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Posts Tagged ‘Digital’

Masterpiece Mashup: Genre-Crossing Digital Art Compositions

21 Jan

[ By Steph in Art & Drawing & Digital. ]

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Diverse artistic disciplines from graphic design to architecture come together, crossing boundaries and merging eras, to bring the likes of Marina Abramovic and Marcel Duchamp together in this series of digital compositions. Italian architecture student Davide Trabucco diagonally bisects square-shaped sections of classic paintings, film stills, ad campaigns and photos of buildings and installations, putting them together in unexpected ways.

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The series, entitled Confórmi, has artists, designers and architects stepping into each other’s work, juxtaposing mediums and genres that you’d never imagine seeing in one image. These seemingly disparate masterpieces seamlessly meld together, revealing the basic elements of design that they all have in common, like composition, color, lines, tones and textures.

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The Nike swoosh (designed by Carolyn Davidson in 1971) merges into the rooftop terrace of Curzio Malaparte in Italy. Architect Ludwig Mies Van Der Rohe steps in for the bartender in Manet’s famous 1882 painting of the Folies-Bergéres. Darth Vader’s light saber becomes an illuminated gallery installation by Dan Flavin.

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Says the artist (translated from Italian), “I created this ‘archive’ to manage my ‘heritage’ of knowledge and references in art and architecture. The new images, then are born like this: at the very moment in which a painting, a facade, a sculpture I remember another. The subtitle of the work then, the forms belong to no one, aims to highlight that the artist and his products are independent… most forms are often already present in nature, and only need us to process them and give them new meaning.”

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[ By Steph in Art & Drawing & Digital. ]

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Olympus launches M.Zuiko Digital ED 300mm F4 IS Pro as sharpest-ever lens

06 Jan

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Olympus has launched the M.Zuiko Digital ED 300mm F4 IS Pro, which it claims it the sharpest lens in its lineup. The 600mm equivalent prime lens features built-in IS that also works in conjunction with the OM-D E-M1 and E-M5 II bodies to offer 6 stops of stabilization, measured to CIPA standards – the best we’ve yet encountered. Olympus says it expects the lens to be used for bird photography, landscape and sports. The lens is now available for around $ 2500.

The 300mm F4 IS Pro includes the pull-back manual focus clutch system used on recent high-end Olympus lenses to give a traditional manual focusing experience. It also includes a retractable hood like the one found on the M.Zuiko Digital 50-150 F2.8 IS Pro. There’s also a rotating tripod collar but, since Olympus believes the stabilization and relative light weight of the lens allows it, it also comes bundled with a cosmetic ring that replaces the tripod mount for handheld use.

Jump to:

  • Press Release
  • Specifications

Press Release:

A NEW WORLD OF HANDHELD NATURE PHOTOGRAPHY: THE OLYMPUS M.ZUIKO® DIGITAL™ ED 300MM F4.0 IS PRO ARRIVES

Super Telephoto Lens with Powerful 5-Axis Sync Image Stabilization and Olympus’s Highest Resolution Ever in a Compact, Dustproof and Splashproof Body

CENTER VALLEY, Pa., January 5, 2016 —Olympus is pleased to announce the Olympus M.ZUIKO Digital ED 300mm f4.0 IS PRO, a compact supertelephoto lens that expands the capability of the M.ZUIKO PRO series of professional, splashproof and dustproof lenses that deliver outstanding image quality under any circumstance. The M.ZUIKODigital ED 300mm f4.0 IS PRO is the first Olympus interchangeable lens with a built-in image stabilization mechanism, and when paired with the Olympus OM-D E-M1 (firmware version 4.0) or E-M5 Mark II (firmware version 2.0), in-body and in-lens image stabilization work in perfect harmony, resulting in the new 5-Axis Sync IS technology to produce the world’s most powerful image stabilization performance of up to six shutter speed steps of compensation*. The lens can also be used effectively with other camera bodies, as the in-lens stabilization mechanism alone provides four shutter speed steps of compensation.

