RSS
 

Posts Tagged ‘Nikon’

Nikon delays its D6 DSLR until May 2020, due to supplier issues caused by COVID-19

10 Mar

Nikon USA has announced it is delaying the release of its new D6 DSLR due to issues caused by COVID-19.

In a short announcement on its website, embedded below, Nikon USA says the D6 has been delayed ‘As a result of delays in the procurement of parts and components from a third-party cooperating company due to measures implemented in response to the spread of COVID-19.’ Nikon says the new release timeframe is May 2020 and notes it ‘announce the new release date once it has been determined.’

This delay will further push the release date closer to the 2020 Olympics, which is set to take place in Tokyo from July 24 through August 9. However, as coronavirus cases and mortalities due to the virus ramp up, the likelihood of the Olympics being delayed or downright canceled increases as well.

Apology and Notice of Delay in the Release of the Nikon D6 Digital SLR Camera

MELVILLE, NY – Thank you for choosing Nikon for your photographic needs.

As a result of delays in the procurement of parts and components from a third-party cooperating company due to measures implemented in response to the spread of COVID-19, the release of the new Nikon D6 digital SLR camera, originally planned for March 2020, will be delayed. We sincerely apologize to our customers and all those concerned for any inconvenience this may cause.

We are now planning to release the Nikon D6 in May 2020 and will announce the new release date once it has been determined.

We will continue to closely monitor the situation and do our utmost to deliver this new camera as soon as possible. Thank you for your understanding and patience in this matter.


About Nikon
?

Nikon Inc. is a world leader in digital imaging, precision optics and photo and video capture technologies; globally recognized for setting new standards in product design and performance for an award-winning array of equipment that enable visual storytelling and content creation. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories, Nikon COOLPIX® compact digital cameras and Nikon software products, as well as the revolutionary Nikon Z series of mirrorless cameras and NIKKOR Z lenses, which achieve a new dimension in optical performance. In 2018, Nikon Corporation, the parent company of Nikon Inc., announced the production of 110 million NIKKOR lenses, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit www.nikonusa.com, which links all levels of photographers and visual storytellers to the Web’s most comprehensive learning and sharing communities. Connect with Nikon on Facebook, Twitter, YouTube, Instagram, Vimeo and Flickr.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon delays its D6 DSLR until May 2020, due to supplier issues caused by COVID-19

Posted in Uncategorized

 

Adobe joins Nikon in withdrawing from this year’s NAB Show in Las Vegas due to COVID-19

10 Mar

Adobe has announced it’s withdrawing from this year’s NAB Show in Las Vegas due to concerns surrounding COVID-19 (the coronavirus). In the brief statement, embedded below, Adobe says it is disappointed it has to make this decision but says ‘the health and safety of our employees, customers and partners are always our priority.’

This announcement comes just days after both AJA and Nikon confirmed the companies wouldn’t be attending NAB 2020. With respect to this year’s NAB Show, the organizers have a webpage dedicated to information about COVID-19 and how the show will be different this year. NAB is still scheduled to take place April 18-22. We have contacted the organizers of the NAB Show for comment regarding the departure of Adobe, AJA and Nikon. We will update this article accordingly if we receive a response.

Adobe Withdraws from NAB Show 2020

Each year, we look forward to seeing our video community at NAB to talk about the latest trends and our product innovations. Over the past few weeks, we have been closely monitoring and evaluating the situation around COVID-19 and have made the difficult but important decision to cancel our presence at the show this year.

While we are disappointed, the health and safety of our employees, customers and partners are always our priority. We look forward to engaging with our NAB community through a digital experience in the near future.

Adobe and Nikon withdrawing from the NAB Show follow on the heels of the annual CP+2020 show in Japan being canceled at the end of February. The impact of COVID-19 has been felt outside of the realm of tradeshows as well, with the virus affecting the supply chains for camera manufacturers. Nikon has just announced that the release of the Nikon D6 flagship DSLR camera has been delayed from this month until May. Canon has proactively suspended production at three of its plants in Japan.

The COVID-19 coronavirus has already had a large impact on industries around the world, including the photo industry, and companies are working hard to mitigate the risk for their employees. As governments and health agencies around the world work to better understand and contain COVID-19, it is difficult to predict the extent of the impact that the virus will have on the photo industry, but it’s safe to expect today’s announcement from Adobe is not the last of its kind we will hear in the coming weeks and months. For more information on how COVID-19 is affecting the photo industry, click here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe joins Nikon in withdrawing from this year’s NAB Show in Las Vegas due to COVID-19

Posted in Uncategorized

 

Irix announces its long-awaited 45mm F1.4 still lens for Canon EF, Nikon F and Pentax K mounts

09 Mar

Irix has announced the details of its new 45mm F1.4 manual lens for full-frame camera systems.

