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Posts Tagged ‘gear’

Must-Have Gear forSummertime Photography

28 May

Goodbye tests and 8:00 a.m. classes.

School’s out and summer’s in!

To help you prepare for all those fun-in-the-sun photo ops coming up, we put together a handy list of essential summer photo gear.

From umbrellas to lens filters, you’ll be ready to snap pics whether you’re poolside or in the middle of that long-awaited camping trip.

Slap on some sunscreen and let’s go!

FUNdamental Items for Summer Photos

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Video Share – Travel Photography Hacks and Gear Tips

03 May

In these two videos travel photographers Brendan van Son shares some of his hacks for travel photography gear – how to go lighter and spend less money.

In this first one he offers eight photography hacks to help you while you’re out on the road:

  1. Welding glass as a neutral density filter
  2. Macro extension tubes instead of a macro lens
  3. 2x teleconverter to extend the range of your lenses
  4. Tripod/monopod combination (he mentions he uses one of the 3-Legged Thing models)
  5. Trigger Trap remote release
  6. Camera cap case
  7. WiFi EyeFi memory cards
  8. The Crop Sensor advantage

Watch the whole video to see how you can use those tips to your advantage when travelling.

In this second video he talks about different camera strap options and which is the best for travel photography.

The strap he mentions is the Indigo Marble designer sling.

Some other options are:

  • imo Camera Straps: Review – for a bit more fashionable and stylish strap.
  • Black Rapid RS-7 Camera Strap Review
  • Peak Design Capture Camera Clip v2 review
  • Preview of the Slide and Clutch Camera Carrying System from Peak Design
  • Spider Camera Holster Review

Do you have any other tips for hacking your travel photography bag? Please share with us in the comments below. What goodies have you found?

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The Advantages of Renting Photographic Gear Before you Buy

22 Apr

We have all heard the expression “The gear does not make the photo. The photographer makes the photo.” That being said, the gear does certainly help in perfecting the art of photography.

If you are a professional photographer or even a serious amateur, you know that photography is quite an expensive profession/hobby. Good equipment can be expensive and by the time you build your day-to-day gear bag, it can set you back several thousands of dollars. Just when you think you have the perfect setup,  you hear about the latest camera or a faster lens than what you have just being released for pre-order. Gear lust is very real among photographers!

Kenichi Nobusue

By kenichi nobusue

This is where renting gear or even borrowing becomes a viable option for many professional as well as serious amateurs.

Benefits of renting photo gear

There are several advantages to renting photographic equipment.

  • The cost of renting is typically much lower than cost of buying the gear. This becomes more relevant if it is not something you are going to use too often (like a mega telephoto lens, fish-eye, or tilt-shift lens).

    Jon Fingas

    By Jon Fingas

  • Ability to try out the equipment and see if it suits your style of photography. Once you know you like a piece of gear, you can make the investment and know you’re making the right choice.
  • Using a rental as a backup system for assignments especially events like weddings or concerts.
  • Traveling light and having gear shipped directly to your hotel is an option many photographers mention as a plus for renting. This also eliminates travel-related anxiety around lost luggage and excess baggage charges.
  • Using a rental when your main gear is out for repair. This let’s you keep working while you wait for repairs to be completed.
  • Eliminating buyer’s remorse. It is true that not every piece of gear works for everyone. Often times we buy gear because a certain photographer that we admire has the same equipment, only to be disappointed that our pictures are no where like theirs.

Renting – online versus local stores

Richard Fisher

By Richard Fisher

There are many different options for renting photographic gear. You can do so from local stores in your area or online vendors. In the US, big camera chain stores like CalumetPhotographic and AdoramaRentals sell as well as rent photo gear. CalumetPhoto, one of the local camera retailers in my area, also has local stores where you can go to pick up and drop off rental equipment. They tend to have a wide variety of equipment but definitely recommend reserving gear, especially if you want it for a specific event like weddings, to ensure you get what you want.

There are online stores like Borrowlens and Lensprotogo that also offer a wide variety of lens, cameras and other equipment for rent. You order online and have the gear shipped to your home or location of your choice. Once you are done, you ship it back to them. There is definitely more flexibility in renting gear online but there is the added cost of shipping and insurance, as well as a slight risk that the gear might not arrive in time (any unforeseen circumstances like extreme weather).

