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Posts Tagged ‘Capture’

Phase One Capture One Pro 9 brings updates to image editing algorithms

02 Dec

Phase One has launched Capture One Pro 9, the latest iteration of its tethering and image editing software. Capture One Pro 9 offers a ‘completely updated contrast engine,’ additional brushes, color editor masks and new keyword tools, among other features. Phase One also now offers three activations of the software for each standard license a photographer purchases. Also on the list of updates is the ability to apply curves locally, the addition of a Luma option to the curve tool palette and a battery status icon for the tool bar to view tethered camera battery life.

Capture One Pro 9 is available now for Mac and Windows for $ 299 / €279 to new customers. Capture One Pro 7 and 8 customers can upgrade for $ 99 / €99. Anyone who purchased Capture One Pro 8 after October 30, 2015 will be exempt from the upgrade fee.


Press release:

Phase One Releases Capture One Pro 9 for Working Photographers

Unleashes Unprecedented Power, Precision and Quality

COPENHAGEN, November 30, 2015 — Phase One, creator of the world’s finest open-platform, high-end camera systems and professional imaging software today released Capture One Pro 9. Known for its outstanding tethered capture capability, high-quality raw conversion, and precision image editing tools, Capture One Pro is already considered by 100,000 of the world’s leading photographers to be the best image capture application. 

Capture One Pro 9 introduces many new image quality precision tools, including a completely updated contrast engine. Capture One Pro 9 also brings powerful new asset management capabilities, including unprecedented sortable keywords capability. It has been designed to help speed the image-management process for volume keyword applications. Besides new physical workflow features, Capture One Pro 9 also gives customers three activations for each standard license to support on-location activation management, as requested by photographers.

NEW IMAGE EDITING TOOLS

Revised contrast engine – Changes have been made to the algorithms of color, saturation and contrast. And the color editor has been revised to align design with the color balance tool. Handles are made easier to use and adjust, and the tool is now scalable when undocked.

Masks from color editor – The color editor now allows the user to make a mask from a color edit.

New Brush pack – Tool changes include the addition of flow, airbrush, straight line brushing, and the ability to link brushes.

Luma curves and local curves – Added to the curve tool palette, Luma curves can be used to create contrast curves without affecting saturation. Also, curves can be used locally.

Battery status for toolbar – This new tool can be placed on the tool bar where it gives a power supply overview to the attached tethered camera, warning photographers of low power during a shoot.

Export EIP for catalogs – Catalog users can now benefit from EIP export for easy transportation of RAW and Settings, off system. In the Export originals panel, there is now an option to Export as EIP. Sessions users can also choose to Export originals. This creates a workflow in which the original RAW and adjustments are not packed – instead a copy is made, packed as EIP.   

DNG colors – This new feature allows Capture One Pro to treat and display supported camera files that have been converted to DNG (and include the RAW file in the DNG package), as if in their original format. 

NEW ASSET MANAGEMENT TOOLS

Keywords Tool – Keywords may be added and removed from images. The standard Capture One tool tips for local reset, local copy apply, pre-sets and help are available for this tool.

Keyword Libraries – Used to manage the list (or lists) of keywords in a catalog or a session. As the Keywords tool adds keywords to images, the document Keyword Library is populated. This forms a keyword list for any and all terms in the current document and is unique for the session or the catalog. 

Sortable Keywords – Unique to Capture One Pro 9, users are able to reorder keywords in the Keywords tool for single image selections.     

Originally developed to render the exceptional image quality captured by medium format Phase One camera systems, today Capture One Pro supports more than 400 different camera models. Capture One Pro is designed with more than enough available “headroom” to satisfy requirements for the highest resolution now and in the future. Whether or not photographers own a Phase One camera, all photographers can benefit from Capture One Pro’s  exceptional image quality and workflow advantages.

“Capture One Pro is essential for all commercial shoots; we use nothing else,” said Jonathan Rose, Company Director, DigiBoutique Ltd.

“Capture One Pro 9 is all about quality of life improvements for working photographers – whether they’re in the studio, or shooting landscape or portraits,” said Henrik O. Håkonsson, President, Phase One. “And those who are switching or stepping up from mainstream software might now find that Capture One Pro meets more, if not all, of their needs, beyond its legendary raw conversion capabilities.”

For illustrative & tutorial videos and details on all the new and improved features in Capture One Pro 9, including new cameras and lenses supported, please go to: www.phaseone.com/tutorials

Availability and Pricing

Capture One Pro 9 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide. www.phaseone.com/partners. New with this release, each license permits three activations.

New customers can purchase Capture One Pro 9 for 299 USD or 279 EUR. Owners of previous versions of Capture One Pro 7 and 8 may upgrade for 99 USD or 99 EUR. For customers who have purchased Capture One Pro 8 since October 30, 2015, Phase One is offering a grace period, exempting them from the upgrade fee. Eligible customers should contact support www.phaseone.com/support to have their keys upgraded. 

