Tag: Images

  • Use Photoshop to Correct Perspective Distortion of Buildings in Your Images

    Shooting buildings can be tricky. The main reason is that they are tall, and you need to get far away from them if you want to fit them into the frame. If you are shooting in the city, you don’t have the luxury of getting really far away, the best you may be able to do is get farther down the street. What you have to do then, is tilt your camera upwards to get the whole building in, and that’s when it happens – perspective distortion.

    City Scenes can be difficult to photograph

    City scenes can be difficult to photograph because of the risk of distortion

    When you are using a wide angle lens (which you probably will be when shooting architecture) and you tilt your lens up or down, your image will distort. Architectural photographers would use a tilt-shift lens to counteract this distortion, which can make a really big difference in your image. The only problem is that it is a specialist lens, and it is expensive.

    Until a few years ago, that was the only solution for fixing perspective distortion, but in the latest versions of Photoshop, there are a few truly amazing tools that can fix it painlessly. Sometimes the distortion may work well in the image, but if you need to fix it, these techniques can help. To learn more about getting better architectural photos read: Tips for Different Approaches to Architecture Photography

    1. Working with distortion

    The definition of distortion is: when the straight lines of a subject are either curved in a particular direction, or they converge or diverge. This happens when the focal plane of your camera is pointed upward or downward. This is called perspective distortion. The second most common type of warping is barrel distortion, this type is dependent on the type of lens you are using. Barrel distortion make the image look like it has been inflated in the middle of the scene so it looks like a barrel – wider in the middle, and narrower at the top and bottom. Wide angle lenses tend to distort a fair amount when pointing up or down, and in some cases, you may get barrel distortion in the image too. So, how do we fix this?

    Tall buildings distort easily with a wide angle lens

    Tall buildings distort easily with a wide angle lens.

    2. Fixing distortion in camera

    If you want to avoid perspective distortion, then you will need to keep your focal plane at 90 degrees to your subject. In other words, don’t tilt your camera up or down when you are shooting. This may work well for landscape photography, but when you are shooting tall buildings, it may be very difficult to get that right. Sometimes there is no way to avoid perspective distortion in camera.

    Thankfully Photoshop can help you out here. Barrel distortion is a function of the lens you are using, wide angle lenses can make the middle of the image seem bloated or inflated. You can try and fix this by zooming in a little, as wide angles tend to suffer from barrel distortion when they are at their widest focal length. Zooming in is not always possible, so we will fix the bulk of the issues in Photoshop.

    3. Fixing distortion in Photoshop

    Photoshop has a few functions that can help you fix both perspective and barrel distortion. One of the best tools that has been included with recent versions is the Adaptive Wide Angle Tool. This tool is intuitive and easy to use, but takes a little practice initially. In the past, I would use the transform tools (i.e., Distort, Skew, Perspective and Warp). While these worked really well, it took a fair amount of time to get the corrections to look realistic.

    In the examples below, you can see that the building looks shorter and more squat. Some further adjustments would need to be made to correct this, but overall, the buildings are vertical and look correct architecturally.  With the Adaptive Wide Angle tool, this process is easily done, in some cases with only three or four mouse clicks.

    Image of a building before the distortion tool was applied in Photoshop

    Image of a building before the distortion tool was applied in Photoshop

    Same image after the distortion tool was applied

    Same image after the distortion tool was applied

    4. Adaptive Wide Angle tool

    The Adaptive Wide Angle tool sits under the filter menu. Open the image you want to correct (with skew buildings or walls) click on FILTER>ADAPTIVE WIDE ANGLE, and a new box will open up with your image inside it.

    Adaptive Wide Angle tool screen

    Image to be corrected, you can see the vertical lines are pretty skew

    Depending on how your image is displayed in the box, you may need to scale it to see the whole thing. On the right hand side you will see a box that says Correction. Underneath that you will see a scale slider, adjust it until you can see your whole image in the box. There is a dropdown box in there with other options such as perspective, fisheye, etc., – I find leaving it on Auto seems to work best. The other functions within that box may work in some cases, but by leaving it on Auto and making specific adjustments to the verticals and horizontals in your image, you will get the best results.

    Adaptive Wide angle tool screen

    Adaptive Wide angle tool screen

    You will then need to identify the walls of the building that are converging or diverging. On the left hand side of the dialogue box, you will see some constraint tools. The tool that is first in the row is simply called the Constraint Tool, this is the one I use most often.