The lens was originally teased as a prototype way back in 2017 at The Photography Show. Last year, a cine version of the lens was released, but the still photography version remained to be seen, until today.

The 45mm F1.4 lens is based around Irix’s Dragonfly design technology, which uses an aluminum-magnesium alloy and composite elements to create a lightweight, but sturdy design that’s weather-resistant thanks to multiple gaskets throughout the lens. The focus ring has a 140-degree throw, a focus-lock feature and offers laser-engraved markings with luminescent paint for easier viewing in low-light environments.

No launch date or pricing information is available at this time. When the 45mmm F1.4 lens does launch, it will be available for Canon EF, Nikon F and Pentax K camera systems. We have contacted Irix to request more information and will update this article accordingly if and when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Irix announces its long-awaited 45mm F1.4 still lens for Canon EF, Nikon F and Pentax K mounts

Posted in Uncategorized

 

Nikon ES-2 film adapter sample gallery

07 Mar

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7837334261″,”galleryId”:”7837334261″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We used Nikon’s ES-2 film adapter to scan a variety of old films, including Kodak Tri-X and T400 CN, Fujifilm Neopan, Superia and Acros, and even Agfa Ultra. How well did it work? You can see the full resolution images in our sample gallery.

Want to see the ES-2 in action? Watch this video from DPReview TV to see how it works.

View sample gallery

Watch our video about the Nikon ES-2

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon ES-2 film adapter sample gallery

Posted in Uncategorized

 

DPReview TV: Scan film negatives with the Nikon ES-2

04 Mar

Nikon’s ES-2 film digitizing adapter promises to be an easy way of scanning slides and negatives. We tested it with a bunch of different film stocks and discovered that it works pretty well!

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
  • Introduction
  • What's included?
  • The scanning process
  • Sample images
  • Who's it for?

Sample gallery from this episode

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7837334261″,”galleryId”:”7837334261″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Scan film negatives with the Nikon ES-2

Posted in Uncategorized

 

Nikon Z8 60 MP Mirrorless Camera Rumored, Along With D850 Successor

02 Mar

The post Nikon Z8 60 MP Mirrorless Camera Rumored, Along With D850 Successor appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

nikon-z8-rumor

In the wake of so many major Canon mirrorless rumors and announcements, it’d be excusable if you had started to shift attention away from Nikon’s mirrorless program, especially since it’s been over a year since Nikon put out a full-frame mirrorless camera.

But no more.

We have a new Nikon rumor to report, one that offers a truly exciting prospect for Nikon mirrorless shooters:

A so-called Nikon Z8, which will supposedly have a whopping 60 MP sensor, along with dual card slots (one CF and one SD). Nikon Rumors reports that the camera will also feature a “vertical grip option, pro body” and a “higher price tag.”

Apparently, we should also expect a Nikon D850 replacement “maybe” in 2021, which will also have a 60 MP sensor.

This is excellent news for Nikon fans, especially those who were critical of Nikon’s decision to put a single card slot in its Z6 and Z7 bodies. Photographers who felt unable to make the switch to mirrorless due to a need for redundancy will be free to choose between the Z8 and Nikon’s professional DSLR bodies such as the Nikon D5, the Nikon D6, the Nikon D850, and the D850’s successor.

Nikon Z8 60 MP Mirrorless Camera Rumored, Along With D850 Successor

 

Clearly, Nikon is planning to go toe-to-toe with Sony’s A7R series, which currently features a 61 MP flagship model and is a favorite among photographers requiring top-of-the-line resolution, such as landscape, commercial, and product shooters. The Z8 will potentially also compete with the upcoming Canon R5, which is rumored to offer a 45 MP sensor and may be positioned as a mirrorless 5D Mark IV successor, potentially packing the low-light capabilities of the 5D Mark IV but adding mirrorless features such as ultra-fast shooting speeds and in-body image stabilization.

Of course, resolution isn’t everything, and it remains to be seen whether Nikon will manage to produce a camera that can go beyond the impressive Z6 and Z7.