With a length of 8.9 inches (227mm) and weight of a mere 2.8 pounds (1,270g), at one third of the size and weight of most DSLR 600mm equivalents, the M.ZUIKO Digital ED 300mm f4.0 IS PRO is designed to slip into an airplane carry-on bag or backpack and go anywhere to help users easily capture handheld images in once-challenging photo destinations. Despite its compact size, the lens is hermetically sealed in 17 places and features freezeproof performance down to 14?F (-10°C). Together with the same splashproof, dustproof and freezeproof performance as the OM-D E-M1 and E-M5 Mark II, this ensures you can capture high-quality images in the harshest environments.

The M.ZUIKO Digital ED 300mm f4.0 IS PRO debuts Olympus’s highest-ever resolution by combining three Super ED lenses, one Extra-High Refractive index lens and three High Refractive index lenses to reduce the color bleeding and chromatic aberrations that tend to occur on typical super telephoto lenses. In addition to Olympus’s renowned ZERO Coating (ZUIKO Extra-low Reflective Optical Coating), a brand-new lens coating technology called ZERO Coating Nano suppresses reflected light to minimize ghosts and flares for extremely sharp details of images, including car headlights. A layer of nanosized particles and a layer of air from the center to the surface of the lens achieves a refractive index similar to air and significantly reduces surface reflection.

The M.ZUIKO Digital ED 300mm f4.0 IS PRO also gets up close to explore the beautiful, minute world of telemacro photography with maximum image magnification of 0.48x (35mm equivalent), with a minimum focusing distance of 46 inches (1.15m) from the end of the lens. When combined with the M.ZUIKO Digital 1.4x Teleconverter MC-14, the user can capture all of nature’s beauty in high resolution at 840mm (35mm equivalent) and an increased image magnification of 0.67x (35mm equivalent) in a handheld compact body while maintaining the same minimum focus distance.

The OM-D’s silent mode combines with the lens’ Movie & Still Compatible mechanism for silent AF and shooting, giving the user the ability to blend into the background of any situation, whether that be the refinement of a symphony performance or the dusty plains of a lion’s hunting grounds.

The lens also features a Manual Focus Clutch mechanism that makes switching to manual focus possible by pulling the focusing ring toward you. The side of the lens barrelfeatures a Focus Limit switch (4m to infinity, all range, 1.4 to 4m), an IS switch (On/Off), and an L-Fn button, which can all be operated without ever taking your eye off the viewfinder. The built-in sliding lens hood can be locked into place when extended, and the tripod base plate with a quick shoecompatible rail is removable.

U.S. Pricing and Availability

The M.ZUIKO Digital ED 300mm f4.0 IS PRO lens is available now for an estimated street price of $ 2,499.99 (U.S.) and $ 3,199.99 (Canada).

To find out more about the Olympus M.ZUIKO Digital ED 300mm f4.0 IS and for a complete list of specifications, visit the Olympus website at http://www.getolympus.com/us/en/lenses/pen-omd/fixed-focal-lengths/m-zuiko-ed-300mm-f4-0-is-pro.html.

*As of December 2015. CIPA guideline compliant, when correction is carried out on two axes (yaw and pitch) and when halfway release image stabilization is off.

Olympus M.Zuiko Digital ED 300mm F4 IS PRO specifications

Principal specifications
Lens type Prime lens
Max Format size FourThirds
Focal length 300 mm
Image stabilisation Yes (4 stops (6 stops with E-M1 and E-M5 II))
Lens mount Micro Four Thirds
Aperture
Maximum aperture F4.0
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 10
Special elements / coatings Three super ED, one extra-high refractive, three high refractive elements + ZERO nano coating
Focus
Minimum focus 1.40 m (55.12)
Maximum magnification 0.24×
Autofocus Yes
Motor type Micro-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 1270 g (2.80 lb)
Diameter 93 mm (3.64)
Length 227 mm (8.94)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Olympus M.Zuiko Digital ED 300mm F4 IS Pro: a closer look

06 Jan

Olympus M.Zuiko Digital ED 300mm F4 IS Pro

The weather-sealed M.Zuiko Digital ED 300mm F4 IS Pro is the latest in the company’s range of high-end ‘Pro’ lenses for the Micro Four Thirds system and the fifth such lens to date.

Like the other Pro lenses, the 300mm F4 IS Pro features the company’s snap-back manual focus clutch system that reveals a distance scale when you pull on the focus ring; engaging manual focus and proving a linear focus response with end-stops to the ring’s travel, to give a traditional manual focus experience.

