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Here at last: Ricoh unveils the Pentax K-1 full-frame DSLR with 36MP sensor for $1800

20 Feb

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After years of development, not to mention months of teasers, Ricoh has made its Pentax K-1 full-frame DSLR a reality. The first 35mm format Pentax-branded DSLR (the first to make it to market, anyway), the K-1 offers a 36.4MP CMOS sensor, 5-axis sensor-shift image stabilization, a ‘nearly 100%’ optical viewfinder and 33-point AF system with 25 cross-type points. The 3.2″ 1.04M-dot LCD uses a new flexible tilting design which allows for horizontal, vertical and diagonal movement while keeping the screen in alignment with the lens axis.

The Pentax K-1 doesn’t have a conventional anti-aliasing filter, instead, like the K-3 II, offering a simulated AA filter by way of minute sensor vibrations. The K-1’s sensor is capable of moving in all directions, supporting Ricoh’s Pixel Shift Resolution system. This does not increase linear resolution, but as in the K-3 II, it shifts the sensor slightly to record full color information at each pixel, utilizing a motion correction function in an effort to neutralize the effect of moving subjects in the frame.

The K-1 provides a dustproof and weather-resistant construction along with built-in Wi-Fi, 1080/30p video, 14-bit Raw capture, 4.4 fps burst shooting for up to 23 images in Raw or 70 in JPEG.

The long-awaited Pentax K-1 will cost $ 1799 body-only when it ships it in April.

Press release:

Ricoh defines full-frame benchmark with new PENTAX full-frame DSLR offering

PENTAX K-1 camera offers innovations not available in any other DSLR

DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the PENTAX K-1 full-frame digital single-lens reflex (DSLR) camera. The K-1 combines the performance of a full-frame sensor with unique, user-friendly PENTAX technology and convenience features loved by professional and serious amateur photographers the world over.  

The foundation of the PENTAX K-1 is its large, full-frame image sensor. This AA-filterless CMOS sensor with 36.4 effective megapixels sets the stage for ultimate creativity, facilitating super-high-resolution images rich in gradation and superb in high-sensitivity rendition. 

Built around the full-frame sensor is a compact, high-performance weather-sealed and dustproof body with features only found in PENTAX cameras. “The K-1 is a blend of advanced, full-frame performance with the kind of features and advancements that PENTAX users have come to know and love,” said Jim Malcolm, president, Ricoh Imaging Americas Corporation. “As a result, the K-1 creates a solution for full-frame shooters that is unique in the industry.”

Within its compact body, the PENTAX K-1 features several advanced technologies that help the photographer to produce top results in a wide variety of challenging conditions. SR II Shake Reduction is a newly refined and highly sensitive five-axis shake-reduction system that is capable of reducing camera shake with a compensation range of up to five exposure steps, allowing photographers to freely move and compose – and to focus on their subjects, not the gear. SR II also facilitates other advanced PENTAX-unique features such as AA Filter Simulator, which effectively eliminates moiré effect without the need for an anti-aliasing filter, while increasing sharpness and overall image quality. Key to great autofocus performance on the K-1 is the new SAFOX 12 autofocus mechanism with 33 autofocus points, assuring fast and accurate autofocusing, even in the most demanding shooting situations.  A newly-designed optical viewfinder equipped with the famous PENTAX Pentaprism boasts a bright, nearly 100-percent field of view.

In addition to a long list of technological advancements, the PENTAX K-1 also features a number of convenience features, making camera operation fast and easy. Designed to move in ways never before imagined is the new Flexible-tilt LCD monitor—a first for any DSLR camera. This rugged yet highly adjustable display can be positioned to the desired angle horizontally and vertically, making it easy to shoot at challenging angles. Other significant firsts include the K-1’s Operation Assist Lights – small, white LEDs that facilitate camera operation in low-light environments, making it easy to change lenses, swap memory cards and adjust back-of-camera controls, and a Smart Function dial that allows photographers to easy select frequently-used functions without going into the LCD menu. 

Current PENTAX lens owners will appreciate that they can incorporate their APS-C lens collection into their new PENTAX K-1 full-frame camera kit by utilizing the K-1’s Crop Mode, which offers settings in-camera for either APS-C or Full-Frame sized shooting, regardless of the attached lens. There is also an “auto” mode that detects the lens type and sets the camera accordingly. 

Upon launch, PENTAX is offering 12 full-frame compatible lenses, including two new models being announced concurrent with the K-1 camera: the HD PENTAX-D FA 15-30mm f.2.8 ultra-wide angle zoom lens and the HD PENTAX-D FA 28-105mm f/3.5-5.6 compact, lightweight zoom lens. (Note: separate news releases have been issued today to provide details on each lens).

| Pricing and Availability | 

The PENTAX K-1 camera will be available April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,799.95.

