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Posts Tagged ‘Camera’

What would you want from a full frame Canon or Nikon mirrorless camera?

26 Jul

Nikon has finally confirmed the age-old rumor that its going to make a full frame mirrorless camera. It’s widely assumed Canon plans to do the same. But what are the things they need to get right?

We’re way beyond the point where the ‘mirrorless or DSLR’ question simply depends on whether size or autofocus is more important to you. But what are the other aspects of camera design and behavior that need to be in place for a camera to work for your photography?

We’d love to hear what you think, so please pick what would be the three most important factors for you. These needn’t be the things that would make you switch, just the things that they’d need to deliver, to make it even worth considering.

Or, if we’ve missed anything, mention it in the comments.

Have your say

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What are the most important things you'd want from a Canon or Nikon mirrorless camera?
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High resolution sensor

High speed shooting

Good quality video

Sports-ready AF system

Easy-to-use AF system

Lifelike viewfinder

Responsive controls and menus

Configurable controls/interface

Pro video features such as waveforms / 10-bit capture

Small, affordable primes

Fast primes

Tele zooms

Full compatibility / full performance with existing lenses

Lightweight

Compact size

Substantial grip

Good battery life

16-bit Raw

Top plate settings display

Dual card slots

Effective weather sealing

In-body stabilization

Voting is easy – you pick your favorite products by dragging and dropping. You can pick up to three, and rank them in order of priority.

Articles: Digital Photography Review (dpreview.com)

 
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9 Recommended Accessories for Your New Sony a7R III or a7 III Camera

24 Jul

The Sony a7 III is arguably the hottest and most popular full-frame DSLR on the market right now. It packs much of the power of Sony’s other full-frame powerhouses, the a9 and a7R III, into a camera that’s significantly more affordable.

If you’ve added the Sony a7III (or the a7R III) to your camera kit recently, here are 10 accessories you might want to buy as well to help you capture better photos and/or videos.

Side note: This article excludes specific lenses, flashes, and camera bags as recommended accessories since they’re hot topics in their own rights, but make sure you get some of those as well.

Sony accessories 01

1. Screen Protector

Both the Sony a7R III and a7 III are certainly very solidly built. You probably won’t need to buy additional protective accessories to shoot in most conditions (unless, of course, you plan on shooting in extreme conditions).

However, it’s a good idea to invest in a screen protector for the rear LCD screen. They’re cheap, relatively easy to apply, and they let you use Sony’s limited touchscreen functions. Just make sure to buy a screen protector that fits your camera model.

2. SD cards

Make sure you invest in at least a couple of SD memory cards to store your images in-camera. If you have multiple memory cards, a memory card wallet or holder is also great to keep them organized.

Size-wise, bigger is better given the larger file sizes of these cameras, so consider getting 32GB or 64GB cards. If you plan to shoot 4K video or take advantage of your camera’s blazing fast frames per second shooting, make sure you choose memory cards with a high write speed, such as this SanDisk 64GB USH-II SD card.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera - SD cards

3. Camera strap

Both the Sony a7 III and a7R III come with dedicated Sony camera straps. They get the job done but can be difficult to remove in a situation where you don’t want a camera strap in your way (ie. shooting on a tripod). Thus, many photographers opt to purchase third-party camera straps.

The Peak Design Slide camera strap is especially popular right now since they have the ability to easily connect and disconnect from your camera as needed. Also worth checking out are Black Rapid camera straps, especially if you have two camera bodies and need a Double Camera Harness.

Photographers looking for a more fashionable alternative may also be drawn to the HoldFast Money Maker camera strap, which is handmade from genuine or vegan leather.

4. Lens filters

Both the Sony a7 III and a7R III require detachable camera lenses that you have to buy separately. This article won’t discuss specific lenses, but no matter which ones you end up with, you should definitely have a UV filter for each of your lenses.

Not only do UV filters minimize atmospheric haze, but they also protect the surface of the lens from scratches, dust, and most other external damage.

Other handy photography filters include a polarizer and neutral density filter. These are especially applicable if you plan to shoot outdoors.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera

5. External hard drive

Today’s cameras are packed with more megapixels and high-resolution video recording capabilities than ever before. While this can be a great thing for creatives, it can be a bane on your digital media storage. This is especially true if you have the Sony a7R III, which is capable of producing massive 42-megapixel images.