    Click on that and move your mouse over to one of the vertical lines of the building, and draw a line down the wall. Start at the top of the building and drag the line down to the bottom, along a vertical wall that should be straight. Click at the bottom of the line when you are done and Photoshop will drop a line down exactly where you dragged. As you click, Photoshop will correct any barrel distortion, but the line will still be skew.

    At the bottom of the line you will see a square, right click on the square and three options will pop up: Horizontal, Vertical, and Arbitrary. These are the three ways you have to correct that line. If it is a vertical wall, then click on Vertical. Immediately, Photoshop will bring that wall into a perfect upright position. What you will notice is that it may distort other lines now. That’s okay, find a second vertical that is not correct and repeat this process, once you have done three or four verticals, your building should be perfectly straight, as should the rest of the building. Sometimes what may happen is that the horizontal alignment may shift with all these vertical changes. You can then select a horizontal line in the image and repeat the same process you did for the verticals, just use a line that you know should be horizontal. Also, when you right click, select the Horizontal option in the popup box.

    To make sure you are making a precise selection when you draw your line, there is a 100% zoom window on the right hand side. This is really useful, as it can be difficult to be zoomed in to the image, and drag the line down at the same time. This box really helps make sure that you start and finish at the right places on the building.

    Adaptive Wide Angle tool and image after 3 adjustments have been made

    Adaptive Wide Angle tool and image after 3 adjustments have been made

    Once you have straightened some of the more skewed verticals, and one or two horizontals, your image should be looking pretty close to perfect. Once you are done, click ok and your image will open up in Photoshop. From there you can edit the rest of the image with all the lines being straight and aligned.

    A new tool has recently been launched by Adobe Photoshop for CC users called Guided Upright and you can find it in Camera RAW of the latest version.

    Final image after being edited in the Adaptive Wide Angle tool

    Final image after being edited in the Adaptive Wide Angle tool and cropped.

    Here is a great short minute video that Adobe has released, take a look, this could also be a useful tool to use.

    What’s your go-to method of correcting perspective distortion? Please share in the comments below.

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    The post Use Photoshop to Correct Perspective Distortion of Buildings in Your Images by Barry J Brady appeared first on Digital Photography School.


    Digital Photography School

  • MIT Museum exhibition ‘Images of Discovery’ highlights science photography

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    MIT Museum has opened a photography exhibition called ‘Images of Discovery: Communicating Science through Photography,’ running through January 2017. The exhibition showcases photographs from Berenice Abbott, Felice Frankel and Harold ‘Doc’ Edgerton, all three of whom ‘explored a range of scientific questions’ through their photography while working at the university.

    All three aforementioned photographers spent time working at MIT; Frankel is a research scientist and science photographer in the MIT Center for Materials Science and Engineering; Edgerton was an MIT Professor of Electrical Engineering and is known, among other things, for his Milk Drop photograph; and Abbot worked for MIT in the late 1950s, contributing images for a physics curriculum.

    Speaking about the exhibition, MIT Museum Director John Durant said:

    “Wherever you look in science, you see the historical importance of finding new ways of visualizing things, leading to greater understanding of the world. From Galileo’s use of his own hand-built telescope to explain the movements of the earth and other planets, to the latest imaging technologies in everything from nanotechnology to neuroscience, the making of images remains central to our ability to make new discoveries.”

    The exhibition includes half a dozen ‘Image Making Stations’ that give visitors the opportunity to better understand and make their own similar science photographs. Image Making Stations including ‘Water Drop,’ ‘Capture Movement,’ ‘A Bouncing Ball,’ ‘Water Waves in a Ripple Tank,’ ‘Photographing Ferrofluid,’ and ‘Zoom Scanner.’

    The MIT Museum is located at 265 Massachusetts Ave, Building N51, Cambridge, MA 02139.

    Via: wbur

    Articles: Digital Photography Review (dpreview.com)

  • 26 Sublime Images of Bridges and Connection

    The term bridge has several meanings. The literal one which is a structure that spans across something, usually over a waterway. The other is of a connection between two things, or a transition from one to the other. Of course there is also the bridge of a ship where the captain takes the helm, bridge of your nose, and a bridge or passage in a musical composition.

