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Posts Tagged ‘Images’

26 Solid Images of Heavy Items

22 Jan

Earlier we looked at images of lightweight objects and how some photographers captured their essence.

So how about some heavy items? Large, bulky, hefty, ominous. How would you photograph a large heavyweight thing? Let’s see how these photographers did it:

Gerry Balding

By Gerry Balding

Mikael T

By Mikael T

@mopictures

By @mopictures

Tom Gill

By Tom Gill

Jonathan Gross

By Jonathan Gross

Jdegenhardt

By jdegenhardt

Dawn Beattie

By Dawn Beattie

Patrick Buechner

By Patrick Buechner

Nutmeg66

By nutmeg66

Paulius Malinovskis

By Paulius Malinovskis

CameliaTWU

By CameliaTWU

Donnie Nunley

By Donnie Nunley

Mark Iocchelli

By Mark Iocchelli

Ville Miettinen

By Ville Miettinen

Des Morris

By Des Morris

Steve Evans

By Steve Evans

David Marvin

By David Marvin

Aidan

By Aidan

Mariano Mantel

By Mariano Mantel

Nicki

By Nicki

Dave Shea

By Dave Shea

Anton Bielousov

By Anton Bielousov

RayMorris1

By RayMorris1

Caitlin

By Caitlin

 

Carlos Andrés Reyes

By Carlos Andrés Reyes

Rachel Melton

By Rachel Melton

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25 Floaty Images of Lightweight Objects

15 Jan

Some things really do float on air. How do you capture that in an image of things which are lightweight, and make the object look delicate and airy?

Let’s see how these photographers did it:

Kasia

By Kasia

Nicolas Raymond

By Nicolas Raymond

J P

By J P

Thomas Hawk

By Thomas Hawk

Partha S. Sahana

By Partha S. Sahana

Michael Levine-Clark

By Michael Levine-Clark

Kalvis

By Kalvis

RebeccaVC1

By RebeccaVC1

Ankakay

By ankakay

Karl Grenet

By Karl Grenet

Axel Naud

By Axel Naud

Pen Waggener

By Pen Waggener

Vivek Jena

By vivek jena

Joe

By Joe

Tanakawho

By tanakawho

Heather

By Heather

Casch52

By casch52

Alison Tomlin

By Alison Tomlin

Stuart Williams

By Stuart Williams

Phil

By Phil

Kailash Gyawali

By Kailash Gyawali

55Laney69

By 55Laney69

Alexey Kljatov

By Alexey Kljatov

Garrett Coakley

By Garrett Coakley

The World Through My Eyes

By The world through my eyes

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New York Public Library releases thousands of images into public domain

12 Jan

The New York Public Library has released more than 180,000 digitized items into the public domain, making them freely available for anyone to use for any purpose. These items include scans of manuscripts from well-known authors, copies of sheet music, more than 40,000 stereoscopic photographs and more than 20,000 atlases and maps.

The NYPL announced the release last week, saying it “represents both a simplification and an enhancement of digital access to a trove of unique and rare materials.” The materials are available as high-resolution downloads through the library’s public domain remix. As of this latest release, there are 672,186 digitizations available in the NYPL Digital Collections.

Via: NYPL

Articles: Digital Photography Review (dpreview.com)

 
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50 Photoshop & Lightroom Photo Editing Tutorials to Enhance Your Images

04 Jan

Photoshop and Lightroom are awesome tools for photographers, professionals and amateurs alike. While Lightroom is considered the most comprehensive tool to do some basic image editing, such as fixing exposure, white balance, and contrast, Photoshop is often chosen by photographers for further creative processing. Without a doubt, Photoshop is a powerful program with huge possibilities. However, once you really dig Continue Reading

The post 50 Photoshop & Lightroom Photo Editing Tutorials to Enhance Your Images appeared first on Photodoto.