Benefits of borrowing photo gear

Giyu (Velvia)

By Giyu (Velvia)

Sometimes you get lucky and have other photographer friends who let you borrow their equipment for a photoshoot, or just to test out – definitely one of the more cost effective ways of trying out photographic gear. However, for those of us who don’t have such awesome friends, there is another method of renting temporary gear that is starting to become popular.

Online companies like CameraLends provide access to a lending community where you can rent cameras directly from local photographers and film makers. On the CameraLends website, they offer a peer-to-peer lending community for photographers and videographers. Owners post unused gear to rent out to other photographers and you can rent gear directly from local photographers, faster and cheaper than traditional means. But this service is somewhat dependent on the market you are in. Not every market will have every piece of equipment available for rent.

Screen Shot 2015-04-15 at 10.51.13 AM

Regardless of what method you choose to borrow or rent camera equipment, definitely try out gear before you make the investment to purchase it. The last thing you want to happen is buying equipment you think you want or need, only to find that it is really not benefiting your particular style of photography.

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Review of the Mindshift Gear Rotation180° Professional Backpack

15 Apr

Screen Shot 2015-03-19 at 2.40.05 PMI thought the whole Rotation180 thing was a gimmick, and avoided the packs by Mindshift Gear because who needs a new gimmick, right? I wanted a useful pack and had it in the f-stop Gear Satori EXP that joined me trekking in Nepal more than once. That pack is amazing and fits all kinds of stuff for my longer trips in the backcountry.

The best way I can describe the Mindshift rotation180° Professional pack is that it’s more amazinger. The Satori EXP is an amazing pack and can take a beating, but I found the rotation180° Pro better suited to my style and shooting needs. But, it’s not for everyone. Instead of a boring, exhaustive review, let me point out the highlights that sealed the deal for me.

The Rotation Gimmick That is Actually Awesome

One of the biggest obstacles I find when I am out hiking with my camera is stopping to get it out my pack each time I want to use it. Not only that, but living in Washington half the time means hiking in inclement weather, which means leaving my camera on the outside is not much of an option. The same goes for trekking in the Himalayas; having a heavy camera around my neck or shoulder just doesn’t work for me.

The r180° Pro attempts to solve this problem by making the lower part of the bag into a huge waist pack that swings around when needed. It works quite well.

Peter-West-Carey-_PWC3982

The rotation feature requires that your hip belt is attached first, otherwise it won’t really work. The belt is nicely padded all the way around, and is as comfortable as I’d expect in a long distance pack. The clips in front are normal size, I found the adjustment straps a little more complex than they need to be, but they work.

On the right side of the pack is a quick release buckle.

Peter-West-Carey-IMG_7344

Peter-West-Carey-IMG_7345

The more I study it, the more I am impressed because the buckle can only be removed by sliding it down, yet it can be attached by simply placing both pieces close together and letting the magnetic, one-way buckle attach. This makes it remarkably easy to attach by sense of feel but still secure enough to keep things in place. It is very well thought out.

With the buckle detached, the entire waist pack section is free to rotate. There is a handle loop on the right side of the pack, as well as huge loops on the front of the belt to aid in rotation.

Peter-West-Carey-IMG_7340

You can see in the image above that a full size DSLR (Canon 7D with battery grip, in this case) will fit, even with a 28-300mm or 70-200mm lens attached. The compartment comes standard with those dividers you find in all the packs these days, and can easily accommodate a smaller DSLR or mirrorless camera, an extra lens and a flash.

Screen Shot 2015-03-19 at 2.36.25 PM

Peter-West-Carey-IMG_7341

Inside the compartment there is ample storage for the small things. Filters and cards have side and top pockets including one with a zipper and mesh to make finding articles easy.

The waist belt also comes with its own rain cover and pockets for spare batteries and cards on the belt, interior pockets for filters, and other items.

Peter-West-Carey-IMG_7342

Peter-West-Carey-IMG_7343

But Does it Work?

At its core, the rotation180° is all about the quick action of slipping the waist belt around to access your gear. So how well does it work? I tested the pack over the course of two months, on ten different hikes, covering over 52 miles, as well as seven airline flights.

