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The 5 Best Portable Photo Printers in 2019

04 Jan

The post The 5 Best Portable Photo Printers in 2019 appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Do you like to print your photos? In this video from, 10BestOnes, they delve into the 5 Best portable photo printers in 2019. Starting from number 5 and working down to number 1.

Are there any others you would add to this list? If so, share with us in the comments!

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The 5 Best portable photo printers in 2019

5. Kodak Mini 2

The 5 Best Portable Photo Printers in 2019

The Kodak Mini 2 is a small size, measuring 1x3x5.2 inches, and features a colorful print quality that uses a 5-step layered printing process. The images have great vibrancy and detail.

It has ease of use, a fast set-up, and great functionality with the mobile app. The Kodak Mini 2 comes in white, black, blue, pink, and purple and is small enough to fit in your pocket.

Its uncomplicated design consists of a power button and a USB port for charging the printer. There is a built-in lithium battery lasting for around 15 prints.

The Kodak Mini comes with a Kodak app for Android and IOS devices. It is great for editing and adjusting images for print, and has some great templates for printing business or greeting cards. It prints wirelessly at a speed of 1min15sec for a 2.1×3.4 inch photo.

4. Fujifilm Instax SP-3

The 5 Best Portable Photo Printers in 2019

Fujifilm is a leading expert in photography, bringing the retro look back to photography. The Fujifilm Instax SP-3 continues the retro vibes with prints that look like polaroids.

It’s portable, with great ease-of-use, and works great with smartphones.

It has an attractive design with a high-quality build made from soft plastic. It’s expertly constructed, as it should be with its premium price tag.

The device measures 6.1×6.1×3.7 inches (weighs 1.3 pounds) in total, meaning it can fit in most backpacks.

The Fujifilm Instax SP-3 has a rechargeable battery. LED lights on the printer let you know how many shots you have remaining before having to recharge the printer. It also has a reprint button so you can easily reprint the same image as many times as you like without having to go through the app each time.

The app is attractive and intuitive and has a history section, too, so you can go back and easily print photos you’ve previously printed.

Fujifilm Instax SP-3 print size is a square format at 2.4×2.4 inches at a resolution of about 800×800, which gives 318dpi. The color and reproduction are fantastic, and it takes around 13 seconds to print.

3. Kodak Mini Shot

kodak-minishot

The Kodak Mini Shot is an instant camera and printer in one retro-style device. Available in a range of colors, the camera comes in blue, pink, yellow, purple, black, and white.

Measuring 5.2x3x0.9 inches in size, the Kodak Mini Shot weighs only 0.5 pounds, meaning it can easily fit into your pocket.

On the back are a small LCD display and set of buttons that allow you to select and print your photos.

However, there are a few downsides to this device.

There is no way to save your photos to the device for printing later. It has no viewfinder, making it difficult to see if your subject is in focus. The battery life is not great, and the LCD screen takes a while to refresh when you move the camera.

Downsides aside, the print quality is still relatively good. It prints in a 2.1×3.4 inch format and takes about 30 seconds to print.

Also, the app delivers filters and customizations before printing.

2. The Polaroid Mint

The 5 Best Portable Photo Printers in 2019

The Polaroid Mint has amazing qualities in a hipster, light package. It has the best battery life and photo quality from a portable printer. It’s pocket-sized, measuring in at 4.5x3x0.7 inches and weighing 7.2 ounces.

It has a simple design with the Polaroid logo engraved on its body and is available in black, blue, yellow, red, and white.

The Polaroid Mint can house 50 print sheets in its body. It has a rechargeable, 900mah battery with amazing run time, with the ability to print about 40 photos on a single charge. It uses zinc zero-ink paper that can easily slide into the device. Moreover, you don’t need to replace ink cartridges because it doesn’t use them.

The Polaroid Mint has wireless connectivity, linking to the app on your phone. It can also lodge a micro SD card up to 256GB so that you can store photos in it.

The print size is the standard 2×3 inches. It prints with amazing quality and contrast.

1. HP X7NO7A Sprocket

The 5 Best Portable Photo Printers in 2019

The best overall printer in the market is the HP X7NO7A Sprocket. It’s a small and portable device with easy-to-use functions, quick print speed, and integration with its app, Facebook and Instagram, and other features to make your life easier.

Utilizing zinc sheets, the HP X7NO7A Sprocket doesn’t use ink cartridges. It has a well-made design with a sleek look, and rounded corners. The size of the HP X7NO7A Sprocket is 4.5x3x0.9 inches, and it weighs 6 ounces.

The white casing has copper details around the center and logo, and there are minimal details. It only has the power button and the USB socket. Its connectivity is only via Bluetooth.

The app is fool-proof and makes editing and printing your photos very easy. It can print a photo in 42 seconds. While the print quality is great, the color isn’t very saturated. However, overall, the device delivers tremendous value for the price.

 

You may also find the following helpful:

  • Practical Color Management – How to Set Up Your Printer to Match Your Monitor
  • How to get more from your printer – besides good quality prints!
  • Printers – Laser vs Inkjet
  • Polaroid PoGo Mobile Printer Review
  • Photo Printers: Choosing the Best One for Your Needs

The post The 5 Best Portable Photo Printers in 2019 appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Why DaVinci Resolve 16 is the best video editing software for beginners

03 Jan

Blackmagic Design DaVinci Resolve 16
Free | blackmagicdesign.com

Resolve 16, a tool for all creators?