For further information, please visit www.ricohimaging.com/pentaxff


Main Features

1.  High-resolution, fine-gradation images supported by approximately 36.4 effective megapixels 

The K-1 features an AA (anti-aliasing) filterless design that prioritizes image resolution, as well as the new PRIME IV imaging engine, which is capable of 14-bit RAW-format image recording. The    K-1’s unique full frame sensor and imaging engine design also allows for super-high-sensitivity shooting up to ISO 204800, producing beautiful, high-resolution images.

2. New-generation SR II five-axis system

  • In-body SR II mechanism assures optimal shake reduction performance
    The SR II (Shake Reduction II) five-axis mechanism enables accurate control of the large full-frame image sensor with all compatible PENTAX interchangeable lenses.* In addition to camera shake caused by pitch and yaw, it effectively compensates for camera shake caused by horizontal and vertical shift, as well as camera shake caused by roll, which is difficult to deal with by lens-installed shake reduction mechanisms. Even when taking a panning shot, this system automatically detects the direction of the camera’s movement, and efficiently controls the SR II unit to always produce the best image possible.
  • Pixel Shift Resolution System with a new motion correction function
    This system uses the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color data unit, this innovative system obtains all color data within each pixel. It incorporates a new motion correction function, which automatically detects a moving object during continuous shooting.
  • Innovative AA filter simulator to minimize moiré
    By applying microscopic vibrations to the image sensor, the K-1’s AA (anti-aliasing) filter simulator provides the same level of moiré reduction as an optical AA filter.
  • Supportive shooting functions
    Since the K-1’s SR II unit has a flexible design that tilts the image sensor unit in all directions, it provides a host of handy shooting functions, including auto level compensation, image-composition fine-adjustment, and AstroTracer, which simplifies advanced astronomical photography using a built-in GPS module.

3. Flexible tilt-type LCD monitor to accommodate various shooting angles

The K-1 features a newly designed, Flexible-tilt LCD monitor, which tilts horizontally, vertically or diagonally with a single action, without deviating from the lens’s optical axis. 35 degrees of horizontal and 44 degrees of vertical adjustment can be achieved; the LCD panel can even be laid flat up or down. The 3.2-inch LCD monitor features a tempered-glass front panel for added durability, a unique air-gapless construction effectively reduces reflection, and a new Outdoor View Setting mode allows the user to instantly choose the desired monitor brightness level.

4. Newly developed SAFOX 12 with 33 sensor points and full-frame-proportioned AF frame

The SAFOX 12 AF sensor module features 33 AF sensors (25 cross-type sensors positioned in the middle). The center sensor and the two sensors located just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. 

5. Upgraded PENTAX Real-Time Scene Analysis System, with application of artificial  intelligence technology 

The K-1’s advanced PENTAX Real-Time Scene Analysis System performs near-instant analysis of exposure, color, movement and other factors. Combined with a breakthrough artificial intelligence technology called deep learning, the K-1 instantly optimizes settings for even the most difficult shooting situations.

6. Easy-to-focus optical viewfinder with nearly 100-percent field of view

Newly developed for its 35mm full-frame design, the K-1’s optical viewfinder provides a nearly 100-percent field of view and an approximately 0.7-times magnification. A Natural Bright Matt III focusing screen allows ease of focusing and a true-to-life rendition of defocused areas in the viewfinder image.

7. High-speed continuous shooting with a top speed of approximately 4.4 images per second

The K-1 has a larger shutter unit that easily accommodates the camera’s full-frame image sensor and provides high-speed, high-accuracy control of the mirror unit. A high-speed data transmission system incorporated in the PRIME IV imaging engine allows the user to continuously record as many as 17 images in the RAW format (or a maximum of 70 images in the JPEG Best format) in a single sequence, at a top speed of approximately 4.4 images per second. 

8. Supportive shooting functions to improve picture-taking efficiency and operational comfort

  • Operation assist light function, which provides LED lights above the lens mount, behind the LCD monitor, at the memory car slot, and at the cable switch terminal to facilitate fast and easy operation in poorly lit settings.
  • Key lock function, which prevents erroneous operation of the four-way controller and other exposure-related control buttons.
  • Smart function, which allows the user to swiftly choose and set desired functions using just the function dial and the set dial on the camera’s upper panel, without referring to the menu screen on the LCD monitor.
  • Control panel customize function allows the user to change aspects of the on-screen menu.