But at least Nikon shooters will have something to hang on to over the coming months.

The post Nikon Z8 60 MP Mirrorless Camera Rumored, Along With D850 Successor appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on Nikon Z8 60 MP Mirrorless Camera Rumored, Along With D850 Successor

Posted in Photography

 

Is the Nikon D780 right for you?

02 Mar

Is the D780 right for you?

Everyone has different requirements for cameras; what might be perfect for one person could be unworkable for another. With this in mind, we’ve taken a look at some common photographic use-cases to see how well we think the Nikon D780 will work for them. From travel to portraits, check out our handy guide to see how Nikon’s latest DSLR could stack up for the types of photography you enjoy.

All images taken by Dan Bracaglia

Travel

Image: Processed from Raw | ISO 100 | 1/250 sec | F2.8 | Nikon AF-D 50mm F1.8

Life on the road leaves little room for error when it comes to gear, so it’s best to have a reliable camera at your side. With a rugged, weather-sealed body, solid battery life and the addition of USB charging, the D780 should make for a trusty companion. It produces great JPEGs right out of camera, and sharing them right away is easy thanks to the camera’s Bluetooth and Wi-Fi connectivity.

We’ll admit though, there are smaller options out there, including Nikon’s own Z6 mirrorless camera, and there are even smaller options yet if you don’t need a full-frame sensor. But overall, the D780 is a great travel camera, especially when paired with one of many compact-yet-excellent F-mount lenses.

Video

The D780 makes a strong case for itself as a video camera. It comes with high-quality, oversampled 4K footage and great video autofocus, slow-motion Full HD capture, and retains separate settings for both stills and video – especially handy for shooters that dabble in both disciplines. There’s plenty of room for both headphone and microphone sockets, and the camera can output a 10-bit Log signal to an external recorder over HDMI. There’s focus peaking if you don’t want to rely on autofocus, and zebra warnings will help you control your exposure.

Perhaps the biggest knock against the D780 is simply due to its DSLR design. There’s no electronic viewfinder option, and since the mirror has to flip up to shoot video, you cannot use the optical viewfinder either. There’s also no in-body image stabilization, but a stabilized lens or enabling the camera’s electronic stabilization can smooth your footage out. Lastly, the tilting screen mechanism isn’t as versatile as a fully articulating one for those who want to start vlogging.

In the end, DSLR cameras face stiff competition in general from mirrorless cameras when it comes to video. But for users who have a good collection of F-mount glass, or those who want to use older AF-D lenses for video and get good autofocus, the D780 is your best bet.

Family and moments

Image: Out-of-camera JPEG | ISO 5000 | 1/160 sec | F2.8 | Nikon 35mm F2 D

Capturing fleeting moments of those you hold most dear can be a tricky task; the camera in question has to just work. Thankfully, the D780 has two great autofocus systems that aren’t likely to let you down. You get face-detection through the optical viewfinder and eye detection when you’re using the rear screen. Finally, nice JPEGs and easy sharing mean you can send that keeper of Aunt Betty laughing uncontrollably to her phone while the tears are still streaming down her face.

There’s not much to count against the D780 in this situation, though we’d recommend you dial down the high ISO noise reduction on the camera a bit. And there’s no denying that smaller, lighter options are available on the market that you may be more willing to bring along with you, wherever you go.

Landscape

Image: Processed from Raw | ISO 5600 | 1/160 sec | F5.6| Nikon 35mm F2 D

The D780’s 24-megapixel chip isn’t the highest resolution around, but it offers excellent dynamic range and solid detail capture if you’re not printing wall-sized posters. For hardcore wilderness photographers, the D780’s weather-sealing could be handy if inclement weather strikes, and the abundant controls should be pretty easy to operate with gloves. Excellent battery life means that you basically don’t have to worry about running out of juice, but if you do want to worry about it, remember you can top up with the camera’s USB-C port.

Unlike some competitors, the D780 doesn’t have any sort of resolution-boosting sensor-shift mode, but there’s a built-in focus stacking feature that could be handy. The tilting screen will make it easy to work from a tripod, and you can rely on the autofocus in pretty much any lighting conditions. There is some risk of shutter shock with longer lenses and slower shutter speeds, so be sure to enable the ‘Quiet’ shutter-release mode and the electronic front-curtain shutter in the menus if you find it to be a problem.

