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Posts Tagged ‘Launch’

This stunning timelapse captured SpaceX’s glowing Falcon 9 launch

27 Dec

Last Friday, SpaceX launched a Falcon 9 rocket from Vandenberg Airforce Base on the California coast. But the light show it created in the evening sky looked less like a rocket launch and more like an alien light show, stopping traffic on the highways as people pulled over to take cell phone pictures and video of what they thought might just be the beginning of an alien takeover.

Fortunately for all of us, it wasn’t just bystanders with smartphones who pointed their cameras skyward on Friday the 22nd, photographer Jesse Watson had already prepared to capture the launch, and came away with this stunning timelapse of the entire thing from Yuma, Arizona.

As he explains in the video’s description, this was actually the first rocket launch he’s captured:

I found out about this specific launch from Vandenberg Air Force Base a few days prior to the event. I wanted to capture this amazing spectacle in a fashion that I haven’t seen previously, as most of what I have seen is cell phones video or news reels.

[…]

I have never shot a rocket launch before, so I did not know exactly what to expect as far as exposure or precise location of the rocket in the horizon. I wanted to be prepared to capture comprehensive coverage of the spectacle. Therefore I packed four cameras and five lenses, to cover wide to telephoto details of the scene. Three of the cameras were rolling time-lapse and 1 was setup for telephoto video.

That’s how he captured the 40-second timelapse above: using two Nikon D810s, a Sony a7S II, and a Sony a6500 sporting a Nikon AF-S 14-24mm F2.8G, Sigma 85mm F1.4 |Art, Sigma 150-600mm F5-6.3 |Contemporary, and a Veydra Mini Prime 25mm T2.2 for Sony E-mount, respectively.

Check out the results for yourself up top, and then head over to the Vimeo page for a full gear list in the description.

Articles: Digital Photography Review (dpreview.com)

 
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Live coverage of the Google Pixel 2 launch on DPReview

05 Oct

10:45am PT

That’s all folks! You can learn more about these products on the Google Store right now. As for us, we’ll be running over to get our hands on the new Pixel 2 and Pixel 2 XL in person, and see if they really are the world’s best smartphone camera. Stay tuned or our hands-on take later today!

10:43am PT

The Google Clips camera looks for clear moments to capture. You can clip it anywhere. It features an F2.4 lens, 130° field of view, and captures short ‘clips’ that can be saved as motion photos, videos, or high res stills. You can choose which high-res still to save by navigating through a clip. When reviewing clips on your phone, just swipe right to save any one.

Will cost $ 250 and is “coming soon.”

10:40am PT

“A camera that takes photos for you, so you can enjoy the moment and get shots you could never get before.”

Starts with an AI engine at the core of the camera. Google Clips looks for “moments” by analyzing the scene and capturing photos automatically, so you can be part of the moment you’re capturing.

10:38am PT

One more photography update, having to do with candid photography that lets you be part of the moment as the photographer.

Meet Google Clips: a new lifelogging-style camera designed with parents and pet owners in mind.

10:37am PT

Here’s something they did NOT mention when talking about the new screen: the new Pixel 2 wide gamut display claims to offer “100% DCI-P3 coverage.” While OLEDs often offer close to full DCI-P3 coverage, our Technology Editor Rishi Sanyal is a bit skeptical of the 100% figure and wants to see an actual CIELAB diagram. Some estimates ‘cheat’ by counting extended gamut outside of the P3 space in one color to make up for the lack of gamut coverage in another color. We’ll have to wait and see, but most OLED coverage estimates max out at 99% DCI-P3 coverage.

Plus, we’re still waiting to find out if the Pixel 2 phones offer proper color management to provide accurate color on these wide gamut displays. Even the original Pixel phones offered wide gamut displays, but displayed wildly inaccurate colors because of the lack of proper color management and display profiles.

10:30am PT

Worth noting about that DxOMark score of 98: that’s an aggregate of Photo and Video scores.