To avoid filling up your computer, you’ll want at least one external hard drive, or ideally three total to make backups of your images after shooting. When selecting an external hard drive, consider getting a “tough” or version such as the LaCie Rugged Portable Hard Drive that will give you some extra protection, since hard drives can be notoriously easy to damage.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera - computer and hard drives

6. Spare batteries and a battery charger

It’s somewhat arguable if these two accessories are needed. In case you haven’t heard, Sony drastically improved the battery life in the new Z-batteries that ship with the Sony a9, a7R III, and a7 III.

In my experience with the A7rIII, these new batteries last as long as the ones that power the Canon 5D Mark III. I find that I rarely bust through a whole battery in a full day of shooting still photography. However, it’s always wise to carry a spare battery or two, just in case.

As for the battery charger, you will probably need to buy one if you have the a7 III since that camera is reportedly not shipping with a battery charger in the box. Or, you can simply juice up your camera using the next recommended accessory.

7. External battery charger

One of the most refreshing parts about switching from a DSLR to a Sony mirrorless camera is the fact that you can charge your camera without removing the battery. Simply plug your camera into a wall outlet or external battery via the USB-C port to start charging.

Best of all, you can operate your camera while it’s being charged! As far as external battery packs go, Anker makes stellar options such as this one that is slim and capable of charging not only your camera but also your cell phone.

8. Tripod

Most photography articles include a tripod as a definite “must-have” in your camera kit, but I think this is a very arguable accessory, especially as camera technology improves. If you plan to shoot architecture, real estate, products, or in low-light scenarios, you definitely need a sturdy tripod such as this beastly Manfrotto tripod that is huge, but rock solid.

However, if you’re more of a run and gun shooter or looking for a more minimalist camera setup, you can get away with something like the Manfrotto BeFree travel tripod series, or even a GorillaPod.

In particular, I’ve found the GorillaPod to be ultra convenient. It’s compact and flexible enough to throw into your bag and have it as an option to quickly stabilize your camera as needed (if at all). If you do get a GorillaPod, be sure to get the 3K or 5K option, as any smaller models are often not strong enough to support Sony a7 cameras, or DSLRs in general.

Sony accessories - photographer with pack and tripod in the mountains

9. Timelapse trigger

If you’ve owned a previous model of Sony camera such as the a7R II or an a6000, you probably used the built-in Sony apps. These unlock a host of extra features such as built-in time-lapse.

Unfortunately, Sony removed those apps from both the a7R III and a7 III cameras. That means you can’t easily do built-in time-lapses anymore. Fortunately, there are other options such as the MIOPS Smart Trigger.

In Conclusion

There you have it, nine recommended accessories (besides lenses, flashes, and bags) that you should get for your Sony a7 III or a7R III camera. Would you add any accessories to this list? Please let us know in the comments below.

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9 Recommended Accessories for Your New Sony a7R III or a7 III Camera

24 Jul

The Sony a7 III is arguably the hottest and most popular full-frame DSLR on the market right now. It packs much of the power of Sony’s other full-frame powerhouses, the a9 and a7R III, into a camera that’s significantly more affordable.

If you’ve added the Sony a7III (or the a7R III) to your camera kit recently, here are 10 accessories you might want to buy as well to help you capture better photos and/or videos.

Side note: This article excludes specific lenses, flashes, and camera bags as recommended accessories since they’re hot topics in their own rights, but make sure you get some of those as well.

Sony accessories 01

1. Screen Protector

Both the Sony a7R III and a7 III are certainly very solidly built. You probably won’t need to buy additional protective accessories to shoot in most conditions (unless, of course, you plan on shooting in extreme conditions).

However, it’s a good idea to invest in a screen protector for the rear LCD screen. They’re cheap, relatively easy to apply, and they let you use Sony’s limited touchscreen functions. Just make sure to buy a screen protector that fits your camera model.

2. SD cards

Make sure you invest in at least a couple of SD memory cards to store your images in-camera. If you have multiple memory cards, a memory card wallet or holder is also great to keep them organized.