Capture One Pro is also available by subscription. Capture One Pro 8 subscribers can simply download the new Capture One Pro 9 release. A single-user subscription is 15 USD / 12 EUR per month for a 12-month plan. Please see all subscription options at www.phaseone.com/store

Articles: Digital Photography Review (dpreview.com)

 
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How to Capture a Photo of a Bubble Bursting

30 Sep

Set yourself a high-speed challenge: Capture a bursting bubble

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I have always loved the idea of photography as being a way of taking an instant out of time, and preserving that moment forever. By freezing time in this way, a photograph can show something that may not normally be seen in day-to-day life, and can make an ordinary subject extraordinary.

So, when going through a bit of a creative lull a couple of years ago, I felt that I needed to set myself a challenge to restore my motivation. I decided that I was going to capture the exact moment of a bubble being burst. After some internet research, I came to the conclusion pretty quickly that I did not have the necessary budget for a super slow-motion camera to achieve this. I did, however, become determined to capture a bubble in mid-burst using only equipment I already owned – my DSLR, various lenses and a flashgun (speedlight).

The challenge was lengthy and often frustrating, but when I did successfully take a photograph of a bursting bubble, it was incredibly satisfying. By freezing a moment, the photograph showed something that could not normally be seen by the human eye – a soap bubble with one half completely intact and the other half made up of separate swirls of liquid. The bubble was collapsing in on itself in mid-air. Friends and family who saw the photograph showed surprise and commented that they, like me, had assumed that a bubble just disappeared when popped. A photograph had changed their view of the world simply by freezing a single moment of time and I was reminded just how powerful photography can be.

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With my motivation fully restored, I progressed further and attempted to capture a sequence of shots to show the entire process of a bubble collapsing. One of the shots has even been included in an international exhibition for scientific images. I have included some of these shots here but there are many more on my website at the link shown below in my bio.

I would definitely recommend this challenge to anyone, particularly if you may be in need of a creative boost or maybe need to rediscover your passion for photography. If you do decide to take up this high-speed challenge, here are some things that I learned along the way. I hope that they will be of help to you when capturing a bursting bubble.

1. Use large bubbles

Larger soap bubbles will be easier for you to focus on than small bubbles, and they will also be easier to burst. Additionally, the composition of your shot can really benefit from using larger bubbles – you should be able to get a frame-filling shot of a bubble bursting without the need to crop.

I have previously used a kids’ bubble toy set (purchased for around £1) that came with a bubble wand of around 5cm (2 inches) in diameter. I found this to be ideal for blowing one or two medium-to-large size bubbles, that stayed in the air long enough to capture them being burst. Smaller wands tended to produce streams of little bubbles which were (a) difficult to burst and (b) cluttered up the final shot.

2. Get a friend to help you

You are probably going to need somebody else to help you with this project unless you have superhuman reaction times! Blowing the bubble, bursting the bubble, and setting up the shot was just too much for me to complete on my own. Having someone to blow and burst the bubble for you, allows you to compose and focus your shot without distraction.

3. Shoot indoors

If possible, shoot indoors so that you can limit the movement of the bubble. I have taken a number of shots outdoors, but any slight breeze will cause the bubbles to fly away pretty quickly, making it much harder to set up your shot.

I have found it very useful to shoot in front of a floor-to-ceiling window facing onto a garden. This provides lots of natural light and some pleasing, natural colours for the backdrop, which was the look I was after. Just remember to leave some space between the bubbles and the window to reduce any reflections or glare that you may get from the glass.

4. Use a zoom lens

Even when shooting indoors, the movement of the bubbles will still be somewhat unpredictable. For this reason, I have found it useful to use a zoom lens when shooting bubbles, so that I can adjust the focal length as necessary to focus and compose the shot while the bubble is in mid-air. I have usually taken the bursting bubble images with a Canon 70-200mm f/2.8 lens set to between 100-150mm. A further advantage of using this lens is that it helps to create some pleasing bokeh (blurry out-of-focus highlights) in the background while keeping the bubble details sharp when the focal length is increased.

bubbledps3

5. Shoot in full manual mode

Shooting in full manual mode will give you the control over the settings that you will need to get good results. Firstly, you will need to set as fast a shutter speed as you can get away with, depending on the available light. The action of a bubble bursting is extremely fast and so you will need to set your camera to a shutter speed of 1/1000 second or faster to freeze the action – the faster the better.

With such fast shutter speeds, you will need to use a wider aperture (lower f-number) or a higher ISO setting. However, given the unpredictability of the bubble’s movements, you do not want to have such a wide aperture (and, therefore, shallow depth of field) that you end up with most of the bubble out-of-focus. For this reason, I prefer to increase the ISO setting before dialling in a wider aperture as some additional noise to the image is easier to manage (and can be corrected to a certain extent during post-processing) than an image where the bubble is largely out-of-focus.