To those ends, the pack works very well for the right audience. It’s not as easy to take through airports as a smaller bag, or a roller bag as I am accustomed to using. But on the trail, it is hands down the best pack for mixed use.

Peter-West-Carey-_PWC3984

By that I mean, when your goal is to cover some ground and also take some photos, especially in inclement weather. I found this pack extremely useful for taking photos while keeping up with other non-photographers in the group. Because the action of sliding the belt around, extracting my big old camera, taking a shot and returning it all in place is so easy, I take more pictures and fall behind less than when I have to remove my whole pack.

This action alone is what has made the rotation180° Pro my replacement pack for the f-stop Satori EXP.

A Technical Pack

Beyond the waist belt, the pack is a technical pack, meaning those who love options and comfort in their pack will be happy. There are dozens of attachment points for hiking, skiing, and photography gear. It comes with a rain cover and tripod attachment straps.

Peter-West-Carey-_PWC3993 Peter-West-Carey-_PWC3991

Peter-West-Carey-_PWC3989

The shoulder straps allow for a full range of adjustment for someone up to about 6’6″. Ice axe/trekking pole loops on the bottom match up with daisy chain loops on the back for the most adventurous. An outside stuff flap allows wet or oversized gear to remain away from precious camera gear.

Peter-West-Carey-_PWC3988

There are daisy chain loops on the bottom for affixing things like sleeping bags or pads. Compressions straps are also available to help hold the pack to your back.

Space!

The space in this pack! Inside the main compartment is a removable organizing bag. This is accessed from the part of the pack that goes against your back, which helps increase security while traveling. With this bag removed, as I often used the pack, there is ample room for a full day hike worth of food, clothes, first aid, etc.

Peter-West-Carey-_PWC3985

Screen Shot 2015-03-19 at 2.37.52 PM

While knocking around town I carry a few books, iPad, chocolate and other odds and ends in this space. There is also a large pouch on the back of the pack that fits flipflops or a larger map (pictured below on the right). Along the sides are large tube sleeves, one of which typically holds the raincover. On the left side the tube can hold a large water bottle or bladder (there is also a hydration hole to allow a bladder to remain inside the main compartment).

Peter-West-Carey-_PWC3987

Organization

This pack is not the best for carrying a home office, as I am often apt to do. There are zippered pockets on the outer top flap, inner top compartment, and inside the opening against your back. There are five pockets in all, that are perfect for filters, remote controls, card wallets and recharging cords. But it doesn’t have anything for pens or business cards or protection for a laptop/tablet.

Peter-West-Carey-_PWC3986

That being said, the rotation180° Pro Is not designed for the mobile worker. It does an excellent job of keeping your photo gear separated (the waist belt has pockets for cards, filters, and other small items as well). I’m quite happy with its ability in that case. It’s not the bag for you if you need a mobile office bag.

Thoughtfulness in Design

It’s the little things I keep finding, and appreciating on this bag, even two months later:

  • The back open sleeve is entirely removable.
  • There are straps to help balance the load of a tripod specifically.
  • There is a whistle in the sternum strap.
  • The big thumb loops to help rotate the waist belt (and to just hook your thumbs in while on long hikes).
  • Rubberized zipper covers to keep out the elements.
  • A hidden compression strap for even more gear on the back, or your tripod.
  • Loops on the waist belt, to attach water bottle holders or lens bags.
  • Velcro attachment on the rain covers so they don’t blow off, but can be removed to dry out.
  • Custom designed outer rain cover that works with the waist belt system flawlessly.
  • The waist belt magnetic clip.
  • It fits in overhead compartments of major airliners.
  • The waist belt is easy enough to remove when the pack is not on your back, but is harder than any other bag I’ve used.
  • Comfort.

All the zipper pulls have decent sized loops, and there are two zippers to make opening the main compartment easy. Inside there is enough room for a full size DSLR and longer lens (pictured is a Canon 7D with battery pack and 28-300mm lens, equivalent in size to a 70-200mm lens). The unit also comes with dividers for those with smaller cameras and multiple accessories.

Peter-West-Carey-_PWC3990

No pack is worth its weight if it is not comfortable to lug around. While the pack is not super light because of its substantial build quality, materials and stitching, the weight is carried well thanks to extra padding against your back and shoulders.

