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Weird Wooden Room: See the Sea From A New Perspective

30 Jun

[ By Steph in Art & Installation & Sound. ]

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Two perfect rectangles of sea and sky are framed like paintings within a surreal wooden observation structure, inviting visitors to experience coastal Denmark from a new perspective. ‘New Horizon’ is a sculpture by Paris-based firm Atelier 37.2 created for the 2015 Sculpture by the Sea festival, drawing in guests from a forested path right to the edge of a hill overlooking the water.

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The accordion-like structure stretches in two angled sections, one open to the surrounding woods and the other an enclosed room filled with a chaotic assemblage of planks. This room looks dramatically different depending on the time of day, with sunlight streaming in and highlighting the space itself in the morning. As the sun makes its way to the other side of the sky, the space darkens, putting the focus squarely on the framed viewpoints.

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As the artists themselves describe it: “Playing with classical perspective deconstruction, from the inside the horizon line disappears. Experience the landscape as two monochromatic ever-changing Rothko paintings.”

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[ By Steph in Art & Installation & Sound. ]

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UrtheCast releases first full-color HD videos of Earth recorded from ISS

20 Jun

UrtheCast has published the first full color HD videos recorded of Earth from space via a new camera system mounted on the International Space Station. The videos are short recordings of regions in Barcelona, Boston, and London, and show the cities at a one-meter resolution. Read more

Articles: Digital Photography Review (dpreview.com)

 
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How to Build an Impressive Photography Portfolio from Scratch

08 Jun

Creating a photography portfolio can be a daunting experience. As a rule, photographers have basic or no knowledge of design at all. Moreover, creating a site with the pictures in focus can be a tricky task.

Being a photographer makes you a wearer of many hats. It’s critically important to have an online portfolio, so you can easily show your potential clients what you’re capable of. If you have no idea how to start, where to take pictures, how many of them you need for a site, and how to make your portfolio work for you, these tips may help you get started:

What is a portfolio? How Many Shots Do You Need?

A portfolio is an opportunity for you to present your work, but it’s important to consider why you need this portfolio. Are you going to use it to apply for a job? Do you want to use it to start your own photography business? Or do you just want to exhibit your work?

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Portfolio by Marcus Smith

Also, you have to think about how many images you need to upload to your site. The layout usually looks good with a small amount of images uploaded on the home page. There should be a balance between the number of images you’re going to show and the negative spaces you leave between, or around them. If you have many images, consider separating them into categories.

When it comes to the home page, there should be something to pull the user in, then let them decide what to look at next. Value visitors’ time – they don’t need to see all the photos you took since 2008. Rather, display only your top-notch work and then show the potential client more photos if they request it. Don’t overwhelm them with pictures. Put the best pictures on the first page to stand out, and leave your other good work on the second page.

Think of Your Audience

Once you have decided why you need an online portfolio, you need to consider the audience you’re going to reach. Think of the reaction you want to evoke – do you want your clients to be touched, surprised or even shocked by your pictures?

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Portfolio by Brian Ingram

If you’re aiming to specialize in wedding or portrait photography, it’s logical to include these shots first in your portfolio. There is no need to demonstrate your awesome landscape shots if you are aiming to attract clients for portrait photography. Keep your target audience in mind and do your best to create a site that solves their problems and provides answers to their queries, rather than simply bragging about your versatility as a photographer.

Brainstorm Project Ideas

If you have no idea what photos to upload to your portfolio, or you have no photos yet, you need to do some brainstorming. You’re building your portfolio in hopes of getting more clients, meaning that you don’t have hundreds of photo models knocking at your door. Start photographing your friends for free, shoot some events for charity, or even ask a popular wedding photographer from your area to hire you as an assistant, just to get wedding photos for your portfolio.

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Portfolio by  Brett Arthur

There are many options when trying to find new project ideas: you can start a 365-day or 52-week project which will give you a great chance to practice as a photographer. This could lead to you shooting a subject that you never thought about and may result in a set of great shots for your online portfolio. Look at the work of other photographers to get new ideas for shooting, analyze their portfolios and try to make your own.