Size-wise, bigger is better given the larger file sizes of these cameras, so consider getting 32GB or 64GB cards. If you plan to shoot 4K video or take advantage of your camera’s blazing fast frames per second shooting, make sure you choose memory cards with a high write speed, such as this SanDisk 64GB USH-II SD card.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera - SD cards

3. Camera strap

Both the Sony a7 III and a7R III come with dedicated Sony camera straps. They get the job done but can be difficult to remove in a situation where you don’t want a camera strap in your way (ie. shooting on a tripod). Thus, many photographers opt to purchase third-party camera straps.

The Peak Design Slide camera strap is especially popular right now since they have the ability to easily connect and disconnect from your camera as needed. Also worth checking out are Black Rapid camera straps, especially if you have two camera bodies and need a Double Camera Harness.

Photographers looking for a more fashionable alternative may also be drawn to the HoldFast Money Maker camera strap, which is handmade from genuine or vegan leather.

4. Lens filters

Both the Sony a7 III and a7R III require detachable camera lenses that you have to buy separately. This article won’t discuss specific lenses, but no matter which ones you end up with, you should definitely have a UV filter for each of your lenses.

Not only do UV filters minimize atmospheric haze, but they also protect the surface of the lens from scratches, dust, and most other external damage.

Other handy photography filters include a polarizer and neutral density filter. These are especially applicable if you plan to shoot outdoors.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera

5. External hard drive

Today’s cameras are packed with more megapixels and high-resolution video recording capabilities than ever before. While this can be a great thing for creatives, it can be a bane on your digital media storage. This is especially true if you have the Sony a7R III, which is capable of producing massive 42-megapixel images.

To avoid filling up your computer, you’ll want at least one external hard drive, or ideally three total to make backups of your images after shooting. When selecting an external hard drive, consider getting a “tough” or version such as the LaCie Rugged Portable Hard Drive that will give you some extra protection, since hard drives can be notoriously easy to damage.

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera - computer and hard drives

6. Spare batteries and a battery charger

It’s somewhat arguable if these two accessories are needed. In case you haven’t heard, Sony drastically improved the battery life in the new Z-batteries that ship with the Sony a9, a7R III, and a7 III.

In my experience with the A7rIII, these new batteries last as long as the ones that power the Canon 5D Mark III. I find that I rarely bust through a whole battery in a full day of shooting still photography. However, it’s always wise to carry a spare battery or two, just in case.

As for the battery charger, you will probably need to buy one if you have the a7 III since that camera is reportedly not shipping with a battery charger in the box. Or, you can simply juice up your camera using the next recommended accessory.

7. External battery charger

One of the most refreshing parts about switching from a DSLR to a Sony mirrorless camera is the fact that you can charge your camera without removing the battery. Simply plug your camera into a wall outlet or external battery via the USB-C port to start charging.

Best of all, you can operate your camera while it’s being charged! As far as external battery packs go, Anker makes stellar options such as this one that is slim and capable of charging not only your camera but also your cell phone.

8. Tripod

Most photography articles include a tripod as a definite “must-have” in your camera kit, but I think this is a very arguable accessory, especially as camera technology improves. If you plan to shoot architecture, real estate, products, or in low-light scenarios, you definitely need a sturdy tripod such as this beastly Manfrotto tripod that is huge, but rock solid.

However, if you’re more of a run and gun shooter or looking for a more minimalist camera setup, you can get away with something like the Manfrotto BeFree travel tripod series, or even a GorillaPod.

In particular, I’ve found the GorillaPod to be ultra convenient. It’s compact and flexible enough to throw into your bag and have it as an option to quickly stabilize your camera as needed (if at all). If you do get a GorillaPod, be sure to get the 3K or 5K option, as any smaller models are often not strong enough to support Sony a7 cameras, or DSLRs in general.

Sony accessories - photographer with pack and tripod in the mountains

9. Timelapse trigger

If you’ve owned a previous model of Sony camera such as the a7R II or an a6000, you probably used the built-in Sony apps. These unlock a host of extra features such as built-in time-lapse.

