Tag: Images

  • 26 Solid Images of Heavy Items

    Earlier we looked at images of lightweight objects and how some photographers captured their essence.

    So how about some heavy items? Large, bulky, hefty, ominous. How would you photograph a large heavyweight thing? Let’s see how these photographers did it:

    Gerry Balding

    By Gerry Balding

    Mikael T

    By Mikael T

    @mopictures

    By @mopictures

    Tom Gill

    By Tom Gill

    Jonathan Gross

    By Jonathan Gross

    Jdegenhardt

    By jdegenhardt

    Dawn Beattie

    By Dawn Beattie

    Patrick Buechner

    By Patrick Buechner

    Nutmeg66

    By nutmeg66

    Paulius Malinovskis

    By Paulius Malinovskis

    CameliaTWU

    By CameliaTWU

    Donnie Nunley

    By Donnie Nunley

    Mark Iocchelli

    By Mark Iocchelli

    Ville Miettinen

    By Ville Miettinen

    Des Morris

    By Des Morris

    Steve Evans

    By Steve Evans

    David Marvin

    By David Marvin

    Aidan

    By Aidan

    Mariano Mantel

    By Mariano Mantel

    Nicki

    By Nicki

    Dave Shea

    By Dave Shea

    Anton Bielousov

    By Anton Bielousov

    RayMorris1

    By RayMorris1

    Caitlin

    By Caitlin

     

    Carlos Andrés Reyes

    By Carlos Andrés Reyes

    Rachel Melton

    By Rachel Melton

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    The post 26 Solid Images of Heavy Items by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • 25 Floaty Images of Lightweight Objects

    Some things really do float on air. How do you capture that in an image of things which are lightweight, and make the object look delicate and airy?

    Let’s see how these photographers did it:

    Kasia

    By Kasia

    Nicolas Raymond

    By Nicolas Raymond

    J P

    By J P

    Thomas Hawk

    By Thomas Hawk

    Partha S. Sahana

    By Partha S. Sahana

    Michael Levine-Clark

    By Michael Levine-Clark

    Kalvis

    By Kalvis

    RebeccaVC1

    By RebeccaVC1

    Ankakay

    By ankakay

    Karl Grenet

    By Karl Grenet

    Axel Naud

    By Axel Naud

    Pen Waggener

    By Pen Waggener

    Vivek Jena

    By vivek jena

    Joe

    By Joe

    Tanakawho

    By tanakawho

    Heather

    By Heather

    Casch52

    By casch52

    Alison Tomlin

    By Alison Tomlin

    Stuart Williams

    By Stuart Williams

    Phil

    By Phil

    Kailash Gyawali

    By Kailash Gyawali

    55Laney69

    By 55Laney69

    Alexey Kljatov

    By Alexey Kljatov

    Garrett Coakley

    By Garrett Coakley

    The World Through My Eyes

    By The world through my eyes

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    The post 25 Floaty Images of Lightweight Objects by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • New York Public Library releases thousands of images into public domain

    The New York Public Library has released more than 180,000 digitized items into the public domain, making them freely available for anyone to use for any purpose. These items include scans of manuscripts from well-known authors, copies of sheet music, more than 40,000 stereoscopic photographs and more than 20,000 atlases and maps.

    The NYPL announced the release last week, saying it “represents both a simplification and an enhancement of digital access to a trove of unique and rare materials.” The materials are available as high-resolution downloads through the library’s public domain remix. As of this latest release, there are 672,186 digitizations available in the NYPL Digital Collections.

    Via: NYPL

    Articles: Digital Photography Review (dpreview.com)

  • 50 Photoshop & Lightroom Photo Editing Tutorials to Enhance Your Images

    Photoshop and Lightroom are awesome tools for photographers, professionals and amateurs alike. While Lightroom is considered the most comprehensive tool to do some basic image editing, such as fixing exposure, white balance, and contrast, Photoshop is often chosen by photographers for further creative processing. Without a doubt, Photoshop is a powerful program with huge possibilities. However, once you really dig Continue Reading

    The post 50 Photoshop & Lightroom Photo Editing Tutorials to Enhance Your Images appeared first on Photodoto.