9. Compact, solid body with dustproof, weather-resistant construction

Constructed of sturdy yet lightweight magnesium alloy with the inclusion of 87 sealing parts in the body, the K-1 also boasts a dustproof, weather-resistant and cold-resistant construction.

Other Features 

  • Wi-Fi operation allowing camera control and image transfer to tablet or smartphone via the free ImageSync app
  • Full HD movie recording at 1920 x 1080 pixels in the H.264 recording format
  • Built-in GPS module and electronic compass
  • High-grade DR II (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
  • Crop mode with a choice of image area from AUTO, FF (Full Frame) and APS-C, to accommodate different types of lenses
  • Clarity control and Skin Tone correction functions, a pair of the latest image processing technologies developed by RICOH Central Laboratory
  • HDR (High Dynamic Range) shooting mode with RAW-format data filing, usable in handheld shooting
  • The PENTAX-invented hyper operating system for quick, accurate response to the photographer’s creative intentions
  • Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 buss speed mode)
  • Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, and brightness level at image-field edges. Fringe effect compensation is also available in RAW-format processing.
  • Compatibility with PENTAX Image Transmitter 2 tethering software (Software update required from RICOH IMAGING official website) 
  • Digital Camera Utility 5 software (latest version) included

Optional Accessory

  • D-BG6 Battery Grip
    This battery grip is designed to facilitate vertical-position shooting with the PENTAX K-1 camera body. It provides a shutter release button, a set of control buttons (AE lock, AF, ISO, exposure compensation, green), a preview lever, and dual electronic dials — just like those provided on the camera body. It also features the dustproof, weather-resistant construction identical to the PENTAX K-1 camera body. In addition to the dedicated lithium-ion rechargeable batteries, it also accepts six AA-size batteries.

Ricoh Pentax K-1 Specifications

Price
MSRP $ 1799/£1599 (body only)
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 7360 x 4912
Image ratio w:h 3:2
Effective pixels 36 megapixels
Sensor photo detectors 37 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-204800
White balance presets 8
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Uncompressed format RAW
JPEG quality levels Best, better, good
File format
  • JPEG (Exif v2.3)
  • Raw (PEF/DNG)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 33
Lens mount Pentax KAF2
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 1,037,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Aperture and shutter priority
  • Sensitivity priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
Flash X sync speed 1/200 sec
Drive modes
  • Single Frame, Continuous, Self-timer, Remote Control, Bracketing, Mirror- up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream
Continuous drive 4.4 fps
Self-timer Yes (2 or 12 sec, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
Videography features
Resolutions 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC (UHS-I)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (wired, wireless, or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description D-LI90 lithium-ion battery & charger
Battery Life (CIPA) 760
Weight (inc. batteries) 1010 g (2.23 lb / 35.63 oz)
Dimensions 137 x 110 x 86 mm (5.39 x 4.33 x 3.39)
Other features
Orientation sensor Yes
Timelapse recording Yes (Still or video)
GPS BuiltIn

Articles: Digital Photography Review (dpreview.com)

 
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The long, difficult road to Pentax full-frame

19 Feb

Pentax’s road to full-frame has been long, winding and not without a few wrong turns. But it could all have been so different. 

Way back in 2000, when the 21st Century was just beginning to find its feet and photography journalists were starting to get used to putting a ‘D’ into ‘SLR’, Pentax announced that it was making a full-frame (D)SLR. Had it shipped, that camera – which was developed out of the company’s then-flagship film model the MZ-S – would have predated anything from Canon, Nikon, Kodak or (unthinkable at the time) Sony. And Contax, too, but the less said about that, the better. 

Ambitious, powerful, innovative and ultimately doomed, the original Pentax full-frame DSLR was in some ways the Spruce Goose of cameras, but tragically it never even achieved the short, thrilling first and final flight of Howard Hughes’ most famous creation. 

The progenitor. The original, unnamed Pentax full-frame DSLR, which was to be based around a 6MP Phillips CCD sensor, and was originally intended to ship in spring 2001. Officially, the camera (which has become known as the MZ-D) was canceled due to concerns over cost, but it’s likely that the poor performance of the sensor (which made it into the very poorly received Contax N1) played a part.

Instead, like Hughes himself the camera withdrew from public view amid a swirl of rumors. Whispers around the glass case at PMA in 2001 hinted at problems with the troubled 6MP Phillips CCD sensor (later confirmed in the woeful Contax N1). The camera would be too costly to produce, became the official line. The brash confidence behind its announcement at Photokina the previous autumn faded into memory. Meanwhile, Pentax’s projected ship date of spring 2001 came and went, and other full-frame cameras stole the headlines. A nurse was called for, the screens were drawn, and they remained drawn for almost 15 years. 

