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Posts Tagged ‘Launch’

Phase One and LogicKeyboard launch special Mac keyboard for Capture One Pro 10

14 Feb

Phase One has teamed up with LogicKeyboard to launch a special keyboard designed specifically for its Capture One Pro software (macOS version only). The new offering is an Apple Pro Keyboard with an ultra-thin anodized aluminum enclosure overlaid with a color-coded key mapping layout, giving users quick access Capture One Pro software shortcuts.

According to Phase One, the special keyboard layout included on this Apple Pro keyboard was designed using Phase One Certified Professional (POCP) feedback. As explained in the video below, this color-coded shortcut layout aims to increase user efficiency when editing photographs, therefore reducing the amount of time needed, thus increasing productivity and reducing costs.

Phase One dealers around the world are now offering the Capture One Pro Keyboard from LogicKeyboard for $ 139/€129 with support for three languages: German, American English and British English. Other language support, however, is available via special request.

Articles: Digital Photography Review (dpreview.com)

 
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Retail Micro-Farming: MIT & Target to Launch In-Store Vertical Farms

07 Nov

[ By WebUrbanist in Architecture & Offices & Commercial. ]

target-vertical-farms

At the convergence of the localvore and vertical farming movements, Target’s new in-store micro-farms are positioned to offer the freshest possible produce to consumers. On offer: leafy greens and herbs initially but eventually also potatoes, beets, zucchini, tomatoes peppers and more.

city-farm-design

In collaboration with the MIT Media Lab and IDEO, the company’s Food + Future CoLab will be testing their indoor production technology in stores around the country starting next spring. Target aims to leverage its scale to optimize their approach over time while also using their strategy to attract conscientious consumers.

vertical-farming-in-store

Among other advantages, local and in-store aquaponic setups require less water and no pesticides as compared to outdoor alternatives. Also, since stores are already temperature-controlled for food storage and customer consideration, heating and cooling are effectively taken care of without additional energy expenditures.

vertical-farm-store

Neither vertical farming nor close-to-source produce are new. Huge vertical farms have enjoyed success from Japan to New Jersey and rooftop farms often provide food for local communities or restaurants and hotels below. Still, like a similar project in Germany, this takes the idea to the next level, offering fresh organic crops alongside conventional ones right in a retail grocery shopping outlet. As populations continue to urbanize, demand for city-grown food (without the transportation costs and with appeal to local-oriented eaters) will only continue to grow.

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[ By WebUrbanist in Architecture & Offices & Commercial. ]

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Hoya Solas infrared neutral density filters launch in USA

05 Oct

Hoya has launched new USA-exclusive Solas infrared neutral density filters. The company says its new IRND filters offer a consistent color balance across the density range while also suppressing infrared, the end result being a balanced image with reduced ‘IR contamination’ like excessive digital artifacts and color shifts.

Hoya has launched the new Solar IRND filters in the following sizes and densities:

0.3 (1-stop) – 49mm ~ 82mm
0.6 (2-stop) – 49mm ~ 82mm
0.9 (3-stop) – 46mm ~ 82mm
1.2 (4-stop) – 49mm ~ 82mm
1.5 (5-stop) – 49mm ~ 82mm
1.8 (6-stop) – 46mm ~ 82mm
2.7 (9-stop) – 49mm ~ 82mm
3.0 (10-stop) – 46mm ~ 82mm

B&H Photo currently lists the filters with the following prices: 46mm ($ 48.90), 49mm ($ 48.90), 52mm ($ 53.90), 55mm ($ 61.90), 58mm ($ 69.90), 62mm ($ 85.90), 67mm ($ 93.90), 72mm ($ 100.90), 77mm ($ 120.90), and 82mm ($ 151.90).

Via: Kenko Tokina USA

Articles: Digital Photography Review (dpreview.com)

 
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Leica-branded instant camera rumored to launch soon

15 Sep
via Leica Rumors

Leica might be set to announce its own version of one of Fuji’s instant print cameras in what looks like another re-badging exercise. The Leica Sofort (‘instant’ in German) camera was unofficially announced in the company’s Leica Fotografie International magazine, but isn’t due to be formally released until tomorrow – according to Leica Rumors. The camera appears to be a redesigned Fujifilm Instax mini 90 as it shares the same basic shape and lens, and it takes Fujifilm’s Instax mini film. Leica looks to have slightly altered the buttons and added some minor details, and has named the 34mm equivalent lens Automatik-Hektor 1:12.7/60mm.

via Leica Rumors

Leica will also reportedly introduce its own range of color and black and white films to go with the camera, which will almost certainly be repackaged Fujifilm materials. Fuji’s own film will also fit the Sofort.

