I am more than a little obsessed with capturing and preserving memories for my family. We have a photo wall that’s regularly updated. We print photo books, both from Instagram and of photos from my “real” camera. My girls know that twice a year, we go out to a field nearby our house, and I do a mini photo session with them. I’m the type of person who easily had 5,000 photos in the first year after my daughter was born, and that’s just what I decided to keep. So whenever I see a mom taking photos of her kids at the park, or a dad taking pictures at his son’s soccer game, I want to run over and give them a high five. I want to tell them that I think they are awesome, and that capturing those memories for their family is something priceless. They’re images that will be pulled out during graduation parties, played on wedding slideshows, and – God forbid – treasured after the loss of a loved one. It’s important work, and it is work that I feel absolutely passionate about.
But there’s a catch. If you’re anything like me, it can be easy to become so focused on capturing memories for our family and of our kids that we can sometimes tend to forget to be part of making memories WITH our family. It can be hard to find a balance, so here are a few tips that I have picked up along the way that can help you find that sweet spot of capturing those important moments, while also being present for them as well.
1. Do a dry run
Halloween is coming up later this month, and my oldest daughter Lizzy wants to be Merida (from Pixar’s Brave). I absolutely want a non-phone photo of her all dressed-up in her costume. This is non-negotiable. But, I know that on the day of Halloween Lizzy will be excited (and probably a little hopped up on sugar), and trying to have a little photo session with her on that day would probably be fighting a losing battle. So, we did a dry run. We do this every year, and it works out so well for us because I can take a few photos of her to stick in the scrapbook in a no-pressure environment, and then on Halloween night, I can leave the camera at home and just be present with my family. We all get a good outcome, and in my book that’s a win. Does it really matter that the photo was taken the weekend before the event? Not to me in this instance, because the memory that I’m actually interested in capturing was the fact that at age four-and-a-half, Lizzy thought that Merida was the coolest of all the princesses, and that she wants to be strong, independent, and brave just like Merida is.
This tip is SO easy, but it has made such a big difference for our family, and it isn’t just for Halloween – this same idea would work for any occasion in which you want a photo of your kids either in a special outfit or with a particular person, opposed to during an event. For example, doing a dry run would be a good fit for capturing your daughter in her ballet outfit, taking a photo of your kids with Mom for Mother’s Day, or even to catch your kiddos in their Christmas pajamas. As a bonus, doing a dry run lets us know if there are any costume or clothing issues (dress is too itchy, shoes too tight, needing six cans of red hairspray instead of one) that need to be addressed before the big day as well.
2. Make good use of your camera’s creative modes
I have several friends who are currently learning how to shoot in manual. One of them was told by her mentor that the creative modes on her camera are cheating and that she should quit using them cold turkey and shoot in full manual, all the time, if she wants to be a real photographer. When she told me all this, I audibly groaned.
Here’s the deal – learning to shoot in manual is awesome and worthwhile. But as far as I’m concerned, if trying to shoot in full manual means that you spend all of your daughter’s soccer game (or birthday party) behind the camera trying to figure out appropriate settings rather than participating in the event itself, that’s a bummer. In my opinion, you would have been better off to stick your camera in Program mode or any other creative mode that you are very familiar with, take a few photos you love, and then be able to set the camera down and enjoy the rest of the time with your family. I’m not saying that you shouldn’t play around with settings or experiment at all, I’m simply saying that at special events like birthdays, weddings (in which you are not the official hired photographer), anniversaries, once-in-a-lifetime vacations, and graduations are the types of events where it is just as important to be a part of making the memories with your family as it is to be capturing those memories. If using one of your camera’s creative modes can help you in that way, go for it!
3. Don’t feel the need to photograph everything
Such an easy thing to say, and such a difficult thing to put into practice! The reality is that I don’t need to photograph all three times my daughter will go to the pumpkin patch this month between school field trips, family, and friends. The reality is that I don’t need to photograph every time my kids go out to the backyard to play. Sometimes, pulling out the camera while they play is an awesome time for me to practice and play around, but it can also really frustrate my kids if I do it too often (EVEN if I’m not asking them to, “Look here and say cheese!”).
So, for my sanity and theirs, whenever my gut instinct is to grab my camera, I try to stop and ask myself when the last time I photographed this particular event or activity was. If it has been less than a month, that’s a good cue for me to pause and consider whether or not I really need to bring the camera along that day. I really encourage all you moms and dads out there to choose a similar pause point for your family – maybe it’s weekly, maybe it’s monthly, but however frequent it is, it gives you and your kids some built in grace.
4. Get IN the picture sometimes
This is the only photo with me in it from my daughter’s first birthday. It’s a little blurry, but it went in the album nonetheless, and it’s one of my daughter’s favorite photos from the day.
If you’re the photographer of the family, chances are that there are a lot fewer photos of you in the family album than there are of anyone else. I think this is something that we ALL struggle with. Or maybe you’ve even tried to pass the camera off to someone else and have been disappointed by the blurry, too light, too dark, weirdly cropped results. I get it, and I’ve been there.
One thing that I’ve noticed is that if I’m quickly handing the camera off to a friend or family member that isn’t familiar with photography, I get the best result if I pass the camera off in AV mode, with the aperture set at least at the number of people that will be in the photo, and the center focal point selected. So, if there will be four people in the photo, make sure the aperture is set to at least f/4 when you hand it over. I usually have my 50mm lens on my camera, so if I hand the camera over in Program mode, there’s a chance that it will elect to shoot at f/1.8 or f/2.2, which would probably not yield the best results for a photo of four or five people. If you’re shooting with a kit lens that isn’t capable of shooting that wide open, it may be just as beneficial to pass off the camera in Program mode. This is just one simple thing that will help yield better results when passing the camera to someone else, but trust me when I say that when it comes to family photos, the important thing is that you’re there, not that you’re well composed and perfectly in focus.
Do you struggle with the balance between capturing memories and making them? Do you have any other tips you’d like to share?
The post Finding the Balance: Capturing Memories Versus Making Memories by Meredith Clark appeared first on Digital Photography School.
FashionPhotographyBlog.com had the pleasure to speak to Spanish fashion photographer, Guille Sola, now based in London. I’ve been in touch with Guille for a while now, and have wanted to sit down and do an interview with him. I keep finding myself speechless and it comes to his work and spent ages trying to find the right words to describe his art. Perhaps it’s the cleanliness of his images or the fact he isn’t afraid to go to the edge and utilize the rawness of the frame, he seems to always be able to make the invitation to the viewer to join in on the intimate connection between photographer and model – a skill that is very hard to get right for most photographers.
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