Present Like a Pro

Your portfolio website is nothing but a presentation, so when creating it, refer to some iconic presenters like Steve Jobs for better results. For instance, here are three presentation techniques from Apple’s founder you can apply to your own portfolio:

1. Make your passion prominent.

Jobs was passionate about every product he was involved in, his enthusiasm was obvious to anyone who heard him speak. There are few things in the world that spread as quickly as enthusiasm. Connect with your website visitors on an emotional level by showing your passion for what you do. This can be achieved through things like personal notes or comments on every image in your portfolio, a funny story told on your About page, or a set of behind-the-scenes photos shown in your main image slider or website background.

2. Build a clean, visual interface.

In his iPhone presentation, Steve Jobs used 19 words compared to the average 40 words used in a PowerPoint presentation. Make your website less wordy by utilizing a spacious preview page layout, big image sliders, and clean typography. Your business is about good pictures after all, not about writing essays. Make sure your site looks great on mobile devices and tablets, as that’s where the lion’s share of your visits will come from.

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Defrozo

Among some free website builders that enable you to create beautiful, mobile-friendly websites are Defrozo and Koken. The first one is actually a multi-tool marketing platform that includes a full-fledged photography CRM (customer relation management), shopping-cart system, and other photo business tools in addition to a website builder. While Defrozo is a hosted service offering automatic updates and user support, Koken needs to be deployed on your own server.

3. Inspire your audience.

Every presentation by Steve Jobs was a great source of inspiration and education for his listeners. Images are a powerful medium that you, as a photographer, take advantage of by default. On your website, create a combination of images and words that would make people want to act and achieve something.

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Portfolio by Estevez & Belloso

For instance, using a famous quote next to a photo, or telling a story behind one of your projects, can do the job of creating an extra layer of interactivity and inspire your web viewers.

Tell a story

Who doesn’t like a good story? Storytelling has become a powerful marketing engine lately and there’s no reason you can’t leverage it for your own business.

When uploading photos to your portfolio, you must describe them. A description is even more important than a title. Remember, when people see your photos for the first time, they want to know who or what is displayed in the image, what the context is behind the image. Maybe there were some interesting facts connected to the image. Feel free to share this with your audience.

Ask for Feedback

Getting your portfolio in front of other eyes can help you pick up on the omissions and bugs in the site’s design and performance. Submit the preview link to some forums and photography communities you’re a member of, or simply let your friends and family play around the site. Create a quick survey for them to fill in after they have checked it out – keep it short and to the point, asking only questions you plan to act on, and include some open-ended questions at the end.

Have different options

You need to decide what kind of portfolio you need: digital or paper? In the past, everything was on paper.

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Portfolio by Michael David Adams

While a digital portfolio seems the ultimate solution these days, it’s also good to have a print portfolio for meetings with clients. Digital cannot fully replace print because of the special feel a printed photograph gives to the viewer. Consider creating your printed portfolio in a smaller format for portability purposes.

A beautifully designed image slideshow with emotional music added to it is also an essential element to your portfolio package. Along with a responsive website and personalized client photo galleries, it will make your digital showcase toolkit work at full power.

Over to You

What are your top techniques of building your photography portfolio? Share your proven tips with fellow photographers in the comments below.

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The post How to Build an Impressive Photography Portfolio from Scratch by Nancy Young appeared first on Digital Photography School.


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Shortlisted images from Environmental Photographer of the Year 2015 to go on display

04 Jun

London’s Royal Geographical Society is set to play host to an exhibition of the shortlisted entries of the 2015 Environmental Photographer of the Year competition. The exhibition, which opens for three weeks on June 22nd, will feature 111 of the best images as selected by the competition’s five judges. The ultimate winners will be announced at a ceremony on 25th June. Read more

Articles: Digital Photography Review (dpreview.com)

 
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World’s highest resolution panoramic photo is stitched from 70,000 images

03 Jun

A team of five photographers has created what they describe as the world’s highest resolution panoramic photograph by stitching 70,000 digital images together to create a 365 gigapixel photograph. Recorded using a Canon EOS 70D with the EF 400mm f/2.8L IS II USM lens on a 2x converter, the picture took 35 hours of shooting over the course of 15 days just to capture. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Photobook Albums: How to Get the Best Design from Your Photos

27 May

Photobooks are gradually replacing traditional albums as the photo-viewer’s medium of choice. These digitally printed albums offer a host of advantages, one of which is a greater flexibility of design and layout. But when you’re faced with lots of blank pages to fill, where do you start? In principal it’s easy to click and drag digital photos onto a virtual Continue Reading

The post Photobook Albums: How to Get the Best Design from Your Photos appeared first on Photodoto.