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How to Use Shadow and Contrast to Create Dramatic Images

24 Dec

shadow and contrast

You can use shadow and contrast to create dramatic images. The key is to forget about shadow detail. You don’t need it. Shadows are meant to be dark and mysterious. This is good – it leaves something to the viewer’s imagination.

Utilize the dynamic range of your sensor. Expose for the highlights, and let the shadows fall where they will. If the light is strong enough, the shadows will contain very little detail.

Harsh light can make dramatic images

I took the following photo in Bolivia. The sun was sinking behind me, casting a strong shadow that had started to touch the underneath of the old car. The shadow fills the bottom third of the image. We don’t need detail in the shadow, although a little doesn’t hurt. Shoot in Raw format, and in most cases you’ll be able to pull some shadow detail out in post-processing, giving you a choice.

shadow and contrast

When I see a dramatic image like this, with strong shadows, my immediate instinct is to convert it to black and white. High contrast scenes look great in monochrome. There’s something about removing colour that emphasizes the depth of the shadows, and the drama of the composition. You can add impact by increasing contrast in Lightroom and emphasizing texture using the Clarity slider. Here’s my black and white conversion of the photo above.

shadow and contrast

Look for naturally contrasty scenes

I took the next photo indoors, in an old manor house that had been converted to a museum. The apples were lit by light coming through a window. The windows were small, so the interior of the room was naturally dark, which is why there is so little detail in the background. It’s a high contrast scene – the area lit by window light ,is much brighter than the rest of the scene.

shadow and contrast

Here’s the same image converted to black and white. Without colour, the emphasis is on the textures and shadows.

shadow and contrast

Silhouettes

The following photo of an approaching storm uses also uses shadow and contrast. The mountains are backlit and silhouetted. The approaching storm clouds are dark and ominous. A brightly lit strip of sky fills the gap between the two dark areas. A silhouetted telegraph pole forms a natural focal point. The drama of the light has created a dramatic image.

shadow and contrast

The image is naturally monochromatic, and converts well to black and white.

shadow and contrast

There are lots of shadows in this seascape. But the ones that caught my eye were the silhouetted figures on the right. After I had set up the shot, two children walked across the beach, and climbed up on the rock. I used a long shutter speed (30 seconds) to blur the water, which also blurred the silhouetted children. I was fortunate because the figures add human interest and scale to the scene. They are a natural focal point that pulls the eye across the photo.

shadow and contrast

shadow and contrast

It also converted well to black and white.

The final image is also one that uses shadow to create mystery and drama. I focused on the grass on the foreground, set a wide aperture, and let the sun go out of focus. I adjusted the white balance in Lightroom to emphasize the warmth of the setting sun. This image is different from the others in that the colour is an important part of the composition and it doesn’t work as well in black and white.

shadow and contrast

Conclusion

One of my aims with this article is to dispel the idea that it is essential to capture lots of shadow detail, and that if you fail to do so, it is some kind of technical shortcoming. Not so – let’s celebrate the fact that camera sensors don’t capture the full range of brightness that our eyes are capable of seeing. Let’s use the interplay of light and shadow to create interesting and dynamic compositions. Let’s create some mystery and leave gaps for the viewer’s imagination to fill in.

Do you use shadows in your images? Please share your images with lots of shadow and contrast in the comments below.


Mastering Composition ebookMastering Composition

My new ebook Mastering Composition will help you learn to see and compose photos better. It takes you on a journey beyond the rule of thirds, exploring the principles of composition you need to understand in order to make beautiful images.

 

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28 Wintery White Snowy Images

11 Dec

For those of us who live in the northern hemisphere, the ground is probably covered in snow for many of us by this time of the season. So what better reason is there to get out and photograph all that white fluffy stuff?

