Tag: Capture

Capture One Phase One 9.2 extends support to Pentax K-1 and Nikon D500
Phase One has updated its Capture One Pro software. Version 9.2 brings support for two notable new DSLRs: the Pentax K-1 and Nikon D500. The update also adds support for premium compacts in Canon’s PowerShot G series as well as minor workflow enhancements. The update is offered at no cost for Capture One Pro 9 customers. Capture One Pro 7 and 8 customers can get the latest version for $ 99/€99.

Press release:

Phase One Releases Capture One Pro 9.2

Unprecedented Power, Precision and Quality

COPENHAGEN, June 23, 2016 — Phase One, creator of the world’s finest open-platform high-end camera systems and professional imaging software, today released Capture One Pro 9.2. Known for its outstanding tethered capture capability, high-quality raw conversion, and precision image editing tools, Capture One Pro is already considered by many to be the only image capture application for the serious professional photographer. The release of version 9.2 aims at a better culling workflow from selections and metadata sources to accelerate editing workflow to new levels.

New camera support includes:
- Pentax K-1
- Nikon D500
- Canon EOS M10
- Canon G5x
- Canon G7x MkII
- Canon G9x
Powerful new workflow features include:

— Access assets quickly and precisely: Select from file list, select by variant position and create album from selection form a large group of improvements under targeted selections;

— New rate and cull workflow using “Select Set”: Select a number of images for viewer preview, then advance through the browser by the same number. Navigating within the selection to rate and cull makes editing and comparing fast and efficient;

— Capture One 9.2’s new color management module for Tiffs gives users more accurate preview returned from retouching/round trip applications – making Tiff handling in Capture One better than ever before;

— Phase One XF camera users can turbocharge focus stacking workflow with a multi-image round trip to the Helicon Focus application. Shoot, organize, group, process and stack — all in a few clicks;

— New Shortcut Engine: More functions can be shortcut than ever before! All cursors can now be shortcut, users can navigate the library collections (even when hidden) and shortcut support for the new 9.2 selection methods all help to make the workflow sing.

“Pro photographers deserve a strong ally to vanquish workflow issues and give them the most reliable, efficient workflow and performance,” said James Johnson, Software Product manager, “Capture One Pro 9.2 is about workflow, not work!”

For more details on all the new and improved features in Capture One Pro 9.2, including new cameras and lenses supported, please go to: www.phaseone.com/ninetwo

Availability and Pricing

Capture One Pro 9 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide. www.phaseone.com/partners.

New customers can purchase Capture One Pro 9 for 299 USD / 279 EUR. Owners of versions Capture One Pro 7 or 8 may upgrade for 99 USD / 99 EUR.

Capture One Pro is also available by subscription. Existing subscribers can simply download the new Capture One Pro 9 release, as subscriptions are good for all new and previous versions of Capture One Pro. A single-user subscription is 15 USD / 12 EUR per month for a 12-month plan. Please see all subscription options at www.phaseone.com/store

Articles: Digital Photography Review (dpreview.com)
June 23, 2016
Raw capture coming to iPhone in iOS 10?

An eagle-eyed Reddit user has spotted an important new iOS 10 feature that Apple slipped into its WWDC keynote yesterday: Raw image editing. The feature didn’t get a mention in the keynote speech itself, which instead focused on the addition of computer vision technology to sort photos more intelligently. Instead, the mention of Raw editing flashed on the screen behind SVP of Software Engineering Craig Federighi.

Apple’s news release for developers seems to suggest that Raw capture will also be offered with the update, which brings ‘more sophisticated control and monitoring of the entire [image] capture process […] including support for new features such as Live Photos and RAW format capture’.

Many Android users have been enjoying Raw capture for some time now, so Apple would seem to be catching up. But the biggest news for photographers might be the ability to edit Raw files on an iPad Pro. iOS 10 is being offered in beta currently to developers, and will be released to the public this fall.

Articles: Digital Photography Review (dpreview.com)

June 15, 2016
Vitrima lens aims to bring low-cost 3D video capture to GoPro action cameras

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Looking to bring more excitement to your POV snowboarding videos? A new case called Vitrima is in the works, which would enable GoPro action cameras to record 3D video. The lens attachment uses mirrors to deliver two images to the GoPro camera’s own lens. The resulting resulting stereoscopic videos appear to be 3D when viewed through a VR viewer like Google Cardboard or the Gear VR.

The Vitrima lens is waterproof and will ship already attached to a standard GoPro camera housing, and can also be used with various mounts. Because the lens is simply composed of carefully arranged mirrors, it works out of the box without any software. Though the resulting videos won’t feature 3D audio, the lens – which will cost $ 50 when the product launches – presents a low-cost way for someone to record 3D videos without purchasing a dedicated 3D camera like the $ 799 Vuze VR camera.

The website lists Vitrima as ‘launching soon.’

Articles: Digital Photography Review (dpreview.com)

June 1, 2016
Splash Photography: How to Capture Liquid Motion

Freezing motion using high-speed photography basically gives you magic powers!