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What it Takes to Go Pro – Lessons from 10 Professional Photographers

26 May

The decision to go pro with your photography business is a big step. It’s a time when the future is ripe with possibility and fears tend to run high. In what we call a “crisis of confidence,” you may find yourself comparing your work to other photographers and wondering, “am I really good enough?” or “will people give me a chance?”

When you begin experiencing these thoughts, take a deep breath and remember this; almost everyone feels this way before they begin a new journey – especially if their dreams are on the line. In fact, those super successful photographers you keep comparing yourself to likely experienced those same emotions when they decided to go pro themselves.

I asked 10 experienced professional photographers to reflect on the early days of their careers – from finding their first clients, to marketing strategies they used to establish their brands. Read on to see how each of them was able to find success as a professional photographer — and how you can, too.

It all starts with relationships

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Photo by Casey Kelbaugh

When you decide to offer your photography as a professional service, you’ll need to find a few clients who are willing to take a chance on you. For many photographers, this means starting with friends and family members who already like and trust them. “In my 15 years in the business, I have never gotten a job out of thin air,” NYC-based photographer Casey Kelbaugh said. “ Every single break, every assisting gig, every big campaign, every meat-and-potatoes job has come to me through some kind of relationship.”

Alfred Eisenstaedt, famous Life Magazine photographer said, “It’s more important to click with people than to click the shutter.” and “People hire you because of the quality of your work, but will hire you again and again because they enjoy your attitude and manner both on and off the set.” says landscape and commercial photographer Michael Zide.

Steve Hansen, a headshot photographer from Los Angeles also began his career by leveraging his personal network. “My first client was actually a friend who needed headshots,” he said. “He couldn’t afford some of the more pricey photographers, and I needed clients, so we struck a deal.”

According to photo and video educator Marlene Hielema, networking is also critically important. “You have to get out and meet people! People like to work with people they like, so you need to make connections with people who need the type of work you want to do. Have your elevator pitch ready, because I have met a lot of future clients at parties.”

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Photo by Marlene Hielema

When networking, Kelbaugh also recommends looking beyond photo editors and art directors, since they’re already being bombarded with photography pitches. “Clients can be found anywhere, so think about reaching out to your friends that work at startups, universities, law firms and restaurants” she said. “When building your clientele, try to think outside of the box.”

Speak up

In addition to utilizing the power of your existing network, don’t forget to take advantage of opportunities as they arise – no matter the time or place. Take Cappy Hotchkiss, a New York-based wedding photographer who met her first buyer at a dog run (a park where dogs can run off-leash). “I had photographed weddings for a few friends and absolutely loved it” Hotchkiss said. “Someone at the dog run overheard me talking about it and asked me to shoot her wedding. I still remember what a thrill it was – and how scary and fabulous it was.”

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Photo by Cappy Hotchkiss

Sports photographer Chris Marion had a similar experience when he happened to meet the editor of a local sports magazine. “I asked him if they had a need for additional photographers” Marion said. “He said yes and gave me what was most likely a test assignment. The assignment went well and it went on to become my first real sports job.”

Small wins lead to big ones

As your portfolio and word-of-mouth referrals begin to grow, so will the likelihood that you’ll land that one, great assignment. These assignments can be game changers for some professional photographers – leading to high-profile work and long-term relationships that ultimately lead to even bigger projects in the future. “I got my best client, Google, by landing a smaller event for them and delivering photos that they just loved” photographer Andrew Federman said. “Word spread and they asked me if I would come shoot the inaugural Google Science Fair out in Mountain View, California at Google HQ.”