I would estimate that the pack has ridden on my back for about 60 hours. This includes city walks, forest hikes, snowshoeing, airports and just standing around waiting for transit. I have tested other packs for much shorter periods and that is because they didn’t feel right. I would not hesitate to take this pack on multi-week treks in the Himalayas, as I have done with the f-stop Satroi EXP.

What Doesn’t Work

The pack is not perfect, but it’s close. It really is not the right size pack to be schlepping through airports. While I have been doing it (so I can use the bag at my regular locations) I prefer the f-stop Guru instead, or the ThinkTank Aviator rollerbag.

Removing your camera when the pack is not on your back is not that hard but can make things dirtier than normal when on the trail, because you now have two pieces in the elements.

This may seems like a small thing, but I found that dog hair loves this pack and sticks quite easily. I know this is not normal review criteria, but this bag is more magnetic to dog hair (and probably llama, cat and zebra hair as well) than any pack I’ve used.

Conclusion

The Mindshift Gear rotation180° Pro is one heck of a great bag. It is also not cheap and retails for $ 389.99 USD. Thankfully that cost translates into care in design and a solid build (nothing on this bag feels cheap). A month after using the bag I was still finding helpful attachment loops and straps.

This bag is designed for the active photographer with any size camera, while noting it works well for large lenses. Mindshift also has smaller versions of this bag if you don’t need to carry so much gear.

Finally, if you have a family who has a mind of their own and tends to walk away even after you have muttered, “Hold on a sec, I need to get a photo of that!” for the 60th time during a trip, this bag is for you. I love the ability to quickly get my shot and return my camera to both a comfortable carrying position, and a safe spot out of the elements.

Disclaimer: Mindshift Gear furnished the author with a pack in order to review this product.

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Video: DPReview panel at CreativeLive’s Gear Day 2015

20 Mar

Recently we joined our friends at CreativeLive for a panel discussion as part of their 2015 Gear Day. Our live discussion centered on the continued rise of mirrorless cameras, 4K video and what it means for stills photographers, the benefits and pitfalls of high pixel sensors, and of course, lots of new and exciting gear. Watch the segment and nerd out with us all over again. See video

Articles: Digital Photography Review (dpreview.com)

 
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Leprechaun Approved Gear for St Patty’s Day

16 Mar

Whoo, Saint Patrick’s Day Eve, time to pour some Guinness in your Lucky Charms!

Ok … don’t actually do that. Ever.

Instead, feast your smiling eyes on these rainbow treasures, and test your Irish luck finding our gold.

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Show and Tell:PJers’ Favorite Gear

13 Mar

Ever wonder what products we here at Photojojo can’t live without? All the time, right?

Well you’re in luck!

We’ve rounded up our faves and corralled ‘em right here for your browsing pleasure.

Find Out Who Loves What At Photojojo HQ
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Gear Guide: The Ultimate Authority on What to Put in Camera Bag

27 Feb

I remember my first time in a Real Professional Camera Store, Samy’s Camera, in Los Angeles. I had money to burn in my pocket so that I could buy the right equipment to be a Professional Photographer, but instead of being a kid in a candy store, I was a vegetarian in a hunting store. Nothing looked familiar. There were Continue Reading

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You’ve Got the Talent, Now Get the Gear!

23 Feb

You’ve been honing your skills, now it’s time to pick up some gear and elevate your phoneography talent to top-status.

See Our Mobile Photography Tools Roundup!
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New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

11 Feb

I’ve been getting a lot of questions about my thoughts on the recent Canon 5Ds and 5Ds R DSLR announcement including…

  • Are you getting one?
  • Which one?
  • What’s the difference?
  • Is this the Canon 5D IV
  • Is it worth sticking it out with Canon vs jumping to Nikon or Sony?

I’ve also seen a lot of random rash statements online such as….

  • Too late Canon I’ve already switched to Sony/Nikon.
  • Canon marketing sucks. How does this camera fit into their line up?
  • Canon loses.

Seeing that the Canon 5Ds /Ds R will not be released until June and Canon Marketing has seemingly done a poor job explaining the official stance on the 5D family line up there has been a lot of confusion and conjecture. Here is my personal opinion on the matter taking into account my 3 years of experience working in the online gear rental industry with BorrowLenses.