It gives you the power to stop time and enables you to see what your eyes are otherwise unable to process.

Capturing these micro movements for a fascinating look into things happening too fast for our own vision to grasp, is simpler than you think.

We’re here to show you a simple setup for capturing the intricate and unique freeze frame drops created during a splash.

With a little patience and some help from a friend, you’ll be surprised at how easy they are to create.

(…)
Read the rest of Splash Photography: How to Capture Liquid Motion (585 words)

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May 13, 2016
6 Must-Have People Shots to Capture When Photographing Corporate Events
Corporate events may not be every photographer’s dream, but they can certainly be interesting and maybe even fun depending on the assignment. As a freelance event photographer, about half of my shoots are corporate events, and they are among my favorite things to shoot. There’s always lots to learn from the speakers at these events, and they tend to be relatively easy gigs to shoot if you use a pre-planned shot list and know what to look for. This article details the six key people shots that you absolutely must focus on when photographing corporate events.

#1: Posed shots of VIPs

Every corporate event will have its own form of VIPs, and your client will definitely want lots of images of them. Larger events will typically have recognizable local or national celebrities as their designated VIPs, while smaller events may have harder to recognize internal executives as their VIPs. Either way, it’s important to check with your client ahead of time to get a list of their VIPs in attendance, and ideally someone on-site who will help you identify them. Always make sure you understand the perimeters of photographing these VIPs as some, particularly celebrities, can be image-conscious. Whenever possible try to get posed shots of these VIPs with signage in the background that shows proof that they were present at your particular event.

Actor Billy Dee Williams posing at a step-and-repeat.

#2: Posed and action shots of keynote speakers

Corporate events typically include keynote speakers who may or may not be the VIPs described above. Before you start shooting, grab ahold of the event program, and find out who are the keynote speakers. Work with your client to arrange posed shots of the keynote speakers both alone and posed with VIPs. Also, don’t forget to get plenty of shots of the keynote speaker, from a variety of angles, giving his or her speech.

Actor and activist George Takei giving a keynote address.

#3: Candid shots of VIPs and Keynote speakers

In addition to getting posed shots of VIPs and keynote speakers, it’s also important to get candid shots of them interacting with each other, or event attendees. Depending on the nature of the event, these opportunities could include book signings, meet and greets in the green room, or an organized step-and-repeat photo booth. These days, many candid shots of VIPs will include selfies with guests, which can be a challenge to capture, so be prepared for that!

Seattle Seahawks quarterback Russell Wilson posing for a selfie with a fan.

#4: Posed shots of attendees

Depending on the type of event you’re photographing, most attendees will be looking their absolute best and will want photos of themselves. Always be on the lookout for well-dressed and energetic event attendees, and don’t hesitate to approach them to ask for a posed photo. Along these lines, it’s also not unusual to have at least one event attendee who doesn’t want to be photographed. Sometimes, you’ll be made aware of this by your client, and other times the attendee will explicitly tell you themselves. Either way, respect the wishes of the attendees, and definitely do not photograph someone who doesn’t provide consent.

Corporate event party attendees.

#5: Candid shots of attendees interacting

Most corporate events are held for two main reasons: to give keynote speakers chances to educate and address an audience, and to allow for networking among attendees. Always be on the lookout for attendees chatting or interacting with each other, and get their reactions while they are listening to keynote speakers. Ideally, make sure these shots incorporate some form of your client’s branding materials, such as a brochure or sign, to give the photos context.

#6: Full room shots

A final type of corporate event photo that almost every client will request are shots that show off how many attendees were present at an event. This can be tricky depending on the type of venue you are photographing at, and whether or not the event is actually well-attended. Addressing these two challenges can usually be solved in one of two ways:

a) Get a bird’s eye view

Try to get access to a ladder, stool, balcony, or some vantage point within the venue that will let you shoot from overhead and capture wide-angle shots showing a full room. If the room isn’t really that full, try to find angles or special crops that still hint at a room being moderately full. Your client will appreciate the extra effort.

Shooting from up high to show a different vantage point.

b) Get up close and personal

Whenever possible, I always ask my client to make sure that the first several rows of seats or tables at an event are packed with as many people as possible. This way, I can always make an event feel well-attended, even when it’s not. The approach in this case is to avoid wide-angle shots and shoot as close to the stage or from wherever the keynote address is being made, including as many rows or tables of people as possible.

This was actually a well-attended event, but an example of how to shoot up close with attendees in the frame.

In Conclusion

These are just several types of photos to always capture when photographing a corporate event. Above all, it’s important to understand why clients hire corporate event photographers in the first place. Typically, the reasons involve showing visual documentation of special people who were at the event, the fact that the event was well-attended, and the fact that event attendees were engaged and enjoyed themselves. Always keep these overall goals in mind when photographing an event and be sure to snap photos that help you and your client meet these overall objectives.

