RSS
 

Posts Tagged ‘lightroom’

18 useful Lightroom shortcuts for beginners

16 Jan

Adventure and lifestyle photographer Lucy Martin put together this useful little video that goes over her favorite Lightroom shortcuts. There are 18 in all, and while they’re all probably a little basic for the power users out there—L = lights out, X = reject, etc.—the beginners reading this will definitely pick up a few new shortcuts to add to their repertoire.

We’ve listed all 18 below, just like Martin did in the video’s description, but check out the video to see all of the min action:

  • G – Go to Grid (Library Mode)
  • E – Enter Loupe View
  • L – Lights Out
  • P – Pick/Flag Photo
  • X – Reject Photo
  • CAPS LOCK – Auto Next Photo
  • CMD + DELETE – Delete all Rejects
  • D – Go to Develop Module
  • \ – Before & After Shortcut Key Lightroom
  • Y – Before & After Side-by-Side
  • V – Black& White
  • R – Resize & Rotate (Crop)
  • Q – Spot Removal Tool
  • H – Hide Adjustment Pins
  • CMD + Z – Undo Last Action
  • CMD + C – Copy Develop Settings
  • CMD + P – Paste Develop Settings
  • CMD + / – Show All Shortcuts

If you have any favorites you want to add to this list, drop them in the comments. And if you found the video helpful, you can check out more from Martin on her YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on 18 useful Lightroom shortcuts for beginners

Posted in Uncategorized

 

Free Lightroom alternative Darktable is now available on Windows

28 Dec

Free Lightroom alternative Darktable was recently updated to version 2.4.0, an update that is joined by a new milestone for the open source software: for the very first time, it has been ported to Windows. The Windows port is incomplete at the moment, lacking a few features like printing support, but the team said in a blog post that, “we are confident that it’s quite usable already and hope you will enjoy it.”

Darktable is an open source “virtual lighttable and darkroom for photographers,” and one that frequently pops up on “free Adobe alternative” lists online; however, until now, it had only been available for Linux and Mac. Version 2.4 brings numerous changes and some new features, including: tweaks to design elements, support for the basic import of Lightroom 7 settings, removal of the 51200 ISO limit, some usability improvements such as the ability to make new module instances using the middle mouse button, and a new haze removal module (among others).

The update also applies numerous bug fixes, adds new camera, noise profiles, and white balance preset support, changes some dependencies, and adds new software translations.

As for the Windows port, Darktable says this version currently has “a few limitations,” such as needing special drivers to tether. It also has some bugs, one of which is apparently a lack of non-ASCII character file name support when exporting and importing TIFF files. Still, the Windows version gives PC users something to play around with until the next update… and the one after that. Before long, Darktable for Windows might become a very popular Adobe alternative that will cost you 0 dollars and 0 cents.

Darktable 2.4.0 can be downloaded now from GitHub. The full version changelog can be found in the team’s announcement post.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Free Lightroom alternative Darktable is now available on Windows

Posted in Uncategorized

 

The 2 Minute Lightroom Workflow Toolkit

23 Dec

Sick of struggling with Lightroom? Disappointed with one-click presets and want to know how to produce stunning, natural images in under 2 minutes… read on!

Earlier this year we offered dPS readers an amazingly simple Lightroom Workflow by professional Aussie photographer Johny Spencer. It was one one of our most popular offers of the year.

As part of our dPS Christmas Deals, we’ve brought this amazing offer bundled with 2 of Johny’s other awesome Lightroom resources: Mastering Lightroom & Ultimate Lightroom Finishing Moves

Three Lightroom Resources for the Price of One

For the next 48 hours you can get this toolbox of Lightroom resources for 67% off. Normally you’d pay $ 237 for this collection, but you can get them now for just $ 79.

Here’s what’s included:

  1. Ultimate Lightroom Workflow – Johny’s own workflow he uses every day to process 1000’s of photos in minutes.
  2. Mastering Lightroom – The definitive guide to using Lightroom to process landscapes and nature photographs.
  3. Ultimate Lightroom Finishing Moves – the secret final steps pros use to take their Images from stunning to spectacular

Johny know his stuff. He has every photographer’s dream job: Professional Landscape and Nature photographer for the National Parks Service in Australia. This means he takes thousands of photos a month… and then edits them in Lightroom.

Grab the Ultimate Lightroom Workflow Toolkit while you can. This deal ends in 48 hours.

Parter Bonuses

Access our exclusive Partner Bonus Offers from New York Institute of Photography, KelbyOne, Perfectly Clear and ON1 when you purchase any dPS Christmas Deal. Check your purchase receipt email for the access link!

Christmas Deals:
Bonus Offers

Bonus Offers

Brought to you by

ON1
Athentec Perfectly Clear
KelbyOne
New York Institute of Photography

The post The 2 Minute Lightroom Workflow Toolkit by Darren Rowse appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on The 2 Minute Lightroom Workflow Toolkit

Posted in Photography

 

Adobe has released the final standalone version of Lightroom

20 Dec

If the release of Lightroom Classic CC and Lightroom CC on October 18th was the beginning of the end for standalone Lightroom, today marks the end of the end. Adobe has released the final standalone Lightroom, version 6.14, adding some bug fixes and camera and lens compatibility, but otherwise using the opportunity to encourage users to jump on the subscription bandwagon.

