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Posts Tagged ‘Nikon’

Nikon D780 initial sample gallery

29 Jan

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We’ve been putting the new Nikon D780 to the test in places close to home and not so close – here in the snowy/rainy streets of Seattle, out at a professional rugby match and far away in the sun-drenched streets of Old San Juan, Puerto Rico. Have a look, and check back soon as we’ll be updating this gallery with conversions when we get Raw support.

See our Nikon D780 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z50 Hands-On Review – The Best Mirrorless Camera for Beginners? (with bonus video)

29 Jan

The post Nikon Z50 Hands-On Review – The Best Mirrorless Camera for Beginners? (with bonus video) appeared first on Digital Photography School. It was authored by Suzi Pratt.

nikon-z50-hands-on-review

In November 2019, the Nikon Z50 debuted as an entry-level mirrorless camera for beginners. It is the first crop-sensor (DX) camera of the Z-series line, and it is much smaller and cheaper than the Nikon Z6 and Z7. This Nikon Z50 review will go over some key features of this camera and ultimately answer the question, “should you buy this camera?”

I tested this camera through the Nikon Yellow Program that allows you to try out the Nikon Z50 for 30 days, or return it for a full refund. This is a temporary pilot program that only lasts through March 2020, but I hope Nikon lets it run longer. The mirrorless camera market is a crowded one, and the only way for potential customers to truly know if a camera is suitable for them is to test it out for themselves.

Nikon Z50 Review

Nikon Z50 Specs

The Nikon Z50 features are competitive with many modern APS-C mirrorless cameras such as the Sony a6400, Canon EOS M6 Mark II, and Fujifilm X-T30. Compared to the rest of these cameras, the Z50 is the largest and heaviest, but it offers some features that the competition does not.

  • 20.9MP CMOS sensor
  • Up to 11 fps shooting with AE/AF, 5 fps with live view
  • 4K video at up to 30p and 120fps slow-motion capture at 1080p
  • 2.36M-dot OLED viewfinder
  • Rear touchscreen tilts up by 90° or down by 180°
  • Built-in flash plus hot shoe mount to add external flash if desired
  • Single SD memory card slot
  • Deep grip for a comfortable hold
  • Approximately 300-shot battery life
  • Bluetooth-enabled Wi-Fi (via Snapbridge app)
  • Compatible with the FTZ mount adapter to use F-mount DSLR lenses
  • Priced at $ 860 (body-only) or $ 1000 (with 16-50mm) or $ 1350 (with 16-50 and 50-250)

Along with the Z50 camera body, Nikon also released two DX Z lenses to use with it. The Nikkor Z DX 16-50mm f/3.5-6.3 VR kit lens is super compact and basically a pancake lens. It’s a great size to keep your camera kit very small.

Meanwhile, the Nikkor Z DX 50-250mm f/4.5-6.3 VR is a telephoto lens with a great zoom range.

Both lenses are very plastic but lightweight and affordable as a result. If you want the maximum flexibility with the Nikon Z50, and don’t have any F-mount lenses to use, get both of these lenses.

One little quirk about both lenses: you have to rotate the zoom ring to extend the lenses before shooting with them. It only takes a few extra seconds, but it’s a strange thing to get used to.

Nikon Z50 Review

Ease of Use

Camera layout

The Nikon Z50 has a pretty straightforward layout.

All of the buttons and controls are on the right-hand side of the camera, making it easy to use one-handed. The biggest dial on top of the camera lets you select camera modes. There is Aperture Priority, Shutter Speed Priority, and Manual to appeal to the experienced photographer.

But the Z50 shows its colors as a beginner-friendly camera with the addition of several auto functions on the dial.

In addition to “P” and “Auto” modes, the Z50 has SCN or “Scene Mode” to automatically adjust the camera settings for a variety of situations, including Portrait, Landscape, Food, Night Portrait, Snow, Close up, and more.

There is also a dial selection “EFCT” for shooting in “Special Effect Mode,” where you can automatically see effects such as Night Vision, Super Vivid, and Pop applied to the scene before you snap a photo.

Many cameras have a similar scene and special effect modes in their settings, but they are usually buried deep in the menus and hard to find. On the Nikon Z50, these modes are literally at your fingertips, making them very accessible.

Touchscreen LCD

While you can use the physical buttons and dials on the camera to control settings, you don’t have to. The Nikon Z50 LCD touchscreen is very responsive and lets you select settings, set autofocus points, and swipe and pinch to zoom when previewing images.

The LCD screen also can flip down so you can see yourself when taking a selfie or filming a vlog. This is a feature that seems great at first – until you realize you can’t see the LCD screen if the camera is attached to a tripod. Ideally, the LCD screen would flip out to the side as it does on most Canon and Panasonic mirrorless cameras.

Speaking of selfies, I used the Z50 to snap a few family group portraits where I had to set the camera on a timer and run to be a part of them. A useful feature was the self-timer setting that included the option to take up to 9 photos in a row. This is so helpful in group settings when you will inevitably have closed eyes or goofy faces in some shots.

Nikon Z50 Review

Nikon Z50 Review

Autofocus

The Nikon Z50 comes with hybrid (phase and contrast detection) autofocus (AF) with 209 AF points. It also includes Eye AF and Subject Tracking. When paired with its 11 frames-per-second continuous shooting mode, this makes for a decent portrait and sports photography camera, in theory.

In practice, the autofocus performed decently, but still pales in comparison to other cameras, namely Sony, which is still king of autofocus. However, this is only a negative point for shooting fast-moving subjects. When working with still or slow subjects, the Z50’s autofocus is generally good.

I found the camera performed the best when left in single-point autofocus, where I could select the focus point myself. Word of caution – there is not a joystick for autofocus point selection. Instead, use the wheel or touchscreen.

Wireless transfer and smartphone connection

With the inclusion of extra auto modes and a flip screen, this is a camera geared toward influencers and those wanting to post photos and videos to social media.

Luckily, the Nikon Z50 is equipped with built-in Wi-Fi and Bluetooth, making it easy to transfer media to your phone. All you need to do is download the SnapBridge app to your phone and enable the Wi-Fi connection on the camera.

When using a Samsung Galaxy S10, photo transfer was very fast and intuitive; video transfer took a bit longer, which is understandable considering the larger size of video files.

Another cool feature is the ability to use your smartphone as a remote monitor to control the Z50. This function also worked very seamlessly.

Image Quality

When it comes to colors and image sharpness, the Nikon Z50 does not disappoint. For those who gripe about Sony color science, you won’t be disappointed with Nikon’s. Photos are great as JPGs straight out the camera, but you can also shoot in RAW format for more flexibility when editing photos in post-production.

As an APS-C camera, the Z50 does not have the best low light performance when compared to a full-frame camera. However, images captured at ISO 6400 are acceptable with just mild color speckles and image grain.