The Samsung Galaxy Note 8 still beats the Google Pixel 2 in the Photo category, scoring 100 to the Google Pixel’s 99. The Pixel’s insane Video score of 96 is what gives it that high overall score. In Video, the iPhone 8 Plus scored an 89 and the Note 8 only scored an 84. We’re guessing this high score is largely due to the smooth video the combination of optical + electronic stabilization enables.

Here’s DxOMark’s full review.

10:27am PT

Feature breakdown:

  • Ultra Vivid OLED Display
  • Super Fast Charging
  • Water Resistant
  • The Fastest Fingerprint Sensor
  • Smartest Assistant
  • First Phone with Google Lens
  • Exclusive AR Stickers
  • World’s Highest-Rated Camera

Pre-orders start today.

10:23am PT

12MP F1.8 rear camera with OIS. Smaller 1/2.55″ sensor though (1/2.3″ on last year’s models). HDR+ still takes a burst of shorter exposure shots to preserve highlights, then combines (averages) them to reduce noise. The latter essentially simulates the effect of a larger sensor. While this works very well for static scenes, it can be problematic for moving objects like running kids.

Portrait mode in the Pixel 2 uses Google’s computational photography tech. No second camera required. Just split pixels on the sensor combined with machine learning. This allows both the front and back camera to use Portrait Mode.

It’s actually quite clever: the phone creates a rudimentary depth map using Dual Pixel technology and machine learning. Or, as our Tech Editor explains it, “The pixels are split just like on Canon Dual Pixel sensors. And the Samsung Galaxy. It’s used for phase-detect AF (fast focus) as well as to create a rudimentary depth map using the left and right perspectives viewed from behind one lens. Smart.”

And you no longer have to move the camera upward while taking a photo in Portrait mode. You can just snap a shot. This would make it work better with slightly moving subjects compared to the original Pixel phones. Sadly, Portrait mode is not simulated in real-time as it is on recent iPhones.

Oh, and the Video mode uses OIS and EIS at the same time. We’ve seen this on 1″-type compact cameras and some ILCs like Canon M-series and the Olympus E-M1 Mark II, but it’s a first for smartphones. This should lead to incredibly smooth video!

10:20am PT

Pixel camera now!

“With Pixel 2, we have reimagined smartphone photography. DxOMark has issued Pixel 2 an unprecedented score of 98.”

That trounces the iPhone 8 Plus and Samsung Galaxy Note 8 which both scored 94.

10:18am PT

Augmented reality updates now. Very similar to the AR updates we saw with Apple and the new iPhones—inserting furniture or games into the real world through augmented reality.

Something ‘exclusive’ to Pixel 2 are AR stickers that interact with the world and with each other… because Google needed something to compete with Apple’s Animojis.

10:14am PT

Talking about Google Lens now. Using pictures, machine learning technology, and Google Assistant to pull information out of images and tell you all about them. Like pulling phone numbers off a flyer, or… telling the difference between muffins and chihuahuas (their example, not ours).

10:10am PT

Squeezing the phone triggers Google Assistant, so you can ask it to take a selfie. And it uses Machine Learning to tell if that squeeze was “intentional.”

Still waiting on more comprehensive updates about the camera. Hopefully it’s not all software and AI-based improvements. We’re really hoping for some hardware updates like OIS and maybe a bigger sensor or better processor.

*fingers crossed*

10:05am PT

Pixel 2: Full HD OLED display on the smaller 5-inch model. 100,000:1 contrast ratio. More than twice the contrast ratio of phones in its class (save for the iPhone X). Comes in three colors: Kinda Blue, Just Black, and Clearly White.

Pixel 2 XL: Less bezel, ‘gently curved’ screen, wide color gamut display, integrated circular polarizer so you can view the screen through sunglasses, 538 ppi (up from 534 ppi in the first Pixel XL). Comes in two colors: Just Black and ‘stylishly simple’ Black and White. We’re told the screen is optimized for VR, which may mean a pixel arrangement more amenable to high magnification.

“We don’t set aside better features for the larger device.” OOOO sick burn on Apple.

And yes, they are both IP67 dust and water resistant! On par with the iPhone, but a bit short of Samsung’s IP68. That’s a big upgrade from the IP53 rating of last year’s phones (what do IP ratings mean?).

