In this guide we take a look at the best of the current crop of mirrorless interchangeable lens cameras, with options spanning a range from beginner-friendly to souped up state-of-the-art.
Articles: Digital Photography Review (dpreview.com)
In this guide we take a look at the best of the current crop of mirrorless interchangeable lens cameras, with options spanning a range from beginner-friendly to souped up state-of-the-art.
Articles: Digital Photography Review (dpreview.com)
We’ve updated our recommendations for the best DSLRs at a range of price points. From entry-level to semi-pro, we’ve highlighted the cream of the crop.
Articles: Digital Photography Review (dpreview.com)
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Until recently, aerial photography (and videography) was a costly proposition requiring helicopters, airplanes, or build-it-yourself rigs. Thanks to inexpensive drones this is no longer true, and it’s not surprising that so many photographers have discovered drone photography and the unique perspectives it can provide.
All of the products in this guide fall into the ‘buy and fly’ category, meaning they require no extra components or customizations. Our picks are ready to fly right out of the box or with minimal assembly. Options range from personal ‘selfie’ drones to advanced models capable of producing Hollywood-grade photos and video.

The DJI Mavic 2 Pro is our top pick for professionals or enthusiasts aiming to capture the highest quality imagery possible with a small, foldable, compact drone that can be taken anywhere. The first consumer-grade drone to feature a Hasselblad camera, the 20MP 1″-type CMOS sensor also takes advantage of Hasselblad’s Natural Color Solution (HNCS) technology to ensure increased color accuracy.
This model includes DJI’s very robust OcuSync transmission system, a 3-axis mechanical gimbal to stabilize the camera, and the 10-bit Dlog-M color profile as well as 4K 10-bit HDR video support. It can capture UHD 4K/30p, 2.7K/60p, and HD/120p footage with a 70° Field of View, and video can be recorded using either H.264 or H.265 codecs at up to 100Mbps. Quickshots settings including Hyperlapse, plus an improved Advanced Pilot Assistance System (APAS) which detects obstacles on all sides of the aircraft and enables it to fly around them, allowing the pilot to focus on capturing stellar footage.
The Mavic 2 Pro is ideal for most professionals and serious hobbyists interested in creating crisp, clear, detailed imagery. Professional cinematographers may want to look at an Inspire while those looking to get a close up of an object from a distance might prefer the Mavic 2 Zoom.