Unfortunately, Sony removed those apps from both the a7R III and a7 III cameras. That means you can’t easily do built-in time-lapses anymore. Fortunately, there are other options such as the MIOPS Smart Trigger.

In Conclusion

There you have it, nine recommended accessories (besides lenses, flashes, and bags) that you should get for your Sony a7 III or a7R III camera. Would you add any accessories to this list? Please let us know in the comments below.

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Buying guide update: The Sony RX100 VI is the best travel camera

20 Jul

The Sony Cyber-shot DSC-RX100 VI earned high marks in our recent review and has earned a spot at the top of our Best Cameras for Travel buying guide, thanks to its long zoom and excellent still and video quality. Click through below to see all four of our updated buying guides:

Read our updated buying guide: Best Cameras for Travel

Read our updated buying guide: Best Cameras for Video

Read our updated buying guide: Best Pocketable Enthusiast cameras

Read our updated buying guide: Best Enthusiast Long Zoom cameras

Articles: Digital Photography Review (dpreview.com)

 
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5 Camera Bags That Every Travel Photographer Needs At Some Point

18 Jul

One of the great things about being a travel photographer is that you are almost always working outside. Sometimes this might be in a city and sometimes in the wilderness. Either way, one of the main attributes you will need is to be organized. This involves everything from research and planning, to your shot list and efficiency. It also includes being organized with your equipment and what you will need on a day to day basis.

There is a fine balance between carrying too much unnecessary equipment and what you actually will need. A vital part of carrying your equipment is choosing the right bag for the scenario you are going to be photographing. Not only are camera bags important in keeping your equipment safe and dry, but a good bag will also make it easier to carry equipment.

Especially when you will potentially be walking around all day. There are so many bags to choose from, so here are the five types of bags that you may need at some point.

person on a cliff overlooking the water - 5 Camera Bags That Every Travel Photographer Needs At Some Point

#1 – Day Bag

A day bag is usually the first bag that most people would purchase. It will also be the bag that gets the most usage. So it’s vital that you take into account the different options available to fit your needs. Before you rush out and buy one, consider the following factors:

day bag for camera gear - 5 Camera Bags That Every Travel Photographer Needs At Some Point

  • Size – What will you generally be carrying day to day? Most travel photographers will carry a telephoto lens and possibly a couple of smaller lenses. You may also carry a flash as well as memory cards, batteries and possibly a second camera.
  • Tripod – The first day bag that I ever purchased, didn’t have a way to attach and carry my tripod. I quickly realized how frustrating and tiring that was. Carrying a tripod means you are constantly having to put it down every time you want to take a photo. So when fleeting moments arrive you are not ready to snap away.
  • Non-photography space – Another big consideration when purchasing a day bag is how much additional space you will have to carry non-photographic items. For example, can you carry a bottle of water? Or a rain jacket? Is there somewhere safe and hidden away that you can keep your keys, mobile phone or even cash?
  • Accessibility – Would you really want to take everything out of your bag to get to those plasters right at the bottom? How quickly and easily you can access the various compartments of your bag is very important. For example, some bags will allow you to get your camera out from a side zipper without having to open the whole thing up.
  • Comfort – As a travel photographer you will often be out walking for hours. Being able to carry your equipment comfortably can mean the difference between going back to the hotel because you’re uncomfortable and in pain or carrying on.
  • Airline carry-on – Another consideration is whether your bag complies with the carry-on regulations of airlines. I always carry my camera equipment on the plane (I put my tripod in my suitcase) rather than check it in so have to make sure that my bag isn’t too big.

All of these are factors that need to be considered before purchasing a day bag. It’s taken me a few attempts to find the perfect day bag but my choice is the Lowepro ProTactic 450 camera bag.

It has plenty of storage for two cameras as well as a couple of other lenses and things like memory cards and batteries. It has a top zip, as shown below, that makes it easy to access my camera without needing to open the whole bag. I can also carry a large tripod attached to the bag as well.

5 Camera Bags That Every Travel Photographer Needs - Lowepro ProTactic 450 AW Camera Backpack

#2 – Hiking Bag

While a day bag is great for everyday use, sometimes it’s simply not big enough. For those photographers who like to hike or camp overnight, then a day bag won’t be able to hold all of your camera equipment and additional things needed like a tent, food, and water.