Here is that wintery white stuff in some snowy day images:

Adam Foster

By Adam Foster

Jenny Downing

By jenny downing

Tim Donnelly

By Tim Donnelly

Maf04

By maf04

Visit Finland

By Visit Finland

Shigemi.J

By Shigemi.J

Mika_Oulu

By Mika_Oulu

Adam Vradenburg

By Adam Vradenburg

Andrew Smith

By Andrew Smith

Gerry Balding

By Gerry Balding

Rodney Campbell

By Rodney Campbell

Maziar Hooshmand

By maziar hooshmand

Russ Seidel

By Russ Seidel

Julie Falk

By Julie Falk

Shawn Harquail

By Shawn Harquail

Pascal Bovet

By Pascal Bovet

Alexey Kljatov

By Alexey Kljatov

Kamyar Adl

By Kamyar Adl

Several Seconds

By Several seconds

Mike Norkum

By Mike Norkum

Rishi Bandopadhay

By Rishi Bandopadhay

Ishrona

By Ishrona

Roman Boed

By Roman Boed

Javier

By Javier

Flood G.

By Flood G.

Vida Dimovska

By Vida Dimovska

Brian Colson

By brian colson

Roman Schmitz

By Roman Schmitz

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29 Unencumbered Images of Kids Being Kids

04 Dec

Kids have a natural free spirit about them. They don’t sensor themselves and they do what they want, how they want, when they want to – usually.

Let’s see some images (you’ll notice that a few of these are my own images) that capture this essence of what it is to be a kid:

Benurs - Learning And Learning...

By Benurs – Learning and learning…

Maitham Rushaidan

By Maitham Rushaidan

Adoephoto

By adoephoto

United Nations Photo

By United Nations Photo

Marcin Moga

By Marcin Moga

Attila Siha

By Attila Siha

Brighter Than Sunshine

By brighter than sunshine

Premnath Thirumalaisamy

By Premnath Thirumalaisamy

ThomasLife

By ThomasLife

Robbert Van Der Steeg

By Robbert van der Steeg

Donnie Ray Jones

By Donnie Ray Jones

Darlene Hildebrandt

By Darlene Hildebrandt

Darlene Hildebrandt

By Darlene Hildebrandt

Darlene Hildebrandt

By Darlene Hildebrandt

Steve Evans

By Steve Evans

Steve Evans

By Steve Evans

Darlene Hildebrandt

By Darlene Hildebrandt

Capture Queen

By Capture Queen

ZOBEL *

By ZOBEL *

Kevin Conor Keller

By Kevin Conor Keller

Darlene Hildebrandt

By Darlene Hildebrandt

Darlene Hildebrandt

By Darlene Hildebrandt

Darlene Hildebrandt

By Darlene Hildebrandt

Amina Tagemouati

By Amina Tagemouati

Ilavanji Ilavanji

By ilavanji ilavanji

Paul David

By Paul David

Brittany Randolph

By Brittany Randolph

Peter Roome

By Peter Roome

David Guyler

By David Guyler

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27 Images Around the World of Circles

28 Nov

Shapes can be seen everywhere, in everything. Look closer to find the circles in these images:

Sama093

By sama093

Michael Orth

By Michael Orth

Novofotoo

By novofotoo

Abbey Hambright

By Abbey Hambright

Richard Walker

By Richard Walker

Steve Johnson

By Steve Johnson

Magdalena

By magdalena

Joakim Berndes

By Joakim Berndes

Yamanaka Tamaki

By Yamanaka Tamaki

J J

By J J

Bob Farrell

By Bob Farrell

Wasile

By Wasile

Simon Harrod

By Simon Harrod

Fleetingpix

By fleetingpix

Ben O'Bryan

By Ben O’Bryan

Catface27

By Catface27

Davide D'Amico

By Davide D’Amico

Sonny Abesamis

By Sonny Abesamis

Darlene Hildebrandt

By Darlene Hildebrandt

Tanakawho

By tanakawho

William Warby

By William Warby

Hernán Piñera

By Hernán Piñera

Susanne Nilsson

By Susanne Nilsson

Bryon Lippincott

By Bryon Lippincott

Thomas Hawk

By Thomas Hawk

TheGiantVermin

By TheGiantVermin

Karl Reif

By Karl Reif

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How to Save Images Using Export in Lightroom

26 Nov

Reader feedback tells me that some people are confused by Lightroom’s Export process. I think the confusion is caused by not completely understanding how Lightroom works, especially when processing Raw files. So let’s start by recapping the process that a single Raw file goes through when you import it into Lightroom.