Portraits

Image: Converted from Raw | ISO 100 | 1/320 sec | F5.6 | Nikon 50mm F1.8 D

The D780 is an excellent choice of camera to capture the essence of others. There are tons of great lenses to choose from, and the JPEG engine does a great job capturing skin tones. The camera’s updated autofocus should also be accurate whether you’re using either the optical finder or the rear screen, but be aware that you only get eye detect on the latter and you could need to calibrate your lenses for the former to get the best results.

Keep in mind that, being a DSLR, the D780 is fairly sizable and could look ‘professional’ to some subjects and intimidating to others. High-end studio portraitists may also wish for more resolution, but we think the D780’s 24 megapixels will serve most users just fine indeed.

Lifestyle and people

Image: Converted from Raw | ISO 3200 | 1/250 sec | F1.4 | Tamron 35mm F1.4

For users looking to up their Instagram game, a good lifestyle camera needs to offer abundantly better image quality than a smartphone – broadly speaking, the D780 absolutely does. If you want real bokeh, baby, you got real bokeh, baby. On the other hand, a lifestyle camera should be easy to have on you at all times. In this regard, the D780 is a pretty chunky option for those used to only carrying a smartphone. And, though we think it’s a handsomely designed camera, the retro-chic appearance of some competitors may be more attractive to you.

But back to image quality – the D780’s excellent JPEGs are great for immediate social sharing with Nikon’s solid Snapbridge app, though you can also tweak Raw files in-camera to get even better results. Excellent autofocus, especially in poor light, will only serve to broaden the situations in which you can get just the right shot. If you’re not against carrying a full-frame DSLR around with you, the D780 is a solid option for this type of photography.

Candid and street

Image: Converted from Raw | ISO 250 | 1/160 sec | F2.5 | Nikon 35mm F1.8G

Ah, street photographers – those who cherish the quiet, the discreet, the cool. It’s obvious that the D780 isn’t the most subtle, blend-in-to-the-background sort of camera around. But that doesn’t mean it hasn’t got plenty going for it in terms of capability.

The D780 is super responsive, so you can quickly adapt to changing situations with ease (and check your settings on the top LCD). The tilting touchscreen makes it easy to shoot from the hip, and if you’re the type of person who likes to share your photos with those you’ve just photographed, the Snapbridge app makes it easy to send off the camera’s excellent JPEGs right away.

If you do want to try to make the D780 as unobtrusive as possible, you can enable the ‘Quiet’ shutter (which is only slightly quieter), or if you’re not worried about rolling shutter artifacts, you can shoot using a fully silent electronic shutter in live view mode.

Sport, action and wildlife

Image: Converted from Raw | ISO 25600 | 1/640 sec | F2.8 | Nikon 70-200mm F2.8

When it comes to capturing sports and action, the D780 has a lot going for it. This isn’t too much of a surprise – the D700-series has historically been pretty well-suited for this sort of work, provided you don’t need super-fast burst speeds. The fact is, 7 fps through the viewfinder is fast enough for a lot of different sports, and the D780 has a deep, 100-frame buffer which clears quickly thanks to dual UHS-II memory cards. In other words, it’s rare that you’ll find yourself waiting for the camera. Supporting all this is great image quality in both JPEG and Raw and a deep catalog of F-mount telephoto glass.

This brings us to the autofocus system – the 51-point viewfinder system is absolutely excellent in terms of reliability, but there’s no getting around the fact that the spread across the frame is pretty limiting these days.

Many competing mirrorless cameras have as near-as-makes-no-difference 100% autofocus coverage in their electronic viewfinders, which can be compositionally freeing. You can get a similar type of system on the D780 if you use the rear screen, but that can make for an unwieldy setup with large or heavy lenses. Ergonomically, we’d also love to see an AF joystick for moving the AF point around in the viewfinder – the eight-way directional pad is serviceable, but not ideal.

Weddings and events

Image: Out-of-camera JPEG | ISO 14400 | 1/320 sec | F2.8 | Nikon 85mm F1.8G

Being a very well-rounded camera, the D780 is a great choice for a wedding and event photographer. It’s got solid image quality in all lighting conditions, its 24MP of resolution tends to be plenty without eating up all your drive space, it’s rugged, has great battery life and dual card slots for instant backup of those irreplaceable moments.

The viewfinder autofocus system also works extremely well in low light, and though the eye-detection option in live view shooting is great, it’s not available in the viewfinder and live view tracking in general isn’t super reliable as light levels drop. But really, we’re nitpicking here. The D750 was already a camera long-favored by wedding and event shooters; the D780 should perform even better.