People photography week

This week on dPS we’re featuring articles all about different kinds of people photography including portrait, event and travel photography. See all the previous ones below, and watch for more people photography articles over the next few days.
- How to Take Low Key Head-shots
- How to Do a One Light Portrait Setup and Use it as Your Back-up Plan
- Travel People Photography – Tips and Pitfalls
- 8 Tips for Photographing Men
- 24 Diverse Images That Showcase People Photography
- Weekly Photography Challenge – People Photography
- Tips for Getting Yourself to Relax as a Photographer and Have More Successful Portrait Sessions
- 5 Good Reasons to Add People into Your Landscape Photography
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The post 6 Must-Have People Shots to Capture When Photographing Corporate Events by Suzi Pratt appeared first on Digital Photography School.

Digital Photography School
April 25, 2016

Flexible sheet camera concept could lead to bendable capture devices

Researchers at Columbia University are working to produce a flexible sheet camera with stretchable lenses. The program aims to create very thin, high resolution cameras that can be wrapped around surfaces like car panels. Currently in concept form, the sheet lens array that such a camera might use has been developed to produce a seamless image on a flexible sensor when it is bent or wrapped around a physical object.

The focus of the research is in creating flexible lenses that are capable of changing shape (and hence the effective focal length) as they are stretched and compressed so that the imaging sensor can record a detailed image whatever the field of view.

With fixed lenses, gaps appear between the coverage of the lenses as the substrate is bent (left), but in the researcher’s flexible lens example (right) the lenses bend with the substrate and offer continuous coverage of the subject.

In previous attempts at flexible lens arrays only the substrate has been flexible, and as the sheet of lenses has been bent gaps have appeared in the subject coverage as the angle between the lenses increased beyond their individual field of view. These gaps lead to aliasing artifacts in the final image that can’t be corrected in post-processing software. In this new concept the lenses are also flexible and they stretch as the sheet bends, altering their focal length and providing better sampling of the subject.

So far the research has successfully produced a sheet of silicone with lenses molded on one side and a diffuser behind a sheet of apertures on the other. The apertures act as a low pass filter ensuring light from each molded lens reaches only one point on the viewing diffuser.

Images created with the substrate bend by different degrees, showing how the field of view changes

The system hasn’t actually been used with a sensor yet, but the study did use it to project images on to the diffuser screen to determine how effective it would be. Bending the sheet increased and decreased its field of view, or effective focal length, and the images were displayed without missing areas. All that is required now is a flexible sensor to go with it.

An array of lenses was formed by pouring silicone into a metal mold

The intention of the project is to work towards finding a way of making sheets of lenses to work with photosensitive materials that will record images when wrapped around real-world objects. The researchers want ultimately be able to produce these sheet cameras in roll format at a low cost so that the sheets can be cut to size to suit specific uses.

The released information suggests a sheet camera could be wrapped around the panels of a car to give the driver a view from all angles. Alternatively sheet cameras could be used by consumers to take normal pictures but with the user bending the sheet to alter the field of view, or zoom effect, of the system.

For more information see the project’s page on the University of Columbia website.

Press release:

Flexible Sheet Cameras With Elastic Optics

In this project, we pursue a radically different approach to imaging. Rather than seeking to capture the world from a single point in space, our goal is to explore the idea of imaging using a thin, large, flexible sheet. If such cameras can be made at a low cost (ideally, like a roll of plastic sheet), they can be used to image the world in ways that would be difficult to achieve using one or more conventional cameras. In the most general sense, such an imaging system would enable any surface in the real world to capture visual information. While there is significant ongoing work on the development of flexible image sensors, our interest here is in the design of the optics needed to form images on such sensors.

At first glance one might imagine that a simple lens array aligned with a flexible detector array would suffice – its field of view (FOV) can be varied by simply bending it. What is perhaps less apparent is the fact that, in a curved state, the FOV can end up being severely under-sampled. This under-sampling leads to a captured image that is not bandlimited. Thus, the Nyquist sampling criterion is violated and the image will suffer from aliasing artifacts when reconstructed. It is important to note that these artifacts cannot be removed via post-processing since scene information is lost during image formation.

To address the above aliasing problem over an entire range of sheet curvatures, we propose the design of a deformable (elastic) lens array. We show that, if designed carefully, the deformable lenses of the array will change shape (and hence focal length) under bending forces in a way that mitigates aliasing. A remarkable feature of our design is that the lens array can achieve aliasing compensation passively, without the use of any per-pixel actuation or control. Our optics can be combined with a flexible sensor array to obtain a complete sheet camera. This project was supported by the Office of Naval Research (ONR).

Articles: Digital Photography Review (dpreview.com)

April 14, 2016

Nikon announces trio of long-zoom Coolpix cameras, two of which support 4K capture

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Nikon has announced a trio of new superzooms, two of which support 4K/UHD video capture. All three have a new naming scheme, with the A-series replacing the ‘L’ cameras and the B-series taking over for the ‘P’ models.