How to export photos from Lightroom

1. Lightroom adds the Raw files to the Catalog

The Catalog is a database containing information about all the photo files you have imported into Lightroom (for further clarification on this process read my article How to Import Photos into Lightroom). Lightroom keeps track of the location (where it is saved on your hard drive) and metadata of each imported Raw file.

2. Open the Raw file in the Develop module and process the photo

The key thing to understand here that Lightroom keeps track of every single edit you make in the Develop module by storing them as a series of text commands in the Catalog. This means that (a) the Raw file itself remains unchanged and most importantly that (b) at this stage even though you can see it on your computer screen, you haven’t yet converted the Raw file into another format that other programs can use. This is where the Export function comes in.

JPEG and TIFF files

By the way, it’s a similar process if you are processing a JPEG or TIFF file. Lightroom saves the edits you make in the Lightroom Catalog, and doesn’t change the original file in any way. This only happens at the export stage, where you create a new version of the file that incorporates the changes. This is important to note, because it is different from the way Photoshop and Photoshop Elements work.

Exporting image files

All this means is that if you want to view or use your photos in a program other than Lightroom, you need to export them first and save them in a format that other programs understand.

There’s just one exception to this. If you go to Catalog Settings > Metadata and tick the Automatically write changes into XMP box, Lightroom will save the Develop settings in a .xmp file in the same folder as the original file. These files can be opened successfully using Adobe Camera Raw in Photoshop.

Note: Export in Lightroom simply means: Save As! Just like in MS Word or any other program. 

The Export process

Now that you understand why you have to export photos, let’s see how to do it.

Start by selecting the photo, or photos, to be exported. It is easiest to do this in Grid View. Then go to File > Export to start the export process and bring up the Export window. This is what it looks like.

How to export photos from Lightroom

The Export to menu at the top defaults to Hard Drive. You can also choose to export the photos as email attachments, burn them to a CD/DVD or export them to a plug-in. For this article I am going to work on the basis that you have selected Hard Drive. The settings change slightly if you choose one of the other options.

Export Location

This is where you tell Lightroom where to save the exported files. Select “Ask what to do” or “Choose a new name” for the exported file from the Existing Files menu, to avoid accidentally overwriting existing files with the same name. Tick the Add to This Catalog box if you want to add the exported images to the Lightroom Catalog. This saves time that would otherwise be spent re-importing the new images.

How to export photos from Lightroom

File Naming

When exporting you can opt to keep the original file names, or create new ones. What you choose to do here depends partially on whether you created new file names at import, or kept the original names made by your camera. The most obvious use here is creating a naming format for images to be sent to clients. If you are exporting photos to send to a stock library, for example, the stock library will have its own file naming requirements that you need to stick to. You have the option of selecting one of Lightroom’s naming presets, or you can create your own by choosing Edit from the Rename To menu.

How to export photos from Lightroom

Video

Only applies if you are exporting video.

File Settings

This is where you select the format, quality, and colour space of exported files. It is important to get these settings correct, otherwise you risk creating files that are unsuitable for the intended purpose. There are five Image Format options to choose from:

JPEG: This format is for creating small files for sending to other people or uploading to websites.

For web use: Set Quality to between 60 and 80 and Color Space to sRGB. You may also wish to tick the Limit File Size box to ensure that files are below a certain size. If you are exporting photos to use on a web page, restricting file sizes to less than 150kb will help the page load faster in a browser. You also need to set the pixel size of the exported files under the Image Sizing heading.