And we never even knew its name.

Over time, people forgot about the Pentax full-frame DSLR. Pentax representatives (and later, representatives from Hoya and Ricoh) didn’t seem to like talking about it, when they admitted to remembering it at all. A whole generation of tech journalists emerged whose only experience of full-frame photography with a Pentax camera was that one roll of film they tried to put through that old K1000 they found in a junk shop that time. 

And Pentax moved on. 

In 2003, Pentax created the *ist D, its first APS-C DSLR and in 2005, the company announced that it was leapfrogging full-frame altogether in favor of developing a medium-format DSLR. A couple of years later and with no shipping MF camera in sight, the company was acquired by Hoya. Shortly after the takeover we heard that actually, medium format digital was no longer a priority, but two years after that, in 2010, the 645D – with updated specs in the five years since its development was first announced – was officially unveiled.

In 2011, a full ten years after the original Pentax full-frame DSLR should have shipped, the company was bought again, this time by Ricoh. 

The original 645 model, the 645D, saw Pentax branching out into the medium format digital market. The 645Z, which succeeded the original 645D, has proven very popular. 

And all the while, through the course of two buyouts, Pentax was doing what it did best – creating a string of capable, solid, workman-like DSLRs and compact cameras that attracted a small and loyal customer base but which didn’t do much to bother the fortunes of the bigger players in the camera market. The company’s one and (so far) only large-sensor mirrorless camera, the K-01, was not a success, but the medium format 645D did well and was followed by the excellent 645Z. It seemed for a while that with some solid differentiators in the APS-C and medium format spaces, Pentax didn’t really need to create a full-frame camera.

But now, almost 16 years after that fated Photokina announcement, that’s exactly what Pentax (or rather Ricoh) has done. 

‘So why now, and who is the K-1 for?’

So why now? Ricoh claims that the timing is very deliberate. The company seems to recognize that after the late-2000s its chances of making a meaningful dent in the full-frame market were very slim. After leaving the full-frame space to its competitors for more than a decade, it made more sense for Ricoh to attack the much less competitive medium format digital market, and position the Pentax brand as a serious but affordable player in a marketplace that for years has been dominated by stupendously expensive systems from Hasselblad, Phase One and others. 

Meanwhile, although Ricoh / Pentax never managed to wrest a particularly big share of the APS-C market from its competitors, cameras like the K-3 II quietly introduced a host of impressively innovative features. These days we take image stabilization for granted, but Pentax deserves credit for iterating on the basic principle of in-body stabilization over several generations of DSLRs, ultimately leading to the various imaginative and effective sensor-shift features that grace the K-3/II and, now, the new K-1. 

The K-1 becomes the first conventional DSLR to offer a stabilized full-frame sensor. But as well as image stabilization, the K-1’s sensor can also be shifted by minute degrees for higher color resolution capture, AA filter simulation, and star tracking. 

So after all this time, who is the K-1 for? In conversations with DPReview, Ricoh representatives have never tried to deny the fact that after 15 years of inactivity in the full-frame space, a lot of their customers (especially semi-professional and professional photographers) have defected to Canon, Nikon and Sony. But some of these professionals have rediscovered Pentax – and others have discovered it for the first time – thanks to the 645D and 645Z. 

When I spoke to Kazunobu Saiki, general manager of Ricoh’s Marketing and Communication department last year in Japan, he told me that the company’s forthcoming full-frame DSLR was aimed at ‘our existing customers’. I.e. those new 645D/Z fans and a whole generation of DSLR photographers (especially in Asia) who love Pentax cameras for their features, pricing, and custom color options. Plus of course the ultra loyalists around the world who have stuck with the Pentax brand over the years and refused to switch systems in the hope that one day, a camera like the K-1 would eventually be produced. I know they’re out there. They send me emails. 

‘The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all.’

At this point in time, Mr Saiki’s strategy makes perfect sense. The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all. It seems highly unlikely that anyone who’s been happily using a full-frame camera from another manufacturer for the past few years will suddenly throw it all away and buy a K-1. The K-1 looks like a pretty good camera, and $ 1800 is a pretty good price, but it’s still a considerable chunk of change, and that’s not including lenses. 

And lenses, it seems to me, is where Ricoh has a real battle on its hands, not only in terms of attracting potential system switchers but (probably more importantly) also catering to its existing user base.