The Canon DSLR Hierarchy

In short the evolution of the top Canon DSLR product lines have been evolving as follows:

Photo: EOS 1Ds + EOS 1D => 1Dx

Video: New product branch with the 1D C

The 1D line has been and is being consolidated into the 1DX product. If you’ve been shooting Canon for a while you might remember that the 1Ds was the high end full-frame sensor camera used for commercial type work while the 1D was the high end sports and wildlife body with a faster burst mode. All of these use-types have been consolidated into one 1D body. The 1DX was released in March 2012 and then split again to include a 4K video solution with the 1D C in March 2013. Many people were angered with the 1D C release because it seemed to be the exact same camera as the 1D X, but with a firmware change that allowed 4K video. I’m sure it may be more than this, but that was the perception and only the Canon god Chuck Westfall could say publicly for sure.

EOS 5D III => EOS 5Ds + EOS 5Ds R + EOS 5D IV (?)

We seem to be in the midst of the next Canon product shift where the EOS 5D is being split into multiple models. When the 5D Mark II was released and included video it was a game changer that shook the industry. The trajectory of the 1D series forever changed and other manufacturers quickly started building up their product line to include video (and yes I know Nikon hit first with video with the D90).  Around this time Nikon had made revolutionary improvement with sensors that allowed for unheard of light sensitivity with noise free images at ISO 4000. They focused on noise and less so on video. This is where the seesawing began to happen with Nikon making gains in one area and Canon falling behind in others. Canon made some improvements with noise and ISO in the 5D Mark III and at the same time Nikon launched the D800 with improved dynamic range  in a 36 megapixel sensor. The seesawing continues with this next round of product releases.

Canon has countered by trying to attract customers with a need for high megapixel sensors namely 35mm users who lust after the likes of the D800/D810 or were itching for a medium format camera solution. In my opinion the 5Ds and 5Ds R are pure plays for medium format interested photographers who want greater lens options. The big unknown is how well the 50.6 megapixel sensor will handle low light, but by Canon’s own admission these cameras are not aligned to low light photography and all the example photos to date have been bright light situations. Also if you pay attention to rumor sites, the reports are that these cameras have been tuned for low ISO performance which speaks to studio type work.

Rumor sites have also been stating for sometime that the 5D series is being split into 3. The real successor to the 5D Mark III is due this August and is thought to have a lower megapixel sensor  fine tuned for lower light situations (higher ISO) and video.

Which Camera Should I Buy?

First I’m not a gear flipper and I seemingly am more patient than most with my upgrades. I’m not ranting about Canon losing or falling behind Nikon or Sony. I’ve long held the opinion that photographers flip out too easily on incremental improvements versus truly revolutionary technology shifts. I still own and use a Canon 5D II. If I need to shoot a specific type of subject that requires improvements over what I own then I rent gear from BorrowLenses. I could have purchased a 5D Mark III when it was announced, but I didn’t think it was worth it at the time.  I could have jumped ship to Nikon or Sony, but I have not because I know each manufacturer has product release cycles that are out of phase from each other. This amplifies the perception that one brand is being left behind while another announces an improvement to their products.

My advice is to buy the Canon EOS 5Ds and Canon EOS 5Ds R if you’re interested in medium format like images if you’re a low ISO shooter. Be warned you’ll need to ramp up on your storage and computing power. Those files will be large. Nikon users that jumped on the D800 bandwagon were hit hard by this. If you’re in the market for a camera that will perform better at at higher ISO with less noise then I’m betting the real EOS 5D IV or whatever Canon calls it is that camera you should be waiting for.  Odds are I’ll be waiting for the next Canon body announcement to see if it’s the right camera that I should purchase.

What will push me to upgrade you ask?

Primarily my interest lies with improved dynamic range, better low light performance namely lower noise at higher ISO values, video recording options that are closer to the EOS 1D C body (1080 60p, 4K, etc.) and marginally higher resolution with better buffering. We’ll see if the real EOS 5D Mark IV fits the bill.

By the way the real showstopper of the announcement was the Canon 11-14mm f/4 lens. I’ll have my eye on that.

Copyright Jim M. Goldstein, All Rights Reserved

New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

The post New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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