For full size images: Set Quality to 100 and Color Space to sRGB. You should only select a Color Space other than sRGB if you instructions to do so (for example, you are sending the files to a magazine publisher who wants them in the AdobeRGB (1998) colour space).

How to export photos from Lightroom

PSD: This is for creating PSD files to work on in Photoshop. For maximum quality set Color Space to ProPhoto RGB and Bit Depth to 16 bits/component. This gives Photoshop all the available information for that image, and the highest quality possible.

How to export photos from Lightroom

TIFF: These files are large, 16 bit files similar to PSD files. For maximum quality set Compression to None, Color Space to ProPhoto RGB and Bit Depth to 16 bits/component. The assumption here is that you are creating the file to work on in Photoshop or another plug-in.

How to export photos from Lightroom

Note that the reason I recommend using ProPhoto RGB for both TIFF and PSD files is because I’m making the assumption that when you’re finished editing the photo you will then convert it to either sRGB or AdobeRGB (1998) afterwards. If you’re not sure what colour spaces are or how they work then my article Everything You Need to Know About Lightroom and Colour Space will help.

DNG: Use this setting to convert native Raw files to the DNG (Digital Negative) format. Tick the Embed Fast Load Data box to create DNG files that load faster in Lightroom.

How to export photos from Lightroom

Original: Retains the original photo file format. If the original is a Raw file, Lightroom exports the unmodified original, with a sidecar .XMP file containing the changes made in Lightroom.

How to export photos from Lightroom

Image Sizing

This option lets you alter the size of the image and set the resolution. Use this to upscale the photo for printing, or to create a smaller file for uploading to a website. If you simply want to export a full size version of your photo, you won’t need to alter any settings here.

How to export photos from Lightroom

Output Sharpening

Lets you add sharpening for display (Screen) or printing (Matte Paper and Glossy Paper). Select from three levels: Low, Standard and High. There is no need to sharpen if you are exporting photos to edit in another program such as Photoshop.

How to export photos from Lightroom

Metadata

Here you choose whether to include all metadata in the exported image, or just some of it. You may want to leave out Person Info (keywords that include people’s names) for privacy reasons, and Location Info for security or privacy reasons (for example, if you post a photo of your home online).

How to export photos from Lightroom

Watermark

Tick the Watermark box to add a watermark to your images. Select Edit Watermarks from the menu to create your own watermark. The main purpose of this is to add a copyright logo to photos that are going to be published online.

How to export photos from Lightroom

Post-Processing

Tell Lightroom what to do after exporting the images. Do Nothing is the most appropriate setting most of the time, but you may find the other options useful from time to time.

How to export photos from Lightroom

Export Presets

If you find yourself using the same export settings a lot, you can save them as a User Preset. Click the Add button in the bottom left corner of the Export window to do so. You’ll be prompted to enter a name for the Preset, and to select the folder to save it in (the default is User Presets).

How to export photos from Lightroom

As you can see, the export process in Lightroom is quite simple. If you have any questions about it, or indeed any questions about Lightroom, please let us know in the comments.


The Mastering Lightroom CollectionMastering Lightroom ebooks

My Mastering Lightroom ebooks will help you get the most out of Lightroom. They cover every aspect of the software from the Library module through to creating beautiful images in the Develop module. Click the link to learn more or buy.

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Using Emotions to Take Storytelling Images

25 Nov

A forgotten woman and her daughter – tips for storytelling

If you travel to remote places you will be sure to get extraordinary photos. Be brave, take a risk, and allow the warm winds of far off places take you on a journey you won’t forget. I’m always looking for opportunities that allow me to visit people and places that are off the usual tourist trail. I travel with an open mind and heart, and am often rewarded by meeting extraordinary people in the most unlikely places.