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Photo by Andrew Federman

Marion landed his best client, the NBA, in a similar way. “My hometown of Springfield had an NBA development league and I was their team photographer for five years,” he said. “Through that experience I was able to capture the attention of the NBA, which then led to freelancing opportunities with Sports Illustrated, as well as others.”

Professionalism counts more than you realize

Sometimes that great assignment comes simply from being available. “One day I was at the library and got a phone call from a weird number,” said James Brosher, an editorial, commercial and wedding photographer in Bloomington, Indiana. “I answered, and I was glad that I did; it was a great job that paid my bills for an entire month. The client said he had called a couple other people but I got the job because I answered the phone. Ever since then, I’ve made a point to always answer my phone. You never know when a great client will call.”

Brosher has also landed several jobs because of his flexibility to take on last-minute projects. “One day I was on the couch and got a call from the Indianapolis Star needing an event covered in 15 minutes,” he said. “Being around, available, and being able to anticipate when a publication might need you goes a long way.”

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Photo by Marlene Hielema

According to Christina Van Dyke, the owner and founder of Van Dyke Design & Photography, something she’s found incredibly important is a focus on providing both great work and a great customer experience. “My best client found out about my photographic services from a word-of-mouth referral,” she said. “The lesson I’ve learned is to always treat each and every client as if they are your ONLY client. In return, your clients will reward you with wonderful referrals that keep your business growing and thriving.”

Play the long game

Hansen recommends focusing more on building your name, and less on your paycheck – at least in the beginning. “Don’t be afraid to take a pay cut in the early stages of building your business and name,” he said. “Yes, you may be worth a lot more, but having your work out there is invaluable to building a solid client list.”

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Photo by Andrew Federman

“My advice for young photographers is to remember that it’s the photographs you actually deliver to your clients that set you apart – not how slick your website is, how many Instagram followers you have, or how many blog hits you get,” Federman said. “Marketing is important, but delivering photos that blow away your clients will generate a powerful word-of-mouth force.”

View the complete interviews on SlideShare (below)

Thanks to our contributing photographers:

  • Casey Kelbaugh
  • Michael Zide
  • Steve Hansen
  • Marlene Hielema
  • Cappy Hotchkiss
  • Chris Marion
  • Andrew Federman
  • James Brosher
  • Christina Van Dyke

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Balancing Act: Artist Paints Seaside Murals from a Surfboard

23 May

[ By Steph in Art & Street Art & Graffiti. ]

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Painting a hyper-realistic mural outdoors is challenging enough on its own, and artist Sean Yoro not only pulls off incredible portraits, he does it all while balancing on his surfboard. Known as HULA, the Oahu-born, NYC-based painter meticulously crafts stunning images of women onto waterfront walls. Each of the figures seems to be emerging from the surface, the rest of them unseen in the depths.

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“Now entering the street art game. Better grab my surfboard, paints, and get as far away from the street as possible,” the artist jokes on Instagram. In the scant three days since he posted his first seaside mural image, Yoro’s work has exploded across the internet, as much for the quality of his paintings as for the unusual way in which they’re produced.

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Yoro scouts locations at abandoned riverside sites where concrete meets the shimmering surface of the water. The rough, weathered surfaces provide a gritty backdrop for the photo-realistic imagery, making his subjects seem all the more otherworldly in comparison.

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In some shots, mangled metal dangles down from partially demolished buildings as Yoro works, his paint cans set up on one side of his surfboard as he kneels in the center.

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The series is entitled ‘Pu’uawai,” which means ‘heart.’ Of the first image he completed, Yoro says “This piece was inspired by the silence beneath the surface of the water, when all you can hear is your heartbeat as everything else fades away. It’s one of the many places I call home.”

See more on Yoro’s Instagram, @the_hula.

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[ By Steph in Art & Street Art & Graffiti. ]

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MIT algorithm aims to eradicate reflections from photos taken through windows

14 May

Researchers at the Massachusetts Institute of Technology claim to have developed a method for eliminating reflections in glass via digital processing. It is hoped that with further development the idea could see its way into digital cameras, allowing reflections to be automatically removed when they interfere with the view through a window. Read more

Articles: Digital Photography Review (dpreview.com)

 
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