the space station.
As for the camera, Meir explains that she used a Nikon D5 camera with a 28mm lens and special protective housing that enables the camera to operate in space. NASA ordered a total of 53 unmodified Nikon D5 DSLRs from the camera company in 2017 with the intention of using them for recording ISS activities, as well as vehicular activities and astronaut training.
Articles: Digital Photography Review (dpreview.com)
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