    Photodoto

  • How to Use Shadow and Contrast to Create Dramatic Images

    shadow and contrast

    You can use shadow and contrast to create dramatic images. The key is to forget about shadow detail. You don’t need it. Shadows are meant to be dark and mysterious. This is good – it leaves something to the viewer’s imagination.

    Utilize the dynamic range of your sensor. Expose for the highlights, and let the shadows fall where they will. If the light is strong enough, the shadows will contain very little detail.

    Harsh light can make dramatic images

    I took the following photo in Bolivia. The sun was sinking behind me, casting a strong shadow that had started to touch the underneath of the old car. The shadow fills the bottom third of the image. We don’t need detail in the shadow, although a little doesn’t hurt. Shoot in Raw format, and in most cases you’ll be able to pull some shadow detail out in post-processing, giving you a choice.

    shadow and contrast

    When I see a dramatic image like this, with strong shadows, my immediate instinct is to convert it to black and white. High contrast scenes look great in monochrome. There’s something about removing colour that emphasizes the depth of the shadows, and the drama of the composition. You can add impact by increasing contrast in Lightroom and emphasizing texture using the Clarity slider. Here’s my black and white conversion of the photo above.

    shadow and contrast

    Look for naturally contrasty scenes

    I took the next photo indoors, in an old manor house that had been converted to a museum. The apples were lit by light coming through a window. The windows were small, so the interior of the room was naturally dark, which is why there is so little detail in the background. It’s a high contrast scene – the area lit by window light ,is much brighter than the rest of the scene.

    shadow and contrast

    Here’s the same image converted to black and white. Without colour, the emphasis is on the textures and shadows.

    shadow and contrast

    Silhouettes

    The following photo of an approaching storm uses also uses shadow and contrast. The mountains are backlit and silhouetted. The approaching storm clouds are dark and ominous. A brightly lit strip of sky fills the gap between the two dark areas. A silhouetted telegraph pole forms a natural focal point. The drama of the light has created a dramatic image.

    shadow and contrast

    The image is naturally monochromatic, and converts well to black and white.

    shadow and contrast

    There are lots of shadows in this seascape. But the ones that caught my eye were the silhouetted figures on the right. After I had set up the shot, two children walked across the beach, and climbed up on the rock. I used a long shutter speed (30 seconds) to blur the water, which also blurred the silhouetted children. I was fortunate because the figures add human interest and scale to the scene. They are a natural focal point that pulls the eye across the photo.

    shadow and contrast

    shadow and contrast

    It also converted well to black and white.

    The final image is also one that uses shadow to create mystery and drama. I focused on the grass on the foreground, set a wide aperture, and let the sun go out of focus. I adjusted the white balance in Lightroom to emphasize the warmth of the setting sun. This image is different from the others in that the colour is an important part of the composition and it doesn’t work as well in black and white.

    shadow and contrast

    Conclusion

    One of my aims with this article is to dispel the idea that it is essential to capture lots of shadow detail, and that if you fail to do so, it is some kind of technical shortcoming. Not so – let’s celebrate the fact that camera sensors don’t capture the full range of brightness that our eyes are capable of seeing. Let’s use the interplay of light and shadow to create interesting and dynamic compositions. Let’s create some mystery and leave gaps for the viewer’s imagination to fill in.

    Do you use shadows in your images? Please share your images with lots of shadow and contrast in the comments below.


    Mastering Composition ebookMastering Composition

    My new ebook Mastering Composition will help you learn to see and compose photos better. It takes you on a journey beyond the rule of thirds, exploring the principles of composition you need to understand in order to make beautiful images.

     

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    The post How to Use Shadow and Contrast to Create Dramatic Images by Andrew S. Gibson appeared first on Digital Photography School.


    Digital Photography School

  • 28 Wintery White Snowy Images

    For those of us who live in the northern hemisphere, the ground is probably covered in snow for many of us by this time of the season. So what better reason is there to get out and photograph all that white fluffy stuff?