All three cameras offer what Nikon calls SnapBridge, which combines Wi-Fi (with NFC) and Bluetooth. By using a low energy version of Bluetooth, your phone can maintain a constant connection with the camera, meaning that you don’t have to re-pair every time you want to share photos.

The compact Coolpix A900, which offers a 20MP BSI CMOS sensor, 35X (24-840mm equiv.) F3.4-6.9 lens, 3″ tilting LCD and 4K video capture at 30p. It will be available in silver and black at a price of $ 399.

Next is the Coolpix B500, which loses 4K capture but uses four AA batteries for power – a real rarity these days. It sports a 40X (22.5-900mm equiv.) F3.0-6.5 lens, 16MP BSI CMOS sensor, tilting 3″ LCD and 1080/30p video recording. Your color choices for this model are black and red and the estimated selling price is $ 299.

The B700 has the most zoom of the bunch, with a 60X (24-1440mm equiv.) F3.3-6.5 lens, 20MP BSI CMOS sensor, fully articulating, touch-enabled 3″ LCD, a 921k-dot electronic viewfinder and 4K video capture. You can pick one up for $ 499 in black only.

All three models will be available later this spring.

GET CLOSER TO WHAT MATTERS: NIKON’S NEWEST LONG-ZOOM COOLPIX CAMERAS OFFER OUTSTANDING IMAGE QUALITY AND PERFORMANCE TO CREATIVELY CAPTURE FROM AFAR

With Nikon’s New SnapBridge, The New COOLPIX B700, B500 and A900 Provide a Simplified Way to Share and Transfer Images Easily

MELVILLE, NY (Monday, February 22, 2016 at 11:01 P.M. EST) – Today, Nikon Inc. announced three new COOLPIX cameras, the latest additions to its compact zoom camera lineup. Designed to capture stunning images, 4K UHD (in select models) and HD video from up close or far away, these new COOLPIX cameras boast super-long zoom lenses and superior performance while also offering Nikon SnapBridge for easy sharing of photos. Providing outstanding zoom capabilities ranging from 60x and 40x respectively, the COOLPIX B700 and COOLPIX B500 allow users to explore their creative freedom regardless of the distance. With a powerful 35x zoom lens, the COOLPIX A900 is a compact, stylish and feature-packed camera that fits comfortably in a pocket.

All of these COOLPIX cameras offer a new way to share photos wirelessly through the new Nikon SnapBridge. SnapBridge creates an “always on” Bluetooth® supported connection between the camera and compatible mobile device, making automatic upload and sharing of images possible.

“Nikon’s latest COOLPIX cameras are exciting options for creative photographers seeking a compact camera that is easy-to-use, yet features incredible zoom capabilities, superior performance and stunning image quality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The COOLPIX B700, B500 and A900 provide the lens power needed to get closer to subjects and capture sharp images and HD video.”

Easily Share and Transfer Images: The New Nikon SnapBridge

With more images being shared than ever before, Nikon has developed the new Nikon SnapBridge to help consumers automatically transfer images via Bluetooth®¹ low energy (BLE) directly to a compatible smartphone² or tablet, establishing an “always on” connection, making it easier than ever to share amazing images with the world. The Nikon SnapBridge app allows users to document the time and location images were taken, embed copyright or photographer information on any image, as well as operate the camera remotely, which is great for capturing group shots. Built-in Wi-Fi³ and NFC are also available to further increase connectivity and promote sharing great images.

Additionally, SnapBridge users can take advantage of Nikon’s free image storing service, Nikon Image Space, to store up to 20 GB of images and an unlimited number of thumbnail images (up to 2MB) to the cloud, while the application will also send registered users firmware updates directly to their smart device.

COOLPIX B700

The COOLPIX B700 is a compact superzoom camera that offers incredible range and outstanding image quality. Whether trying to capture birds in-flight or the star player from the sidelines, images captured will be rendered in amazing quality thanks to the camera’s impressive 20.3-megapixel BSI CMOS sensor, even when shooting in low-light. The B700 can capture impressive portraits or landscapes with a phenomenal 60x optical zoom NIKKOR ED glass lens (120x with Dynamic Fine Zoom⁴) that expands from wide-angle to telephoto zoom for accuracy and precision in every shot. Capable of shooting at 5 frames per second (fps), fast motion is captured with ease, while a 3-inch Vari-angle LCD display helps compose unique perspectives at any angle. Other user-friendly features include a myriad of Creative Modes, RAW (NRW) shooting support, new 4K UHD video capability (30p) and Nikon SnapBridge for seamless sharing of amazing images with friends and family.

COOLPIX B500

Another superzoom option from Nikon, the COOLPIX B500 is an ergonomically designed zoom camera powered by AA batteries for added convenience. A 16-megapixel BSI CMOS sensor alongside an impressive 40x optical zoom NIKKOR glass lens (up to 80x with Dynamic Fine Zoom), lets users capture high quality images from near or far. The camera also offers hybrid VR to combat camera shake when shooting on-the-go. To complement still images captured, the B500 can record full 1080p HD video, while framing every shot is made easy using the high resolution tilting 920k-dot 3-inch LCD screen that helps capture images at any angle. Users can easily upload their creations to social media via Nikon SnapBridge using any compatible smartphone or tablet.