Size

The lens is relatively compact, given its long reach. Although its F4 maximum aperture is equivalent to F8 on full frame in terms of depth-of-field and light gathering (in total image terms), its still impressively small and light for 600mm equivalent lens. The lens itself is 227mm (8.9”) long, and relatively easy to add to a mid-sized camera bag.

The 300mm weighs 1.27kg (2.8lbs) meaning that it’s relatively easy to handle and carry. As Olympus points out, this is around one third of the weight of equivalent full-frame 600mm lenses. However, this lightness doesn’t come at the expense of solid-feeling build, with extensive use of metal giving the F4 Pro a reassuring sense of robustness.

Image Stabilization

The lens IS offers correction of pitch and yaw movement (tipping up / down or panning left / right), and this combines with the in-camera systems on the E-M1 and E-M5 II to offer six stops of stabilization, according to CIPA standard testing. The company explains that the gyroscopic sensors in the lens and those camera bodies calibrate one when the lens in connected to the camera, to ensure they work in sync with each other.

Sadly this full capability is not realized when the lens is mounted on the E-M10 II or older Olympus cameras, nor is it compatible with Panasonic’s Dual IS system on the GX8 that works in a similar manner.

Magnification

The closest focus distance on the 300mm is a pretty impressive 1.4m (4.6′) from the focal plane (1.15m front of the lens), giving a maximum magnification of 0.24x. This doesn’t exactly make it ideal for macro work (Olympus would probably point out that it’s akin to 0.48x magnification on a full frame camera, in terms of how much of the frame an object fills), but it does allow its use fairly close to the subject, increasing the lens’s utility beyond safari and birds-in-flight (etc.).

The lens features a focus limit switch to prevent it hunting across its full focus range, when being used for more distant subjects, so this close-quarters capability shouldn’t affect long-range performance. Olympus suggests wildlife, sports and stage performances as sensible use-cases, in addition to telephoto macro photography. The company’s internal analysis of images uploaded to Flickr apparently shows that 54% of images shot around 600mm equivalent are of birds.

Tripod ring

The 300mm F4 IS Pro has a built-in, rotatable tripod collar, as you’d expect on a long telephoto lens. However, Olympus is confident enough about the effectiveness of the stabilization that it allows you to remove the ring that the tripod foot is mounted on and replace it with a smooth ring to cover the mounting studs. This cosmetic ring is included in the box, meaning you don’t have to try to rotate the tripod foot out of the way or keep catching your hands on the mounting studs if you shoot handheld.

The foot on the tripod collar features Arca-Swiss compatible grooves cut into it, allowing a sturdy connection to a tripod without the need for an additional plate.

Elements/coatings

The lens is a relatively complex design, made up of 17 elements arranged in 10 groups. These elements include three extra low dispersion (ED) lenses, three high refractive index (HR) lenses and one extra-high refractive index (E-HR) lenses.

Olympus also touts a ‘nano’ coating that eases light across glass/air boundaries to reduce internal reflections and minimize ghosting and flare. Also helping to minimize flare is the retractable lens hood. It attaches using a normal lens bayonet but the outer sleeve of the hood can then be pulled back over the lens barrel when not in use and pulled forwards only when needed.

Overall

Although a 600mm equivalent prime isn’t usually considered a must-have part of every shooter’s camera bag, it’s likely to do a pretty good job of acting as a ‘halo’ product – underlining the company’s commitment to the system and its use in a wide range of circumstances, as well as showing-off what it is capable of. It feels significant that Olympus would explicitly highlight that the 300mm F4 is sharper than the older 300mm F2.8 for the Four Thirds SLR system – another niche but impressive optic that when it was released sat at the apex of that system’s lineup.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus M.Zuiko Digital ED 300mm F4 IS Pro real-world sample gallery

06 Jan
Olympus M.ZUIKO DIGITAL ED 300mm F4 IS Pro on the Olympus OM?D E?M1. You will love it, but birds will be less than pleased. Photo by Jordan Stead.

Olympus just squeezed a 600mm equivalent field of view into a 2.8-pound lens, complete with image stabilization, weatherproofing and an impressive close focusing distance. Meet the Olympus M.Zuiko Digital ED 300mm F4 IS PRO.