If the available natural light is not sufficient to allow fast shutter speeds, a flash can be used to help to freeze the action. However, I would recommend using a diffuser or reflector with any flash, particularly if shooting indoors in front of a window.

6. Focus manually

I have tried to capture bursting bubbles with and without the use of autofocus. My preference is definitely without. My best results have been when I focused manually on the bubble floating in mid-air and pressed the shutter release button as soon as the bubble was to be burst. On several occasions, the autofocus was too slow and I missed the shot as the camera struggled to find focus. If nothing else, this project will give you a lot of practice in manual focusing!

7. Keep calm and carry on

bubbledps4

The speed at which the bubble bursts means that you will probably have to try this many times to get the timing exactly right. Patience is key. Don’t give up on the challenge. Accept that it is going to be slightly frustrating but know that, when you get the timing spot-on, your final image will be much more satisfying.

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The post How to Capture a Photo of a Bubble Bursting by Richard Beech appeared first on Digital Photography School.


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Nikon D5200 and D7100 firmware updates removes noise during video capture, fixes bugs

17 Sep

Nikon has released firmware updates for both the D5200 and D7100 cameras,. Bth new versions of the firmware reduce horizontal line noise in videos recorded at 1280×720/60p and 1280×720/50p. In addition, firmware v. 1.03 fixes select bugs affecting both models. Read more

Articles: Digital Photography Review (dpreview.com)

 
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On top of the world: Photographer faces fears to capture rare wedding photos

24 Jul

Photographer Brian Rueb was approached by two friends to shoot their wedding – a familiar proposal for many photographers. However, there was a slightly unusual twist in this case, as the couple planned to tie the knot on top of Half Dome in Yosemite National Park. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Capture One Pro 8 software review

20 Jul

Capture One Pro is a software package designed to perform as a Raw processing application as well as a host for those who like to shoot tethered. Created by Phase One, which also makes medium format backs, cameras and lenses, the application emerged first in the professional studio environment. Having expanded into the consumer market, it can handle Raw files from over 300 cameras. We tested out some of its newer capabilities. Read more

Articles: Digital Photography Review (dpreview.com)

 
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CamSwarm app may soon allow for easy capture of bullet time sequences

10 Jul

‘Bullet time’ effects, as seen in the 1999 movie ‘The Matrix,’ tend to be expensive and time-consuming to produce, requiring an array of synchronized cameras. Researchers at Columbia University are developing an iOS app that would make it easier for consumers to capture bullet time sequences. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Kolektio helps capture and share moments among friends

02 Jun

Kolektio is a new app that aims to simplify the process of sharing images among frinds from an event, party or any other ‘moment.’ Users can create privately shared image albums, so-called moments, in the app and then invite others to either contribute to the album or view the images. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Mesmerizing Motion Capture: Dance as Point Cloud Data

14 Apr

[ By Steph in Art & Photography & Video. ]

motion capture 1

The graceful movements of a professional dancer are rendered as a cloud of flickering metallic dots using inexpensive Xbox Kinect sensors and 3D tools. Constantly shifting and changing even as the dancer stands still, the data points create a ghostly impression against a black backdrop, seeming to embody motion itself.

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Asphyxia is a collaborative experimental film project by Maria Takeuchi and Federico Phillips, performed by Shiho Tanaka, combining various technologies to stress “the desire to be expressive without limits.” The sensors scanned data points on Tanaka’s body, which were then combined and used as the basis for the creative development of the film.

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The filmmakers rendered the data into this hauntingly abstract form, placing it in a photorealistic environment to add to the eerie quality of the finished product. Check out the behind-the-scenes process above to learn more about how it was made.

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[ By Steph in Art & Photography & Video. ]

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Olympus Stylus Tough TG-4 to offer Raw capture

13 Apr

Olympus has announced a new flagship rugged compact, the Stylus Tough TG-4. It offers modest improvements over its TG-3 predecessor, namely Raw shooting capability. It offers the same 16MP BSI CMOS sensor as the previous model, a 25-100mm equivalent f/2.0-4.9 zoom lens, Wi-Fi, and a built-in GPS. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Phase One’s Capture One Pro 8.2 software now available

25 Mar

Phase One has released its new Capture One Pro 8.2 software, and with the update comes a new Color Balance Tool making it easier to produce color graded images, as well as additional ways to find images and support for higher resolution displays, including 4K. In addition, support for a few new cameras and nearly a dozen lenses is in place. The update is available now for existing Capture One Pro users and new customers. Read more

Articles: Digital Photography Review (dpreview.com)

 
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