    Here is that wintery white stuff in some snowy day images:

    Adam Foster

    By Adam Foster

    Jenny Downing

    By jenny downing

    Tim Donnelly

    By Tim Donnelly

    Maf04

    By maf04

    Visit Finland

    By Visit Finland

    Shigemi.J

    By Shigemi.J

    Mika_Oulu

    By Mika_Oulu

    Adam Vradenburg

    By Adam Vradenburg

    Andrew Smith

    By Andrew Smith

    Gerry Balding

    By Gerry Balding

    Rodney Campbell

    By Rodney Campbell

    Maziar Hooshmand

    By maziar hooshmand

    Russ Seidel

    By Russ Seidel

    Julie Falk

    By Julie Falk

    Shawn Harquail

    By Shawn Harquail

    Pascal Bovet

    By Pascal Bovet

    Alexey Kljatov

    By Alexey Kljatov

    Kamyar Adl

    By Kamyar Adl

    Several Seconds

    By Several seconds

    Mike Norkum

    By Mike Norkum

    Rishi Bandopadhay

    By Rishi Bandopadhay

    Ishrona

    By Ishrona

    Roman Boed

    By Roman Boed

    Javier

    By Javier

    Flood G.

    By Flood G.

    Vida Dimovska

    By Vida Dimovska

    Brian Colson

    By brian colson

    Roman Schmitz

    By Roman Schmitz

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    The post 28 Wintery White Snowy Images by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • 29 Unencumbered Images of Kids Being Kids

    Kids have a natural free spirit about them. They don’t sensor themselves and they do what they want, how they want, when they want to – usually.

    Let’s see some images (you’ll notice that a few of these are my own images) that capture this essence of what it is to be a kid:

    Benurs - Learning And Learning...

    By Benurs – Learning and learning…

    Maitham Rushaidan

    By Maitham Rushaidan

    Adoephoto

    By adoephoto

    United Nations Photo

    By United Nations Photo

    Marcin Moga

    By Marcin Moga

    Attila Siha

    By Attila Siha

    Brighter Than Sunshine

    By brighter than sunshine

    Premnath Thirumalaisamy

    By Premnath Thirumalaisamy

    ThomasLife

    By ThomasLife

    Robbert Van Der Steeg

    By Robbert van der Steeg

    Donnie Ray Jones

    By Donnie Ray Jones

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Steve Evans

    By Steve Evans

    Steve Evans

    By Steve Evans

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Capture Queen

    By Capture Queen

    ZOBEL *

    By ZOBEL *

    Kevin Conor Keller

    By Kevin Conor Keller

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Amina Tagemouati

    By Amina Tagemouati

    Ilavanji Ilavanji

    By ilavanji ilavanji

    Paul David

    By Paul David

    Brittany Randolph

    By Brittany Randolph

    Peter Roome

    By Peter Roome

    David Guyler

    By David Guyler

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    The post 29 Unencumbered Images of Kids Being Kids by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • 27 Images Around the World of Circles

    Shapes can be seen everywhere, in everything. Look closer to find the circles in these images:

    Sama093

    By sama093

    Michael Orth

    By Michael Orth

    Novofotoo

    By novofotoo

    Abbey Hambright

    By Abbey Hambright

    Richard Walker

    By Richard Walker

    Steve Johnson

    By Steve Johnson

    Magdalena

    By magdalena

    Joakim Berndes

    By Joakim Berndes

    Yamanaka Tamaki

    By Yamanaka Tamaki

    J J

    By J J

    Bob Farrell

    By Bob Farrell

    Wasile

    By Wasile

    Simon Harrod

    By Simon Harrod

    Fleetingpix

    By fleetingpix

    Ben O'Bryan

    By Ben O’Bryan

    Catface27

    By Catface27

    Davide D'Amico

    By Davide D’Amico

    Sonny Abesamis

    By Sonny Abesamis

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Tanakawho

    By tanakawho

    William Warby

    By William Warby

    Hernán Piñera

    By Hernán Piñera

    Susanne Nilsson

    By Susanne Nilsson

    Bryon Lippincott

    By Bryon Lippincott

    Thomas Hawk

    By Thomas Hawk

    TheGiantVermin

    By TheGiantVermin

    Karl Reif

    By Karl Reif

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    The post 27 Images Around the World of Circles by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • How to Save Images Using Export in Lightroom

    Reader feedback tells me that some people are confused by Lightroom’s Export process. I think the confusion is caused by not completely understanding how Lightroom works, especially when processing Raw files. So let’s start by recapping the process that a single Raw file goes through when you import it into Lightroom.

