Any time Zeiss releases a new lens its a cause for heightened interest by photographers. Cameras come and go in the digital era, but lenses can become life-long friends, at least the best ones can.
Kevin and I had an opportunity to work with the new Zeiss Touit 12mm f/2.8 and 32mm f/1.8 lenses in Fuji XR mount on our Kimberly PODAS Expedition in Australia earlier this month. These lenses are also available in Sony NEX-E mount.
There was a time when you’d want to stare at a photo for hours but couldn’t quite put your finger on why.
Then you taught yourself a little bit about photography and realized it was a photo’s dreamy depth of field that reeled you in — razor sharp details with a background that slowly fades to a wonderfully creamy blur.
To get really fantastic depth of field, photographers invest in pricey lenses. The good news is there are ways to create the illusion of depth of field without forking over the moola.
We’ll show you three totally accessible tools that’ll help you get a similar effect and will be fun to experiment with, too!
How to Fake Depth of Field
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Why It’s Cool
When you look at a picture, your brain does all kinds of neat things to figure out what’s going on, and it just about does it all in a single instant.
Well, we just happen to speak brain! It turns out there are a bunch of cool tricks that can really please your viewer’s eye without them knowing you didn’t use a fancy lens.
We are going to show you three simple creative cheats to control the viewer’s perception of depth of field in your photos. That means you’ll be able to create the illusion that parts of your photo are out of focus while your main subject is crisp and clear.
The Ingredients List!
A camera
A glass window
Or a translucent glass window (or steamed up glass)
Or a foggy day
The Fog Method
Fog can be a bummer when you’re wishing for sunny weather, but here’s one way to embrace it: use its diffusing super powers to your advantage when you’re out shooting.
When it’s foggy out, objects near you appear clear and things further away are, well, foggy.? That’s the simple principle you’re working with.
Wide open spaces such as lakes or the coast work really well for playing with this concept as mist tends to be heavier over water.
Experimentation is the key, so do try setting your point of focus and exposure at a few different places in the picture to see what effects you get.
TIP: If you find a subject you really like, it can be worth waiting or coming back as the density of fog or mist can change over the course of a few minutes.
Diffuse Details with Glass
Glass is a super accessible tool to get your subject to pop. All you need to do is sit your person just behind the glass.
There are two ways glass works to make your subject stand out.
The first is that anything reflected in the glass is by default slightly diffused. Juxtaposed, your person, who we’ll assume is in focus, looks extra sharp. Simple!
The second is your setting. If the interior that sits behind the glass is dark (which it normally is since it sits farther away from the sunlight that streams in), then your subject will pop for that simple reason.
You’ll create a perceived depth of field by having your subject well-lit and in focus against a dark backdrop and out-of-focus reflections.
TIP: Car windows work really well. The trick with a car is to setup the shot and then to try covering any widows which are letting light fall onto anything but the subject. You’ll be amazed at the effect of simply hanging a jacket to cover the light of an opposite-facing car window.
Translucent Glass for Mega Blur
The third method is placing your subject behind translucent glass. You might be able to find translucent glass in a store front, a shower door, or create your own by fogging up clear glass with steam.
The way this method works is a little more obvious — translucent glass obscures details as they get further away from it.
?You’ll notice that the hands are in focus, but the body which is only slightly further back starts to get dramatically blurry.
?In this picture, we placed a bedside table lamp in the shower (to the right of the models feet, pointing upwards) to add drama and illuminate her shape. The light from behind the model was from an open window.
Taking It Further
Turn a foggy picture upside down to give it an extra ethereal look (like we did above!).
Using the third method, Anastasia Mastrakouli made this beautiful alphabet out of photos of nude silhouettes.
Another method of getting faking depth of field is the Brenizer Method! Check out our guide.
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Toshiba Semiconductors have been demonstrating a sensor module for mobile phones that allows Lytro-style refocusable images. The company promises 2MP images from an 8MP sensor and is already working on a version with higher-resolution output. However, there’s reason to believe such cameras would be even more prone to the drawbacks we identified in Lytro’s camera. Click through to find out more.
One of the easiest and most common techniques that photographers use to make their photos look more interesting and professional is to use a shallow depth of field. Depth of field refers to the distance between the nearest and farthest parts of an image that appear sharp or in focus. When a photo has a shallow depth of field, only Continue Reading
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Lytro has announced two extra features for users of its Light Field Cameras – perspective shift and living filters. Perspective shift allows the viewer to re-render the light field as if captured from a slightly different position – moving this viewing position around shows off the depth information captured by the camera. Meanwhile the ‘living filters’ are depth-aware versions of the processing filter modes that have become near-ubiquitous in cameras in recent years. And, because the Light Field Cameras download all the light field data to your computer, these effects will be available with all existing captures.
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When you look at a picture, your brain does all kinds of neat things to figure out what’s going on, and it just about does it all in a single instant. 
Fog can be a bummer when you’re wishing for sunny weather, but here’s one way to embrace it: use its diffusing super powers to your advantage when you’re out shooting.
Glass is a super accessible tool to get your subject to pop. All you need to do is sit your person just behind the glass. 
The third method is placing your subject behind translucent glass. You might be able to find translucent glass in a store front, a shower door, or create your own by fogging up clear glass with steam.