So the next bag up from a day bag is a hiking bag. But again it’s important to consider the factors below before purchasing your hiking bag.

5 Camera Bags That Every Travel Photographer Needs - man sitting on a rock by the ocean

  • Size – The first criteria for your hiking bag is the size that you will need. This will come down to what you are planning to photograph and the duration of your hike/trek. For example, if you are planning to camp overnight you will need space for a tent and sleeping bag. But if your hikes are one day ones then you could get away with something smaller. Factor in all the items you will need such as spare clothes, a first aid kit and even cooking utensils as well as your camera gear. Then find a bag to fit what you will be carrying.
  • Water reservoir – This might seem like a trivial point when considering a bag, but being able to have a drink without having to take your bag off is incredibly useful. So one thing that I would always recommend is buying a bag that either comes with a water reservoir or one that you can fit one into. You don’t want to have to constantly stop and take your bag off every time you want to have a drink.
  • Waterproof – Most outdoor bags these days will be somewhat shower proof, but some bags also come with a rain cover that you can place over the bag. These sometimes sit under the bag and can easily be accessed when you need them.
  • Adjustable – On any long walk or hike, comfort is vital. So look for a bag that allows you to be able to adjust the straps to fit your posture. The best thing to do is to try out your given bag for a few hours with your equipment locally before setting out on your trip.

My personal choice for a hiking bag is the Lowepro Pro Trekker 650 AW camera backpack. As I rarely camp overnight, this bag is big enough to carry my camera equipment and any additional daily items. There is also a side pocket for a water reservoir (not included) and you can strap a large tripod to it as well.

pro trekker LowePro bag - camera bags for travel photographers

Lowepro Pro Trekker 650 AW camera backpack

#3 – Sling Bag

There are times that even a day bag is too big and cumbersome to carry around. Sometimes all you need is a small bag to carry your camera and a few additional accessories. Sling bags are useful for this purpose and also because you can get things in and out without having to take your bag off.

There may also be occasions (i.e. in busy events) where you can keep your bag in front of you thus making it less inviting to pickpockets and thieves. You won’t be able to carry a lot of equipment or strap your tripod to it, but a good sling bag should still have plenty of room for what you need.

I pack my sling bag into my suitcase (it folds flat) and will use it on occasions when I don’t need to take a lot of equipment. For example, some museums or viewing platforms don’t allow backpacks whereas you’ll be okay with a sling bag.

My sling bag of choice is an older version of the Lowepro Passport Sling III camera bag. It’s surprisingly spacious for its size and I can fit my DSLR as well as a wide-angle lens and a telephoto lens inside. It also has space for memory cards and batteries as well as outside pockets which are useful for things like a water bottle.

sling bag - travel photographers camera bags

#4 – Toploader

These small camera bags are only big enough for one camera and one lens (if you want it for a telephoto lens make sure you purchase the bigger size). The real benefit of these bags are that you can keep your camera on your hip for easy access. So rather than having to take your bag off to pack or unpack your camera you can simply place in this bag as and when you need to.

I find that this is especially beneficial on long hikes or treks when I sometimes may not take a photo for long periods of time but I still have it on hand when a moment presents itself.

The less obvious benefit of these bags, which I realized recently, is when traveling by air. Airlines can be very picky about the weight of your checked-in luggage. So if you find that you are over the limit you can place some items from your luggage into this bag and take it onboard. For example, on a recent trip I was able to place the head from my tripod and few other small but heavy items into this bag and avoid paying the excess weight charge.

I take my Lowepro Toploader Pro 70 AW II camera case with me on every trip. If I can, I pack it in my suitcase and use it where necessary. If my suitcase is full, I put my camera in it and carry it onto the plane in addition to my day bag.

Lowepro Toploader bag - travel photographers camera bags

#5 – Hard Case

Another option to consider for traveling are hard cases. These are suitcases which are made of a tough material which is waterproof and dustproof. They are especially designed for transporting camera equipment.