To their credit, Adobe isn’t hiding this fact. They announced that this final update was coming all the way back in October, and today’s update announcement notes state the facts plainly:

Lightroom 6.14 is the last perpetual, standalone version of Lightroom.

While you may continue to purchase and use Lightroom 6 with a perpetual license, Adobe will no longer provide updates to the software. Consider upgrading to the Creative Cloud Photography plan to get the latest updates in Lightroom Classic CC and the all-new Lightroom CC, and ensure that the software works with raw files from the newest cameras.

As of today, Lightroom 6 becomes an ‘unsupported product.’

Of course, that’s okay if you plan to use it with a camera you currently own and don’t intend to upgrade any time soon. Problems—or, rather, inconveniences—arise with your next camera purchase. That camera won’t be supported by Lightroom 6, and you’ll be forced to use Adobe’s DNG converter before importing your images.

Not to mention the OS compatibility issues that will inevitably arise as Microsoft and Apple continue releasing new operating systems.

If that all sounds like too much of a hassle, and a Creative Cloud subscription is simply out of the question, it might be time to check out some of the popular alternatives that we’ve been testing and writing about recently.

Click here to download the latest (and last) version of Lightroom 6.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe has released the final standalone version of Lightroom

Posted in Uncategorized

 

Transform Your Images with a Click – 62% off these Lightroom Presets Today

17 Dec

We’re at day 5 of our dPS 12 Days of Christmas and today we have one that we know many of you who use Lightroom will LOVE. It’s 62% off any of our Lightroom Presets bundles!

If you have ever looked at other people’s beautiful images and have wondered, “Why don’t mine look like that?” Then you’ll find todays deals perfect for you.

These beautiful presets have been created by some of our favourite photographers to save you a whole lot of processing time.

They will help you convert your photos from average to amazing with just one click.

Here’s the deal – 101 Lightroom Presets for just $ 19 USD:

Normally $ 49 – today you can pick up any one of these 101 presets packs for just $ 19 USD (62% off).

  • 101 Lightroom Presets by Cole Joseph – to take your landscapes and people photos from average to amazing… including 7 high quality collections
  • 101 LANDSCAPES Lightroom Presets by Todd and Sarah Sisson – for all scenery seasons including a bonus toolbox of stackable presets
  • 101 Lightroom PORTRAITS Presets by Rachel Devine – including 67 different presets and 36 different portrait brushes

These collections have been created exclusively for dPS by professional photographers to make your photos “pop” and save you time getting the look you want.

With these collections and a few clicks in Lightroom, people will be wondering why their images are not as stunning as yours!

Each one contains 101 presets – at just $ 19 USD that’s around 18 cents per preset. Whether you just grab the one pack or all three you’ll love todays deal.

Bonus Parter Offers

Anyone who picks up any of the offers during these 12 days of offers gets to take advantage of your exclusive DPS Christmas Deals Bonus Offers, like todays featured bonus where you can pick up Perfectly Clear Complete for just $ 89 USD.

Christmas Deals:
Bonus Offers

Bonus Offers

Brought to you by

ON1
Athentec Perfectly Clear
KelbyOne
New York Institute of Photography

The post Transform Your Images with a Click – 62% off these Lightroom Presets Today by Darren Rowse appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Transform Your Images with a Click – 62% off these Lightroom Presets Today

Posted in Photography

 

An Introduction to Lightroom Classic’s Newest Tools

15 Dec

The announcement of Lightroom CC has been stealing all the thunder when it comes to Lightroom over the last few weeks. At the same time, however, Adobe made some changes and additions to the Lightroom you and I have been using (now called Lightroom Classic). There aren’t many changes, but they are very significant, so let’s take a look.

An Introduction to Lightroom Classic's Newest Tools

Changes to Lightroom Classic

Before we get into the new tools, you’re likely to notice an overall change to Lightroom. It is faster. Much faster. It imports faster, you can flick through your pictures faster . . . everything just works faster. That is a nice change.

When it comes to making global edits to your pictures –  that is, changes that affect all parts of the picture – Lightroom works exactly the same. There are no changes (except the speed). The bad news is that there are no new features, but the good news is that you will still be comfortable with how everything works.

Making Local Changes in Lightroom

The latest change to Lightroom comes in the local adjustment tools. If you aren’t already familiar with them, Adobe lets you make changes to specific parts of your picture using one of three tools: the Adjustment Brush, the Graduated Filter, and the Radial Filter.