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 250mm (in 35mm: 375mm), 1/400 sec, f6.3, ISO 12800, Aperture Priority, pattern metering

Video features

For those interested in filming, here is a quick Nikon Z50 review of the video features. Just like its big brothers, the Z7 and Z6, the Z50 can film in up to 4K30p resolution, plus 120fps slow motion at 1080p.

Unlike the Z6 and Z7, the Z50 lacks IBIS (in-body image stabilization). This means that shooting handheld video or photos at low shutter speeds will be more challenging on the Z50.

However, this can be slightly alleviated if shooting with a lens that has VR (vibration reduction). Note that VR on lenses must be enabled via the Optical VR setting in the camera as the lenses do not have a VR switch.

The Z50 comes with both an Interval Timer Shooting Mode and a Timelapse Movie Mode. Both of these settings result in a timelapse, but the former will produce individual images that you must edit and stitch together in post-production.

Meanwhile, Timelapse Movie Mode automatically creates a timelapse video in-camera, and it is a wonderful feature that is very easy to use.

While the Z50 has a mic jack for attaching an external microphone, it lacks a headphone jack for simultaneously monitoring audio.

In terms of ports, the Z50 has only two: a micro HDMI port for adding an external monitor or viewing media on a TV, and a micro USB port for charging. It’s puzzling why a micro USB port was added instead of a USB-C port, but very helpful in that you can charge the camera via a wall plug or external battery.

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 15mm (in 35mm: 25mm), 1/50 sec, f3.5, ISO 2000, Aperture Priority, pattern metering

In conclusion

If you are on the market for a beginner-friendly mirrorless camera, you have a LOT of options out there. As of January 2020, the Nikon Z50 is the newest of them all, and it offers many of the same features you’ll find on other similar cameras.

While it is not the best camera when it comes to features like autofocus, it is still a very capable camera that will give you high-quality stills and video in a small form factor. Its usability is also very intuitive, and its extra auto settings will get you up and shooting fairly quickly, even if you are a photography novice.

If you have any Nikon F-mount lenses, the Z50 is a great option, since you can use those lenses with the FTZ adapter. Even if you don’t have any lenses, the two optional DX kit lenses are a great deal and result in an ultra-lightweight kit with a flexible zoom range.

I hope you enjoyed this Nikon Z50 review. Please leave any thoughts or questions in the comments below!

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 16mm (in 35mm: 24mm), 1/25 sec, f3.5, ISO 3200, Aperture Priority, pattern metering

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 29mm (in 35mm: 43mm), 1/50 sec, f6.3, ISO 280, Aperture Priority, pattern metering

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 29mm (in 35mm: 43mm), 1/80 sec, f6.3, ISO 280, Aperture Priority, pattern metering

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 210mm (in 35mm: 315mm), 1/800 sec, f6, ISO 250, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 75mm (in 35mm: 112mm), 1/320 sec,...

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 75mm (in 35mm: 112mm), 1/320 sec, f6.3, ISO 250, Aperture Priority, pattern metering

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 250mm (in 35mm: 375mm), 1/400 sec, f6.3, ISO 1100, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 105mm (in 35mm: 157mm), 1/1250 sec...

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 105mm (in 35mm: 157mm), 1/1250 sec, f6.3, ISO 250, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 250mm (in 35mm: 375mm), 1/640 sec,...

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 250mm (in 35mm: 375mm), 1/640 sec, f11, ISO 250, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 50mm (in 35mm: 75mm), 1/250 sec, f...

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 50mm (in 35mm: 75mm), 1/250 sec, f11, ISO 250, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 31.5mm (in 35mm: 47mm), 1/50 sec, f...

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 31.5mm (in 35mm: 47mm), 1/50 sec, f5, ISO 2500, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 34mm (in 35mm: 51mm), 1/320 sec, f5...

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 34mm (in 35mm: 51mm), 1/320 sec, f5, ISO 320, Aperture Priority, pattern metering

Image: Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 16mm (in 35mm: 24mm), 1/800 sec, f6...

Nikon Z50, Nikkor Z DX 16-50mm f3.5-6.3 VR, Focal length: 16mm (in 35mm: 24mm), 1/800 sec, f6.3, ISO 320, Aperture Priority, pattern metering

Nikon Z50 Review

Nikon Z50, Nikkor Z DX 50-250mm f4.5-6.3 VR, Focal length: 125mm (in 35mm: 187mm), 1/200 sec, f5.3, ISO 2200, Aperture Priority, pattern metering

Bonus video: The Nikon Z50 review.

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The post Nikon Z50 Hands-On Review – The Best Mirrorless Camera for Beginners? (with bonus video) appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Tokina issues compatibility notice for Nikon Z owners using its F-mount lenses via adapter

23 Jan

Tokina has published a compatibility noticed for Nikon Z-series owners, regarding a few issues the company came across while ‘thoroughly’ testing the functionality of its F-mount lenses when used on Z-series cameras with Nikon’s FTZ adapter.

The notice highlights four lenses that can’t use autofocus with Nikon’s FTZ adapter and one lens that has slightly slower autofocus when used with the adapter.

The four lenses without autofocus functionality are the Tokina AT-X 70–200mm F4 FX VCM-S, Tokina AT-X M100 AF PRO D, Tokina AT-X 107 AF DX NH Fisheye and Tokina AT-X 107 AF DX Fisheye. When put in manual focus mode, however, all of these lenses will work without issue, according to Tokina.

Tokina notes its opera 50mm F1.4 FF lens works when autofocus is on, but notes that when ‘Compared with general conditions depending on aperture value AF speed might be slower.’

Compatibility notice:

Tokina Compatibility Notice for Nikon Z-Series Mirrorless Camera Owners

Thank you for using Tokina products.

We have thoroughly tested all current Tokina interchangeable lenses (Nikon F mount) with the Nikon Z 6, Nikon Z 7 and Nikon Z 50 mirrorless camera using the Nikon mount adapter FTZ.

The results confirm that current Tokina lens models showed no issues in general operations with the following exceptions:

Tokina opera 50mm F1.4 FF Issue: Compared with general conditions depending on aperture value AF speed might be slower. Tokina AT-X 70–200mm F4 FX VCM-S Issue: AF communication error. However, the lens will operate normally in manual focus mode.

Please, note that due to mount adapter FTZ specifications, the following Tokina lenses do not AF but will operate in manual focus mode:

Tokina AT-X M100 AF PRO D Tokina AT-X 107 AF DX NH Fisheye Tokina AT-X 107 AF DX Fisheye

For any question about compatibility of Tokina interchangeable lenses with Nikon Z 6, Nikon Z 7 and Nikon Z 50 mirrorless camera contact us via contact form.

Articles: Digital Photography Review (dpreview.com)

 
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The Nikon D750 vs D780: Should you upgrade?

19 Jan

The Nikon D750 vs D780: Should you upgrade?

The Nikon D750 was one of the best enthusiast-and-up DSLRs on the market at the time it was announced and is still a popular workhorse for many photographers today. Its 24MP sensor is still very competitive but its video specs in particular are looking very outdated.