The benefit of these cases is that your equipment will be safe inside from damage. But they are generally only useful for transportation rather than day to day use. Some of the latest models are designed with a camera backpack inside which allows you to wear it like a traditional day bag. But having tested one a while ago, they are not as comfortable as the traditional day bags.

Personally I have never found a need for one to date as I carry all my equipment in my backpack. But if you are going to be traveling to harsh conditions or face the likelihood of your equipment getting wet than it would be worth investing in a hard case.

Summary

Camera bags might not be the first accessory that comes to mind when building your photography equipment inventory, but they are incredibly important. Not only will they keep your equipment safe, but they might stop you from being uncomfortable or even in pain because of the weight you are carrying.

The important thing is to not rush out and buy all of the above at once. Over the years as the need arises, you can invest in a new bag. So, think carefully about what you need and do some research into the different types of bags available.

What camera bags do you have or find useful? Please share your recommendations below.

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Skylum Luminar 2018 1.3.0 update brings many improvements, new camera support

15 Jul

Skylum, the company previously known as Macphun, has released Luminar 2018 update 1.3.0. The Lightroom alternative has received numerous changes across both its Mac and Windows versions, primarily improvements to existing features, as well as support for additional cameras from Fujifilm, Sony, Olympus, Panasonic, Canon, and Pentax.

Luminar 2018 is the latest evolution to Skylum’s image editor for Mac and Windows. The 2018 version added a variety of features, improvements, support for Photoshop plugins, and UI changes. Update 1.3.0 builds upon this, adding additional plugin support for Mac, DNG Camera Profiles (DCP) and new features for Windows, and more than a dozen improvements that vary based on operating system.

The Windows version of Luminar 2018 can open Raw files faster post-update due to Raw engine improvements. This version also brings a new White Balance feature with eyedropper to Develop, Raw Develop, and the Color Temperature filters, better filter performance, simplified blending mode selection, and more.

The Mac 1.3.0 version, meanwhile, brings improvements across eight features in addition to support for plugins from the following software: Imagenomic Noiseware 5, Imagenomic Portraiture 3, Imagenomic Realgrain 2, and DxO FilmPack 5. Luminar 2018 for Mac also now has improved support for eight languages, additional file format export options for batch processing, better filter and JPEG controls, and more.

In addition, Luminar update 1.3.0 adds support for the following cameras:

  • Canon EOS 3000D / Rebel T100 / 4000D
  • FujiFilm X-H1
  • FujiFilm X-A20
  • FujiFilm X-A5
  • FujiFilm X-E3
  • Olympus E-PL9
  • Pentax K-1 II
  • Panasonic DC-GF10 / Panasonic DC-GF90
  • Panasonic DC-GX9 / DC-GX7MK3
  • Panasonic DC-TZ200 / DC-ZS200 / DC-TZ202 / DC-TZ220 / DC-ZS220 / DC-TX2
  • Sony A7 III

The full changelogs for the Mac and Windows update are available here. Existing Luminar 2018 users can update from within the software by choosing the “Check for updates” option, which is found under the “Help” menu on Windows and the “Luminar 2018” menu on Mac. Luminar 2018 is available from Skylum for $ 69 USD.

Via: PhotoRumors

Articles: Digital Photography Review (dpreview.com)

 
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Are You Using Your Camera Wrong? 7 Errors You Need to Avoid

13 Jul

Are you making these 7 mistakes with your camera? Let’s find out.

7 Ways You’re Using Your Camera Wrong

Here’s a recap and links to some dPS articles to help you avoid making these mistakes with your camera.

  1. Holding your camera the wrong way – Cheat Sheet: How to Hold a Camera
  2. Not cleaning your lens – Step by Step How to Clean Camera Gear so it Stays in Good Shape
  3. Not having enough batteries or memory cards – Packing your Bags for a Photo Shoot and How to Select the Right Camera Memory Card
  4.  Not adjusting your focus point – Understanding the Focus and Recompose Technique and Getting Sharper Images – an Understanding of Focus Modes
  5. Shooting in full Automatic or the wrong mode – Getting off Auto – Manual, Aperture, and Shutter Priority modes explained
  6. Don’t use Auto White Balance – How Auto White Balance Can Hinder Your Photography
  7. Not shooting in RAW – Tips for Choosing Between RAW Versus JPEG File Format and Is Shooting RAW+JPEG the Best of Both Worlds? and finally, RAW Versus JPG – Why You Might Want to Shoot in RAW Format

Are you guilty of making any of those camera errors?