The DJI Mavic Mini is our top pick for users for whom portability and fun outweigh absolute image quality. This affordable, ultra-compact model is small enough to be a true ‘take anywhere’ drone. Despite its small size it boasts 30-minute battery life and includes a 3-axis gimbal for smooth, stable video recording.
It can record 2.7K/30p video using a 40 Mbps codec, generating pleasing video footage, though photos are limited to Jpeg format. The Mini includes several of DJI’s QuickShots settings including Dronie, Rocket, Circle and Helix.
Between its minuscule size, long battery life, and pleasing photos and video, the Mavic Mini should meet the needs of most casual users and travelers. If getting the absolute best image quality possible is your top priority, however, take a look at our top pick with a larger image sensor.
We considered all of the drones below when selecting our winners. Choosing the right drone is a very personal choice that depends on the specific combination of factors that matter most to you, so take a look at all the drones for a detailed breakdown of their strengths and weaknesses.
Also Consider:
Articles: Digital Photography Review (dpreview.com)
We recently named the Canon EOS M200 our top choice for cameras under $ 500, and we’re recognizing it again – this time as the best easy-to-use camera on the market.
Articles: Digital Photography Review (dpreview.com)
We’ve updated our guide to the best cameras for landscape photographers with a new overall winner: the Sony a7R IV. Take a look at the full shortlist for all of our picks.
Articles: Digital Photography Review (dpreview.com)
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Artisanal scented candles. At-home spa treatments. Really nice socks. They’re the kinds of things we could buy for ourselves, and they’d probably be really nice to have. But they’re just barely on the wrong side of the practical/frivolous divide, so we keep making do with mediocre socks. This, my friends, is the Gift Zone: items that have practical use, but are luxurious enough that the recipient probably wouldn’t buy them for themselves.
If you’re shopping for a photographer and are looking for something a little special, something in the Gift Zone, you’re in the right place.
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Wrist straps are great. Should you dangle a whole DSLR from your wrist? Definitely not. Instead, we like them for those in-between times – when you’re not actively shooting, but want your camera in hand and at the ready. A quality wrist strap provides a little more security and support in those moments.
The Peak Design Cuff does all of these things, and is definitely nicer than the wrist strap that came with the compact camera you bought in 2007. It uses the company’s Anchor Links to attach easily and securely to a camera, and a metal loop can be used to cinch the strap tighter to the wearer’s wrist.
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If the Digital Storage Police ever busted DPReview headquarters they’d find plenty of criminal offenses, like loose memory cards tucked into dusty desk drawers and backpack pockets. There’s a better way. An SD card wallet is a small step toward better storage organization, or a nice companion to an already functional digital storage workflow. Plus, it looks fancy. Cecilia is one of our favorite camera strap makers, and its leather SD card wallet looks snazzy in black, brown or charcoal.
Anyway, please don’t call the Digital Storage Police on us. We’re serious.
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A camera cube will turn just about any larger bag into a camera bag, which is handy; sometimes you need your camera but don’t want to carry an actual camera bag. Topo’s camera cube is just right for the job – it’s durable, big enough to hold a full-frame mirrorless camera and lens, and fits like a dream inside a full-size Herschel Little America backpack. It even ships with a shoulder strap if you want to use the cube itself as a bag.
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Photographers are often also travelers, which means there’s a high probability that they stuff a lot of cords and small personal items into Ziplock bags four hours before they fly anywhere. A set of travel pouches won’t make them a more organized person, but it will conceal a mess of chargers and power adapters in an attractively-designed vessel.
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See previous note about photographers also being travelers. The 5-in-1 adapter stacks into a neat package and includes a color-coded guide indicating which plug is used in which country. Plus, the ‘fifth’ functionality is a couple of handy USB ports, which is useful no matter where you are on the globe.
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Enamel pins are enjoying a real resurgence in popularity these days. Pretty much any pop culture object or character has been enamel-pin-ized, so it should come as no surprise that you can find a pin that pays homage to your favorite vintage camera or film stock. We knew we could count on you, Etsy.
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Books? Books! Help bolster a New Year’s Resolution to reduce screen time by providing an alternative: a coffee-table-worthy photo book. If you’re unsure of where to start, head for the classics like Walker Evans, Dorothea Lange and Vivian Maier. National Geographic is another safe bet – its curated collections rely on decades of world-class photography.
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We weren’t kidding about the really fancy socks. Would any of us spend $ 30 on a single pair of socks? Heck no. That’s why they make an ideal gift. For a photographer, getting the shot can sometimes mean getting yourself into environments that are cold, or wet, or an unpleasant combination of the two. A good wool sock is essential, and Filson’s thermal socks fit the bill.
Articles: Digital Photography Review (dpreview.com)
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Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you’ll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses.
We’ve selected a group of cameras that meet those requirements and will produce pro-looking portraits that will satisfy your clients.

It’s hard not to recommend Sony’s a7R IV as a portraitist’s main camera. It gives you a ton of resolution that’s backed up by an autofocus system that excels on focusing perfectly on your subjects’ eyes. You also get excellent battery life, a high-res viewfinder and refined ergonomics that make this the best-handling a7-series camera yet. Helpfully, there’s an extensive lens catalog of solid portrait options, including both zooms and primes, as well as a solid set of Sony flashes (though they wont help you out with an AF assist grid in low light).
Our main qualms are that the autofocus accuracy can dip during burst shooting with unpredictable subjects such as fast-moving children and that the user interface is both a little laggy and not as user-friendly as it could be. But the results speak for themselves: this is an absolutely excellent option for photographing people.

The Sony a6600 incorporates some of our favorite aspects of the a7R IV into a smaller, more affordable body: including superb autofocus tracking, great image quality and industry-leading battery life. There are also some good prime lens options for the a6600 that won’t break the bank, including Sigma’s 56mm F1.4 and Sony’s 85mm F1.8.
Our concerns from the a7R IV remain, however, including more pronounced user-interface lag. Additionally, the ergonomics on the a6600 could do with some updating to bring them in line with the camera’s overall capability: this series of cameras has not benefited from the refinements bestowed upon the company’s full-frame models.
Overall, though, the a6600 will assist you in capturing accurately focused, properly exposed images of people time and time again.
While the Sony a7R IV and a6600 were our winners, there are several other cameras well-suited for portrait photography that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:
Also available:
Articles: Digital Photography Review (dpreview.com)
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Family moments are precious, and sometimes you want to capture that time spent with friends or loved-ones in better quality than your phone can manage.
We’ve selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.

We’ve chosen the Sony a6100 because its autofocus system is so good at focusing on people. With very little effort, it will find people and stay focused on them, even if they look away, reacting quickly that you can capture the perfect expression. It’s a pretty small camera, which makes it easier to carry with you.
Our review includes a couple of tips for setting up the camera, but with just a few tweaks it does a good job of making it easier to grab those memorable moments. It’s also pretty adept at shooting video clips, and can easily transfer images to your smartphone.
The compact 16-50mm power zoom lens it’s usually bundled with is convenient, though not the sharpest kit lens out there, but there are a number of comparatively affordable single focal length lenses available which improve the camera’s low-light performance and let you blur the background of your images.
While the Sony a6100 was our winner, there are several other cameras well-suited for photographing family and friends that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:
Also available:
* This camera has not been fully reviewed and is therefore not yet eligible for an award.
Articles: Digital Photography Review (dpreview.com)
The post Prime Lens vs Zoom Lens – Find Out Which is Best Suited to You appeared first on Digital Photography School. It was authored by Simon Bond.