If I were a D750 shooter today, ‘should I upgrade?’ would be a question on my mind. Our own Dan Bracaglia had some thoughts of his own on this, but let’s take a slightly deeper dive into just what Nikon’s updated, and whether those updates are worth it.

Autofocus

Probably the first thing most D750 owners will start to notice if they move across to the D780 is the improved autofocus. The D750 is certainly a capable camera in this regard but the D780 gains a couple of updates that should boost its performance.

In conventional DSLR mode, the D780 uses the same 51-point AF module as its predecessor but the AF system is informed by information from a 180,000 pixel metering sensor, rather than the 91,000 pixel sensor in the D750. This, combined with algorithms derived from those of the D5 professional sports camera, should significantly improve the D780’s AF performance, particularly in terms of subject tracking.

Even more significant will be the autofocus improvements in live view mode, which we’ll come to in a bit.

Newer sensor and JPEG engine

Although both cameras have sensors that come with 24MP, the unit in the D780 is a newer design, either identical or closely related to the one in Nikon’s existing Z6 mirrorless camera. This means it has a BSI (backside-illuminated) design and, more significantly, dual-gain architecture. In essence, this allows the camera to have maximum dynamic range at base ISO with improved noise characteristics at higher ISO values where absolute DR isn’t as crucial a consideration.

We would expect the D780 to produce better JPEGs compared to the D750

We’d expect the D780 to offer a slight upgrade over the D750 for Raw shooters, but one that’s only really visible in comparison and that won’t come close to justifying upgrading.

On the other hand, Nikon’s JPEG engine has improved by leaps and bounds over the past five years. We’ll have to do some more testing to be sure, but we’d expect the D780 to produce JPEGs with better sharpening, more pleasing color and more sophisticated noise reduction compared to those from the D750. And that also makes those JPEGs that much better for sharing over the updated Snapbridge wireless system that the D780 supports.

But that 24MP sensor isn’t all about BSI and dual-gain architecture. It also comes with…

On-sensor phase detection

The D780 has on-sensor phase detection, which provides the kind of distance information needed to quickly drive DSLR lenses. It also gains the AF tracking system from the Z-series cameras, including Face and Eye detection modes. The Face and Eye detection will be a distinct improvement for portraits and people pictures, compared with the D750.

The D780’s live view interface is directly borrowed from the Z-series cameras. This means it works slightly differently that the through-the-viewfinder system: AF tracking needs to be actively cancelled, and always resets to the central position, rather than a pre-selected one, and the Face / Eye detection modes feels like it’s been glued on top of the interface rather than designed to be part of it.

But if you’ve only shot with a DSLR before, you’re likely to be immediately impressed by how well the live view AF performs. Particularly for taking pictures of people, it can be fast, simple and dependable, in a way that even Nikon’s 3D Tracking system isn’t.

Video

Along with live view autofocus, one of the clearest enhancements on the D780 is its video performance. This is immediately apparent from the fact it can shoot up to 4K/30p or 1080/120p, rather than the 1080/60p of the D750, but it runs a lot deeper than that.

For a start, the vastly improved AF and tracking of its live view mode extend to its video shooting, meaning the autofocus is faster, smoother and more reliable (the difference between being usable and unusable, basically). In addition, the D780 gains Nikon’s latest approach to video settings, which lets you configure different settings, including different button customization, if you wish. You can have the video mode mimic your stills settings if you like, but you can also set it to use a different color mode, or white balance setting if you prefer, meaning it’s easy to jump back and forth between stills and video shooting.

Overall, the D780 is a very capable video camera. It’ll even output 10-bit Log footage to an external recorder, if you’re taking things really seriously. Panasonic’s S1 and S1H are some of the only full-frame cameras to offer significantly better video specs. That’s a huge step forward from the D750.

What’s similar?

Many of the rest of the D780’s specs are broadly similar: it’ll shoot at 7fps rather than the D750’s 6.5fps, but that’s unlikely to make much of a difference. Switch to live view and electronic shutter mode and the D780 will deliver 8fps or 12fps if you’re willing to take the slight dynamic range penalty of dropping to 12-bit mode. However, electronic shutter risks movement being distorted by the rolling shutter and increases the range of situations in which you’ll see banding from the flicker of artificial lights, so it’s not useful for all applications.

The optical viewfinders are the same, too: pentamirror finders with 100% coverage and 0.7x magnification.

Also, the D780 still has an in-body (screw drive) focus motor and AI tab, to allow its use with a broad range of older F-mount lenses. The D750 had both features, but notably the FTZ mount adapter for the Z-mount cameras doesn’t.

What’s different

The D780’s rear screen still tilts up and down on a rugged-feeling cradle like the D750’s did, but the dot-count has doubled and it’s now touch-sensitive, making the camera much more usable in live view mode.

The other big difference is that the D780 uses Nikon’s Snapbridge communications system, rather than the more conventional Wi-Fi system on the D750. Snapbridge maintains a constant Bluetooth connection between a smart device and the camera, which makes it quicker to establish a Wi-Fi connection.

We weren’t impressed with the early implementations of Snapbridge but it’s gained a lot in the way of features and stability since then. There’s an option to auto-send 2MP versions of every image you shoot, you can set the camera to transfer images you’ve marked in playback mode (these transfers will happen even when the camera is off), or you can browse the images on the camera from your phone. It now supports Raw and video transfer over Wi-Fi, along with geotagging of images based on phone location and extensive remote control of the camera.

The D780 has a new shutter mechanism, capable of 1/8000 sec exposures. The downside is that its shutter shock at moderate exposures is more pronounced than on the D750. You can work around this by selecting ‘Electronic front-curtain shutter’ in the menus and always shooting in Quiet mode (apply the minimum 0.2 sec exposure delay when resolution is really critical), but it’s worth being aware of.

What’s missing?

Not all of the D780’s specs are an improvement on the older model, though. The D780 repeats some of Nikon’s recent product planning decisions that omit some features that were included in the D750.

The most immediately apparent difference is the lack of internal flash. Nikon says the camera can be better weather-sealed if you don’t include a pop-up flash, but anyone looking to use the D780 with off-camera flashes will have to consider the significance of that trade-off for their shooing. You can mount a variety of flash commanders to the hot shoe or push a WR-R10 radio transceiver into the Remote socket on the left of the camera, if you have the latest radio-controlled Nikon Speedlights.

The other obvious omission on the D780 are the connectors to allow duplicate controls on an accessory grip. There’s nothing on the base of the camera and nothing in the battery compartment meaning that, if Nikon does decide to offer a battery grip, it’ll be like the one for the Z6 and Z7, that just adds room for a second battery.

We suspect a lot of users will find the D780’s rating of 2260 shots per charge more than sufficient (especially considering it’s common to get more than twice the rated number, depending on your usage). However, there will be some users that liked the extra reassurance or improved portrait-orientation ergonomics that an accessory grip offers.