COOLPIX A900

Ideal for travel, the COOLPIX A900 is a slim long zoom compact camera that fits comfortably into any user’s pocket. While the A900 may be small, it packs an amazing 35x Optical Zoom NIKKOR glass lens (70x with Dynamic Fine Zoom) that helps reach far away subjects. Supported by a 20-megapixel BSI CMOS sensor that renders amazing quality and detail, users can also capture 4K UHD video at 30p; an impressive feature set for such a lightweight and pocketable compact camera. A 3-inch tilting high resolution 920k-dot LCD display helps frame an image at any angle and easily navigate through numerous creative options at the user’s disposal. The A900 also makes it easy to share incredible images and video using Nikon SnapBridge.

Price and Availability

The Nikon COOLPIX B700, COOLPIX B500 and COOLPIX A900 will be available in Spring 2016 with suggested retail prices (SRP*) of $ 499.95, $ 299.95 and $ 399.95, respectively. The B700 will be available in Black, the B500 in Black and Red and the A900 in Silver and Black.

1 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license.

2 WI-FI COMPATIBILITY

This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera. The SnapBridge app is not yet available (coming soon Spring 2016).

3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.

4 Dynamic Fine Zoom magnification is calculated from the full-wide end of optical zoom

Nikon Coolpix A900 specifications

Price
MSRP	$ 399
Body type
Body type	Compact
Sensor
Max resolution	5184 x 3888
Image ratio w:h	4:3
Effective pixels	20 megapixels
Sensor photo detectors	21 megapixels
Sensor size	1/2.3" (6.17 x 4.55 mm)
Sensor type	BSI-CMOS
Color space	sRGB
Color filter array	Primary color filter
Image
ISO	Auto, 80-3200
White balance presets	5
Custom white balance	Yes
Image stabilization	Optical
Uncompressed format	No
File format	JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.)	24–840 mm
Optical zoom	35×
Maximum aperture	F3.4 – F6.9
Autofocus	Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes (4x)
Manual focus	No
Normal focus range	50 cm (19.69″)
Macro focus range	1 cm (0.39″)
Screen / viewfinder
Articulated LCD	Tilting
Screen size	3″
Screen dots	921,000
Touch screen	No
Screen type	TFT LCD
Live view	Yes
Viewfinder type	None
Photography features
Minimum shutter speed	8 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program AE Aperture priority Shutter priority Manual
Scene modes	Backlighting Beach Close-up Dusk/Dawn Easy Panorama Fireworks Show Food Multiple Exposure Lighten Night Landscape Night Portrait Party/Indoor Pet Portrait Portrait Scene Auto Selector Snow Sports Sunset Superlapse Movie
Built-in flash	Yes
Flash range	6.00 m (at Auto ISO)
External flash	No
Drive modes	Single Continuous H Continuous L Continuous H (120/60) Pre-shooting cache
Continuous drive	7.0 fps
Self-timer	Yes (2, 5, 10 secs)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±2 (at 1/3 EV steps)
Videography features
Resolutions	3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 30p, 25p)
Format	MPEG-4, H.264
Videography notes	High speed modes: 1080/15p and 480/120p
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (micro-HDMI)
Microphone port	No
Headphone port	No
Wireless	Built-In
Wireless notes	Has 'always on' Bluetooth to maintain connection
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	No
Battery	Battery Pack
Battery description	EN-EL12 lithium-ion battery & charger
Battery Life (CIPA)	300
Weight (inc. batteries)	289 g (0.64 lb / 10.19 oz)
Dimensions	113 x 67 x 40 mm (4.45 x 2.64 x 1.57″)
Other features
Orientation sensor	Yes
GPS	None