This compact, 2.8 pound supertelephoto is splashproof, freezeproof and dustproof, and is the first Olympus interchangeable lens with a built-in image stabilization mechanism. When paired with the Olympus OM-D E-M1 (firmware version 4.0) or E-M5 Mark II (firmware version 2.0), the 300mm’s in-body and in-lens image stabilization work together to produce image stabilization performance that Olympus claims is equivalent to up to six stops of compensation. 

We got the chance to shoot with it recently, and we’ve prepared a gallery of sample images. 

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto updates Digital Director app to add remote control of its LED light panels

15 Dec

Italian accessory manufacturer Manfrotto has released a new app for its Digital Director iPad cradle that allows users to wirelessly control Manfrotto Lykos and Litepanels Astra LED lights. The 2.0 app is capable of handling up to 13 panels via a Bluetooth connection, so brightness levels can be controlled from the camera position. The app can switch the lights on and off as well, and when the BiColor models are in use color temperature can be adjusted between daylight and tungsten settings. Lights can be controlled individually, or in groups, though some models will need a Bluetooth dongle to make them compatible with the system. 

The update also brings zebra patterning to the live view display, showing when areas of the image to be captured will be over- or under-exposed, and focus peaking can now be customized with different colors and strengths. In review mode the app can now crop images, either freely or with set proportions, and pictures can be rated in the gallery with stars that are compatible with other desktop software programs. 

For more information visit the Manfrotto website, and you can read our review of the Manfrotto Digital Director here. 


Press release:

Manfrotto Announces New Digital Director App 2.0

Upper Saddle River, N.J. (December 10, 2015) – Manfrotto, a leading global innovator and manufacturer of premium photo, video and lighting support products and accessories, has launched the Digital Director App 2.0, the updated App for Manfrotto’s Digital Director, which brings new enhancements to professional and enthusiast photographers and videographers who wish to make shooting much smarter. 

The Digital Director App 2.0, now available in the App Store on Apple iPads, includes new and improved features, in particular:

REMOTE CONTROL OF LIGHTS

The new Digital Director App 2.0 not only controls all Nikon and Canon DSLR key camera functions, but turns the iPad into an innovative interface, enabling total remote control of Manfrotto LYKOS and Litepanels ASTRA LED lights (up to 13 lights!) via Bluetooth®. Lights can be controlled remotely: you can turn lights on/off, adjust dimming level and color temperature, set up groups and configure multiple scenes directly from the iPad.

FOCUS PEAKING & ZEBRA FILTER 

From the Digital Director App 2.0’s general settings, in the Digital Director Options, it’s possible to set up new features. The implemented Focus Peaking Filter presents new options: the possibility to adjust the intensity of the filter and to select the desired color for the peaking (red, blue, green, yellow). In addition, the new Zebra Filter helps to adjust exposure through striped patterns that indicate the overexposed and/or underexposed areas of the image.

INTUITIVE POST PRODUCTION IMAGE ADJUSTMENT

The new App 2.0 offers new tools for post production: cropping free or with proportion, blur and saturation. Together with the existing functions (rotate, contrast, light, checking histogram and EXIF information), it may also allow you to make final adjustments on the image in just a single touch of your finger on the iPad screen.

The App 2.0 integrates new and improved features such as control of new Manfrotto LYKOS LED lights and Litepanels ASTRA, new Focus Peaking settings, Zebra filter, new post-processing tools, gallery photo sorting and image rating that is included in the .jpeg file shared from Digital Director via FTP and email. With these upgrades, Digital Director can better help professional and enthusiast image makers make their shooting workflow more effective and intuitive.

DIGITAL DIRECTOR

Manfrotto Digital Director is the only Apple certified (MFi – Made for iPad Certification) electronic device that connects your camera and iPad, via USB cable, to help manage the photo and video workflow from the setting of your camera (Canon and Nikon DSLR) to sharing your pictures. It features a built-in Apple microchip that works with the 600MHz 256MB DRAM ARM® Cortex®-A8 microprocessor, simultaneously, in order to ensure the perfect communication between the iPad and the camera. The result is perfect control of all shooting parameters of different DSLR cameras, a smooth and consistent video streaming between devices with extremely low latency time, and an ultra-fast, high-quality image download onto the iPad.