Batteries and memory cards

The D780 uses the latest EN-EL15b battery. It looks like a slightly more angular version of the existing EN-EL15 batteries, the distinction being that the ‘b’ variant can be charged over the camera’s USB socket. The D780 can still use the older 15a and 15 batteries but without USB charging, and with significantly reduced battery life if used with the original EN-EL15 batteries not marked Li-Ion20.

Interestingly, like the D750, the D780 continues to use twin SD card slots, now compatible with the newer UHS-II cards. This may seem odd, given the closely-related Z6 uses the more exotic XQD card format. But there’s not much that the D780 does that would demand higher throughput that the 90MB/s rates maintained by the latest v90 SD cards.

Equally, if we see the D780 as an F-mount alternative to the Z6, then it makes sense that it should maximize its backwards compatibility in terms of cards as well as lenses and (to an extent) batteries.

Should I buy a D780?

Considered in isolation, the D780 is a tremendously well-rounded, capable camera, much as the D750 was, but with that capability now extending to video as well as stills shooting. However, it’s also worth considering the question ‘why would you buy this instead of a Z6?’

The Z6 was launched for $ 300 less than the D780 and that was over a year ago, so the current price difference is even greater. The Z6 uses Nikon’s latest lenses, and clearly represents the direction the company and its development efforts are going in, so what would prompt people to still buy a DSLR?

The most compelling reasons would be either because you have a significant investment in F-mount lenses, your style of shooting demands an optical viewfinder, or simply that you prefer using an optical viewfinder. In which case, the D780 looks like a great do-everything option, and one that has been appreciably improved, compared with the D750.

We suspect this is a trend we’ll see from Canon and Nikon for at least a generation or two of camera releases: a variant of their latest mirrorless cameras, built into (perhaps modestly updated) versions of their DSLR bodies, since both companies have die-hard DSLR users. The breadth of the model range might contract, over time, making it less likely that there’ll be a model at the price you want to pay, but there are enough Nikon lenses out there that there’ll be an audience for Nikon DSLRs for a while yet.

Should I upgrade from my D750?

Whether it’s worth upgrading from a D750 is a more difficult question. If you primarily shoot stills, it might not be. There are certainly improvements in terms of image quality particularly on the JPEG side of things, but these alone are unlikely to justify the cost of upgrading. If you only shoot stills through the viewfinder, and haven’t found yourself hankering for improved AF tracking, then it probably makes sense to stick with the D750.

If you only shoot stills through the viewfinder then it probably makes sense to stick with the D750

However, if you would like a camera with the simplicity and accuracy that eye-detect AF brings, it’s well worth a look. It’s also certainly an easier camera to shoot at high and low angles, thanks to its much more usable live view. Most of all, if you have even the slightest interest in video, the D780 is a significantly better camera. If nothing else, it’s a great way to get that familiar DSLR feel with the option of experiencing what Nikon’s Z-series cameras are like to use.

But then, if it’s the video and mirrorless features of the D780 that make you want to upgrade, maybe you’d be better off with a Z6.

Articles: Digital Photography Review (dpreview.com)

 
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Lensrentals gets risky while tearing down the Nikon Z 24-70mm F2.8 zoom lens

18 Jan

Image credits: Photos published with kind permission from Lensrentals.


Over on ‘The Desk of a Humble Genius,’ Roger Cicala of Lensrentals has ‘finally’ taken apart the Nikon Z 24–70mm F2.8 lens and shared both his insights and images from the experience.

As the original title of the teardown, ‘Lens Disassembly is a Complicated Profession. Don’t You Agree?,’ alludes to, this particular disassembly proved to be a challenging one, which par for the course with Nikon lenses, according to Roger. In his own words, Roger says ‘Nikon lenses have always been a bit “old fashioned” and different from other SLR lenses,’ but this review comes with a very clear warning to ‘not get your lens and screwdriver and follow along at home,’ because ‘Bad things might happen. Bad. Things.’

The teardown starts off with what is about the only negative thing Roger has to say about the lens—the felt around the lens hood, which he feels peels up too easily isn’t up to the quality of the rest of the lens.

From there, it’s onto the mount, which was dissected one screw and ribbon cable at a time. Upon removing the mount itself, Roger noticed it was particularly difficult to get off. This was due to an inner lip that rests against the rear barrel of the lens. Roger says ‘This might be to keep the bayonet centered, for a dust seal, to provide a little extra strength, or just because it looks cool,’ but notes regardless of the exact reasoning, ‘it seems like an all-around good idea.’

Moving along, Roger removed the rear piece of the lens barrel to reveal the A/M focus switch and the optical sensor the control ring uses. Each piece removed reveals a healthy amount of weather sealing gaskets, as well as numerous electrostatic discharge (ESD) cushions under the exterior of the lens.

With the rear barrel off, Roger gets into the internals of the lens, which proved to be a pleasant surprise. In his own words:

‘OK, let’s take a moment for me to give some props. Forever, during Nikon tear-downs, I’ve made snarky comments about the old-fashioned look they have inside; soldered wires here and there, flexes wandering aimlessly, random secondary circuit boards, etc. Well, no more. Look at this engineering right here: neat flexes running directly where they’re heading placed in recessed channels in the barrel and thoroughly taped in place. Superb! Nikon has clearly modernized and spent time and effort in making a clean, well-engineered layout for the electronics. I’ve been asking for that for years, and Nikon delivered.’

The PCB itself also proved to be quite minimal, at least compared to the one found inside the Canon RF 70–200mm F2.8 lens Roger tore down a few weeks back. In the past, Nikon has used secondary circuit boards in the lenses to beef up the processing capabilities, but Roger notes there wasn’t another one inside this lens, suggesting the camera handles a generous amount of the processing power.

After a few other auxiliary bits, it was onto the removal of the next piece of the lens barrel. Unfortunately, this is where Roger and Aaron ‘ran into the “be careful what you wish for; you might get it” conundrum.’ It turns out one of those nicely-organized flex cables ran down to the display unit of the lens and refused to budge when attempting to lift the barrel.

A syringe full of rubbing alcohol isn’t something you usually want to see during a lens teardown.

‘Rule 63 of taking apart lenses is “thou shalt not tug a flex”; because tearing a flex is bad,’ says Roger in the teardown post. ‘[But] on Nikon lenses, because we can’t buy parts, tearing a flex is very bad.’ After countless attempts to use different means of removing the flex cable to avoid tugging, Roger and Aaron decided they were sick of holding off lunch and decided to use a little rubbing alcohol in a syringe to ease the adhesive from the back of the ribbon cable. After a little bit of pulling, the barrel was off and they were on their way.

Roger hits on a number of other interesting tidbits about the buttons on the lens and the unusually-bright neon-yellow tape strategically-placed throughout the lens. The zoom barrel proved to be weather-sealed incredibly well and the zoom position sensor Nikon uses is an upgrade from the traditional metal brushes it’s used in the past.

The remainder of the lens disassembly proved to be a doozy, with excellent build quality proving time and time again to be a double-edged sword for Roger, who seemed to be as challenged as he was impressed.