Leica rumors expects the camera to cost €279 (approx. $ 310) with a choice of three colors. The Fuji Instax mini 90 costs €150/$ 150.

Articles: Digital Photography Review (dpreview.com)

 
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Looking up: Sixteen-year-old John Kraus is a rocket launch photographer

03 Sep

John Kraus rocket launch photography

SpaceX’s Falcon 9 rocket launches cargo and science to the ISS, and the first stage of the rocket comes back and lands at Cape Canaveral Air Force Station in July of 2016. Photo by John Kraus

Growing up in Satellite Beach, Florida, John Kraus has been watching launches for as long as he can remember. He’s now a photojournalist who covers rocket launches for AmericaSpace.com. Oh, and he’s just sixteen years old. Feel old yet? Keep reading to see more of his images and find out more about him.

You can follow John on Instagram and see more of his photos on his website.

John Kraus rocket launch photography

United Launch Alliance’s Delta IV Heavy rocket launches a classified mission, NROL-37, for the National Reconnaissance Office in June 2016. Photo by John Kraus

How did you get started in photography, and what do you shoot with now?

I decided to start photography randomly in January of 2015. I figured it could be a fun hobby to pick up and learn about. I use a Nikon D7100, but my closeup images of launches are captured with a D3300.

John Kraus rocket launch photography

ULA’s Atlas V rocket launches Morelos-3 in their 100th launch in October 2015. Photo by John Kraus

How did you start working as a photojournalist at such a young age?

Since I always watched launches, once I bought my camera, I started photographing them. After almost a year of experience, I was lucky enough to be credentialed under AmericaSpace.com as a media member.

John Kraus rocket launch photography

SpaceX’s Falcon 9 launches Thaicom 8 satellite in May 2016. Photo by John Kraus

How have you continued to learn as a photographer?

I’ve learned a lot from my photo a day challenge that I’m doing this year. I’m taking a photo every day of the year. That’s it. Take a photo, upload it to Instagram by midnight. So far, I haven’t missed a day. It’s given me a way to be creative daily. Some photos aren’t so good, some are great. It’s a learning experience!

John Kraus rocket launch photography

Even in a light polluted city on Florida’s Space Coast, with proper editing I was able to bring out detail in the Milky Way. Also shown is a Perseid meteor and the Andromeda galaxy. August 2016. Photo by John Kraus

Do you hope to pursue a career in photography?

I plan to keep shooting, whether it’s professionally or as a hobbyist. I’m not sure yet!

John Kraus rocket launch photography

United Launch Alliance’s Atlas V rocket launches a classified mission, NROL-61, for the National Reconnaissance Office in July 2016. Photo by John Kraus

What have been some of the most memorable launches you’ve photographed?

Both SpaceX landings have been amazing to see. I was able to capture long exposure photographs of each launch. The recent United Launch Alliance Delta IV Heavy launch in June was spectacular, and very loud.

Articles: Digital Photography Review (dpreview.com)

 
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Godox to launch AD600 battery-powered mono-block heads

05 Aug

Kenko Professional imaging has announced that it will officially launch a 600Ws mono-block style flash head that will be available for TTL and manual control. The Godox AD600 head will come in two versions – the AD600-TTL and AD600-M, both of which will have options for Bowens S or Godox mounts for accessories. Both TTL and manual versions will be able to be triggered remotely optically or via the Godox 2.4GHz radio wireless system, while the TTL model offers remote output control from Nikon i-TTL or Canon E-TTL cameras.

The lithium-battery powered heads are designed for outdoor use and offer a guide number of 87m/285ft at ISO 100 when fitted with a standard reflector. According to the company the battery will provide 500 full-power flashes and the head can recycle in 0.01-2.5 seconds. A high speed sync mode allows shutter speeds as short as 1/8000 sec, and output can be varied down to 1/256th power in nine steps from full power. The modeling light is LED and emits up to 10W and has three brightness options.

The head weighs 2.66kg/5.86lbs, and measures 220x245x125mm/8.66×9.65×4.92in. Current pricing is only available in Japanese Yen, with the AD600-TTL head costing ¥118,000 (roughly $ 1170/£890). The heads will be available from August 17th.

For more information see the Kenko website (translated version).

Articles: Digital Photography Review (dpreview.com)

 
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Instagram Stories launch as ‘disappearing’ photo and video slideshows

03 Aug

Instagram has taken inspiration from Snapchat and launched a new feature called Stories. With Instagram Stories, users can capture numerous videos and photos, alter them with stickers, drawing tools, and by adding text, then post them to a single ‘story’ slideshow that won’t clutter up followers’ feeds. Once 24 hours pass, these story posts will disappear.