    How to export photos from Lightroom

    1. Lightroom adds the Raw files to the Catalog

    The Catalog is a database containing information about all the photo files you have imported into Lightroom (for further clarification on this process read my article How to Import Photos into Lightroom). Lightroom keeps track of the location (where it is saved on your hard drive) and metadata of each imported Raw file.

    2. Open the Raw file in the Develop module and process the photo

    The key thing to understand here that Lightroom keeps track of every single edit you make in the Develop module by storing them as a series of text commands in the Catalog. This means that (a) the Raw file itself remains unchanged and most importantly that (b) at this stage even though you can see it on your computer screen, you haven’t yet converted the Raw file into another format that other programs can use. This is where the Export function comes in.

    JPEG and TIFF files

    By the way, it’s a similar process if you are processing a JPEG or TIFF file. Lightroom saves the edits you make in the Lightroom Catalog, and doesn’t change the original file in any way. This only happens at the export stage, where you create a new version of the file that incorporates the changes. This is important to note, because it is different from the way Photoshop and Photoshop Elements work.

    Exporting image files

    All this means is that if you want to view or use your photos in a program other than Lightroom, you need to export them first and save them in a format that other programs understand.

    There’s just one exception to this. If you go to Catalog Settings > Metadata and tick the Automatically write changes into XMP box, Lightroom will save the Develop settings in a .xmp file in the same folder as the original file. These files can be opened successfully using Adobe Camera Raw in Photoshop.

    Note: Export in Lightroom simply means: Save As! Just like in MS Word or any other program. 

    The Export process

    Now that you understand why you have to export photos, let’s see how to do it.

    Start by selecting the photo, or photos, to be exported. It is easiest to do this in Grid View. Then go to File > Export to start the export process and bring up the Export window. This is what it looks like.

    How to export photos from Lightroom

    The Export to menu at the top defaults to Hard Drive. You can also choose to export the photos as email attachments, burn them to a CD/DVD or export them to a plug-in. For this article I am going to work on the basis that you have selected Hard Drive. The settings change slightly if you choose one of the other options.

    Export Location

    This is where you tell Lightroom where to save the exported files. Select “Ask what to do” or “Choose a new name” for the exported file from the Existing Files menu, to avoid accidentally overwriting existing files with the same name. Tick the Add to This Catalog box if you want to add the exported images to the Lightroom Catalog. This saves time that would otherwise be spent re-importing the new images.

    How to export photos from Lightroom

    File Naming

    When exporting you can opt to keep the original file names, or create new ones. What you choose to do here depends partially on whether you created new file names at import, or kept the original names made by your camera. The most obvious use here is creating a naming format for images to be sent to clients. If you are exporting photos to send to a stock library, for example, the stock library will have its own file naming requirements that you need to stick to. You have the option of selecting one of Lightroom’s naming presets, or you can create your own by choosing Edit from the Rename To menu.

    How to export photos from Lightroom

    Video

    Only applies if you are exporting video.

    File Settings

    This is where you select the format, quality, and colour space of exported files. It is important to get these settings correct, otherwise you risk creating files that are unsuitable for the intended purpose. There are five Image Format options to choose from:

    JPEG: This format is for creating small files for sending to other people or uploading to websites.

    For web use: Set Quality to between 60 and 80 and Color Space to sRGB. You may also wish to tick the Limit File Size box to ensure that files are below a certain size. If you are exporting photos to use on a web page, restricting file sizes to less than 150kb will help the page load faster in a browser. You also need to set the pixel size of the exported files under the Image Sizing heading.