An important discussion in photography circles revolves around which lenses you use. The answer to this question will certainly rest on the type of photographer you are. The needs of a landscape photographer are very different to those of a portrait photographer. In this article, we’ll look at prime lens vs zoom lens, and you’ll be able to decide which is the right setup for you.
It’s possible you’ll go for a mixture of both lens types, or you might keep to just prime or just zoom. Read on and find out the pros and cons of both of these lens types.
This photo was taken using a wide-angle zoom lens. Zooms lens are great for dynamic situations that may require a quick change in focal length.
There are many lenses on the photography market, it’s not all about zoom lens vs primes lens. The focal length of your lens can also have a defining impact on your photo as well. So in addition to zoom vs prime, you also have 5 subcategories to consider.
The below focal lengths reflect a full-frame camera. For crop-sensor cameras, you’ll need to apply the crop factor to these focal lengths. This crop factor can be between 1.2 to 2, depending on your camera. For example, if your camera has a crop factor of 1.5, then a 17mm full-frame lens is the equivalent of 25mm on the crop sensor (17 x 1.5).
These categories are worth considering. If you choose to mix and match your zoom lens with your prime lens, then perhaps having zoom for the telephoto end of these focal lengths, and prime for the standard and a wide-angle lens is an option. As there is a limit to the number of lenses you’re going to carry if you’re on location, some tough decisions need to be made.
Ideally, you’ll carry two or three lenses with you, in addition to your camera body.
Prime lens are of fixed focal length. Here you can see a 135mm, a 50mm and a 100mm lens. The 100mm is a macro lens.
A prime lens is a lens with a fixed focal length that you can’t change. The most well-known prime lens is the 50mm, it’s probably the first prime lens most photographers will use. So why would you use a lens like this, when you can’t quickly change the focal length? There are several advantages.
This photo was taken using the 135mm F2. It’s low light, and the background has been blurred by the high aperture.
Prime lenses are considered best for portrait photography but don’t discount them for landscape photography as well. The 14mm prime lenses can be exceptional when it comes to landscapes. Plus, that large aperture means they’ll outperform their zoom lens counterparts when it comes to niche fields like astrophotography where you want to photograph the milkyway.
So here is a selection of situations you’d choose a prime lens.
A zoom lens can have it’s focal length changed. Here you can see a 28-105mm lens and a 70-300mm lens.
Okay, next up in the prime lens vs zoom lens debate is, of course, the zoom lens. These lenses have a variable focal length, which in the majority of cases can be manually adjusted.
The ability to quickly change focal lengths can be vital for certain situations that are constantly changing. Think of wedding, event or sports photography. In fact, many landscape and portrait photographers choose zoom lenses because they don’t want to keep changing lens in order to change focal length.
So what’s the drawback to this, and what are the advantages?
A zoom burst photo is something only a zoom lens can achieve.
A zoom lens is a versatile lens that can be used in many situations, owing to its ability to change the focal length.
There are some situations where it’s particularly good though, and you’ll see those listed below. It should be noted that those zoom lenses with an aperture of f2.8, will also work very well for portrait photography – it’s just these lenses are heavy.
So you have a choice between the lighter primes lenses with their large apertures or the more versatile zoom lenses that allow you to change the focal length but are often much heavier to carry.
Which is the correct choice for you?
A lot of photographers will feel f2.8 is a large enough aperture for them and go for three zoom lenses that cover wide-angle, standard, and telephoto focal lengths. However, that’s going to be a very heavy bag to carry. And, add in a tripod, and you might need to make friends with a chiropractor before long.
This photo shows bokeh created using a prime lens.
Primes lens vs zoom lens have their pluses and minuses, but for some photographers, there will be clear winners. Take a look at this list of photographer types, and the lenses typically used by these photographers.
The debate over prime lens vs zoom lens won’t be settled in this article. It’s too complex for that, and it really depends on what type of photography you do. We’d love to hear your opinions at digital photography school. What type of photographer are you, and what lens preference do you have? As always we’d love you to share your thoughts and photographs in the comments section of this article. Thanks for reading.
The post Prime Lens vs Zoom Lens – Find Out Which is Best Suited to You appeared first on Digital Photography School. It was authored by Simon Bond.
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