Instagram Stories are only visible to followers when the account is set to private; likewise, users can block specific followers from seeing their stories. Though story posts do not allow comments, users can swipe up to see which followers and accounts have viewed the content. Instagram users can feature parts of their stories on their profiles, as well.  

Stories posted by the people you follow are accessible via a bar at the top of your content feed. The profile photo of users with new story content will be visible with a colored ring around it in this bar. Tapping on the profile photo will pull up the story and navigate the user back and forth within the story, while swiping will jump the user to a different story altogether.

Instagram says the feature will be rolling out to iOS and Android users across the globe over the next few weeks.

Via: Instagram Blog

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics to launch ‘world’s widest F2.8 rectilinear lens’

26 Jul

Chinese optical manufacturer Anhui ChangGeng Optical Technology Company Limited, or Venus Optics, is preparing to introduce a 12mm lens that it claims will be the world’s widest F2.8 lens with fully corrected distortion. Going under the Laowa brand name the lens will be called Laowa 12mm F2.8 Zero-D and will be officially announced on July 30th via a Kickstarter campaign.

Venus Optics says that the lens has almost no distortion, hence the ‘Zero-D’ in the name, and has loaned a test unit to a blogger Nicky Bay who has a preview with images on his website. The lens will be manual focus only, will feature an aperture range of F2.8 to F22 and is due to have a seven-bladed iris with clicking stops. The company is also said to be launching a Magic Shift adapter, according to Bay, that allows +/-10mm of shift while converting the lens to a 17mm focal length. The converter will be for Sony E-mount users only.

Specification published on the Laowa Facebook page.

Of course, this isn’t the world’s first rectilinear 12mm with a fast aperture, as F2 and F1.4 12mm lenses exist for the Micro Four Thirds system, and there are Zeiss F2.8 and F2 Samyang 12mm lenses for APS-C sensors, but this lens is designed for full-frame cameras.

The lens, which will be made in Canon EF, Nikon F, Sony A, Sony E and Pentax K mounts, is expected to retail at $ 949, but supporters of the Kickstarter campaign will be able to get one from $ 649. The Magic Shift will cost $ 300 and a square filter adapter will be $ 50.

For more information on Venus Optics see the company website. 

Articles: Digital Photography Review (dpreview.com)

 
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Irix 15mm F2.4 ‘Blackstone’ and ‘Firefly’ lenses for DSLRs to launch this spring

22 Mar

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Switzerland-based company TH Swiss has introduced the Irix 15mm F2.4 lens for DSLR cameras. The manual focus lens features a ‘neutrino’ coating that helps keep ghosting, color aberration and flare under control.

The 15mm F2.4 is designed for full-frame cameras. It offers a minimum focusing distance of 28cm/11in, and the focus ring provides a ‘click’ tactile feedback when focused to infinity. The lens is composed of 15 elements in 11 groups. Three of the elements have a high refractive index (HRI) elements while another two feature extra-low dispersion (ED) glass. A pair of glass aspherical lenses ensure minimal distortions and aberrations while improving image edge brightness and overall image quality, says the company.

The Irix 15mm is offered in two varieties: ‘Blackstone’ and ‘Firefly.’ The Irix Blackstone features a magnesium and aluminum body able to withstand ‘extreme conditions,’ while the Irix Firefly model is, according to the company, the lightest lens in its class. Both versions of the lens will launch this spring in Canon EF, Nikon F and Pentax K mount; price hasn’t been revealed at this time.


Press release:

Meet the Irix 15mm f/2.4. The photographers dream. Built by engineers and perfected by designers.

The new ultra wide-angle, rectilinear manual lens designed for DSLR cameras guarantees exceptional optical performance.

The Irix 15mm f/2.4 lens is designed to deliver the best optical performance and match full frame DSLR cameras demands. Providing a focal length of 15mm, this new lens model is ideal for outdoor and indoor photography whether it is photojournalism, landscapes or architecture.

From 19 to 22 March, during The Photography Show in Birmingham, TH Swiss will be premiering new family of lenses. Visit Irix at Stand No F121.

Innovative technology

Combining capabilities specific to analogue photography with ingenious technology and solutions, the Irix 15mm f/2.4 is the perfect tool for both professionals and hobbyists. The new special features such as focus lock, infinity click and hyperfocal scale set a new level of manual lens functionality. Focus lock enables to lock the focus ring at any time enssuring the chosen settings. Hyperfocal distance scale gives information about the accessible range for depth of field for a given aperture simply and intuitively. When the focusing ring is set in the “infinity” position, there is a noticeable “click” (infinity click), making it easier to find the value without looking.