It has been 13 years since the last full-frame Pentax camera, and understandably, neither Pentax nor third-parties have had much incentive to release full-frame K-mount lenses in the intervening time.

The existing audience of digital Pentax users may very well have a collection of autofocus lenses for their DSLRs, but most are designed for the APS-C format (and many contain the notoriously troublesome SDM focus motor). They’ve got modern coatings, they’ll fit on the K-1, and some will offer almost a full-frame imaging circle. But like training wheels on a bicycle, I suspect that most self-respecting photographers will be keen to stop using them as soon as possible in favor of a more authentic, grownup experience. Why rumble along at 15MP when you could be enjoying 36?

I suspect that a lot of former Pentax users still have one of these in a closet somewhere – the 50mm F2 was bundled with mid-range Pentax SLRs in the 70s and 80s, and still gives ok-ish, more-or-less-acceptable performance on digital cameras. As long as you don’t look too closely, especially at the edges.

Before you leave an angry comment, I know there are plenty of better manual focus lenses in Pentax’s historical lineup (we just happened to have this one lying around the office), and the K-1 will work with pretty much all of them. 

But what about the legacy manual focus lenses? Ah yes. With decades of compatible K-mount lenses, Pentax users are very well-served. In theory. I have a collection of 70s and 80s-vintage Pentax primes, and I can’t wait to try them out on the K-1. Unfortunately, while putting old glass on high-resolution cameras is a lot of fun, it does tend to show up the defects in that glass pretty glaringly. There are some excellent lenses in Pentax’s historical lineup, but there is a very real risk that a zoom or even a prime that always delivered lovely 6×4 inch prints on film might not quite live up to customer expectations when paired with a 36MP sensor. 

And unfortunately for the proud new K-1 owner, Pentax K-mount lenses are their only option. Like Nikon F, the Pentax K mount is old, and cursed with a particularly long flange-back distance. What this boils down to its that lenses from other mounts cannot be adapted to work on the K-1 (not without the addition of extra corrective elements, at any rate). So unlike the Sony a7R II, for instance, which will accept pretty much any lens you can think of, made by anyone, ever, with the correct adapter, that’s just not possible with the K-1. 

‘Once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.’

Which for a quality-focused enthusiast K-1 owner arguably leaves only one genuinely safe option. Buy a set of new Pentax full-frame zoom lenses. The new 15-30mm and 24-70mm seem to perform well (they should do, since they’re most likely based on proven Tamron lenses with the stabilization mechanics removed and some proprietary coatings) and we enjoyed using the 70-200mm when we shot with the K-1 recently. But once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.

All that being said, I want the K-1 to succeed, and I think it deserves to. It’s truly innovative, bold, and represents a brave move by Ricoh (and one that I suspect was motivated by a certain amount of justifiable pride on the part of the engineers). To an extent, my investment in the K-1 is emotional. My first proper camera was a Pentax MX, and along the way I’ve owned various other Pentax cameras (including for a few brief, glorious weeks, an LX) all of which I have enjoyed. I was genuinely excited when Ricoh told us, some time ago now, that a full-frame Pentax DSLR was once more being prepared for launch. Hopefully this time it will get a little higher off the ground – and hey – at least this time it has a name. 

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces flagship EOS-1D X Mark II full-frame digital SLR

02 Feb

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Canon has announced its new flagship DSLR, the full-frame EOS-1D X Mark II. It features a new 20.2MP CMOS sensor with Dual Pixel AF, and uses a pair of Dual DIGIC 6+ processors to capture 4K video and shoot continuously at up to 16 fps. The camera has a native ISO of 100-51200, expandable to 409600.

The new 61-point autofocus system has 41 cross-type sensors and 24% larger frame coverage than its predecessor. Its center point is sensitive to -3EV in OneShot AF. In live view the camera uses the latest iteration of Canon’s Dual Pixel AF technology for high-speed focusing in OneShot mode. The metering system has also been updated to use a 360k-pixel RGB+IR sensor, which the company says improves subject – including face – detection and tracking.

As with its predecessors, the 1D X is as rugged a camera as you’ll find. It’s magnesium alloy body is fully weather-sealed and has a shutter that will last for approximately 400,000 cycles. In addition to its large optical viewfinder (now with better, adjustable AF point illumination), the Mark II has a 3.2″ Clear View II LCD with 1.62 million dots, up from 1.04 million dots. The screen is touch-enabled, but only for autofocus point selection in Live View. Another new addition is a built-in GPS (with an e-compass), which sits in a ‘hump’ on the top of the viewfinder. Otherwise, the design of the Mark II is very similar to that of its predecessor.