    Here are several images that interpret that term – bridge:

    Shellie

    By Shellie

    Several Seconds

    By Several seconds

    Styrovor

    By styrovor

    Julie Anne Johnson

    By Julie anne Johnson

    Yusuke Umezawa

    By Yusuke Umezawa

    Jon Matthies

    By Jon Matthies

    Jacob Surland

    By Jacob Surland

    Thomas Hawk

    By Thomas Hawk

    Omar Bariffi

    By Omar Bariffi

    Rick Schwartz

    By Rick Schwartz

    Raul Lieberwirth

    By Raul Lieberwirth

    Andrew E. Larsen

    By Andrew E. Larsen

    Pablo Fernández

    By Pablo Fernández

    Sian Monument

    By sian monument

    Jason Mrachina

    By Jason Mrachina

    Daniel Mennerich

    By Daniel Mennerich

    Andi Campbell-Jones

    By Andi Campbell-Jones

    David Merrett

    By David Merrett

    JP Freethinker

    By JP Freethinker

    Bernhard Latzko

    By Bernhard Latzko

    Francisco Manuel Esteban

    By Francisco Manuel Esteban

    Timothy Neesam

    By Timothy Neesam

    L.E Daniel Larsson

    By L.E Daniel Larsson

    Sudheer G

    By Sudheer G

    MaxGag

    By MaxGag

    Andrea Moroni

    By Andrea Moroni

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    The post 26 Sublime Images of Bridges and Connection by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • 27 Beautiful Images of Butterflies and Bugs

    Spring has sprung in the northern part of the world and the creep crawly things are out and about. But they aren’t all bad or ugly. Many of the world’s smallest creatures are quite attractive – beautiful even.

    So here is how some photographers chose to capture them in butterflies and bugs:

    Bob Peterson

    By Bob Peterson

    Philippe Rouzet

    By Philippe Rouzet

    Thomas Shahan

    By Thomas Shahan

    Ziva

    By Ziva & Amir

    Bernie  Lampert

    By Bernie Lampert

    Darlene Hildebrandt

    By Darlene Hildebrandt

    Joel Olives

    By Joel Olives

    Ferran Pestaña

    By Ferran Pestaña

    Sunny_mjx

    By Sunny_mjx

    Salvatore D'Oro

    By Salvatore D’Oro

    Peter Miller

    By Peter Miller

    Sergiu Bacioiu

    By Sergiu Bacioiu

    Photosbyflick

    By photosbyflick

    Theophilos Papadopoulos

    By Theophilos Papadopoulos

    Peter Miller

    By Peter Miller

    Sinead Fenton

    By Sinead Fenton

    M.shattock

    By m.shattock

    Christina  VanMeter

    By Christina VanMeter

    MrClean1982

    By MrClean1982

    LHG Creative Photography

    By LHG Creative Photography

    Anne Worner

    By Anne Worner

    AmberBrooke.

    By AmberBrooke.

    Bernat Casero

    By Bernat Casero

    Mike Keeling

    By Mike Keeling

    Josef Wells

    By Josef Wells

    Thomas

    By Thomas

    Karen McQuilkin

    By Karen McQuilkin

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    The post 27 Beautiful Images of Butterflies and Bugs by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Bolt-on 21: Fujifilm WCL-X70 sample images

    The Fujifilm WCL-X70 is a wideangle converter that fastens to the front of the 28mm equivalent F2.8 lens of the Fujifilm X70. Its approximately 0.8X focal length multiplier results in a 14mm focal length, or 21mm in 35mm format equivalent. Check out our sample images to see how it performs.

    Articles: Digital Photography Review (dpreview.com)

  • 28 Ethereal Images of a Transparent Subject – Glass

    Glass is one of the trickiest subjects to photograph. Trying to avoid reflections, seeing through it, and distortion it causes. It can also help create some dramatic and stunning images.

    In this image collection we see how several photographers have handled different kinds of glass subjects:

    Ana

    By Ana

    ?aura Tou

    By ?aura Tou

    Thomas Hawk

    By Thomas Hawk

    Maurits Verbiest

    By Maurits Verbiest

    Hellsgeriatric ?

    By Hellsgeriatric ?

    Martin Brigden

    By Martin Brigden

    Dean Hochman

    By Dean Hochman

    Tim

    By Tim

    Sparkleice

    By sparkleice

    Jurek D.

    By jurek d.

    Heike Giesler

    By Heike Giesler

    Broterham

    By broterham

    Michael

    By michael

    Sandy/Chuck Harris

    By Sandy/Chuck Harris

    Hehaden

    By hehaden

    Stan Lupo

    By Stan Lupo

    Chechi Peinado

    By Chechi Peinado

    Carl R Jr.

    By Carl R Jr.

    Iahan 13:20

    By Iahan 13:20

    Andreas Manessinger

    By Andreas Manessinger

    Neil Tackaberry

    By Neil Tackaberry

    Chechi Peinado

    By Chechi Peinado

    Justin Kern

    By Justin Kern

    R.e. Kittson

    By r.e. Kittson

    Mister G.C.

    By Mister G.C.