Is the D780 right for you?

There we have it – the D780 is an incredibly well-rounded camera that, if not the absolute best camera for any one of these use-cases, will at least perform very well across most photographic disciplines.

But what do you think? Is there a specific type of photography you dabble in that we don’t mention here? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Is the Nikon D780 right for you?

Posted in Uncategorized

 

Hands-on with the latest Nikon Z lenses, AF-S 120-300mm F2.8

29 Feb

Hands-on with the Nikkor Z 20mm F1.8S

The Nikon booth at WPPI is bustling with visitors hoping to listen to a free educational session or get their hands on some of the latest Nikon gear – we’ve at least done the latter, and taken some photos to share with you. Nikon announced these two Z lenses earlier this month and the 120-300mm F2.8E telephoto zoom last month, and this is our first change to get up-close and personal with them.

Let’s start off with the Nikon Z 20mm F1.8S, pictured here on a Z7 camera body. The 20mm F1.8S looks right at home in Nikon’s growing lineup of S-series prime lenses for its mirrorless system, with solid construction and a large, well-damped manual focus ring. The silver ring near the base is indicative of its ‘S’ designation.

Hands-on with the Nikkor Z 20mm F1.8S

A peek at the front of the lens reveals – well first of all, some dust – but also that the Z 20mm F1.8S uses a 77mm filter thread. The optical construction comprises 14 elements in 11 groups, with three ED and three aspherical elements. It also employs Nikon’s nano-crystal coating to combat flare.

The Z 20mm F1.8S can focus down to 20cm (7.87″) for a maximum magnification of 0.19x.

Hands-on with the Nikkor Z 20mm F1.8S

At the rear of the lens, we can see a rubberized gasket surrounding the large metal Z-mount. Like all of Nikon’s S-series primes, the 20mm F1.8S is sealed against dust and moisture. You can also get a glimpse of the lens’ nine aperture blades, which should produce some brilliant sunstars (we’ll investigate further when we get a copy to evaluate).

Hands-on with the Nikkor Z 20mm F1.8S

On the side is the sole control point on the Nikkor Z 20mm F1.8S aside from the focus ring – an autofocus A/M switch. The Z 20mm F1.8S balances very well on the current Z6 and Z7 bodies, and should be a particularly useful lens for astrophotography and video. Or, place it on a Z50 and get a 30mm-equivalent field of view on Nikon’s APS-C Z-mount offering.

The Nikkor Z 20mm F1.8S is expected to be available next month, March 2020 for a suggested retail price of $ 1049.95 USD.

Hands-on with the Nikkor Z 24-200mm F4-6.3

Next up, we have the Nikkor Z 24-200mm F4-6.3 lens. It’s intended as a do-it-all travel zoom, complementing the existing Z 24-70mm F4S and 24-70mm F2.8S lenses Nikon has already released for the Z system, and offering the greatest zoom range of any Z-series lens to date.

Hands-on with the Nikkor Z 24-200mm F4-6.3

Here it is at full zoom; its length nearly doubles, but thanks to a reasonable 570g (1.26lb) weight, it doesn’t become ungainly or off-balance on full-frame Z-series cameras. Also visible in this image is a ‘Lock’ button that keeps the lens locked into the wide-angle position for travel, to help combat ‘zoom creep’ from the occasional bump or jostle while you wander around. There’s also a slim but customizable and well-damped manual focus ring near the base of the lens as well.

Hands-on with the Nikkor Z 24-200mm F4-6.3

From the front of the lens, we can see that the Z 24-200mm takes 67mm filters. This lens has a complex optical formula of 19 elements in 15 groups, and uses a special Arneo coating to reduce flare. The minimum focus distance is 50cm (19.69″), giving a maximum magnification of 0.28x. A total of seven aperture blades should produce some pretty nice sunstars on this lens as well.

Hands-on with the Nikkor Z 24-200mm F4-6.3

A rear gasket on the Z 24-200mm F4-6.3 is physical proof of Nikon’s claims of ‘drip and dust resistance,’ which is always a nice touch on a lens that is really designed to travel with you wherever you go, for just about any focal length you might need.

This lens also comes with built-in stabilization, which Nikon says works in tandem with the in-body stabilizers on the Z6 and Z7 cameras. If you want to use this on a Z50 which doesn’t have an in-body stabilizer, you can still expect up to 5 stops of compensation. This will definitely come in handy when you get to the maximum 300mm equivalent reach on an APS-C sensor.