Performance-wise, the 1D X II can shoot continuously at 14 fps with autofocus, and if you lock the mirror up, you can shoot up to 16 fps with locked focus and exposure. If you’re using the older LP-E4N battery, the top shooting speeds drop to the same frame rates as the 1D X (12/14 fps). If you’re using a CFast card you can take an unlimited number of JPEGs or a whopping 170 Raw images in a single burst, or 12 seconds of shooting at 14 fps. The 1D X II also has a slot for standard CompactFlash cards. When it comes to connecting to a PC you can choose from the camera’s USB 3.0 or Ethernet ports. Wi-Fi requires the use of Canon’s $ 600 WFT-E8 wireless file transmitter.

One of the most significant additions to the 1D X II is support for 4K (DCI) video capture. It can capture 4K video at 60p using the M-JPEG codec (which allows for easy frame grabs) as well as 1080p at frame rates of up to 120 fps. You’ll need to use a CFast card in order to record more than a few seconds of 4K video though. Dual Pixel AF enables continuous autofocus in video, and touch focus makes the experience a breeze. The camera does not offer focus peaking or zebra patterns natively, but they are visible when using an external recorder. As one would expect given its place in Canon’s lineup, the 1D X Mark II has both headphone and mic jacks.

The EOS-1D X Mark II will be available in April for $ 5999 (body only), or bundled with a 64GB CFast card and reader for $ 6299.

Press release:

Fast, Formidable, and 4K, All-in-One Camera: CANON U.S.A. Introduces the EOS-1D X Mark II Professional Digital Camera 

Delivering Precise and Reliable Performance with Versatility for Any Photo or Video Professional

MELVILLE, N.Y., February 1, 2016 – Rising to meet the rigorous and evolving demands of professional photographers and videographers, Canon U.S.A., Inc., a leader in digital imaging, is proud to announce the new EOS-1D X Mark II DSLR camera. With a new 20.2 megapixel 35mm Full Frame Canon CMOS sensor and Dual DIGIC 6+ Image Processors, the EOS-1D X Mark II professional digital camera delivers stunning image quality and speed. Combining the ability to capture high-resolution still images at speeds up to 14 frames per second as well as stunning high-definition video up-to-4K 60P featuring Canon’s proprietary Dual Pixel CMOS Autofocus (AF) technology, the Canon EOS-1D X Mark II camera becomes the ideal camera for any professional image creator. 

The new flagship Canon EOS-1D X Mark II features several firsts for EOS cameras including:

  • Newly developed 20.2 megapixel 35mm Full Frame Canon CMOS sensor;
  • Continuous shooting speeds of up-to-14 frames per second (fps) with Auto Exposure (AE) and predictive AF for viewfinder shooting and up to 16 fps1 in Live View mode; 
  • Dual DIGIC 6+ Image Processors that transfer image data at extremely high speed for extended bursts during continuous shooting – up-to-170 consecutive RAW images at 14 fps. When shooting JPEG images you’re only limited by memory card capacity2
  • Capable of shooting 4K 60P and Full HD 120P video with Dual Pixel CMOS AF;
  • Enhanced wireless functionality (with the optional accessory Wireless File Transmitter WFT-E8) that supports the new high-speed IEEE 802.11ac standard and the  ability to easily transfer photos and videos to compatible smartphones using Canon’s Camera Connect app*
  • Digital Lens Optimizer to help correct aberrations in-camera (a feature that previously required post-processing on an external computer); 
  • Improved 61-point viewfinder AF with expanded coverage and all AF-points selectable and supported to a maximum aperture of f/8; 
  • Improved AI Servo III+ predictive AF algorithm for better accuracy; 
  • Continuous red illumination of all AF points within the camera’s Intelligent Viewfinder II.
  • Compatibility with both CF and CFast memory cards for optimal performance and versatility.

The Ultimate EOS Camera: Continuing a Legacy of High Speed and Performance

Building on the success of the Canon EOS-1D X professional digital camera, the Canon EOS-1D X Mark II camera is designed to deliver high-performance, speed, and image quality, with improved comfort for professional photographers. In addition to the new 20.2 megapixel full-frame CMOS sensor and Dual DIGIC 6+ Image Processors, the new EOS-1D X Mark II DSLR camera includes an improved 61-point High-Density Reticular AF II system with all AF points selectable by the user (and up to 41 cross-type points depending on the lens in use). The improved AF system includes expanded coverage that supports AF at maximum apertures up to f/8 with all 61 points for high precision autofocus even when using EF super-telephoto lenses with an EF extender. The camera also boasts excellent dynamic range and reduced color noise compared to its predecessor throughout its standard ISO speed range of 100 – 51,200. Expansion ISO speeds of 50, 102,400, 204,800 and 409,600 are also available.  A first for the Canon EOS-1D series, this camera also features a 360,000-pixel RGB+IR metering sensor with enhanced precision and performance compared to its predecessor, improving facial recognition and tracking, as well as nature scenes. Additionally, the advanced AE system can detect and compensate for flickering light sources such as sodium vapor lamps that are often used in gymnasiums and swimming pools. When enabled, this anti-flicker system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous burst shooting.