Since the changes to Lightroom work within these tools, it is worth spending a second making sure you are familiar with them.  Here is what they are and how they work:

An Introduction to Lightroom Classic's Newest Tools

  • Adjustment Brush: It is just like it sounds. You select the brush and then paint in where you want to make changes. When you call up the brush, a series of sliders will appear, and the changes you make with these sliders only affect the part of the image you have selected. If you want Lightroom to find an edge for you as you paint, to keep things from spilling over into other areas, be sure you have checked the Auto Mask option at the bottom.
  • Graduated Filter:  You will find this tool gets more useful the more you use it. This is a filter that makes gradual changes to your picture, along a straight line. If you are familiar with a graduated neutral density filter, then you are familiar with this tool. As with the Adjustment Brush, when you call up this tool and create a gradient, you will see sliders appear on your screen. You can then make changes to only the part of the image you chose. Those changes will be softly blended in. You can create multiple gradients to change many discrete parts of your image.
  • Radial Filter: Frankly, this is the one I use the least. It works like the Graduated Filter, but it selects an elliptical area. Once you make your selection, you’ll see the usual sliders for making adjustments to the selected area. I find it is most useful for highlighting the subject or a particular part of your image.

The trouble with these selection tools has always been controlling the selection. Take the Graduated Filter, for example.  How often do you really want to make changes along a straight line across your entire picture?  Probably not often. What you end up doing is just trying to feather your changes in softly enough that you don’t notice changes to things sticking over the line.

Now, however, Adobe has provided additional tools for us to deal with that. It is called the Range Mask feature, and you’ll see it as an option at the bottom of the Adjustment Brush, Graduated Filter, and Radial Filter tools.

Using the Range Mask Feature

What does the Range Mask feature do? Simply put, it allows you to exclude things from a selection based on brightness values or color.

An Introduction to Lightroom Classic's Newest Tools

Here’s how it works. Once you have selected a part of the picture to edit using one of the three tools mentioned above, you’ll see a little option at the bottom of the controls for that tool labeled Range Mask. It will be in the Off position by default, meaning it is doing nothing.

When you click on it, you will see options for Color and Luminance. You pick one and then you can exclude colors or brightness values from the selection.

Color Range Mask

For example, if you choose Color, then you will see an eyedropper tool. Use it to select a color you want to exclude from your selection. If you’re happy with that, you’re done. If it isn’t quite right, there is an amount slider just below so you can fine tune it. You can also click and drag to select all the colors in a particular area, or you can Shift-click with the eyedropper to select multiple colors.

An Introduction to Lightroom Classic's Newest Tools

Luminance Range Mask

Or you can select Luminance instead, which will allow you to exclude pixels of certain brightness values from your picture. You’ll see a Range slider with two points on it. Think of these as your black point (on the left) and the white point (on the right).

When you drag the left/black point up, Lightroom will remove darker pixels from the selection. For example, if you want to make changes to a particularly bright area of your picture, but not affect some dark items sticking into the bright area (trees into the sky, a mountain or building, etc.), then pull up the left point of the Range control.

An Introduction to Lightroom Classic's Newest Tools

The Range Mask Feature in Action

It might be more understandable if you see these tools in action. Let’s take a photo like this one just below, where you want to adjust the sky, but there isn’t a nice clean line to use a graduated filter. I should note that we could try to make an adjustment using the Adjustment Brush, but even using Auto Mask it won’t be able to make a clean selection around all those branches. Our best bet is going to be the new Range Mask feature.

An Introduction to Lightroom Classic's Newest Tools

With the new tools in Lightroom, you can make quick work of this. Just grab the Graduated Filter (or the Adjustment Brush, if you prefer) and make the changes you want to the sky. Don’t worry about how it affects the darker part of the image for now. When you are done making your changes, it might look something like this:

An Introduction to Lightroom Classic's Newest Tools

We can now use the Range Mask feature to clean this up very quickly. Just select Luminance, then pull the left/black point of the Range slider up. That will exclude the dark areas from the selection.

Voila! You now have the exact changes to the sky you want, without any spillover into areas (the cliff and trees) that you don’t want to be affected.

An Introduction to Lightroom Classic's Newest Tools

You can repeat the process in reverse to make changes to the darker portion of the image as well.

Additional Uses of the Range Mask Feature

As you play with this feature, you’ll find additional things you can do with it. The ability to target pixels based on brightness and color values is so powerful and has so many different applications, that I think you’ll end up using it in a variety of different ways. I am just getting started with it (obviously, as it just came out), but I am already seeing uses for it in my night photography.

With this tool, it is a pretty simple matter to target the dark areas of the sky and leave the stars alone. I can create a selection of the entire sky using the Graduated Filter, and then use the Range Mask to remove the stars from the selection. That way I can just darken and apply noise reduction to only the darker areas.

An Introduction to Lightroom Classic's Newest Tools - night sky image

Previously, that required a tedious process of luminance masks in Photoshop. That’s just one little application I found, and you will doubtlessly find your own better applications.

Application to Your Photography

The recent update to Lightroom Classic has only one additional tool, which is the Range Mask feature addressed in this article. While it is only one change, it is a really powerful addition. It makes all the local adjustment tools in Lightroom Classic that much more powerful.

If you have shied away from making local selections in Lightroom, it is now a much more feasible process. If you are someone that routinely takes your photos into Photoshop to make local changes – utilizing the powerful masking features there – this will probably save you a few trips.

Give it a try and I think you’ll like what you find.