10:00am PT

Google VP Mario Queiroz on stage, getting ready to talk about a ‘smarter’ and ‘simpler’ smartphone.

The Google Pixel 2, designed “with the best of Google built in.” Comes in 2 sizes, 5-inch and 6-inch XL. More Google Assistant capabilities and will “continue to offer the best photography.”

9:58am PT

One hour later, we’re FINALLY about to hear about Pixel 2 and Pixel 2 XL!!!

9:55am PT

The 12.3-inch Quad HD touchscreen is nice, it’s the first laptop with Google Assistant built in, and the laptop comes with the new Google Pen that can be used in concert with Google Assistant. 2,000 levels of pressure sensitivity… wonder how well photo editing in Lightroom on the Pixelbook works with the pen?

9:49am PT

*Sigh*…

Still waiting on the Google Pixel 2 launch. Moving on to Pixelbook from Google Home. It’s like they’re TRYING to torture the photo nerds. Let’s see if there’s any photo-centric reasons to be excited about the Pixelbook…

9:35am PT

We’re getting a bunch of Google Home updates/announcements. There’s a small one now… something about fabric… they needed 100+ tries to find an appropriately grey grey… cool stuff… clearly we’re very interested in this part.

*insert Jeopardy waiting music here*

9:21am PT

Next generation of Google devices are “fast” and “easy to use” and “anticipate your needs.” Products that get faster and more helpful over time thanks to machine learning.

9:19am PT

Rick Osterloh: “Pixel had the best and top rated smartphone camera. We’re really proud with how well the Pixel did as our first generation smartphone.”

He’s not wrong. But there’s a lot of room to improve…

Rick is talking about the challenges facing hardware development. So Google is going to take a “different approach” to smartphone [photography] advances by living at “the intersection of AI, software and hardware.”

9:12am PT

Pichai is confident that Google is at the forefront of driving the shift to this AI-first future.

One of the major leaps forward Google has made, is in Object Detection, which he says is now at 45% accuracy! The company is using this tech in Google Lens and, says Pichai, in the Google Pixel smartphones.

9:05am PT

Google CEO Sundar Pichai on stage. Started with a somber note about the horrifying tragedy in Las Vegas, and the natural disasters around the world.

Now talking about how Google is using machine learning technology to improve everything from Google Maps, to parking difficulty prediction, to Google Translate. Pichai is “excited about a shift from a Mobile-first to an AI-first world.”

This shift will no doubt have a major impact on the future of mobile photography.

8:59am PT

Are you ready? The Google DJs are winding down the music.

8:45am PT

We’re officially inside the SF Jazz Center waiting for the presentation to start! A few things we’re hoping for: optical image stabilization, better depth of field simulation with live preview, and a much more durable Pixel 2/XL on par with the iPhones (IP67 rating) or even Samsung’s Galaxy Note 8 (IP68 rating).

8:30am PT

Hot on the heels of Apple’s own smartphone announcement, Google is taking on the iPhone 8 Plus and iPhone X with its own release. In T-minus 30 minutes, Google is set to unveil the Pixel 2 and Pixel 2 XL (among a few other things) and we’ll be covering the launch live from San Francisco on Twitter and on this page.

Watch the livestream with us, and keep refreshing this page for up-to-the-minute takes on all things photography related from the Google event.


Articles: Digital Photography Review (dpreview.com)

 
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Google teases Pixel smartphone launch, takes on iPhone X on October 4th

16 Sep

Responses to the iPhone 8/Plus and iPhone X launch have ranged from “meh, unimpressed” to “holy crap this is going to change everything.” But if you’re waiting for Google’s response to the iPhone X camera, you won’t have to wait long. In fact, you can mark October 4th on your calendar and start the countdown today.

The release date was announced in the snarky little teaser video above, which points people to a landing page complete with the tagline: “Thinking about changing phones?” Billboards asking you to ‘Ask more of your phone’ have been sighted, possibly a nod to Google Assistant’s generally accepted superiority over Siri.