For filmmakers and photographers looking to do more than still photography alone with a DSLR camera and EF lenses, the EOS-1D X Mark II camera offers high resolution DCI 4K video at frame rates up-to-60p, with smooth movie recording to an in-camera CFast 2.0 memory card. An additional card slot supports standard CF memory cards up to UDMA 7. The built-in headphone jack supports real-time audio monitoring. Two additional EOS ‘firsts’ include 4K Frame Grab and 120p Full HD recording. The camera’s 4K Frame Grab function allows users to isolate a frame from recorded 4K video and create an 8.8 megapixel still JPEG image in-camera. When combined with the EOS-1D X Mark II’s high-sensitivity full-frame CMOS sensor, the new camera’s ability to record Full HD video at frame rates up to 120p will allow videographers to produce high quality slow motion video even in extremely low light. To make video shooting even more intuitive, the Canon EOS-1D X Mark II camera’s touch-screen LCD allows videographers to select the camera’s AF point before and during video recording with Dual Pixel CMOS AF, which provides responsive, accurate and quiet camcorder-like video autofocus to DSLRs.

“The innovations within Canon’s new EOS-1D X Mark II DSLR camera clearly set a new standard for professional cameras,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “In developing the EOS-1D X Mark II camera, we looked to incorporate user-requested performance enhancements to bring professional photographers the ultimate EOS camera, a camera that has matured and been developed to meet their evolving needs.” 

“Having f/8 capability on all 61 AF points is a tremendous benefit to wildlife photographers,” noted nature photographer and Canon Explorer of Light Charles Glatzer. “In order to capture tight shots of animals without disturbing them, I frequently have to use very long lenses—sometimes with an extender attached, which further diminishes the aperture. The improved AF allows me to frame the shot exactly the way I envision it, without having to compromise.”

“This camera is a huge step forward,” remarked acclaimed photographer and Canon Explorer of Light Damian Strohmeyer. “Shooting sports in a gym at 8,000 ISO, it looked as good as 800 ISO from a generation or two ago. The images are tack-sharp, and the autofocus just doesn’t miss. I’ve been amazed by what I’ve seen so far.”

“The autofocus was awesome,” agreed Peter Read Miller, sports photographer and Canon Explorer of Light.  “The higher frame rate coupled with the speed of the CFast card was a definite advantage. It just never buffered out, even shooting RAW.”

The new EOS-1D X Mark II camera also offers a built-in GPS** receiver with compass for precise geo-tagged information of latitude, longitude, elevation and direction. This is especially valuable to wildlife photographers and photojournalists who need to track their locations, as well as providing sports photographers the ability to sync a multiple-camera setup with extreme accuracy and precision. It is also possible to use the camera’s built-in GPS to automatically sync the camera’s time to the atomic clock, an invaluable feature to professionals.  An improved grip also makes the camera easier for photographers to hold and maneuver while shooting. In response to feedback from professional EOS users, the AF points in the EOS-1D X Mark II camera’s Intelligent Viewfinder II can be illuminated in red for improved visibility, especially when shooting in dark locations. AF sensitivity in low light has been doubled from EV -2 to EV -3 at the center AF point when the camera is set to One-Shot AF, enabling the camera to autofocus in extremely dark shooting conditions such as a moonlit nightscape. Viewfinder AF coverage has also been increased for greater compositional flexibility.

As with all EOS-1D series cameras, the EOS-1D X Mark II’s rugged construction and magnesium alloy body is weather resistant. The camera also features improved controls and more in-camera image quality enhancements than ever before, including a Digital Lens Optimizer function offering high quality aberration correction which can now be achieved without an external computer. This feature makes it easier for professional photographers to deliver finished files to their clients, especially in situations when access to a personal computer is impractical or inconvenient. 