    Tim

    By Tim

    Billy Wilson

    By Billy Wilson

    Jonathan Cohen

    By Jonathan Cohen

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    The post 28 Ethereal Images of a Transparent Subject – Glass by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Fast telezoom: Sigma 50-100mm F1.8 sample images

    The Sigma 50-100mm F1.8 DC HSM Art is a fast telezoom lens designed for APS-C format cameras, on which it provides an equivalant focal length range of approximately 75-150mm. Its fast F1.8 maximum aperture makes it the brightest lens of its type on the market. But is it any good? Take a look at our sample images to find out.

    Articles: Digital Photography Review (dpreview.com)

  • Getty Images launches ‘Virtual Reality Group’, adds 12,000 360° images

    Getty Images has announced the launch of the Getty Images Virtual Reality Group – a new business division ‘dedicated to the creation and global distribution’ of VR content. At launch, the new group offers a library of more than 12,000 360-degree VR images, as well as ultra high-resolution ‘Gigapixel’ imagery from major events. 

    Getty Images has announced the creation of a dedicated Virtual Reality Group, which will offer more than 12,000 360-degree and ‘Gigapixel’ images at launch.

    According to Dawn Airey, CEO of Getty Images: ‘The technology is still in its infancy – as are the business models addressing how to use it – but […] we are only on the cusp of what will be a tectonic plate shift in VR’.

    Although Getty Images started adding VR and Gigapixel imagery to its collection several years ago, the launch of a dedicated business division is the latest sign that the photography industry is taking VR very seriously indeed. What do you think? Let us know. 


    Press Release:

    The launch of the Getty Images Virtual Reality Group brings high quality VR and 360 content to everyone, satisfying the growing appetite for immersive content

    Getty Images, the world leader in visual communication, has today announced the launch of the Getty Images Virtual Reality Group, a new business dedicated to the creation and global distribution of virtual reality (VR) content.

    The Getty Images Virtual Reality Group brings the very latest in photographic and video technology together with Getty Images’ 21 years of experience in visual storytelling, to offer exceptional content for existing and future VR platforms. The Group provides a comprehensive offering of over 12,000 premium 360 images with new content added daily, as well as high res gigapixel content from key events and venues. High quality VR production is also being offered through Getty Images Assignments.

    Quick to adapt to new image technologies, Getty images began building its collection of 360 and gigapixel imagery four years ago, pioneering the use of these techniques in its role as the Official Photographic Agency for the International Olympic Committee at the 2012 London Olympics. Fast track to today, and every Getty Images photographer at the upcoming Rio Olympic Games, will be equipped with a 360 camera. This is just one example of how Getty Images is utilizing its expertise, its access to over 130,000 annual news, sport and entertainment events and its unique relationships to generate high-end VR content, and feed the growing demand for a more immersive visual experience.

    “The technology is still in its infancy – as are the business models addressing how to use it – but we can expect to see VR become a leading tool for visual storytelling. It is anticipated that over 14 million consoles will sell this year alone (TrendForce), and we are only on the cusp of what will be a tectonic plate shift in VR” said Dawn Airey, Chief Executive Officer of Getty Images.

    Airey continues: “With the launch of the Getty Images Virtual Reality Group, we are embedding VR content technologies into the core of our business and ensuring that, as use of VR continues to grow, its users are further enhancing their experience with access to the world’s best imagery.”

    “The diverse range of 360 degree content that we produce – from the red carpet to the stadiums of the world’s biggest sporting events and the frontline of conflict – allows people to access information and experiences that were previously off limits,” said Hugh Pinney, Vice President of Editorial Content at Getty Images. “Virtual Reality is completely transforming the way we view and experience world events.”

    The Group will continue to build on Getty Images existing VR content offering, which includes 360 content captured by its award-winning news, sport and entertainment photographers as well as geo-located, interactive panoramic images from its content partner 360cities.net.

    Last month, Getty Images and Google announced their latest partnership, which sees Getty Images supplying hi-res VR content from current events around the world for Google Expeditions. Getty Images partnered with Oculus Rift in June 2015 to make its 360 imagery available for users of the Oculus platform via its 360° View by Getty Images collection.

    For more information, visit http://wherewestand.gettyimages.com/virtualrealitygroup.

    Articles: Digital Photography Review (dpreview.com)

  • The Secret to Getting Tack Sharp Images for the Web

    Do your images end up looking soft when you resize them and export them for the web? When you resize an image, it loses some sharpness. With a 24 MP image measuring 6000 px you need to resize quite a lot to downsize it for optimal web use which is often around 800 px wide. That is why a set-once-and-forget Continue Reading

    The post The Secret to Getting Tack Sharp Images for the Web appeared first on Photodoto.