The post An Introduction to Lightroom Classic’s Newest Tools by Jim Hamel appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on An Introduction to Lightroom Classic’s Newest Tools

Posted in Photography

 

Switching from Lightroom to ACDSee Photo Studio: Making the Jump Easy

14 Dec

Let’s be honest – over the past couple of months, more than enough has been said about Adobe’s recent change in policy regarding how the latest versions (yes, all two of them) of Lightroom are to be purchased and used. Articles have been written, disappointment expressed in some volume, silver linings spotted where there seemed to be none.

There’s also a good chance that you have made up your mind regarding the change to do one of the following:

  • To stick with CC and Classic.
  • To start the fairly painful process of moving on to a different piece of software.
  • Or to put off the decision for as long as the already-purchased version of Lightroom supports RAW files from your camera.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

Thus, we are not here to discuss Adobe’s brilliant decisions or lack thereof. This article is meant for those who chose the second option. Specifically, for those, who have decided to switch from Lightroom to ACDSee Photo Studio Ultimate. Hopefully, the last article I wrote on ACDSee Photo Studio has helped you make up your mind whether or not this software is suitable for your needs. If it is, I will try to help make the transition as painless as possible.

An important disclaimer: as before, the license for this copy of ACDSee Photo Studio Ultimate has been provided by ACD Systems. Having said that, even though ACD Systems has asked me to write this article, it has not been dictated by the company in the slightest. My words are always my own, as are your reasons for switching or otherwise. More than that, ACD Systems never implied they expect anything but integrity.

Direct transfer from Lightroom

I am afraid I will have to start with some disappointment, so I will try to rip off the bandage as quickly as possible. As of today, there is absolutely no way to transfer editing data from Lightroom to any other post-processing software or vice versa. It’s the result of closed-standard tools and database format that each software developer uses – not even sharpening is equivalent, let alone tonal adjustments.

So, the progress you have made with Lightroom is bound to remain accessible via Lightroom only, at least as far as RAW files themselves are concerned. For all the convenience catalog systems provide, this is one of the downsides – switching to a new RAW converter can really be a hassle.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

It may not be possible to transfer edits from LR to ACDSee, but Photo Studio sure has a lot of tools to cover most post-processing tasks.

But if you are here, I am guessing you have decided to push through the process now rather than become even more tied-in with the system Adobe is sticking to, and have even more to deal with at a later date. One solution you are left with is exporting full-size JPEG images from your Lightroom Catalog for any future needs (uploads to social media or websites, for example). But should you ever need to tweak a setting or two, you will either have to go back to Lightroom, or start from zero using ACDSee or an alternative tool.

Mind you, this caveat is only really valid for two or three years at the most, since there is a good chance that after a couple of years your taste in post-processing – as well as your skill – will have changed noticeably. I know mine has. Still, it is something that you will need to accept as an unavoidable result of having been part of such a closed system.

It is my hope that, over time, software developers such as ACD Systems will work out a way to read Adobe’s (and other) databases and interpret adjustments in an equivalent manner so that none of the edits – at least not those most prominent – would be lost when switching.

Now that the bandage is off, let’s go through what can be achieved with Photo Studio Ultimate.

Importing Lightroom Catalog Data

As I have mentioned in the previous article, culling and adding metadata information is an enormous pain for me. I am sure I am not the only one who just wants to get on with post-processing. Having to assign ratings and keywords all over again for images that have been organized in Lightroom would be insufferable. It is an enormous relief that this is something ACDSee Photo Studio Ultimate can greatly help you with.

Photo Studio has the functionality to import ratings, color labels, keywords, and collections from any Lightroom Catalog, thus preserving the major image organizing-structure of your portfolio. The process of importing this data is very easy to initiate and requires minimal effort.

1. Find the Adobe Lightroom Database Import tool

While in Manage Mode, select the Tools menu at the very top of the screen. There, navigate to Database > Import > Lightroom Database, which is located at the very bottom of the Import submenu. This will open the Lightroom Database Import Guide.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

2. Select Data and Catalog to Import

As soon as you launch the Lightroom Database Importer, a dialog with a short introduction to the tool’s functionality will pop up. Click Next, and you will be given options to specify which database entries you want to be imported, as well as the location of the Lightroom Catalog itself.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

2.1 Ratings

This is the star-based filter assigned with numeric keys (1 through 5) in Lightroom. ACDSee does not have stars as such, but it provides a numeric rating that is equivalent for all intents and purposes. If you check this option, ACDSee will interpret the ratings you have assigned with Lightroom and apply the same values.

2.2 Labels

This specifically refers to color labels that both Lightroom and ACDSee support. Again, by default, the labels that ACDSee provides are exactly the same as those found in Lightroom, so files marked with a Red label in a Lightroom Catalog will be marked with the same color in ACDSee after the data from the Catalog is imported.

2.3 Collections

These are a bit more complicated than Labels and Ratings and not something Photo Studio promotes as a means to managing your files, at least not by default. But if you were using Collections in Lightroom to sort your images, ACDSee will readily take over.

Simply select the Panes menu and enable Collections there and a new navigational tab will become available. Located right next to the Folders tab in Manage mode, it will list all the Collections that the imported Catalogs contained, along with the images assigned to those Collections.