The estimated retail price for the Canon EOS-1D X Mark II is $ 5999 (MSRP) for the body or $ 6299 for the Premium Kit which includes a 64 GB CFast memory card and card reader. The new camera is scheduled to begin shipping to authorized Canon USA dealers in April 2016***. For more information and the full list of product specifications, visit: usa.canon.com/EOS1DXMarkII 

* With the download of the free Canon Camera Connect app. This software enables you to upload images to social network services. Before uploading images, please be aware that image files may contain privacy-related information such as people and places. If necessary, please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software. 
** In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
***Availability, pricing and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

1. Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings
2. Burst rate using CFast card


EOS-1D X Mark II specifications

Price
MSRP $ 5999 (body only)
Body type
Body type Large SLR
Body material Magnesium alloy
Sensor
Max resolution 5472 x 3648
Other resolutions 4368 x 2912, 3648 x 2432, 2736 x 1824
Image ratio w:h 3:2
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Dual DIGIC 6+
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-409600)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 409600
White balance presets 6
Custom white balance Yes (5 slots)
Image stabilization No
Uncompressed format RAW
File format
  • JPEG (Exif v2.3)
  • Raw (Canon CR2, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 61
Lens mount Canon EF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2
Screen dots 1,620,000
Touch screen Yes (for AF point selection only)
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync)
Flash X sync speed 1/250 sec
Continuous drive 16.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Resolutions 4096 x 2160 (60p, 30p, 25p, 24p, 23.98p), 1920 x 1080 (120p, 60p, 50p, 25p, 24p, 23.98p)
Format MPEG-4, H.264, Motion JPEG
Microphone Mono
Speaker Mono
Storage
Storage included CompactFlash + CFast 2.0
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes
Microphone port Yes
Headphone port Yes
Wireless Optional
Wireless notes requires WFT-E8
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E19 lithium-ion battery & charger
Battery Life (CIPA) 1210
Weight (inc. batteries) 1530 g (3.37 lb / 53.97 oz)
Dimensions 158 x 168 x 83 mm (6.22 x 6.61 x 3.27)
Other features
Orientation sensor Yes
GPS BuiltIn
GPS notes with e-compass

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh continues to tease Pentax full-frame DSLR with new image and… not much else.

01 Dec

Ricoh’s string of teaser coverage for its upcoming full-frame Pentax DSLR continues today with a new image of the camera and a press release – though not much in the way of more concrete information. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Life in a glass case… we peer at new Pentax full-frame DSLR

24 Oct

Ricoh’s upcoming full-frame Pentax DSLR is getting more real! The last time we saw it, the as yet unnamed camera was barely more than a chunk of carved plastic, but at this week’s Photo Plus Expo in New York, a much more advanced mockup was on display at the Ricoh booth. Briefly. Shortly after we asked for a closer look it was removed permanently from display and locked in a cupboard. Oh well. Click through for some closeups

Articles: Digital Photography Review (dpreview.com)

 
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Leica introduces SL system with Typ 601 full-frame mirrorless camera and lenses

22 Oct

Leica has introduced the full-frame SL system, including the SL Typ 601 ILC and three compatible SL lenses. The SL uses a 24MP CMOS sensor adapted from the Leica Q, and true to form its weather-sealed body is cut from a single block of milled aluminum. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces 24-70mm F2.8 for upcoming full-frame Pentax DSLR

25 Sep

We’re still waiting for the much-teased full-frame DSLR, but Ricoh has today announced another full-frame zoom lens – the HD PENTAX-D FA 24-70mm F2.8 ED SDM WR, which features a weatherproof design and bright, constant maximum aperture. Read more

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Ricoh teases spring 2016 full-frame Pentax DSLR debut

19 Sep

Ricoh has launched a teaser website promoting the introduction of its Pentax full-frame DSLR in spring of 2016. The news of a full-frame K-mount camera came in February when we also got a glimpse of an early mockup at CP+. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sony reportedly shifting focus to full-frame cameras

04 Aug

Sony is planning to heavily target the full-frame camera market, according to a report from The Korea Times. At a press conference, Sony Korea’s Digital Imaging & Alpha Marketing Department head Bae Ji-hoon said that Sony plans to first target current full-frame camera users, then shift toward attracting new customers who currently use ‘entry and mid-class models.’ Read more

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Nikon unveils AF-S Nikkor 500mm F4 and 600mm F4 full-frame lenses

02 Jul

Nikon has announced a pair of super telephoto FX prime lenses: the AF-S Nikkor 500mm F4E FL ED VR and 600mm F4E FL ED VR. Both are significantly lighter than the versions that preceded them and each use an electromagnetic diaphragm for more consistent exposure control during burst shooting. Read more

Articles: Digital Photography Review (dpreview.com)

 
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