Nikon has said that the 24-200mm F4-6.3 will be available starting in April 2020 for a suggested retail price of $ 899.95 USD.

Hands-on with the AF-S Nikkor 120-300mm F2.8E

First announced back in September, then with a release date given in January, we’ve finally gotten a chance to see the Nikon AF-S 120-300mm F2.8E FL ED SR VR in the flesh metal. No surprise, it’s a pricey optic at $ 9499.95 USD, but one that we expect will be put to good use by a variety of sports, action and wildlife photographers. Those letters in the name stand for electromagnetic diaphragm, fluorite elements, extra-low dispersion elements, short-wavelength refracting element and vibration reduction. Oh, and there’s Arneo coating to combat chromatic aberrations as well as flare. In other words, there’s a lot of optical technology in this lens.

Here, you can see the lens mounted to the company’s latest sports DSLR flagship, the D6.

Hands-on with the AF-S Nikkor 120-300mm F2.8E

In this view, you can see the name plate, serial number and a window displaying focus distance on the top of the lens. There’s also a customizable ‘Memory Set’ button on the side.

But speaking of focus distance, the lens can focus down to 2m (78.74″) at all focal lengths, for a maximum magnification of 0.16x.

Hands-on with the AF-S Nikkor 120-300mm F2.8E

Around the side are all of the control options on this lens. There’s an autofocus mode switch, a focus limiter, vibration reduction switch, a memory recall switch and a switch for the focus confirmation beep. Mounted right on the tripod collar are also lugs to which you can attach neck straps; Nikon is touting this lens as one you could use handheld if needed.

Being able to use a lens like this handheld is always a plus – but bear in mind, it weighs 3.25kg (7.17lb) so a monopod is probably still a good bet for extended shooting.

Hands-on with the AF-S Nikkor 120-300mm F2.8E

Around the front, we have a massive front element with fluorine coating to help repel moisture and oil. The filter thread is pretty sizable at 112mm, but many users will simply keep the lens hood on, which somewhat tempers the need for protective filters.

The AF-S Nikkor 120-300mm F2.8E has an optical formula of 25 elements in 19 groups, and a nine-bladed diaphragm. Nikon claims a high degree of weather-sealing as you’d expect from a lens of this caliber.

That’s a wrap

And that’s a wrap from the Nikon booth at WPPI 2020 in Las Vegas. If you missed it, we also have a dedicated hands-on look at the Nikon D6, pictured above. Let us know what you think of Nikon’s latest lenses and cameras in the comments below.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with the latest Nikon Z lenses, AF-S 120-300mm F2.8

Posted in Uncategorized

 

Hands-on with the Nikon D6 at WPPI

27 Feb

Hands-on with the Nikon D6 at WPPI

The Nikon D6 is the company’s latest full-frame, high-speed sports DSLR, and we’ve just had the chance to get a look at one in-person at the 2020 Wedding and Portrait Photography Expo in Las Vegas. While the camera was operational, we weren’t allowed to capture any images with it – only images of it, for now anyway. Let’s take a closer look.

Behind that lens, and grip and front function buttons

No surprises here, Nikon’s not going to mess with a good thing – as someone who’s used the D5 extensively, I can confirm that the D6’s grip feels very familiar indeed, and is very comfortable. Those front function buttons are all very well-placed for easy access.

While we weren’t able to take the lens off this pre-production unit, the D6 comes with the same 20.8MP resolution of the D5, but a new Expeed 6 processor boosts burst shooting and should help with high-ISO performance, especially shooting JPEG.

Top plate

Top-plate controls are all-but identical to the D5’s as well, though we can see there’s now a polycarbonate cover around the hotshoe that likely houses the camera’s wireless antennas. On the top left shoulder, the ‘Mode – BKT – Metering’ controller is a bit more raised-up than we saw on the D5, and that’s really about it up here.

Rear plate

The rear of the camera is likewise going to be familiar to previous Dx-series users. Like, really familiar. Looking at the D6 and D5 side-by-side, the only difference I can find is the painting of a microphone symbol by the Fn3 button on the lower left corner. This means that this is likely the default button for recording audio notes to accompany images.

The side ports also look familiar, but there has been one change: the headphone jack and HDMI ports of traded positions, but that’s not likely to trip anyone up. Change just for the sake of change isn’t always the wisest choice on this type of camera. Many users will be picking one up and immediately setting it up exactly like their older D5’s and D4S’s and going out shooting. These types of professionals rarely want to reprogram their muscle memory.