It has been a couple of years since I last used Collections in Lightroom, preferring to stick with simple filters now, but it is nice to know this option is available and neatly integrated.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

2.4 Keywords

These are perhaps self-explanatory. Any keywords that you applied in Lightroom to any given RAW file will be seen by ACDSee too. This is useful for when you want to find images of specific locations, events, or people, provided you specified those keywords in Lightroom in the first place. Obviously, if you have not, ACDSee offers enough image management tools to have you covered.

2.5 Location

ACDSee will navigate to the default Lightroom Catalog in the Pictures folder on your computer, so keep in mind you may need to change the location. There is no way to select several Catalogs at once, so if you have more than one (which is very likely), the Catalog Import process will need to be repeated once for each one.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

Make sure Lightroom is not running while attempting to Import a Catalog.

Depending on the size of the Catalog being imported and your computer hardware specifications, the process might take up to a few minutes to finish. In fact, it took ACDSee over 30 minutes to process my Catalog. More than enough time to take a break from work and have a cup of coffee (you will have to wait for the Import to finish before you can use Photo Studio for anything else).

Admittedly, the Catalog was quite large, with a year’s worth of RAW files, and stored on an external hard drive on top of that. And not the fastest sort either. Be that as it may, importing will certainly be quicker than having to apply the filters and ratings manually, and nowhere near as tedious.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

Once the process is finished, you will find (upon navigating to the corresponding folder) your RAW files to contain the same labels, ratings, and metadata entries as applied in Lightroom. Honestly, this is great. The only omission that I can think of is that ACDSee does not seem to take Flags into account, so any images you may have marked with Pick or Reject Flag in Lightroom will not have the filter imported.

Part of the reason is that ACDSee simply has no Reject Flag equivalent, even if marking a file with backslash key tags it in a similar fashion to how Pick Flag works in Lightroom. Something to improve upon perhaps.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

The ratings and labels Lightroom is showing…

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

…are now transferred to ACDSee. And it gives you a good before-after glimpse too/

Plugins are added

Here is something that’s as unexpected as it is brilliant; ACDSee supports plugins designed for Adobe Photoshop. If you have been using Lightroom, this may be of relevance to you, too, as so many of these plugins are also meant for Adobe’s standalone RAW converter and image management software.

I have no idea how much work had to go into this little trick, but it is a massive attraction for anyone who is not fully satisfied with the extent of default ACDSee tools.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

Long time no see, Silver Efex. Fancy finding you here.

While I have not done any extensive testing – I rarely, if ever, use plugins anymore – I was able to verify this with one of the most well-regarded plugin packs by Nik Software (now owned by DxO after being nearly killed-off by Google). Color Efex worked like a charm. I encountered an occasional error here and there, but often to no direct effect on the functionality of the software or the plugin, so while annoying, it was rarely terminal.

I also tried a couple of plugins by Topaz some time ago and they worked without issue. The full list of officially supported tools can be found here.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

It is necessary to path the location of the already-installed plugins. To make sure ACDSee can locate the plugins correctly, first go to Edit mode. Then, select Options from the Tools menu at the top of the screen, or simply hit Alt + O. Once the Options panel is displayed, choose Edit Mode from the list on the left. There, you will be able to select the GPU that ACDSee will use to speed up processing, among other things.

What we need is the bottom-most field called Adobe Photoshop Plugin Paths. A couple of directories will be listed by default, but in some cases (as with Nik), they won’t be enough. You need to specify where the plugins are located. Since I am interested in using Nik Software, I added (click the Add button) a new path that leads to C:\Program Files\Nik Collection. The destination of your plugins might be different, so make sure you set the path correctly. Once you’re done, click OK.

From Lightroom to ACDSee Photo Studio: Making the Jump Easy

If the plugins are supported and the path has been specified accurately, you will find the plugins listed in the Photoshop Plugins section of the Tools menu (still in Edit Mode).

I won’t claim there is no chance of errors happening – after all, those plugins were never really intended for anything but Adobe. Yet the fact that they work so well despite that is an impressive and convenient achievement no matter how you look at it.

Just keep in mind that not everything might work as expected every single time, or it may take time for some plugins to be properly supported.

Final Words

Breaking and rearranging an established workflow is not a pleasant experience. Especially if the previous routine worked well and it is the company’s decisions, rather than the quality of the tool, that has become an issue. With that in mind, it is good to know that less-dominant software developers are going out of their way to show how welcoming they can be.

ACDSee Photo Studio Ultimate attempts to make the transition from Lightroom as simple and straightforward as possible, not only by offering a plethora of powerful (and often similar) post-processing tools but by also taking steps towards preserving any image organizing you may have already done with Lightroom.

It’s not perfect and there is certainly room for improvement (perhaps edit transfers are not as far-fetched as they might seem?), but what has been done is by no means a small feat and will save any new user hours of rating and filtering what has already been done before.

Whichever software you will find yourself choosing next (or sticking with), there is plenty for the giant developers to learn from such attention to detail.