Can you think of any other common camera mistakes that beginners need to avoid? If so, please join in the discussion and post them in the comments area below.

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Moment launches camera app with focus on manual control

10 Jul

Moment, the makers of high-end accessory lenses for smartphones, have announced the newly revamped Moment camera app for iPhone and Android. According to Moment the app “provides full manual control and a DSLR shooting experience” and it looks like the programmers have tried their best to turn the marketing promises into reality. A basic version of the app has been available for a couple of years on iOS, but this launch marks a major redesign with manual controls added, as well as support for Android users for the first time.

The app offers full manual control over exposure, ISO, shutter speed, focus, and white balance via on-screen sliders. You can double-tap the screen to separate focus and exposure and on the iPhone version there is even a dual-stage shutter with half and full press, thanks to Apple’s 3D Touch technology.

Photographers can shoot in Raw mode and select from HEIF, HEVC, TIFF, and JPEG image formats. In video mode you can change framerate and video modes from the main screen, without a need to dive into the menu.

If you own a smartphone with dual-camera, the Moment app allows you to manually control which camera module you want to shoot with. This feature is especially useful when using Moment or other accessory lenses. Other features include a Live Histogram and Auto Video Stabilization.

The app is free to download and try but you’ll have to invest $ 2.99 for the iOS version and $ 1.99 for the Android version to get access to the complete feature set.

Articles: Digital Photography Review (dpreview.com)

 
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Quick Beginner’s Guide to Processing RAW Files in Photoshop Adobe Camera Raw

07 Jul

Do you shoot RAW but then open it without processing? When you take a photo in RAW format, regardless of the name each brand gives to it, what you’re doing is saving a bunch of data without processing it inside your camera. This way you have more information to work with during your post-production stage.

But having too much of something can sometimes seem daunting when you don’t know how to approach it and as a result be a limiting factor instead of opening up your possibilities.

Adobe Camera Raw – Processing Raw Files in Photoshop

This quick introduction guide explores the basic tools of Adobe Camera Raw (ACR) so that you can step into post-processing this digital “negative” and understand its possibilities but also its limitations, as not all can be fixed.

ACR Raw Post-processing Photoshop Basic Adjustments

Whenever you open a RAW file in Photoshop it won’t open in the interface that would normally go to when opening a JPG or a TIF file. It will open it in a window known as Above Camera Raw (ACR). Here you’ll see a lot of options that can look intimidating and give you the impulse to just click open and work directly on Photoshop.

However, if you do so then you’re missing out on a lot of opportunities, most importantly its non-destructive qualities. Please note, that I’m not going to explain the tools in the order you’ll find them in the ACR panel because some of them are related to each other and therefore it’s clearer to explain them together regardless of their position.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

EXPOSURE

The first slider you will see is Exposure. This would be the equivalent of changing your shutter speed or f-stop settings up to five steps up or down. What this does influence the brightness of your entire image. Look at the example below to see how far you can push it in either direction.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - exposure

CONTRAST AND CLARITY

The next slider you’ll find is Contrast, this refers to the relationship between the lighter and darkest areas of your photo. If you slide it to the right you will increase the contrast which is why a plus sign (+) will appear next to the amount. Moving it to the left will decrease contrast, therefore a minus (-) sign appears. This will flatten the image as there will be less tonal range in between dark and light tones in your image.

A few sliders below Contrast you’ll find Clarity. This is a tool I really like because it gives a nice punch to your photos but it’s easy to overdo it and having them look unnatural, so just be careful. I am mentioning it here because it also adds contrast but this is only to the mid-tones (technically it finds and enhances edges in the image), plus it gives a sharp/unsharp effect to the image.

Note: Clarity is not an actual sharpening tool.

Here’s an example pushing both tools to the limit in either direction so you can see that even if they are related, the result is not the same.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - contrast and clarity

HIGHLIGHTS AND WHITES

Then there is the Highlights slider which I’ll explain together with another one, Whites. I’m doing this because they are closely related. The names are actually quite accurate but somehow their use is still difficult to grasp. Having said that, I’ll try to make it more clear.