Card slots

The Nikon D6 is the first camera in the series to eschew the use of CompactFlash cards entirely. Whereas the D5 could be configured with either dual CF or XQD cards, the D6 only accepts dual CFExpress cards. We think this is a good thing; these cards are durable and incredibly speedy.

We’ve been reliably informed that production sample cameras will ship without gaffer’s tape (applied to prevent show-attendees from sneaking in a card for unauthorized test shots).

Viewfinder autofocus

This is where Nikon’s concentrated most of its efforts. The autofocus system in the optical viewfinder is all-new, with 105 points, all of which are cross-type and use what’s called a ‘triple-sensor arrangement.’ The coverage area is very similar to that of the D5, though Nikon claims that the area of coverage is ‘1.6x denser’ than that of the D5. The whole array is sensitive down to -4EV, with the center sensor sensitive to -4.5EV.

In our brief hands-on with the D6 and the new AF-S 120-300mm F2.8 lens (which we’ll be featuring in a separate slideshow), the camera focused impressively fast from both near-to-far focus, and based on ‘Demo’ image review on the rear display, incredibly accurately. The D5 has been a benchmark for absolute autofocus performance for some time, and if Nikon’s made the D6 even better, that’s an impressive achievement. When we get a full review unit, expect lots of real-world sports AF testing.

Wireless connectivity, rear screen and burst shooting

The Nikon D6 comes with built-in wireless connectivity, which is likely to be well-received by end users (no more being forced into attaching an expensive external accessory). Hiding down at the bottom of the screen, you can also see the camera is set to its new maximum burst speed of 14 fps with autofocus and auto exposure. Firing off a handful of bursts, blackout is very well-controlled, and 14 fps is still going to be plenty fast for many types of action.

The rear screen is touch-sensitive, as with the D5, but there’s a new ‘swipe’ functionality in playback that brings up connectivity options right there to streamline the process of sending images off after they’ve been taken.

Hands-on with the Nikon D6 at WPPI

The D5 has been a personal favorite of mine for professional shoots for a long time, and it’s still one of my top choices for wedding photography today. I would expect the D6 to continue in this tradition – if the viewfinder autofocus system can get me even better results in even lower light, this will be a wedding-and-event photography winner. After all, that’s probably why it’s being showcased at a wedding photography expo.

Let us know what you think of Nikon’s latest professional DSLR in the comments.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with the Nikon D6 at WPPI

Posted in Uncategorized

 

Metabones releases Nikon F-mount to Fujifilm G-mount adapter with 1.26x magnifaction

24 Feb

Metabones has announced the release of the NF – GFX mount Expander 1.26x, a new adapter that allows Nikon G-mount lenses to be mounted to Fuji G-mount (GFX) camera systems while also magnifying the image circle by 1.26x, making it so the lenses retain their native diagonal field of view across formats.

The adapter, which is constructed of an aluminum alloy and chromium-plated brass, features a detachable Arca-Type tripod foot and is comprised of five optical elements in three groups, including elements made of ‘ultra-high index Lanthanum-based optical glass as well as one element made of fused silica.’ The adapter uses Metabones’ manual G aperture adjustment, which uses ‘the same angular throw distance as earlier Nikon Ai/AiS lenses, which features a linearized f-stop adjustment as a function of aperture ring adjustment angle.’ The mechanism is also clickless for convenience when using it for cinematography.

Using examples provided by Metabones, the NF – GFX mount Expander 1.26x would effectively turn a a 24–70mm F2.8 lens into a 30–88mm F3.5 lens, and a 70–200mm F2.8 lens into an 88–252mm F3.5 lens. Since this is only a focal extender and not a speedbooster, the lenses will lose 2/3 a stop of light, meaning F1.4 lenses drop to F1.8 and F2.8 drop to F3.5.

In addition to Nikkor DX lenses and third-party APS-C lenses will likely have strong vignetting with using them with the adapter and a number of other lenses have limitations, as noted by Metabones in the below graphic:

The NF – GFX mount Expander 1.26x is available now for $ 519. Metabones is also selling a straight NF — GFX adapter without the optical elements for $ 179.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Metabones releases Nikon F-mount to Fujifilm G-mount adapter with 1.26x magnifaction

Posted in Uncategorized