Disclaimer: ACDsee is a paid partner of dPS

The post Switching from Lightroom to ACDSee Photo Studio: Making the Jump Easy by Romanas Naryškin appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Switching from Lightroom to ACDSee Photo Studio: Making the Jump Easy

Posted in Photography

 

Major Update: Adobe adds tone curve, split toning and more to Lightroom CC

13 Dec
The tone curve, one of the most important features missing from Lightroom CC 1.0, is finally being added. Photo: Adobe

Adobe has launched a major update to the entirely Lightroom CC ecosystem today, releasing major updates for Lightroom CC on Mac, Windows, iOS, Android, and the web, in addition to a few updates for Lightroom Classic CC and Adobe Camera Raw. If you’re a Creative Cloud subscriber, you’ll want to update ASAP.

Here’s what Adobe has in store for you with this latest Lightroom update.

Tone Curve and Split Toning

Two of the most useful and conspicuously absent features in Lightroom CC 1.0 were the Tone Curve and Split Toning. Well, there’s no longer any reason to hop back into Lightroom Classic CC to take advantage of these: they’re coming to Lightroom CC.

You’ll find the Tone Curve next to the Auto button in the Light panel, where you can choose between Parametric Curve or Point Curve modes, as well as the Red, Green, and Blue channels.

Split Toning lives in the Effects panel, where you can … well … split tone.

Adobe Sensei Auto Mode

Another major feature improvement coming with the December update is Auto mode, which is now much more intelligent thanks to Adobe Sensei artificial intelligence platform. From Adobe’s blog post about the update:

Using an advanced neural network powered by Adobe Sensei, our artificial intelligence (AI) and machine learning platform, the new Auto Settings creates a better photo by analyzing your photo and comparing to tens of thousands of professionally edited photos to create a beautiful, pleasing image.

This new Auto mode is launching ecosystem wide—you’ll find it in Lightroom CC, Lightroom CC for iOS, Lightroom CC for Android, Lightroom CC on the web, Lightroom Classic, and Adobe Camera Raw (ACR).

Everything Else

The three updates above are the most impactful, but the December update comes with a bit more to enjoy.

  • Lightroom CC now lets you change the capture time of an image or batch of images (“providing relief for those times that you forgot to change your camera’s time or time zone settings.”).
  • Lightroom CC for Android received several bug fixes and the ability to launch directly into popular modes from the home screen by pressing and holding the app icon.
  • Lightroom CC for iOS now lets you create and customize a text based watermark for your images on export, and HDR capture has been improved.
  • Lightroom Classic CC and Adobe Camera RAW are seeing some ‘refinements’ to the Color Range Masking tool.
  • And, finally, Adobe has added support for new cameras and lenses, including the Sony a7R III, Leica CL, iPhone X, and Google Pixel 2 among others.

You can read more about the December update on Adobe’s blog. CC subscribers just have to update their copy to the latest version to take advantage of all the features described above.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Major Update: Adobe adds tone curve, split toning and more to Lightroom CC

Posted in Uncategorized

 

Lightroom Mobile – The Secret to Shooting and Editing on Your Smartphone

30 Nov

Why use Lightroom Mobile

Many people don’t realize the benefits of using Lightroom Mobile with your Adobe Lightroom Subscription. When you subscribe to Adobe’s Photographer’s plan, not only will you receive Adobe Lightroom Classic, but you also get access to Lightroom Mobile.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Lightroom Mobile is a cloud-based program which originates from your Lightroom Classic desktop. It’s easy to set up, and Adobe’s help desk is there to quickly assist if you have any questions. You not only have the ability to share your images across multiple devices, but you can also shoot and edit quality RAW images right from your phone or tablet.

 Setting up Lightroom Mobile

The first thing you need to do is enable Lightroom Mobile from within your desktop version of Lightroom. This will signal Lightroom to sync the files that you select. Below is a screenshot of Lightroom’s Activity Screen that shows the status of Lightroom mobile. The activity screen is located in the upper left-hand corner of your Lightroom desktop page.
Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Creating Collections

The secret to working with Lightroom Mobile is to create collections within your Lightroom desktop version that you want to sync with Mobile. It will not automatically sync everything in your Lightroom catalog, you have to tell it which images you want to show on your devices and this is done through collections. I wouldn’t recommend syncing all your images to Lightroom Mobile. Leave this for special collections and your portfolio.

Select a group of images you would like to include in a collection and navigate to the collection module on the left panel of the Lightroom desktop app. Click the + sign in the collections pane to create a new collection.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Create a new collection.

Once you have created the collections and added images to them, you need to be sure that these collections will sync. When you first create them, there is a box to tick to enable Lightroom Mobile and syncing between devices – make sure that is checked off.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Enable Lightroom Mobile

If you don’t enable Lightroom Mobile upon import or when you create a new collection, you can always enable it after the fact by making sure the firebolt is enabled located to the left of the collection name. Just tick the box next to the collection you want to sync and the firebolt will show.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Firebolt Icon is Located to the Left of the Collection Title

To stop a Collection from syncing with your device, do one of the following in the Collections panel:

  • Click the firebolt sync icon next to the name of the Collection to turn it off.
  • Right-click a Collection and deselect Sync With Lightroom Mobile from the sync menu.