While we’ll leave the rest of the humor, photos and details to Roger in his full write-up, here are a few other notable details discovered throughout the remainder of the teardown process:

  • Breaking the front filter thread of the lens is going to be a very expensive fix, as the entire front barrel is a single piece, rather than a piece simply held on with a few screws.
  • Aaron had to put on gloves during the assembly, which in Roger’s own words means ‘shit’s getting real’
  • The aperture diaphragm assembly is a combination mechanical/electronic aperture with very tight tolerances

When all was said and done, this teardown proved to be the longest ever—and that’s before Aaron had to piece it all together. The good news is, it (mostly) took so long because Nikon went above and beyond when engineering this lens.

Roger says these new Nikon Z lenses are a far cry from their F-mount counterparts and much like Canon’s RF lenses, are likely completely new optical designs made in-house. He notes ‘The engineering itself is incredible in most ways [and] the neatly laid out and solidly adhered flexes reflect the careful design.’

To see all of the images and read more in-depth knowledge shared by Roger, head on over to the Lensrentals blog.

Articles: Digital Photography Review (dpreview.com)

 
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Hands on with the Nikon D780

16 Jan

Introduction

At long last, it’s here – the Nikon D780, successor to the D750 that was released more than five years ago. At the time, we considered the D750 as one of the most well-rounded digital cameras ever made, and it remains highly capable even today. So, to put it lightly, the new model has some big shoes to fill.

We’ve just received a full-production D780 and have gotten a start on our full review. As we work through our testing, we figured we’d take a look at the D780’s design, handling, and some of its high-level updates.

New BSI sensor

The heart of any digital camera is its sensor, and the unit in the D780 looks to be a good one. With 24MP, it’s not a megapixel monster, but should offer enough resolution for most users and most use cases. It’s now backside-illuminated, which is nice to have but doesn’t offer the same image quality benefits on large, full-frame sensors as it does on smaller ones. No, the real news is that it’s a dual-gain design. This means that, at the lowest ISO values, you can get maximum dynamic range out of the sensor, while higher ISO values give you better noise performance.

The sensor is also capable of 4K video, and the D780 can shoot silent bursts at up to 12 fps. We’ll be taking a look at rolling shutter as we push through our full review.

New shutter and mirror mechanism

Being a DSLR, a mirror sits in front of the sensor most of the time and redirects light up to an optical viewfinder. The D780’s sensor and mirror mechanism have been redesigned, boosting burst speeds modestly up to 7 fps from 6.5. The redesigns also enable a minimum mechanical shutter speed of 1/8000 sec (the D750 could only reach 1/4000 sec). Unfortunately, the flash sync speed remains at 1/200 sec; many competing high-end models can reach 1/250 sec or even 1/320 sec.

And, speaking of flash…

Removal of pop-up flash and top-plate design

That’s right, Nikon’s removed the built-in pop-up flash that was on the previous model. While Nikon says this makes it easier to weather-seal the D780 to a higher degree, it also means that you no longer have that built-in flash for some quick fill-light when you need it. For strobists, the removal of the flash also means that you need a separate dedicated transmitter (or another speedlight) to wirelessly control Nikon’s speedlights using its Creative Lighting System.

On the top plate, we see an LCD info panel that is about the same as you’d see on the D750. There’s been some button shuffling, though; gone on the right side by the power switch is the dedicated metering button, though an ISO button has been added. Lastly, the mode dial has been simplified with fewer options.

Rear design and controls

While the rear of the camera might look familiar, there are a few substantive changes. There’s the addition of a dedicated AF-ON button, and the relocation of the live view and stills / video switch to the top of the plate near the viewfinder for easier access. The ‘i’ and INFO buttons have swapped sides of the camera as well, so if you pick up a D780 and are a long time D750 user, prepare to reprogram your muscle memory just a bit.

Oh, and if you’ve ever lost your Nikon DK-21 eyecup for your D750, we have some good news – it seems like the DK-31 eyecup for the D780 is attached a bit more securely, and we haven’t lost ours (yet).

Optical viewfinder and autofocus system

And so, despite the bit of button shuffling, it looks like much of Nikon’s mantra with the D780 was ‘if it ain’t broke, don’t fix it.’ In that vein, the optical viewfinder is identical to the previous model’s: same pentaprism design, 0.7x magnification, and autofocus layout with 51 points clustered around the center of the frame.

Indeed, after our experience with ever-more-capable mirrorless cameras over the past five years, we’re starting to find the spread of DSLR autofocus points a bit constricting. But hey – if you’ve been using a D750 for the past five years, well, at least it’ll be familiar, if not a huge upgrade.

All that said, you can expect at least an increase in accuracy and tracking performance, courtesy of an upgraded 180k-pixel metering sensor and AF algorithms derived from the D5 sports camera. We’ll be digging into these in our full review to find out just how significant these updates are.

Rear touchscreen and live view

The D780 retains a similar tilting screen mechanism that its predecessor had – and I have to be honest, when I first used a D750 professionally, I was pretty stoked at tilting the screen out and not having to lay down on my stomach in the dirt for low angle shots. But I digress.

In consideration of all the D780 offers, this is where the most significant updates lie. Sure, the screen has been updated to 2.36M dots (up from 1.23M), and offers touch functionality for shooting, playback and menus. But the real story is that once you switch the D780 into live view, you effectively have a bulkier, F-mount Nikon Z6 in your hands.

You get the Z6’s 273 on-sensor phase-detection AF points (compared to the slow, ‘hunty’ contrast detection of the D750) and the same AF tap-to-track functionality for both stills and video. And speaking of video, the D780 is capable of 4K video, which we’d wager will look an awful lot like what the Z6 is capable of (in other words, pretty darn good).

The one gripe we have with the touchscreen is that you can’t drag your finger across it with your eye to the viewfinder to move your AF point around (and this was included on Nikon’s D5600 DSLR as well as countless mirrorless models from other manufacturers).

Dual UHS-II SD card slots

Moving on, we can see that the Nikon has resisted moving the D780 to the XQD format seen on Nikon’s Z-mount cameras, instead offering dual UHS-II SD card slots (an upgrade from the UHS-I slots on the D750). Whether you prefer the more ubiquitous SD card format or not, at least we can breathe a collective sigh of relief that there will be somewhat fewer “NO DUAL CARD SLOTS NO BUY NOT PROFESSIONAL GRR” comments floating around the internet.*

And while we haven’t yet tested the buffer depth of the D780, it was a bit limited on the D750, and was regarded as one of that camera’s weak points. We’re hopeful that the faster slots on the D780 will enable longer burst-shooting for sports and action photographers.

*(In all seriousness, the D750 made for a great wedding camera, which is a use-case where dual card slots have an obvious benefit – we’re happy the D780 continues to offer them.)