    For full size images: Set Quality to 100 and Color Space to sRGB. You should only select a Color Space other than sRGB if you instructions to do so (for example, you are sending the files to a magazine publisher who wants them in the AdobeRGB (1998) colour space).

    How to export photos from Lightroom

    PSD: This is for creating PSD files to work on in Photoshop. For maximum quality set Color Space to ProPhoto RGB and Bit Depth to 16 bits/component. This gives Photoshop all the available information for that image, and the highest quality possible.

    How to export photos from Lightroom

    TIFF: These files are large, 16 bit files similar to PSD files. For maximum quality set Compression to None, Color Space to ProPhoto RGB and Bit Depth to 16 bits/component. The assumption here is that you are creating the file to work on in Photoshop or another plug-in.

    How to export photos from Lightroom

    Note that the reason I recommend using ProPhoto RGB for both TIFF and PSD files is because I’m making the assumption that when you’re finished editing the photo you will then convert it to either sRGB or AdobeRGB (1998) afterwards. If you’re not sure what colour spaces are or how they work then my article Everything You Need to Know About Lightroom and Colour Space will help.

    DNG: Use this setting to convert native Raw files to the DNG (Digital Negative) format. Tick the Embed Fast Load Data box to create DNG files that load faster in Lightroom.

    How to export photos from Lightroom

    Original: Retains the original photo file format. If the original is a Raw file, Lightroom exports the unmodified original, with a sidecar .XMP file containing the changes made in Lightroom.

    How to export photos from Lightroom

    Image Sizing

    This option lets you alter the size of the image and set the resolution. Use this to upscale the photo for printing, or to create a smaller file for uploading to a website. If you simply want to export a full size version of your photo, you won’t need to alter any settings here.

    How to export photos from Lightroom

    Output Sharpening

    Lets you add sharpening for display (Screen) or printing (Matte Paper and Glossy Paper). Select from three levels: Low, Standard and High. There is no need to sharpen if you are exporting photos to edit in another program such as Photoshop.

    How to export photos from Lightroom

    Metadata

    Here you choose whether to include all metadata in the exported image, or just some of it. You may want to leave out Person Info (keywords that include people’s names) for privacy reasons, and Location Info for security or privacy reasons (for example, if you post a photo of your home online).

    How to export photos from Lightroom

    Watermark

    Tick the Watermark box to add a watermark to your images. Select Edit Watermarks from the menu to create your own watermark. The main purpose of this is to add a copyright logo to photos that are going to be published online.

    How to export photos from Lightroom

    Post-Processing

    Tell Lightroom what to do after exporting the images. Do Nothing is the most appropriate setting most of the time, but you may find the other options useful from time to time.

    How to export photos from Lightroom

    Export Presets

    If you find yourself using the same export settings a lot, you can save them as a User Preset. Click the Add button in the bottom left corner of the Export window to do so. You’ll be prompted to enter a name for the Preset, and to select the folder to save it in (the default is User Presets).

    How to export photos from Lightroom

    As you can see, the export process in Lightroom is quite simple. If you have any questions about it, or indeed any questions about Lightroom, please let us know in the comments.


    The Mastering Lightroom CollectionMastering Lightroom ebooks

    My Mastering Lightroom ebooks will help you get the most out of Lightroom. They cover every aspect of the software from the Library module through to creating beautiful images in the Develop module. Click the link to learn more or buy.

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    The post How to Save Images Using Export in Lightroom by Andrew S. Gibson appeared first on Digital Photography School.


    Digital Photography School

  • Using Emotions to Take Storytelling Images

    A forgotten woman and her daughter – tips for storytelling

    If you travel to remote places you will be sure to get extraordinary photos. Be brave, take a risk, and allow the warm winds of far off places take you on a journey you won’t forget. I’m always looking for opportunities that allow me to visit people and places that are off the usual tourist trail. I travel with an open mind and heart, and am often rewarded by meeting extraordinary people in the most unlikely places.