Extraordinary optical performance

The Irix 15mm f/2.4 meets the most demanding requirements of modern cameras. Thanks to sophisticated optical construction and special neutrino coating, colour aberration, ghosting and flare effects have been reduced to the absolute minimum, so the lens is ready to meet the requirements of the 50+ megapixel sensors of the newest cameras.

The complex optical system consist of 15 elements in 11 groups. Three of the lens elements have a high refractive index and two others have been made from extra-low dispersion glass. The construction also contains two glass aspherical lenses that are responsible for extremely high image quality and improving image brightness at edges, while minimizing distortions and aberrations at the same time.

With a minimum focusing distance of 0.28 metre and 9 rounded shaped aperture blades, the lens stands for supremely smooth out-of-focus areas. Working with a narrow depth of field it allows the user to fully enjoy the bokeh effect.

Resistant to extreme conditions

Irix 15mm f/2.4 lenses are made with extreme precision, allowing them to be used in even the harshest weather conditions. Each lens is equipped with a weather sealed construction that protects the interior against dust and moisture. Thanks to inner seals they are also protected from accidental water splashes.

Prepare for more and create

Despite its short focal length and large aperture, the Irix 15mm f/2.4 is equipped with not only a front filter mount, but also has a rear gelatin filter slot. The design of the lens allows the use of 95 mm screw-in filters at the front in the petal-shape lens hood and gelatin filters at the back of the lens. This ensures unlimited possibilities for image creation.

Personalize your view

For the comfort of our customers Irix has created two versions of the Irix 15mm f/2.4 to meet their personality and individual taste.

Irix Blackstone: classic design meets maximum functionality, achieving the perfect match of innovative technology. The durable aluminium and magnesium body ensures foolproof protection of your lens, even in extreme conditions. Engraved fluorescent markings that reflect the light enable easy operation in all lighting conditions.

Irix Firefly: high quality mechanism in a handy design. Ergonomic focusing ring offers the freedom to capture the most ideal moment, whether it is big city architecture or wildlife scenery. The most lightweight lens in its class. Challenge accepted.

Irix Swiss Design

Irix Swiss Design stands for minimalism in style while maintaining maximum functionality. It is a perfect mixture of European design combined with Korean precision. The same look and feel of all products in the Irix family. The same consistency, product packaging and complementary elements, all perfectly shaped and fitting one another.

Ultimate precision

Each Irix 15mm f/2.4 lens leaving the factory has been properly calibrated. However, the focus calibration function provides the unique opportunity to adjust the focusing scale for a particular model of camera.

Technical data

  • IMAGE SIZE 35mm “Full Frame”
  • FOCAL LENGTH 15 mm
  • FIELD OF VIEW 110? (diagonal)
  • FOCUSING RANGE 0.28 m (0.92 ft) – ?
  • FOCUSING TYPE manual with lock function
  • APERTURE RANGE f/2.4 – f/22
  • APERTURE CONTROL via camera
  • APERTURE SHAPE 9 rounded blades
  • LENS CONSTRUCTION 15 elements in 11 groups 3x HR, 2x ED, 2x ASP
  • FRONT FILTER THREAD 95 x 1.0 mm
  • REAR GELATIN FILTER SLOT 30 x 30 mm
  • AVAILABLE MOUNTS Canon EF, Nikon F, Pentax K
  • DIMENSIONS (DXH) 114 x 100 mm (4.49” x 3.94”)
  • WEIGHT FIREFLY CANON 608 g (1.34 lbs)
  • NIKON 581 g (1.28 lbs)
  • BLACKSTONE CANON 685 g (1.51 lbs)
  • NIKON 653 g (1.44 lbs)

Pricing and availability:

Spring 2016

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic to launch Lumix DMC-CM10 without phone functionality

20 Jan

Panasonic has announced that the next version of its Lumix DMC-CM1 smartphone will dispense with its phone functionality to concentrate on being a camera. The Lumix DMC-CM10 will initially only be available in Japan, and is very much the same as the original DMC-CM1, but while it will run on the Android 5.0 operating system it will not be equipped to make phone calls. It will, however, be equipped with LTE communication facilities, and will be able to send text messages and send and receive data via telephone networks with an appropriate SIM card in place. Panasonic will provide its own network access for users as part of its Wonderlink service, where CM1 and CM10 owners can get 3GB a month with 150Mbps download speeds for 1480 yen/£9/$ 12.50. 

The camera appears to have the same lens and sensor as the DMC-CM1, and exactly the same body and features. It will be available from 25 February in silver and only 500 will be made per month. While the price isn’t clear yet it appears from the Panasonic store in Japan that it will be around 100,000 yen/£600/$ 850. 

For more information see the Panasonic Japan website. 

Articles: Digital Photography Review (dpreview.com)

 
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