Articles: Digital Photography Review (dpreview.com)

 
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Fotokalender im Test: Saal Digital vs. PIXUM

24 Nov

Catalina Koe

Ein Beitrag von: Catalina Koe

Weihnachten steht praktisch vor der Tür und Geschenke müssen her. Wenn über das Jahr verteilt schöne Bilder entstehen, liegt die Idee nahe, einen Fotokalender zu verschenken. Doch bei der Masse von Anbietern und Möglichkeiten kann man schnell den Überblick verlieren. Für kwerfeldein durfte ich Kalender drucken lassen und testen. Unsere Anbieter im Test: Saal Digital und PIXUM.
kwerfeldein – Fotografie Magazin | Fotocommunity

 
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Fujifilm’s latest financials show strong sales of Instax products, shrinking sales of digital cameras

03 Nov

It’s the season for pre-holiday financial earnings reports, and Fujifilm’s latest numbers tell a familiar story – digital camera sales are down on the whole, with steady sales of higher-end products. Despite that, Fuji’s imaging solutions division saw an increase in operating income, up to 12.4 billion yen in the first half of the financial year, marking a 2.7x improvement year-on-year. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Lights, camera, action: Manfrotto Digital Director quick review

29 Oct

Manfrotto’s Digital Director, introduced in April, is a departure from its usual array of tripods and tripod heads. It’s a device designed to hold an iPad Air tethered to a DSLR, providing a large live view screen, access to camera controls and wireless sharing options. Shooting with a large screen can be a revelation compared to using a 3″ LCD, but the Digital Director is pretty pricey. Is it worth the cost? Read more

Articles: Digital Photography Review (dpreview.com)

 
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Western Digital announces plan to acquire SanDisk

24 Oct

Yesterday, Western Digital announced plans to acquire SanDisk Corporation, a company that specializes in memory chips and SD cards. According to a statement released on Wednesday, WD will purchase all of SanDisk’s shares in a deal totaling about $ 19 billion; a combination of cash and stock will be paid. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Backing Up Your Digital Photos: Is Cloud Storage Right for You?

04 Oct

In today’s digital era, it’s so simple to copy your photos onto your laptop hard drive and forget about them, thinking they’ll be there whenever you need them. But if your laptop crashes or gets stolen, and you haven’t backed up your photos in another place, then they’re gone forever. Most forms of digital storage are unreliable in the long term. Hard drives crash, computers die, and CDs and DVDs get scratched up and become unusable.

If you want to preserve your digital photographs then it is important to develop a strategy to back them up. Many people have started looking to the cloud as a place to store their photos. Could cloud storage be right for you?

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Here are a few questions you should ask yourself if you’re considering cloud storage:

  • Do you want to use a free storage service, such as Google Photos or Apple Photos? Or are you willing to pay for a service with more features? If so, how much are you willing to pay?
  • Do you want to use cloud storage as a backup solution for all of your photos or just some key ones? How much data do you have? How often will you need to access your photos?
  • What types of files do you have? Camera raw files? Tiff files? JPEGs? All of the above?
  • How fast is your internet connection? Uploading files to the cloud can be very slow.

There are a few free applications, such as Google Photos and Flickr. These services could be a good option to back up your digital photo library if you don’t want to spend any money. The problem with a lot of them is that they either compress your photos, which means a loss in resolution and quality, or dditionally they don’t support RAW or TIFF files. So if you’re a raw shooter then this isn’t a great solution for archiving your photo library.

Luckily there are a number of services which will store your digital photographs for a small fee. There are many different companies that provide cloud storage, so I’ve decided to focus on only a few in the rest of this article. Be sure to do your research and find a service that fits your backup needs.

A Few Options for Cloud Storage

Google Drive

Google Drive is a relatively cheap and reliable cloud storage service. All Google accounts are given 15GB of free storage. From there you can pay as little as $ 1.99/month for 100GB, $ 9.99/month for 1TB, and up to $ 299.99/month for 30TB. Google Drive allows you to organize your own folders and supports all photo file types.