Battery, no grip

One area that has generated a barrage of bilious bloviating is the D780’s apparent lack of compatibility with an add-on vertical grip. The bottom-plate of the camera is where we would usually see a small rubberized door hiding some electrical contacts that enable the camera to use additional controls present on most vertical battery grips. Without those, the most we can hope for is a grip like this one for the Z series, which boosts battery life but doesn’t do much else.

At the very least, the D780 is CIPA rated to 2260 shots through the optical finder on a single EN-EL15b battery, which is over than a thousand shots more than the D750 could manage. That’s pretty impressive.

Ports and connectivity

Further related to battery life, the D780 gains a USB Type C port, which can also charge the camera if you have the EN-EL15b battery installed. The previous EN-EL15a and EN-EL15 batteries will power the camera, but they cannot be charged over USB. It should also allow for faster data transfers, as well as better tethering support.

In terms of wireless data transfers, the D780 now supports Bluetooth as well as Wi-Fi using Nikon’s SnapBridge wireless system. It’s become quite a capable system and is a far cry from the original WMU mobile app that users had to contend with on the D750.

There’s also a mini HDMI port, which supports 10-bit 4:2:2 4K video output (just like the Nikon Z6), as well as a remote port and microphone and headphone ports. If you have a stabilized lens, a gimbal or plan to use a tripod a lot, the D780 should make for a pretty capable DSLR video rig.

The wrap

By now it should be apparent that, in creating the D780, Nikon has chosen not to mess with the basics of what made the D750 a great camera. We still have a reasonably compact DSLR body with a comfortable grip and well-sorted ergonomics, burst shooting that is likely fast enough for most people, and what is looking to be a really capable viewfinder autofocus system. With the addition of 4K video, a smoother live view experience, a touchscreen and better wireless connectivity, they’ve only really updated the things that really needed updating.

Does that make the D780 a particularly exciting camera? I suspect it will be pretty exciting for a fairly small subset of users (particularly those with large collections of F-mount lenses). But it does help guarantee that, just like the D750, the D780 will likely remain relevant as a reliable workhorse for pros and enthusiasts for many years to come.

And if you’re a D750 user that still can’t decide whether or not to upgrade, watch this space – we’ll be publishing an article dedicated to just that very soon.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D3500 review

15 Jan

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Introduction:

The Nikon D3500 is a 24 megapixel entry-level DSLR with an APS-C CMOS sensor, that is cheaper, lighter, and has a longer battery life than the D3400 that it replaced. It was designed with the new photographer in mind and features a Guide Mode that will essentially teach you how to shoot in various situations.

Key specifications:

  • 24 megapixel APS-C CMOS sensor
  • EXPEED 4 image processor
  • ISO range of 100-25600
  • 11-point autofocus system through the optical viewfinder
  • Shoots continuously at 5 frames per second
  • Capable of ‘Full HD’ 1080/60p video
  • Bluetooth for image transfer
  • 921k fixed LCD screen
  • Battery rated for 1,550 shots per charge (CIPA)

The D3500 is available with an MSRP of $ 499.95 with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, and $ 849.95 with the 18-55mm and an AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED.

What is it?

Out-of-camera JPEG
Nikon 18-55 F3.5-5.6 lens @ 23mm | ISO 400 | 1/125 sec | F5
Photo by: Jeanette Moses

It can be admittedly hard to get excited about entry-level DSLRs: they’re bulky compared to mirrorless cameras and can be somewhat limiting in some respects, but for beginners they are a great place to start. The Nikon D3400 that this camera replaces was always very good, and the 24 megapixel sensor inside the D3500 is still one of the best APS-C sensors around.

This is a camera that a brand-new photographer can pick up and start making decent pictures without a steep learning curve

The D3500’s Guide Mode puts it into an ‘easy-to-use’ space in the market. This mode makes it easy to tell the camera what kind of scene you are trying to capture and essentially teaches you the basics of photography, such as shutter speed, aperture and exposure compensation along the way. This is a camera that a brand new photographer can pick up and start making decent pictures without a steep learning curve.

It’s not as simple as shooting with a smartphone, but the image quality is better than you’ll get from your phone in a whole lot of situations: especially if you are shooting with a fast prime lens. The D3500 is also a great deal. You can pick this one up with a lens for under $ 500, making it incredibly appealing for newbie photographers.

Nikon’s 35mm F1.8 DX lens is an excellent companion to the D3500.

We spent time with the D3500 around Brooklyn with the standard 18-55mm f/3.5-5.6G VR kit lens and an additional 35mm f/1.8G DX Nikkor lens.

What’s new?

Although this is a very compact DSLR, you’ll never forget that it’s hanging off your shoulder: DSLRs can only be so small. As a result of its form factor, though, the camera’s hand grip is still substantial and comfortable. The camera’s back buttons have been reorganized, so that everything sits on the right side of the camera within easy reach.

Nikon omitted a ‘Fn’ button on the back of the D3500 in an effort to keep the user operation simple.

The D3500’s battery life has increased by thirty percent and has a CIPA rating of 1550 shots. That’s a lot of photos, and these ratings much lower than you’ll usually see in the real world. Expect to be able to get through nearly a week of casual shooting and image reviewing without having to charge up.

The biggest changes here are the inclusion of the Guide Mode menu, making it easy for entry level photographers to capture a variety of scenes. In ‘easy operation’ mode shooters can select options like ‘moving subjects’ and the camera will automatically adjust to this mode. ‘Advanced operation’ lets shooters refine settings like shutter speed, aperture and ISO.

What stands out about the camera?

The D3500 is so compact and lightweight that, as someone who usually uses a higher-end body, it felt a little bit like shooting with a toy. It’s comfortable for a full day of shooting, but like most entry-level cameras, it has a body that feels like it could easily get dinged-up if you aren’t careful. Of course the benefit is that its lightweight, making it easy to take everywhere, but there were situations where I found myself thinking twice about shooting with it.

Its lightweight, making it easy to take everywhere

The camera’s menu systems were easy enough to navigate for changing settings, but the layout of the camera’s back buttons and dials left something to be desired. The grip itself is comfortable, but the redesigned layout of buttons makes the back and top of the camera a little cluttered. I found it difficult to change certain settings while my eye was to the viewfinder, especially while I was shooting in manual mode and attempting to adjust my aperture. Changing ISO is also a bit cumbersome. There is no dedicated ISO button so adjustments must be made by diving into the menus on the camera.

The most compelling feature of the DSLR design is its optical viewfinder, which lets you see the world directly through the camera’s lens.

One of the consequences of the DSLR design is that the D3500 only offers eleven autofocus points, all clustered fairly near the middle of the frame. As you learn and grow with the camera, you might find this limiting. The autofocus system on the camera feels quite dated, even for an entry-level camera. It has a hard time keeping up in low-light situations and when your eye is to the viewfinder it can be a little difficult to tell which point is selected. Pressing the shutter down half-way to initiate autofocus before firing a shot shows you what point is selected, but the red dot only appears for half a second, is quite faint, and occasionally will trigger a red glow from other spots in the viewfinder.