51K1433

My interest is photographing landscapes and portraits. I especially look for people that are indigenous to the countries and the remote areas I visit. Their faces and traditional dress tell the stories of their ancestors, and I want to capture these people before they are no longer able to live as their forebears.

Traveling along the rough, dusty roads on the border between India and Pakistan you are immediately reminded of just how volatile these two countries still are. You take a great risk to visit these regions where many armed soldiers are seen in camps, at river crossings, and in long convoys of trucks as they continually patrol, ready to defend their respective countries.

Have patience and wait for opportunities

If you are able to travel in this area during October you will be rewarded with the magnificent autumn colors on display throughout the countryside. My intention was to capture these colors in all their glory, and photograph the natural beauty of the landscape. However, I arrived a little too early. I had a choice: I could stay and wait another week or two, or I could return home. I decided to stay and take the opportunity to have some time to relax, and see what other stories might present themselves.

It was the last day of my visit and I decided to take a walk, as I often do, to see if I could find a story by keeping an open mind, and a keen eye while I strolled.

51K1389

I knew that in the next few days, this area would be totally cut off for six months during winter. I was feeling a bit low as I hadn’t taken any photos that I felt were of any substance. As I walked I noticed a lady sitting in the window of a very humble wooden house. She looked very sad and I felt drawn to go and speak to her.

Note: To shoot in this region you need permissions and local guide, which I had. My first image of the story has shows me shooting from outside of her house. Next to me were people of that village and my local interpreter. She was watching me shoot from above. My objective was to talk to her and cheer her up. 

Image 1

51K1366

Allow the story to unfold and follow your instincts

As soon as I entered the house I thought why not test my new camera in this low light. Once inside, I’m sure you would get the same shock I did. In one corner was a small fire for cooking. The rest of the room was dirty and in complete disarray. Upon seeing me enter, she looked quite stunned, and started to use sign language – I realized she couldn’t speak or hear. I also had a feeling she was mentally challenged, so I thought I would give up the idea of taking some portraits of her. She was trying to talk and constantly moving her body.

Image 2

I smiled and sat opposite her trying to show her my camera. I wanted to explain that I was a photographer so she wouldn’t be scared of me. Normally most of the strangers in this area are suspected militants, or a threat. As I tried to communicate with her, she continuously tried to sign violence and killing, which she must have experienced since birth. In sign language I tried asking her if I could photograph her, unfortunately it was my first try with sign language and she did not understand. Something inside me pushed me to take a few shots and leave. Somehow I managed to take some photos despite feeling low after spending time with her.

Image 4

L1000775

Then her mother walked inside the house and told me the story of her daughter. She was deaf, and mentally challenged since childhood. They were living a very difficult life and there was nobody else in family. I listened and took one shot as she broke down. All I could do was put my hand in my pocket and give her whatever cash I had.

Image 5

Look for the emotion parts of the story

When I left the house I felt heavy hearted. I looked back and saw the daughter smile as she was looking out from her window, and I smiled back at her. I clicked the picture as a memory and it turned out to be the best photo I had taken on this visit. If you keep an open mind and follow your instincts you may well find a story such as this.

Image 6

As I drove back her powerful smile did not leave my mind. I kept thinking about her, she had left an impression.

Review

Look at your images after you take them as I did. It’s only then that you will realize how powerful they are.

Her smile started growing on me and I thought that perhaps I had made a small difference to her life. Her smile was so genuine. Even before arriving back home I decided to write about, and share her story. This story provoked my thoughts, altered my ego, and forced me to approach everyone with her story, whether they are my admirers or critics. I wanted to let the world know of her existence and those like her, as you will when you take those rare and unique photos and experience what I did. There are many such people on this earth for whom life is a day-to-day existence and there are only fleeting moments of happiness.

Take a risk and go for it

So… be brave, take a risk, and allow the warm winds of far off places take you on a journey you won’t forget. Trust me you won’t regret it!

Do you have any images that you took that inspire you and tell a story? Please share them in the comments below.

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