Amazon Cloud Drive

Amazon Cloud Drive touts an impressive unlimited photo storage plus 5GB for video and other file types for only $ 11.99/year. Additionally, if you have an Amazon Prime account, then this service is already included as part of your subscription. The one catch is that file uploads are limited to 2GB per individual file, so if you have files that are larger than that then you may not be able to upload them.

Microsoft One Drive

Microsoft One Drive has plans that offer 15GB for free, 100GB for $ 1.99/month, and 200GB for $ 3.99/month. Additionally, Microsoft is currently running a deal where you can get the Office 365 application package and 1TB of storage for $ 6.99/month. A big disadvantage to this service is that you cannot store more than 200GB without purchasing additional apps from Microsoft. But if you have less than 200GB, then One Drive is a really cheap option for back up.

Dropbox

The Basic plan gives you 2GB of storage for free. Upgrading to a Pro account will give you 1TB of storage for $ 9.99/month. The highest level plan is a Business account which will give you unlimited storage for $ 15/month per user. Dropbox doesn’t offer the most competitive prices among cloud providers but it’s a popular option that you may find reliable. However, if you have more than a terabyte of data, and files that break the size limits of some of the other unlimited providers, then Dropbox may be the best option for you.

Mediafire

Mediafire is one of the cheapest cloud storage options among the major players in the market. They offer 10GB of storage for free and up to a terabyte for only $ 2.49/month. Most impressively, their Business accounts offer up to 100 terabytes of storage for $ 24.99/month. If you’re looking to get into cloud storage for relatively cheap, then Mediafire is definitely a good bet.

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Alternatives to Cloud Storage

Cloud services are not the only option you should investigate as a place to store your digital photos. Like any other digital backup, cloud storage isn’t full-proof. A quick internet search will show you numerous horror stories of peoples’ data being lost in cloud storage glitches and failures. This section of the article will explore a few other possibilities for saving your digital photos.

External Hard Drives

External hard drives are a good option if you need a lot of readily accessible storage for an affordable price. I use one terabyte Toshiba drives that only cost about $ 60. There are many other brands that offer similarly priced drives. One advantage external hard drives have over cloud storage is speed of access. You can store these files and keep them in your home or office, meaning they are readily accessible. Trying to download files you have stored on the cloud can be extremely time consuming.

Another advantage is cost; hard drives are relatively cheap when compared to continuously paying for monthly fees for cloud storage over the longterm. The drawback of hard drives is that they will eventually fail. Many are only reliable for 2-5 years, so it is important to back up your files to multiple places. But if you can’t afford a RAID hard drive system and you have a lot of data to backup, external hard drives are a good place to start.

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Flash Drives

USB flash drives are another option for backing up data in your home or office. Prices are continually dropping on flash drive storage. Flash drives don’t have a lot of storage capacity, but 16GB flash drives are as cheap as $ 6. This makes them one of the most inexpensive options to back up your most prized images. I use them to back up my portfolio and store the memory sticks at a relative’s house. It’s not a solution for all of my data, but it gives me an added layer of backup that could save some of my best photos in the event of a disaster.

CDs/DVDs

You can also back up your data on CDs or DVDs, but at this point I wouldn’t recommend it. This kind of media is quickly becoming obsolete, and while it’s cheap, CDs and DVDs are easily damaged or corrupted. Additionally, you can’t store that much data on discs. Most CDs have a capacity of 700MB and DVDs cap out at less than 5GB. On top of this, many computer manufacturers, such as Apple, aren’t including disc drives in a number of their products. This means you’ll have to purchase an external drive just to read your discs in the future. You’re better off storing files on a hard drive or flash drive with a USB connection.

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Conclusion

Ultimately, there is no holy grail, one-size-fits-all solution for backing up your digital photos. The main theme is that you should not rely on a single source of backup because it can easily become a point of failure. If you haven’t stored your photos in more than one place and that one backup fails, you’re likely going to be out of luck.

Backing up your photos doesn’t need to be expensive; it just requires that you be strategic. I believe that cloud storage is best utilized as part of an overall storage strategy for your digital photographs, rather than the only point of backup.

Is cloud storage right for your backup needs? That is for you to decide. I hope this article gives you a starting point to get you on the path to reliably backing up your digital photos.

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The post Backing Up Your Digital Photos: Is Cloud Storage Right for You? by Dan Bullman appeared first on Digital Photography School.


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