The Highlights slider controls the tonal range from the lighter parts of your image, like this:

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - highlights slider

The Whites slider should have its name in the singular to make it more clear because what it does is set the white point of your image, in other words, the brightest pixels.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - whites slider

So if you move the white point of the image, it will have an effect on the range of the highlights. Let’s see them work together.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw - highest highlights

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

SHADOWS AND BLACKS

In between those sliders you’ll find one called Shadows which together with Blacks works the same way as Highlights and Whites, but in the other side of the light scale.

Therefore, the Blacks slider sets the black point of the image and affects a wider tonal range than the one affected by shadows that refers to the darkest parts. Check the example below to have an illustration of how they work.

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

SATURATION AND VIBRANCE

Saturation is the next slider on the list. It has an impact on all the colors of your image so keep an eye on the entire image while you are applying it and not just on a detail or a zoomed-in portion. If dragged completely to the left you’ll lose all color and leave your image black and white. Dragged all the way to the right, Saturation can reach very intense colors.

However, if you only want to affect the colors that are dull, to begin with instead of the entire image, then you should use the Vibrance slider. This one can also have a big effect, to the point of reaching unnatural colors so be careful. Look at the difference:

Quick Guide to Processing RAW Files in Photoshop Adobe Camera Raw

When you’re happy with your image, you can just save the changes and leave it as is or you can open the image in Photoshop to continue working on it.

However, if you’re choosing the latter I suggest that instead of just clicking Open Image, press the shift key so that the button changes to Open Object. This way you’ll open your image on Photoshop as a Smart Object and you can come back to these ACR options and make some more adjustments later if you need to.

To learn more about it I invite you to check my tutorial How to Create with a Good Workflow Using Smart Objects in Photoshop.

Conclusion

I hope this makes it more clear for you. Remember that ACR offers other menu possibilities and there are various menus and tools that were too much to cover in this quick, beginner’s guide. So use this as a base and then keep exploring!

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PinBox is a DIY 120 format pinhole camera made from cardboard and an acid-etched aperture

07 Jul

Not all Kickstarters need to be overly-ambitious projects with goals reaching six figures. Sometimes, they can be humble, affordable, and downright fun. Case in point is PinBox, a DIY pinhole camera from the Hamm Camera Company.

The PinBox is a do-it-yourself 120 format 6×6 pinhole camera designed specifically to teach you how to make your own.

This is the second crowdfunding effort from Hamm Camera Company. The first was a Kickstarter for NuBox 1, a modular box camera that blew away its funding goal and started shipping out March 2018.

The PinBox kit, which is still available as a ‘super early bird’ special for $ 20, comes with pre-cut sections of cardboard for the frame of the camera, four film winding keys (two flat and two raised) and a precision-made acid etched aperture disk.

PinBox has a focal length of 30mm and a variable aperture, depending on the disk you choose from. Hamm Camera Company suggests going with the F120 or F200 aperture disks, but says it’ll have ‘a whole range of apertures to choose form in the backer survey’ for ‘about’ $ 6 a piece and available in sets at a discount.

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Similar to the NuBox 1, the PinBox is meant to be tinkered with and altered. In Hamm Camera Company’s own words:

Our unique design changes the playing field of conventional cardboard pinhole camera. Our approach is to create a camera from cardboard that you can rapidly iterate. Want to double your focal length? Go for it.

Each kit comes with a digital PDF with layout and instructions so you can tweak and adjust your PinBox as you see fit. All photographs currently show the PinBox camera as plain cardboard, but the Kickstarter notes the team is still working on various finishes, including color options such as red, blue, yellow, grey and maybe more.

PinBox is set to ship ‘around the end of August 2018.’ Once the early bird specials are gone, it’ll cost you $ 27 for a complete PinBox kit, as well as an additional $ 7 for shipping in the United States and $ 14 for international shipping.

To find out more details and to pre-order your PinBOx, head on over to the Kickstarter campaign.

Articles: Digital Photography Review (dpreview.com)

 
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