    51K1433

    My interest is photographing landscapes and portraits. I especially look for people that are indigenous to the countries and the remote areas I visit. Their faces and traditional dress tell the stories of their ancestors, and I want to capture these people before they are no longer able to live as their forebears.

    Traveling along the rough, dusty roads on the border between India and Pakistan you are immediately reminded of just how volatile these two countries still are. You take a great risk to visit these regions where many armed soldiers are seen in camps, at river crossings, and in long convoys of trucks as they continually patrol, ready to defend their respective countries.

    Have patience and wait for opportunities

    If you are able to travel in this area during October you will be rewarded with the magnificent autumn colors on display throughout the countryside. My intention was to capture these colors in all their glory, and photograph the natural beauty of the landscape. However, I arrived a little too early. I had a choice: I could stay and wait another week or two, or I could return home. I decided to stay and take the opportunity to have some time to relax, and see what other stories might present themselves.

    It was the last day of my visit and I decided to take a walk, as I often do, to see if I could find a story by keeping an open mind, and a keen eye while I strolled.

    51K1389

    I knew that in the next few days, this area would be totally cut off for six months during winter. I was feeling a bit low as I hadn’t taken any photos that I felt were of any substance. As I walked I noticed a lady sitting in the window of a very humble wooden house. She looked very sad and I felt drawn to go and speak to her.

    Note: To shoot in this region you need permissions and local guide, which I had. My first image of the story has shows me shooting from outside of her house. Next to me were people of that village and my local interpreter. She was watching me shoot from above. My objective was to talk to her and cheer her up. 

    Image 1

    51K1366

    Allow the story to unfold and follow your instincts

    As soon as I entered the house I thought why not test my new camera in this low light. Once inside, I’m sure you would get the same shock I did. In one corner was a small fire for cooking. The rest of the room was dirty and in complete disarray. Upon seeing me enter, she looked quite stunned, and started to use sign language – I realized she couldn’t speak or hear. I also had a feeling she was mentally challenged, so I thought I would give up the idea of taking some portraits of her. She was trying to talk and constantly moving her body.

    Image 2

    I smiled and sat opposite her trying to show her my camera. I wanted to explain that I was a photographer so she wouldn’t be scared of me. Normally most of the strangers in this area are suspected militants, or a threat. As I tried to communicate with her, she continuously tried to sign violence and killing, which she must have experienced since birth. In sign language I tried asking her if I could photograph her, unfortunately it was my first try with sign language and she did not understand. Something inside me pushed me to take a few shots and leave. Somehow I managed to take some photos despite feeling low after spending time with her.

    Image 4

    L1000775

    Then her mother walked inside the house and told me the story of her daughter. She was deaf, and mentally challenged since childhood. They were living a very difficult life and there was nobody else in family. I listened and took one shot as she broke down. All I could do was put my hand in my pocket and give her whatever cash I had.

    Image 5

    Look for the emotion parts of the story

    When I left the house I felt heavy hearted. I looked back and saw the daughter smile as she was looking out from her window, and I smiled back at her. I clicked the picture as a memory and it turned out to be the best photo I had taken on this visit. If you keep an open mind and follow your instincts you may well find a story such as this.

    Image 6

    As I drove back her powerful smile did not leave my mind. I kept thinking about her, she had left an impression.

    Review

    Look at your images after you take them as I did. It’s only then that you will realize how powerful they are.

    Her smile started growing on me and I thought that perhaps I had made a small difference to her life. Her smile was so genuine. Even before arriving back home I decided to write about, and share her story. This story provoked my thoughts, altered my ego, and forced me to approach everyone with her story, whether they are my admirers or critics. I wanted to let the world know of her existence and those like her, as you will when you take those rare and unique photos and experience what I did. There are many such people on this earth for whom life is a day-to-day existence and there are only fleeting moments of happiness.

    Take a risk and go for it

    So… be brave, take a risk, and allow the warm winds of far off places take you on a journey you won’t forget. Trust me you won’t regret it!

    Do you have any images that you took that inspire you and tell a story? Please share them in the comments below.

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