Viewing Images on Your Device

If your Lightroom Mobile is enabled correctly, you will need to sign into the Adobe Creative Cloud with your password. The mobile version should start filling up with the collections you enabled on your Lightroom desktop. You can also enable Lightroom Mobile to automatically pull images that you take from your Mobile device. Make sure you create a special collection of those images only.

Creating Images with Lightroom Mobile

With the current version of Lightroom mobile, you can create images on your Smartphone with the app. It gives you the option of either shooting in JPG or DNG. You can also shoot in automatic or professional mode and use a variety of presets. I prefer to shoot an image without any preset adjustments made to it and apply any edits afterward. That way you will always have the un-retouched original image.

The automatic shooting mode on Lightroom mobile works really well. It gives you separate focus and exposure points as well as overexposure indicators that show up as a series of parallel lines indicating highlight clipping. These three tools are the keys to getting a good shot on your mobile device. If you scrub left or right on the screen, the highlight clipping indicators will go away when the exposure becomes balanced. If portions of the image are overexposed, it will show up as you see in the image of my white dog below.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Automatic Shooting Mode with Over Exposure Highlights

The beauty of using Lightroom Mobile is you can edit images on your Mobile device or from your main computer. They can be located in a collection taken with your DSLR, or they can be images taken with your cell phone and located in your Lightroom Mobil collection.

Note: if you have your monitor calibrated, the colors may come out differently on your pad or phone if you decide to edit from there. No editing is permanent within Lightroom, so it’s an easy fix if it doesn’t look right on your main desktop computer.

One of the keys to success in mobile photography is to get it right in the camera just like a DSLR. Using these tools with this intuitive mobile app will help you accomplish that goal.

Please keep in mind, your phone or tablet is not a DSLR, so know that the images will not be of the same quality as a high megapixel DSLR. However, the Lightroom Mobile camera app gives you some great tools to create some really nice Smartphone images.

Editing in Lightroom Mobile

Once you have created your images and imported them to Lightroom Mobile (either from your desktop or from your smartphone), you have almost as many options for editing on your device as you do on your desktop.

If you tap on the edit screen in the top left corner, it will open up a menu of several different editing options.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Select the Edit Tool

On the edit screen, you can choose to edit the image globally or choose selections and edit specific areas individually. This is how to start a post-processing workflow, whether you’re using Lightroom Classic CC desktop version or Lightroom Mobile.

Then you can go through the different options for post-processing, starting with light, color, effects and finishing off with detail. You can also make a selection in your image and go through all of those same adjustments, just affecting the selected areas.

Local Adjustments

By tapping on the selective icon on the bottom left, it will bring up a menu with a paintbrush. Tap on the brush, and then select the middle brush size and paint with your finger over the area you would like to edit. If you overdo it, you can use the eraser tool to clean up your selection. After you make the selection, then you can make any number of adjustments on just that area. Once you have made all the necessary adjustments, save your edits.

Lightroom Mobile - The Secret to Shooting and Editing on Your Smartphone

Using this technique will give you the most interesting effects by truly painting with light and not just adding random light adjustments for the whole image.

Give Lightroom Mobile a try and make it a part of your everyday photo organizing and editing. Give some of these selective tools a try and let me know how it goes in the comments area below.

The post Lightroom Mobile – The Secret to Shooting and Editing on Your Smartphone by Holly Higbee-Jansen appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Lightroom Mobile – The Secret to Shooting and Editing on Your Smartphone

Posted in Photography

 

Why Lightroom Keywords and Star Ratings are Important for Your Photography Workflow

23 Nov

Lightroom has long been the “go-to” program for organizing images and has come into its own as an editing powerhouse as well. If you haven’t been using Lightroom for organizing your images, you are missing a big part of the digital photography pie. The secret to your organization success in Lightroom is using keywords and star ratings effectively.

Why Lightroom KeyWords and Star Ratings are Important for Your Photography Workflow

That doesn’t mean that you need to keyword every last image you import into Lightroom. But you can label batches of images and then eventually cull down the keywords to easily find your best images. With over 30,000 images in my Lightroom catalog, I’m pretty happy about being able to find an image in a matter of seconds with the use of this simple system. It’s well-suited for beginners and combines keywords and star ratings.

Set up a consistent naming system for your folders and images

For example, a file name could be; “Iceland_2015_03”.

Many people name their folders by date or location. I prefer location, then date, as it’s much easier for me to remember that way. Whatever naming system you use, just be sure that it’s consistent, and makes sense to you. If you decide “Location_Year_Month” is the best way for you to set it up, make sure that every folder is done the same way.

For example, these folder titles could fall into the Iceland_2015_03 category. Don’t make the mistake of creating random titles like this: Winter 2015, Iceland 2015, Iceland March 2015, Reykjavik 03_2015.