Nikon Coolpix B500 / B700 specifications

	Nikon Coolpix B500	Nikon Coolpix B700
Price
MSRP	$ 299	$ 499
Body type
Body type	SLR-like (bridge)
Sensor
Max resolution	4608 x 3456	5184 x 3888
Image ratio w:h	4:3
Effective pixels	16 megapixels	20 megapixels
Sensor photo detectors	17 megapixels	21 megapixels
Sensor size	1/2.3" (6.17 x 4.55 mm)
Sensor type	BSI-CMOS
Color space	sRGB
Color filter array	Primary color filter
Image
ISO	Auto, 80-3200	Auto, 100-3200
White balance presets	5
Custom white balance	Yes
Image stabilization	Optical
Uncompressed format	No
File format	JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.)	23–900 mm	24–1440 mm
Optical zoom	40×	60×
Maximum aperture	F3.0 – F6.5	F3.3 – F6.5
Autofocus	Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes (4x)
Manual focus	No
Normal focus range	30 cm (11.81″)	50 cm (19.69″)
Macro focus range	1 cm (0.39″)
Screen / viewfinder
Articulated LCD	Tilting	Fully articulated
Screen size	3″
Screen dots	921,000
Touch screen	No
Screen type	TFT LCD
Live view	Yes
Viewfinder type	None	Electronic
Viewfinder coverage		100%
Viewfinder resolution		921,000
Photography features
Minimum shutter speed	1 sec	15 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Auto Scene Scene Auto Selector Smart Portrait Special Effects	Program AE Aperture priority Shutter priority Manual
Scene modes	Backlighting Beach Bird-watching Close-up Dusk/Dawn Easy Panorama Fireworks Show Food Landscape Moon Night Landscape Night Portrait Party/Indoor Pet Portrait Portrait Scene Auto Selector Short Movie Show Snow Sports Sunset	Backlighting Beach Close-up Dusk/Dawn Easy Panorama Fireworks Show Food Multiple Exposure Lighten Night Landscape Night Portrait Party/Indoor Pet Portrait Portrait Scene Auto Selector Snow Sports Sunset Superlapse Movie
Built-in flash	Yes
Flash range	6.90 m (at Auto ISO)	7.50 m (at Auto ISO)
External flash	No
Drive modes	Single Continuous H Continuous L Continuous H (120/60) Pre-shooting cache	Single Continuous H Continuous L Continuous H (120/60) Pre-shooting cache Interval timer
Continuous drive	7.4 fps	5.0 fps
Self-timer	Yes (2, 5, 10 secs)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±2 (at 1/3 EV steps)
Videography features
Resolutions	1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p), 640 x 480 (30p, 25p)	3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 30p, 25p)
Format	MPEG-4, H.264
Videography notes	High speed modes: 1080/15p and 12.5p, 480/100p and 125p	High speed modes: 1080/15p and 12.5p, 720/60p and 50p, 480/120p and 100p
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC
Storage included	20MB
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes (micro-HDMI)
Microphone port	No
Headphone port	No
Wireless	Built-In
Wireless notes	Has 'always on' Bluetooth to maintain connection
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	No
Battery	AA	Battery Pack
Battery description	Four AA batteries (alkaline, lithium, NiMH)	EN-EL23 lithium-ion battery & charger
Battery Life (CIPA)	600	350
Weight (inc. batteries)	541 g (1.19 lb / 19.08 oz)	565 g (1.25 lb / 19.93 oz)
Dimensions	114 x 78 x 95 mm (4.49 x 3.07 x 3.74″)	125 x 85 x 107 mm (4.92 x 3.35 x 4.21″)
Other features
Orientation sensor	Yes
Timelapse recording		Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

February 26, 2016

How to Capture Beauty in Ugly and Mundane Subjects

A huge part of your job as a photographer is to make people pause, and linger over a photograph. Sometimes it could be a stunningly lit portrait, or maybe an epic landscape. But, if you’re like me, more than likely you don’t live in an area that will provide you with daily majestic shots, and you likely don’t have a full studio set up. So, you need to find inspiration around you, in the day-to-day grind, which is not always obvious.

Albrect Dürer, the masterful Reformation period painter and engraver said, “Nature holds the beautiful, for the artist who has the insight to extract it. Thus, beauty lies even in humble, perhaps ugly things, and the ideal, which bypasses or improves on nature, may not be truly beautiful in the end.” His studies, such as The Great Piece of Turf, are great examples of this concept.

Even if you live in a concrete jungle, or the strip-mall suburbs, there is some sort of nature around you. And in nature lies the capability and potential for endless creativity. Nature may be trees, flowers and plants to you, but it’s also in the weeds, the decay, or in the ugly, neglected bits along the side of the road.

The other part to this truth of beauty in ugly is this – we are drawn to imperfection and fascinated by it, it’s human nature. Think about it – the last photo that captured your attention, was it a Photoshopped model with flawless skin in a magazine ad, or was it a side-lit portrait of an older man with a grizzled beard, and experience etched into his face? The more interesting things in life are usually the imperfect ones. We connect more to reality, not ideal perfection. So this search for interesting, compelling images in ugly, may turn you towards the neglected and forlorn places, where decay and rust run rampant.

In your search for beauty in ugliness, try to switch your mindset and look past the obvious subject matter.

A great way to start is to take a walk around where you live, or where you work. All the photos in this post were taken either on a 5-minute walk around the neighborhood, or a 15-minute walk around the campus where I teach. The goal is to stretch your mind on what could be an interesting photo. You could easily do this with your smartphone, as a way to actively work on photography at any time.

If you’re having difficulty getting started, think about these tactics:

Look down and look closely

Much of the decay and imperfection is at your feet, or at the edges of things. Peeling paint, rusting hinges, grass and leaves – all can make compelling images, equal or even more so than the roses or pretty blooms. You need to slow down, and look at the things you normally pass by quickly.

Shoot tight

Are you fortunate enough to have a macro lens? Use it. No such luck? Experiment with your lenses and find the minimal focal distance that works for you. Even without macro or close focus, think about shooting a quality image (ISO, resolution, etc.) that you can crop in on later. And if you’re doing this as a creative exercise, remember that your smartphone has an incredible macro on it–it’ll focus inches away from your subject. Ugly often works best as a subject in small details rather than big, wide shots.