Indeed, questions in the video like ‘why is my phone so dumb?’ or ‘impersonal’ seem to be a jab at Siri, while other questions like ‘why is my phone so fragile’ point to a more durable phone than last year’s not-so-durable Pixel phones, with far less glass than the newly launched iPhones. We hope the ‘why does my phone take so many blurry photos’ question refers to the addition of optical image stabilization.

Even without OIS, when the original Pixel and Pixel XL came out, the phones’ exceptional camera performance wowed reviewers. And that was even without the use of a dual camera module like the iPhone 7 Plus. From a photography perspective, we can’t wait to see what Google does next. Apple already played their hand, the ball is in Google’s court now.

Maybe I am thinking of changing phones Google… convince me.

Articles: Digital Photography Review (dpreview.com)

 
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Aurora HDR 2018 pre-orders go live ahead of September 28 launch

13 Sep

Macphun has started taking pre-orders for Aurora HDR 2018, giving both Windows and Mac users a chance to purchase the software ahead of its launch later this month. The pre-order period will run from September 12-27 and includes a special lower price of $ 89 for new customers versus the regular $ 249 rate. Existing Aurora HDR customers can update for $ 49.

The Aurora HDR 2018 pre-orders are bundled with four free bonuses: a travel photo training video by Matt Granger, five sets of HDR Brackets by Pros, a 3-month membership to Zenfolio, and an HDR training video by Trey Ratcliff. According to Macphun, these bonuses have a value of $ 150.

Head to the Aurora HDR 2018 site to pre-order. The software will be available starting on September 28.

Via: CanonRumors

Articles: Digital Photography Review (dpreview.com)

 
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Canon to launch new, partially-automated camera plant in Japan in 2019

02 Sep
Photo by Jakob Owens

Canon has revealed that it is building a new semi-automated camera plant in Japan, and that it expects to open the plant in 2019. The factory will be located in the Miyazaki Prefecture on a 300,000 square meter land parcel, marking this the first time Canon has built a new camera production facility in Japan since 2010. The plant will focus on producing single-lens reflex cameras, according to Nikkei.

This business move is part of a growing effort on Canon’s part to bring more of its production business back to its home nation, a move spurred in part by increased wages abroad. Though Canon had originally moved much of its production outside of Japan, the cost of domestic manufacturing has lowered thanks to factory automation technologies.

Per Nikkei’s report, Canon successfully brought 56% of its production back to Japan from overseas destinations last year, and it is working toward a goal of bringing that number up to 60%. In addition, Canon’s Oita Prefecture factory is said to be more than 70% automated, greatly reducing the number of laborers the company requires.

What will this mean for consumers? Hopefully lower prices, or at the very least a more economically efficient and cash-positive Canon.

Articles: Digital Photography Review (dpreview.com)

 
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Sony full-frame CineAlta 4K motion picture camera teased ahead of launch

28 Jul

Sony has teased its video-focused customers with news of an upcoming announcement: it will soon take the wraps off a new CineAlta motion picture camera, one sporting a 36x24mm sensor. There’s still a bunch details forthcoming, but thus far Sony has revealed that the new CineAlta model will be capable of multiple aspect ratios and will be compatible with many existing CineAlta accessories.

Sony has only revealed a handful of details about the camera at this time (below), explaining that it is developing the model ‘through careful research and close collaboration with creative professionals.’ The company doesn’t state when the camera will be available, nor when the full announcement will be made.

Technology highlights and key benefits:

  • Full Frame 36x24mm sensor exclusively designed for this Digital Motion Picture Camera
  • Aspect ratio-agnostic – including Full Frame, Super35 4K 4-perf 4:3 Anamorphic and 4K spherical 3-perf 17:9
  • New image sensor enabling exceptional picture quality
  • Maintains the workflow established with Sony’s 16bit RAW/X-OCN and XAVC
  • Compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Via: DIYPhotography

Articles: Digital Photography Review (dpreview.com)

 
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The Photographer’s Emphemeris will launch a 3D app for iOS on June 27

22 Jun

The Photographer’s Ephemeris, a tool that helps photographer’s plan landscape photos by providing lighting information about locations, will soon receive a new 3D upgrade. Over the weekend, the company announced plans to launch a new product called the Photographer’s Ephemeris 3D for iOS, a ‘visualize tool’ that allows users to view the effects of sunlight on a landscape anywhere in the world using 3D topographical models.