    Photodoto

  • How to Straighten Crooked Images Fast Using Lightroom

    If you’re like me, it’s so easy to get focused on trying to take great shots that you forgot to make sure your images are straight, and not crooked. Not some crazy tilt, mind you – just a slight tilt. So slight that when you notice it in your images, it just looks weird. A more dramatic tilt and we’ll just call it art. But this slight tilt is just enough to drive you crazy and cost us a lot of extra time editing your images.

    Well I am here to report that I have found a quick and easy way to fix this tilt fast using Lightroom. So easy, that you can even automate it so that Lightroom fixes it for you.

    So if this tip interests you, keep reading to find out how:

    Image01

    Take a look at the image above. Good shot, right? Photographically I think I did well with the image, but it’s crooked! I can’t give this image to my client like this, it needs to be straightened first.

    Lens Corrections Panel

    Beginning with Lightroom version 5 the Basic tab was introduced inside of the Lens Corrections panel. This tab gives you the easy to use Upright Mode buttons, which are powerful tools used to fix perspective issues with your images. The perspective issue that I always seem to be dealing with is crooked images.

    Image02

    There are several Upright Mode buttons, but the one I want to show you in this article is the Level button. When clicked, this button works to straighten your images based on the lines present inside them. Obviously if there are no strong vertical or horizontal lines in the image, this button won’t work. But if there aren’t strong lines, who’s to say it’s crooked in the first place, right?

    Images appear crooked to our eyes because of the strong lines within an image, therefore the Level button works great at straightening those images quickly, without much difficulty. Instead of going into the crop tool and manually rotating the image slightly to straighten it, I can go to the Lens Corrections Panel instead and click the level button to straighten this image very quickly.

    I also like to have the Enable Profile Corrections check box checked as well as the Constrain Crop check box. These make sure Lightroom is straightening with as much information as possible.

    Image03

    Automating Your Upright Adjustments

    Now here is the trick. When done properly, you can create a Lightroom preset, or sync your Level adjustment across any number of images, and have Lightroom analyze and adjust each image independently based on each image’s needs and requirements.

    What this means is you can have Lightroom straighten all of your crooked images with the click of a couple of buttons!

    Syncing

    In the Sync dialog box under Lens Corrections check box, there are three check boxes you want to be concerned with: Upright Mode, Upright Transforms and Transform.

    Image04

    These three boxes determine how Lightroom is going to handle your straightening – whether to analyze each image independently or simply copy the same settings from one image to the next.

    If all three are checked, Lightroom will simply apply the same setting to all of the images, something you do not want because each image requires specific straightening based on its own lines. You’ll notice that Upright Mode is grayed out, telling you that it isn’t active.

    Image05

    To do what you want, which is to have Lightroom analyze each image independently and straighten it based in its own needs, you want to ONLY have a check mark in the Upright Mode box. The other two are left blank (see below).

    Image06

    By doing it this way, Lightroom will fix your crooked images, according to the amount of straightening that each image specifically needs.

    How cool is that?

    Take a look at the images below. I took many shots in a sequence of the couple walking, and I want to straighten each one individually. Before learning this technique, I had to straighten each image individually – but not anymore.

    Image07

    Once I fix the first image using the Level button in the Lens Corrections panel, I can then sync the Upright Mode across all of the other crooked images, and each will be analyzed and fixed according to what it needs (even if they are all different amounts).

    Image08

    Look at that. All of my images were fixed with a few clicks. I don’t want to belabor the point here, but I constantly shoot crooked and this little trick saves me hours of tedious straightening over the course of a year.

    Making a LR Preset

    You can also automate this process by creating preset. You do this by first straightening an image with the Level button found in the Lens Corrections panel of the Develop Module.

    Then, at the top of Presets panel clicking the (+) plus button to create a new LR preset.

    Image09

    This will bring up the New Develop Preset dialog box where you choose which settings you want in your preset, the folder you want to store it in, and what name you want to give it. Name your preset something that you will remember, put checkmarks in the Upright Mode checkbox and the Lens Profile Corrections checkbox and hit Create.

    Image10

    Now, when you have crooked images you can hit this preset and almost magically, your images will be straightened compared to the strong lines in the image.

    Image11

    Give it a shot, I think you will find yourself using this technique quite often to straighten your images quickly.

    Image012

    Image013

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    The post How to Straighten Crooked Images Fast Using Lightroom by Kelly David Sansom appeared first on Digital Photography School.


    Digital Photography School