Go for contrast

You’re not just looking for tonal contrast, but any contrast is a magical photo trick. Contrasting textures? Check. Contrasting colors? Check.

Texture, texture, texture. It’s really your best friend in the search for interesting shots in not-so-pretty settings.

Think deeper

Don’t underestimate the power of symbolism. You intuitively know that there are inherent themes of loneliness, isolation, or neglect in a powerful stark image of something ugly. There is a huge fascination in current society with photographing abandoned spaces, and areas that have been forgotten. These images resonate within people. Alternately, there is a hope that occurs when you see a small bloom emerging from a pile of rubble. Remember the power of a simple visual.

Remember the ultimate subject in photography – light.

Ordinary objects can be transformed through your use of light. When you find an object to shoot, circle around it and look to see if you have shafts of light streaming in, or if there’s misty diffused light to add a mood. Just remember that if you’re shooting at noon with a harsh direct sun, it’s a good time to head for the shaded areas.

In the end, you’ll find that by concentrating on finding interesting images in the weeds and gutters, it will actually help you in your other photography projects as well. By only documenting the ideal, perfect moments in life, you miss out on the whole story. Next time you’re shooting a wedding, or a child’s birthday party, you’ll be better prepared to capture the unplanned, imperfect moments. Those shots will be the ones that get talked about, and laughed over, for years to come.

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The post How to Capture Beauty in Ugly and Mundane Subjects by Sharon Zoetewey appeared first on Digital Photography School.

Digital Photography School

February 26, 2016
6 Moments of Childhood to Capture Beyond the Obvious

If you are a parent, you probably pull out your camera to take photos of the big moments in your child’s life. You have almost certainly captured her first taste of solid food, his first steps, and her first day of school. You probably also have a handful of photos from family vacations, and you may even have an annual portrait for the end-of-year holiday card.

But, looking back, you are likely to find that these photos don’t tell you much about what life was like for you, and your child, during his early years. To help you capture the smaller, but special, moments of your little one’s childhood, be sure to take photos of these essential parts.

1) Your Child’s Friends

Your child will always hold a special place in his heart for his childhood friends. While it is tempting to always get shots of your child alone, you and your child will appreciate having photos of him with his friends to look back on through the years, especially if you, or a special friend, may one day move away. To make these photos even more meaningful, get a shot of the kids engaging in a favorite activity together – whether it’s playing board games, dolls, or soccer.

2) The Fits

One look through your Facebook or Instagram feed, and you might think that all of your friends’ kids are happy, all the time. While your friends may work hard to make their little ones seem perfect, the reality is that disappointment is a big part of childhood. Don’t overlook taking pictures of your kids when they are in the midst of a temper tantrum, or when they are doing their Oscar-worthy performance to try to convince you to give them an extra 10 minutes of screen time.

3) Bedtime

Bedtime happens every night, and by the time it rolls around you are probably just ready to get the kids to bed, and aren’t thinking about taking photos. But, there are lots of great memories being made at the end of the day. Your kids probably look adorable in their jammies, and brushing their teeth. If you read books before bed, getting photos of your child flipping through her favorites, while snuggled under the covers, will bring back memories of the books she loved the most, years later. On the nights you take out your camera, be sure to get at least one shot of your sleeping angel.

4) Their Little Quirks

Although they may not seem like picture-perfect moments, capturing the little mannerisms that your child makes as he grows up, will be precious to you when he’s older. Did your baby start putting his hands on his head when he’s upset? Does your toddler cross her arms to show she’s angry? Has your pre-schooler started covering her mouth with both hands when she’s excited? Whether these mannerisms are fleeting, or stay with your child for life, you will appreciate having photos of his little quirks when he’s older.

5) Playtime

Your child sitting on the floor playing with blocks, or on lounging on the sofa with his tablet, may not seem noteworthy now, but in a few years her interests will change. Having photos of your child at play, will bring back precious memories of what your child was like back then, and will help him remember specific toys and games he liked to play during that time.

6) You and Your Child

There is probably no people more important to your child, than his Mom and Dad. If you are the one picking up the camera, you are probably not in a lot of pictures. Your child will want to remember what you looked like when they were little, and will treasure photos of you and him doing activities together, even if it’s as simple as playing a game or baking cookies. Find a way to get into some photos with your child, whether it’s by using a tripod and remote, handing the camera to a friend, or hiring a professional photographer.

Do you have any other moments in your child’s life that you feel are important to capture in photos? Please share in the comments below your thoughts and your images.

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The post 6 Moments of Childhood to Capture Beyond the Obvious by Jamie Davis Smith appeared first on Digital Photography School.