According to the Photographer’s Ephemeris, the new 3D iOS app enables users to simulate the presence of the sun, moon, and Milky Way in any given landscape during a certain period of time. The simulation presents ‘actual topography’ that shows how the sun’s light will look spread across the land, as well as where the moon and Milky Way will be located for nighttime photography. The simulations are available in time frames ranging from days to years in the future.

The 3D iOS app launched in New Zealand and Ireland yesterday, but won’t arrive for everyone else until June 27. The application can be used on any device running iOS 10, though more powerful devices will show greater detail in the simulations. The app will be priced at $ 19.99, $ 30.99 AUD, €21,99 EURO and £19.99 GBP. The company says it plans to offer a pro subscription in the future with, among other things, full offline support. It is unclear whether the company plans to launch an Android version.

Via: Photographer’s Ephemeris

Articles: Digital Photography Review (dpreview.com)

 
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Seagate and DJI launch Fly Drive, a 2TB external HDD with a built-in microSD card slot

25 Apr

Seagate and DJI have jointly announced the Seagate DJI Fly Drive, an external storage drive with up to a 2TB capacity, as well as a built-in microSD card slot. The new drive is targeted at camera drone operators specifically, enabling them to rapidly transfer content from the drone camera’s microSD card onto the Seagate DJI Fly Drive. At 2TB, the Fly Drive is able to hold more than 60 hours of video recorded at 4K/30fps.

According to the two companies, Fly Drive features a built-in UHS-II-rated hub for rapid transfers of high-resolution content. The case itself features a USB-C cable that is ‘tucked inside of the [shock-resistant] bumper’ when not in use, eliminating the need to carry a separate data transfer cable. The drive supports both Thunderbolt 3 and USB 3.1, and it comes with two months of free access to Adobe Premiere Pro CC.

The Seagate DJI Fly Drive will hit shelves some time this summer for $ 120.

Via: Seagate

Articles: Digital Photography Review (dpreview.com)

 
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SkyPixel, DJI and Tourism Australia team up to launch aerial photography contest

04 Mar
Image: SkyPixel / Piotr Parzybok

Aerial photography community SkyPixel is launching an aerial photography contest in cooperation with DJI and Tourism Australia to showcase the natural beauty of the Land Down Under. The Australia From Above contest’s aim is to inspire aerial photographers from around the world to experience and share new photographic perspectives of Australia. The contest is open from March 3 to May 2 to both professionals and enthusiasts. 

“Drone photography is gaining huge popularity in Australia, with the country home to a rising number of very talented aerial photographers,” said Lisa Ronson, Chief Marketing Officer, Tourism Australia. “Advances in technology are enabling us to tell Australia’s story in ways previously not possible, and the levels of engagement we get when we share some of these amazing drone clips on our social channels is just extraordinary. It’s really exciting to be part of a competition which provides such a great platform for this new generation of content creators to capture the rich colours, patterns and textures of Australia’s diverse landscape and share this with the rest of the world.”

The winner of the contest’s Grand Prize will receive a DJI Inspire 2 Premium Combo drone package and go on a three-day journey to Lord Howe island for two as well as a three-day trip to Kangaroo island for two. Additional prizes include a DJI Phantom 4 Pro drone, a Mavic Pro drone and one of 10 Osmo Mobile handheld smartphone stabilized gimbals. Winning images will also be showcased on the SkyPixel website and on DJI’s social media platforms. More information on the competition can be found on the Skypixel competition page. If you’d like to participate but lack inspiration, you should have a look at the winning images from SkyPixel’s 2016 competition to get the creative juices flowing.

SkyPixel Launches ‘Australia from Above’ Aerial Photography Contest

DJI and Tourism Australia Partner for Country’s First Large-scale Aerial Photo Contest

SYDNEY, March 3, 2017 /PRNewswire/ — SkyPixel, the world’s most popular aerial photography community run in cooperation with DJI, on Friday launches its first national aerial photography contest to showcase the stunning natural beauty of Australia as seen from drones and other aerial equipment.