Face-detection AF only works in Live View mode, where the rear screen is used to frame up your photo, instead of the viewfinder and although it reacts quickly in sunny conditions, indoors it got laggy seemed to have trouble keeping up. There is no touch-screen functionality on the 921k LCD screen, which can be a little frustrating if you’re used to shooting mirrorless or with a phone. Another unfamiliar (but minor) annoyance could be that the optical viewfinder only covers 95 percent of the frame. It’s pretty standard for an entry-level DSLR like this, but means it’s hard to precisely judge what is and isn’t in the edges of your photo.

The AF does a fine job when you have a static subject, but with something fast moving you will probably have to learn to pre-focus at the point you expect the subject to arrive at, which may require some trial-and-error.

The camera’s ‘Guide’ mode tries to help teach you the camera’s functions and how to get the most out of it.

The camera’s image quality is beautiful on the low end of the ISO range and just fine up to about ISO 6400. On the higher end of the range things start to deteriorate. We didn’t love the amount of noise that we were seeing on files shot at ISO 12800.

The battery life on the D3500 is amazing, though. It will effectively last for days at a time if you shoot through the optical viewfinder: longer than its predecessor or mirrorless cameras. You can’t charge over USB, which is disappointing, but during our time with the camera we didn’t even notice a percentage drop on the battery.

Although the Guide Mode can be incredibly helpful for new photographers, we didn’t find the camera quite as dependable as we’d like. Unlike mirrorless cameras, which use their main sensor to assess exposure, the D3500 uses a small, dedicated metering sensor. We found the results to be more inconsistent than we’ve become used to, with photos that were too bright or too dark. And, because we were looking through an optical viewfinder, we only found this out once we’d taken the shot: making it hard to preemptively apply exposure compensation to correct this.

Out of camera JPEG.
Nikon DX 35mm F1.8 G | ISO 100 | 1/500 sec | F3.2
Photo by: Jeanette Moses

The camera lacks Wi-Fi and uses a much slower Bluetooth connection to transfer images, via Nikon’s SnapBridge app. You can transfer 2 megapixel versions from the camera to your smartphone automatically or one at a time, but it takes a while. And if you want access to the full resolution images that the camera is capable of shooting, which you absolutely should, you are simply better off waiting to unload files onto your computer, or smart device using a memory-card reader.

Because it’s a DSLR, you have to flip the mirror up, block the optical viewfinder and use live-view mode to shoot video. The D3500’s video capability tops out at Full HD at 1080/60p, which seems odd considering that 4K seems to be baked into everything hitting the market, but is also likely one of the reasons that the D3500 is so accessible when it comes to price. It’s fine for short clips, but it does feel like a bit of an afterthought. This is a camera that is far more capable for handling stills photography and you would probably be better off shooting video with your smartphone.

Although the experience of shooting with the camera was just okay, the images that it produced were good quality, especially when considering the low price for the kit.

Conclusion

The D3500 is a capable camera available as a competitive price, and is very small for a DSLR.

Ultimately the D3500 is a very capable and affordable camera for beginners and young families. It does a fine job capturing ‘candids’ and other casual shots. Although the Guide Mode leaves something to be desired for seasoned shooters, it does offer a non-intimidating way to learn about some of the more technical aspects of photography.

The autofocus on the camera can be a bit limited—especially if you are dealing with tricky lighting situations or very fast moving subjects. It isn’t the most fun camera to shoot with, but the image quality is good. The 24-megapixel sensor and EXPEED 4 image processor make for high-quality frames that would look great as prints.

D3500 is an affordable camera that is simple enough to not be intimidating

If you are looking to capture a lot of movies with your camera you will probably want to look elsewhere, as the D3500 is a camera that was made for primarily capturing stills. It is just fine for short clips, but there are much better options on the market for video making. We don’t love the outdated 11-point AF system, the lack of a touchscreen or the cluttered nature of the back buttons. Having a dedicated ISO button on the back of the camera would have been a worthy addition here.

Overall the D3500 is an affordable camera that is simple enough to not be intimidating, but features enough tech that a young photographer could grow into it. The D3500 probably won’t be a ‘forever’ camera, but it’s a solid place to start.


Sample galleries:

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Scoring

Scoring is relative only to the other cameras in the same category. Click here to learn about the changes to our scoring system and what these numbers mean.

Nikon D3500
Category: Entry Level Interchangeable Lens Camera / DSLR
Build quality
Ergonomics & handling
Features
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Performance
Movie / video mode
Connectivity
Value
PoorExcellent
Conclusion
The D3500 is a compact and likeable DSLR for beginners. It's not great for video and its image transfer is slow. But for stills it's a solid choice
and its Guide Mode makes it easy to learn.

Good for
Beginners who want the DSLR experience

Not so good for
Video shooters or anyone expecting a phone-like 'WYSIWYG' shooting experience.
75%
Overall score

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With thanks to Glazers Camera for lending us a D3500 for product photography.

Articles: Digital Photography Review (dpreview.com)

 
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First look at the Nikon D6

10 Jan

Nikon D6: First look

We don’t know much about Nikon’s forthcoming pro sports flagship camera, but CES 2020 did give us an opportunity to get a first look – albeit at a sample under glass. Click through this slideshow for a closer peek, and a digest of what (little) we know so far.

Nikon D6: First look

It’s no surprise to see that the D6 looks a lot like the D5. In fact, aside from the slightly more D850-inspired sculpting of the pentaprism you’d be hard pressed to tell the two bodies apart. As Nikon’s high-end DSLRs have matured, it’s pretty much inevitable that we’re not going to see major changes to body shape or control layout.

From the front you can see the D6’s deep vertical grip, which houses a high-capacity lithium-ion battery, and the heavy duty rubber covers which protect its remote control and flash sync ports from dust and moisture.

Nikon D6: First look

From the back, the D6 is again almost indistinguishable from the D5. There are in fact no noticeable changes to button layout at all compared to the previous model. While unconfirmed, the LCD looks to be the same or very similar to the D5, too. Assuming we’re right about that, it’ll be a 3.2″ panel. We fully expect the D6 to follow the D5 in offering back-lit controls for low-light shooting, too.

The D5 was among Nikon’s first DSLRs to offer 4K UHD video, and we expect the D6 to build on this feature set, perhaps also offering an enhanced video / live view autofocus experience of the kind we’ve seen in the new D780.

Nikon D6: First look

The D6 features the same unusual eyecup attachment method as the D5, with the cup screwed into a removable panel, which releases via a pair of catches to the lower left and right of the finder. This view shows off the D6’s large upper status LCD, which displays key exposure settings, battery level, etc.

It remains to be seen what kind of autofocus features the D6 will offer, but we still consider the D5 to be a gold standard for DSLRs, so any improvement on its excellent 153-point system will just make a great system even better. What we really want are improvements to live view autofocus, to bring the D6 more in line with what we’ve seen from the Z6 and Z7 (and now the D780). We’ll have to wait a while longer to see whether our wishes are fulfilled.