Digital Photography School

February 18, 2016
Phase One Capture One Pro 9 brings updates to image editing algorithms

Phase One has launched Capture One Pro 9, the latest iteration of its tethering and image editing software. Capture One Pro 9 offers a ‘completely updated contrast engine,’ additional brushes, color editor masks and new keyword tools, among other features. Phase One also now offers three activations of the software for each standard license a photographer purchases. Also on the list of updates is the ability to apply curves locally, the addition of a Luma option to the curve tool palette and a battery status icon for the tool bar to view tethered camera battery life.

Capture One Pro 9 is available now for Mac and Windows for $ 299 / €279 to new customers. Capture One Pro 7 and 8 customers can upgrade for $ 99 / €99. Anyone who purchased Capture One Pro 8 after October 30, 2015 will be exempt from the upgrade fee.

Press release:

Phase One Releases Capture One Pro 9 for Working Photographers

Unleashes Unprecedented Power, Precision and Quality

COPENHAGEN, November 30, 2015 — Phase One, creator of the world’s finest open-platform, high-end camera systems and professional imaging software today released Capture One Pro 9. Known for its outstanding tethered capture capability, high-quality raw conversion, and precision image editing tools, Capture One Pro is already considered by 100,000 of the world’s leading photographers to be the best image capture application.

Capture One Pro 9 introduces many new image quality precision tools, including a completely updated contrast engine. Capture One Pro 9 also brings powerful new asset management capabilities, including unprecedented sortable keywords capability. It has been designed to help speed the image-management process for volume keyword applications. Besides new physical workflow features, Capture One Pro 9 also gives customers three activations for each standard license to support on-location activation management, as requested by photographers.

NEW IMAGE EDITING TOOLS

Revised contrast engine – Changes have been made to the algorithms of color, saturation and contrast. And the color editor has been revised to align design with the color balance tool. Handles are made easier to use and adjust, and the tool is now scalable when undocked.

Masks from color editor – The color editor now allows the user to make a mask from a color edit.

New Brush pack – Tool changes include the addition of flow, airbrush, straight line brushing, and the ability to link brushes.

Luma curves and local curves – Added to the curve tool palette, Luma curves can be used to create contrast curves without affecting saturation. Also, curves can be used locally.

Battery status for toolbar – This new tool can be placed on the tool bar where it gives a power supply overview to the attached tethered camera, warning photographers of low power during a shoot.

Export EIP for catalogs – Catalog users can now benefit from EIP export for easy transportation of RAW and Settings, off system. In the Export originals panel, there is now an option to Export as EIP. Sessions users can also choose to Export originals. This creates a workflow in which the original RAW and adjustments are not packed – instead a copy is made, packed as EIP.

DNG colors – This new feature allows Capture One Pro to treat and display supported camera files that have been converted to DNG (and include the RAW file in the DNG package), as if in their original format.

NEW ASSET MANAGEMENT TOOLS

Keywords Tool – Keywords may be added and removed from images. The standard Capture One tool tips for local reset, local copy apply, pre-sets and help are available for this tool.

Keyword Libraries – Used to manage the list (or lists) of keywords in a catalog or a session. As the Keywords tool adds keywords to images, the document Keyword Library is populated. This forms a keyword list for any and all terms in the current document and is unique for the session or the catalog.

Sortable Keywords – Unique to Capture One Pro 9, users are able to reorder keywords in the Keywords tool for single image selections.

Originally developed to render the exceptional image quality captured by medium format Phase One camera systems, today Capture One Pro supports more than 400 different camera models. Capture One Pro is designed with more than enough available “headroom” to satisfy requirements for the highest resolution now and in the future. Whether or not photographers own a Phase One camera, all photographers can benefit from Capture One Pro’s exceptional image quality and workflow advantages.

“Capture One Pro is essential for all commercial shoots; we use nothing else,” said Jonathan Rose, Company Director, DigiBoutique Ltd.

“Capture One Pro 9 is all about quality of life improvements for working photographers – whether they’re in the studio, or shooting landscape or portraits,” said Henrik O. Håkonsson, President, Phase One. “And those who are switching or stepping up from mainstream software might now find that Capture One Pro meets more, if not all, of their needs, beyond its legendary raw conversion capabilities.”

For illustrative & tutorial videos and details on all the new and improved features in Capture One Pro 9, including new cameras and lenses supported, please go to: www.phaseone.com/tutorials

Availability and Pricing

Capture One Pro 9 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide. www.phaseone.com/partners. New with this release, each license permits three activations.

New customers can purchase Capture One Pro 9 for 299 USD or 279 EUR. Owners of previous versions of Capture One Pro 7 and 8 may upgrade for 99 USD or 99 EUR. For customers who have purchased Capture One Pro 8 since October 30, 2015, Phase One is offering a grace period, exempting them from the upgrade fee. Eligible customers should contact support www.phaseone.com/support to have their keys upgraded.

Capture One Pro is also available by subscription. Capture One Pro 8 subscribers can simply download the new Capture One Pro 9 release. A single-user subscription is 15 USD / 12 EUR per month for a 12-month plan. Please see all subscription options at www.phaseone.com/store

Articles: Digital Photography Review (dpreview.com)

December 2, 2015