The Australia From Above contest, sponsored by DJI and Tourism Australia, aims to inspire aerial photographers from around the world to share, enjoy and experience new creative perspectives of Australia. The contest is open from March 3 to May 2 and welcomes professionals and enthusiasts alike to share their visions of the country. Please find a link to the competition here: https://www.skypixel.com/events/australia

Australia is a stunning, diverse country, from the inspiring expanse of its pristine white beaches to the raw power of its rich, red outback,” said Danny Zheng, DJI Vice President of Marketing. “Capturing these landscapes from above empowers photographers to see Australia’s extraordinary beauty in an entirely new way, and we can’t wait to see the amazing images from inspired aerial creators.”

“Drone photography is gaining huge popularity in Australia, with the country home to a rising number of very talented aerial photographers,” said Lisa Ronson, Chief Marketing Officer, Tourism Australia. “Advances in technology are enabling us to tell Australia’s story in ways previously not possible, and the levels of engagement we get when we share some of these amazing drone clips on our social channels is just extraordinary. It’s really exciting to be part of a competition which provides such a great platform for this new generation of content creators to capture the rich colours, patterns and textures of Australia’s diverse landscape and share this with the rest of the world.”

The Australia from Above Grand Prize consists of a DJI Inspire 2 Premium Combo drone package, a three-day journey to Lord Howe island for two and a three-day journey to Kangaroo island for two. Runners-up have a chance to win a DJI Phantom 4 Pro drone, a Mavic Pro drone and one of 10 Osmo Mobile handheld smartphone stabilized gimbals. Winning entries will also be showcased on the SkyPixel website as well as to DJI’s millions of fans and followers across its social media platforms. Australia From Above is generously supported by media partners Australian Photography, Drone Magazine and Capture as well as other product sponsors.

To learn more about the contest and submit entries, please visit www.skypixel.com/events/australia.

The judging panel includes a select jury of renowned photographers and influencers.

  • Kirk Hille, Australian photographer and winner of SkyPixel’s 2015 global photography contest
  • Mike O’Connor, Editor of Australian Photography
  • Lisa Ronson, Chief Marketing Officer, Tourism Australia
  • Tom Rex Jessett, professional photographer travelling the world and capturing its beauty

“I’m looking forward to seeing what fellow SkyPixel community members will share over the coming months,” said Hille, who won the grand prize in SkyPixel’s first annual worldwide contest with an image of a lone swimmer off the coast of Lucky Bay in western Australia. “As an Australian, I treasure the beauty of my home country and I was happy to learn it’s the country of choice for SkyPixel’s first national contest.”

Articles: Digital Photography Review (dpreview.com)

 
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Elinchrom ELB 1200 portable flash system to launch this summer

02 Mar

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Elinchrom has introduced its new ELB 1200 portable lighting system for photographers, a model that builds upon the company’s existing ELB 400 system introduced in 2015. The new system features three new flash heads, the Action, Hi-Sync, and Pro, as well as a TSA-approved ‘Air’ lithium-ion battery capable of powering 215 full-power flashes and 80 minutes of continuous LED use. 

In addition to the TSA-approved ‘Air’ version of the battery, Elinchrom also has an ‘HD’ version with a higher capacity that can power 400 full-power flashes and 120 minutes of continuous light. The batteries are also capable of powering accessories via a 5v USB outlet, and they can both be switched into a ‘shipping mode’ for long distance travel.

The three aforementioned flash heads feature a daylight-balanced and dimmable LED CRI 92 lamp, which Elinchrom says is equivalent to a 250w Halogen lamp. The Hi-Sync flash head supports shutter speeds as fast as 1/8000s. The company expects the ELB 1200 to be available in the ‘middle of 2017,’ with pricing information being provided at a later date.

Check out Elinchrom’s product video below to see the kit in action.

Articles: Digital Photography Review (dpreview.com)

 
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