Nikon D6: First look

On the opposite side of the D6’s top plate is the main drive mode dial, which lets you quickly select from a range of advance options. No word yet on maximum framerate, but we’d expect a jump from the D5’s maximum shooting rate of 12fps. The trio of buttons which top this dial are MODE / BKT / metering pattern, and are unchanged from the D5.

Eagle-eyed readers will also notice the WiFi and Bluetooth symbols printed on the D6’s shoulder.

Nikon D6: First look

A view from the top shows off the D6’s fairly sparse upper controls, which will be very familiar to D5 and D850 shooters. While – again – unconfirmed, the seam in the pentaprism hump just in front of the hotshoe looks a lot like a polycarbonate ‘window’ for those previously-mentioned wireless connections and / or GPS.

And that’s it – for now. We’re hoping for more information on the D6 soon, ahead of its expected release before the Tokyo Olympics this summer. We’ll keep you posted!

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Nikon Nikkor Z 70-200mm F2.8 S

10 Jan

Hands-on with Nikon Z 70-200mm F2.8 S

Nikon’s just-announced Z 70-200mm F2.8 S looks like a powerful option for Z-series photographers, joining the Z 24-70mm F2.8 S as the second part in Nikon’s ‘holy trinity’ of F2.8 zooms for Z mount. We got our hands on an early working sample at CES. Click through for some initial impressions and a breakdown of the key features.

Hands-on with Nikon Z 70-200mm F2.8 S

Physically, the Z 70-200mm F2.8 S is very similar to the older AF-S 70-200mm F2.8. Its external dimensions are about the same, as is its weight. But while the optical design bears some relation to its F-mount forebear, this is a very different, and very advanced design.

Featuring 21 elements in 18 groups, the Z 70-200mm F2.8 S is Nikon’s most ambitious Z-mount zoom yet, featuring no fewer than six ED (extra low-dispersion) elements, two aspherical elements and one fluorite element.

It also includes a new ‘SR’ (short wavelength refractive) element, which is, in Nikon’s words, ‘a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue.’ This appears to be a comparable technology to Canon’s Blue Spectrum Refractive Optics (BR) found on lenses such as the EF 35mm F1.4L II and RF 85mm F1.2L.

This should mean that chromatic aberration is kept to an absolute minimum, something we want to test as soon as possible. Nano crystal coating and Nikon’s new Arneo coating also help keep contrast high and flare low when shooting into, or just off-axis, from bright light sources.

Hands-on with Nikon Z 70-200mm F2.8 S

This view shows the standard A|M switch for focus and a simple focus limiter, to stop the lens from hunting through its entire range for distant subjects. Close focus (should you need it) is 1m at 200mm, and 0.5m at 70mm – a nice improvement over Nikon’s previous 70-200mm designs for DSLRs.

The Z 70-200mm F2.8 S offers an impressive built-in VR system, capable of 5 stops of correction, Nikon’s highest-ever rating (per CIPA). So what’s missing? The Z 70-200mm F2.8 S does not feature the familiar VR mode switch found on many Nikon lenses; instead, VR is toggled and controlled via the camera body.

Hands-on with Nikon Z 70-200mm F2.8 S

Twin Fn buttons on the barrel can be customized to fulfill various other requirements, basically matching the options available in-camera for the Z6 and Z7’s own Fn buttons. The tripod collar is fixed, but the foot can be removed when not required.

Hands-on with Nikon Z 70-200mm F2.8 S

As we’ve seen on the Z 24-70mm F2.8 S (as well as the new Noct) the 70-200mm features a small display on the barrel itself, which can be switched (via the ‘DISP’ button) to display aperture and focus position.

This shot also shows the zoom and focus ring arrangement, which matches that of the AF-S 70-200mm. Some photographers love having zoom positioned towards the tip of the lens, and some photographers hate it, but hopefully all Z-series shooters will appreciate the customizable control ring, positioned at the opposite end of the Z 70-200mm F2.8 S, which can be used for quick control over exposure compensation and/or aperture.

Videographers will also appreciate that this lens provides parfocal support. In other words, the focus position doesn’t shift when the lens is zoomed. It’s not clear at this point whether the lens is optically parfocal or if it makes a real-time focus adjustment to provide a parfocal effect, but either way it should negate the need to pull focus during or after zooming.

Hands-on with Nikon Z 70-200mm F2.8 S

As we’d expect, the Z 70-200mm F2.8 S is sealed against dust and moisture incursion. You may just be able to make out the slim rubber sealing ring around the lensmount in this shot.

Notice too the relatively recessed rear element, which is unusual in Nikon’s current Z-mount lens lineup.

Hands-on with Nikon Z 70-200mm F2.8 S

The Z 70-200mm F2.8 S features a nine-bladed aperture for circular bokeh at wide apertures, and a 77mm filter thread. It will be available next month for $ 2,599.99.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon has Announced the D780, an Update to the Hugely Popular D750

09 Jan

The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

nikon-d780-announced

If you’re an enthusiast photographer wedded to your Nikon DSLR, then you’re in luck.

Because Nikon has just announced a new DSLR, dropping at the end of January:

The D780.

The Nikon D780 comes as a long-awaited upgrade to the Nikon D750, a powerhouse camera that packed a full-frame sensor into an affordable body. The D750 offered full HD video at 60p, excellent low light performance, impressive autofocus, dual card slots, and a tilting LCD, features that won over a slew of photographers back in 2014.

But can the Nikon D780 build off of the D750’s success? And what can a new midrange DSLR offer in a world where DSLRs are becoming less and less valued?

In some ways, the D780 doesn’t seem like a big step up from the D750; it offers a full-frame sensor with 24.5 megapixels (compared to the D750’s 24.3-megapixel sensor), a 51-point AF system with 15 cross-type points (specs that are identical to the D750’s AF system, though the D780 packs the D5’s focusing algorithm), and 7 frames-per-second shooting (compared to the 6.5 fps on the D750).

But in other ways, the D780 more than lives up to expectations. While the megapixel count is nearly identical to the D750’s, the sensor itself is borrowed from the Z6, one of Nikon’s two full-frame mirrorless offerings, and an impressive camera in its own right. This means we can expect a jump in ISO performance, which should excite Nikonians who often find themselves shooting in low light.

We can also expect significantly improved Live View autofocus, given that Nikon has imported the D780’s 278-point Live View AF straight from the Z6.

Nikon has Announced the D780, an Update to the Hugely Popular D750

Not to mention the enhanced video performance on the D780: with 4K video at 30p with a full pixel readout, full HD video at 120p and 60p, and features such as focus peaking, this is the most powerful Nikon DSLR for videographers to date.

So if you’re an enthusiast photographer who is looking to upgrade to full-frame, or you’re simply looking for a great full-frame option, then the Nikon D780 is worth a look.

It will begin shipping at the end of January for $ 2300 USD (or $ 2800 with a Nikkor 24-120mm f/4G lens).

The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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