When you first import your images into Lightroom, you can rename the whole set of images, or rename them after import. It is much faster and easier to rename them upon import. Follow the import prompts and enter as much information as you can when you first are bringing images into Lightroom. It will save you loads of time later on.

keywords upon Lightroom Import - Why Lightroom Keywords and Star Ratings are Important for Your Photography Workflow

I usually keep the original file number of the image assigned in-camera and then add the location or another identifying label to the front end of the name. You can batch rename and keyword a series of images in the import module. You don’t have to keyword each image individually, but keyword in batches to make it easier.

My other secret tool is the star rating tool. When the images are first imported, I cull through the images quickly and add a one-star rating to the images that I would like to come back and edit. At this point, I don’t try and add any more stars than just a simple one-star.

Use the Paint Can Tool in Develop

Another easy way to add ratings to an image after import is to use the “Paint Can tool”. With this tool, you can set a parameter (like a star rating, keyword, or set of keywords) to “spray” on to an image or a collection of images. If you would like to “spray” a star to your favorite images, this is a fast way to do it.

The Paint Can tool is located on the bottom left of the grid view and it looks like a spray can. Click on it and you will see a selective panel, choose “rating”. After you select “rating”, on the right side of that panel is a series of dots. Click on one of those dots, and it will turn into a star.

Why Lightroom KeyWords and Star Ratings are Important for Your Photography Workflow

Paint Can Tool

Then you can quickly go through your images in the grid view and “spray” a one-star rating on all of the images that you like. At this point, don’t apply any more than a rating.

If something really merits a better star rating, go back and review the images again. Once you do your second pass of the images, set the spray can to a 2-star rating. Then repeat the same method for those images that you might like to go in and apply Lightroom adjustments.

Paint-Tool-Label

You can also use it to paint in a color label, flat, metadata or any of these things.

Reserve the 3-star ratings for those images that you might use for an article or blog post and the 4-star ratings are only reserved for the best of the best which you would put in your portfolio. Keep your star ratings consistent, so you know that if an image has a 4-star rating, that it reflects your best work.

Now that you have set up the keywords and star ratings to your images, you have the ability to search or filter images in your catalog. In the Filter Bar in the Grid View, choose the Text option and the drop down box to select keywords, and start entering specific keywords.

Using the Spray Can tool to add metadata

The Spray Can tool can be used for a variety of options to add information to your images. You can “spray” not only star ratings but keywords, metadata information, labels, presets, or assign target collection images.

The next option is to add a series of keywords to your images. We already know that the files you are importing will be from Iceland. Use that as the keyword that applies to all of these images. Then consider where you were on your trip to Iceland. Are your images from the North Coast or the South Coast? Do you have pictures from Reykjavik? Do you have images from Vik? Who is in the images?

The idea here is to start out broad and then narrow your focus. Perhaps your whole shoot is from Iceland. Perhaps another broad category would be winter, ice, or arctic.

Select the Spray Can tool and go to the drop-down menu to the right of the icon. Select “keyword” and enter the word or words you would like to apply. “Spray” your series of images that are from the North Coast and apply that keyword. Change your keyword, and then spray your series of images that are from the South Coast. Continue to narrow down your focus. Then spray just those images from the South Coast that were taken in Vik and so on.

What Keywords Should You Use?

The keywords you should apply will depend on what you would like to use your images for in the future. Are you submitting to a stock agency? Are these images for personal use only? When will you use the images?

The best plan for creating keywords would be to apply basic information that will remind you about the subject, in order to help with locating images later. Start your keywording upon import and use the broadest subject that will apply to all of the images, and then narrow down your keyword focus.

Once you have started to create keywords, Lightroom will suggest keywords that might work with the current set of images in the Keywording panel. The suggested keywords help you to create cohesive words that can be used on multiple sets of images.

Notice at the bottom of the Keywording panel, there is an area with keyword sets. Lightroom automatically gives you some presets to use in this module. Click on the keyword set for “outdoor photography” and see the keywords that are suggested. If there are keywords you would rather use, right-click on the down arrow of the keyword set and you will see the option to “edit set” where you can add and remove words from that set.

The list of keywords from the preset will come up and you can add or subtract those keywords that apply to your images. Then, when you are keywording a certain genre of photography, you can select your keyword set of “outdoor photography” or “portrait photography” and rapidly choose from those sets of keywords. This will also prevent you from creating multiple keywords that mean the same thing. This is useful when you are using specific keywords to search for an image.

Use the Filter Bar to find images

Why Lightroom KeyWords and Star Ratings are Important for Your Photography Workflow

Then you will see Lightroom begin to sort images based on the keywords you entered. You can then add another dimension to the search, and a star rating.

This is when you can go back into your Lightroom catalog of 30,000 pictures to find the 4-star rated image in “Iceland” that has a keyword “Eagle Rock”, and find it in a second. Then you’ll see how great this system works. You can also limit your search to specific folders or collections when those are selected in the left-hand column of the Library Module.

Have you tried to organize your images in Lightroom? What kind of naming system works for you? What kind of challenges are you experiencing? Feel free to share your comments below.

The post Why Lightroom Keywords and Star Ratings are Important for Your Photography Workflow by Holly Higbee-Jansen appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Why Lightroom Keywords and Star Ratings are Important for Your Photography Workflow

Posted in Photography