The explosion of user generated video content for websites like YouTube has led to the launch of several competing non-linear-editors (NLEs) aimed at consumers, which vary in terms of price, feature set and upgradability. So, how do you choose which one to use?

One great option is DaVinci Resolve 16 from Blackmagic Design. The software is available for free from Blackmagic, but it’s not the only low-cost entry in the NLE arena, so what makes it different, and why is it so attractive to users getting into video editing for the first time?

First, a little bit of history. Originally created by da Vinci Systems in 1985, the software was designed mainly for color grading and color correction and ran on hardware costing more that $ 150,000. It has evolved both in terms of features and pricing model since Blackmagic Design acquired it in 2009. The most recent version, Resolve 16, introduces a more streamlined and less complicated workflow for many users, particularly those new to using NLEs, to edit video.

First time users

Opening up the software for the first time can be rather intimidating for those who haven’t used an NLE before. The sheer number of windows and buttons can be rather daunting. The only NLE I can think of which doesn’t introduce this sort of shock is iMovie, however that program has limitations for users who might want to move their work into the professional arena.

When opening Resolve you’re initially greeted with a window that allows you to open an existing project or create a new one. Once you have a project open in the main interface, you’ll see a row of workspaces for various parts of your edit along the bottom of the window. Blackmagic calls them ‘pages’. These are termed Media, Cut, Edit, Fusion, Color and Deliver, and are arranged left to right in order to assist with the workflow. You can jump between pages at any point.

The newly introduced Cut page allows a more simplified workflow.

Is it complicated?

The introduction of the new Cut page in Resolve 16 has simplified some of the traditional workflow that was visually complicated. The inclusion of a page with fewer options will attract a number of new users. It’s very easy to quickly add shots to the timeline and trim them without having to invoke the more complicated Edit page, which can be a little complicated.

The quick export option allows access to some render presets without the need for the Deliver page.

That’s not to say that you have to use the Cut page since at any time you can jump between any of the pages. This might seem confusing at first, but it’s done in a way that allows you to use the more complicated features when you’re ready. When you start out, for example, you may find that you don’t need to use the Fusion page (for VFX work) or Fairlight page (for audio), but inevitably you will probably want to use some of the features these pages offer as your skills and requirements change. The other great thing about the Cut page is that a number of common functions can also be accessed there. For example, there’s no need to go into the Deliver page to render files as you can export your edit within the Cut page.

One thing you don’t get is any sort of guided workflow. Some basic previous knowledge is assumed, but there are plenty of excellent online tutorial videos available on YouTube from channels like learncolorgrading and JayAreTV.

The Fairlight page enables fine tuning of your audio with features like EQ and dynamics filters.

As with any new version of software , the launch of Resolve 16 brings a lot of added features and improvements. For example, with previous versions it was easy to start editing only to realize later that the key settings – resolution and frame rate – had not been set correctly. In the past this could mean that you had to start again for optimal results. This is no longer a problem with Resolve 16 as a new timeline can be created with the correct settings without the need to create a new project.

How much?

I mentioned this selling point in a previous paragraph, but what exactly is the cost of Resolve 16?…$ 0. Yes, that’s correct, you can download and use Resolve 16 for free. No time limited trial, no logo burn in and no limitation to the length of your final output.

Yes, that’s correct, you can download and use Resolve 16 for free.

The free version of DaVinci Resolve does have some limitations, although a lot of these may not be important for those just starting out or even the more advanced user. Some key limitations are that the free version doesn’t offer HDR support or timelines with a resolution greater than UHD 4K. You’re also limited to using a single GPU, and I’ve found that the rendering speeds with the studio version are appreciably quicker. This is because you can select native Cuda acceleration in the Deliver page if you have an Nvidia graphics card.

There are other limitations as well which are detailed here, although the linked table should only be used as a guideline since, at the time of writing, it hasn’t been updated to Resolve 16 yet.

The Deliver page enables multiple exports for different platforms.

Will it work with my hardware?

There are, of course, some minimum hardware requirements for Resolve but these are quite reasonable. (It would be great to get a definitive requirements list from Black Magic Design, but that doesn’t seem to be available.)

To give you an idea of what’s possible, I previously ran version 14 on a 2012 Macbook Pro and, although a little slow, it did work. My current setup uses an AMD Ryzen 1700x with 32GB of RAM, along with an Nvidia GTX 1070Ti, and it works well for me. That’s not to say things wouldn’t be much quicker with better hardware but that’s a nice thing to have rather than a necessity.

One of the many upgrade options: the dedicated Resolve 16 keyboard, which includes a real jog shuttle wheel.

What’s the catch?

So why does Blackmagic offer such a full featured video editor for nothing? Well, they’re hoping that you like the free version of Resolve so much that you want to buy into their ecosystem. The upgrade path to Resolve Studio costs $ 299, but Blackmagic also sells a number of related hardware products that will assist you in your editing. These range from a dedicated editor keyboard at $ 995 to a control grading surface at $ 1025, and even a full production suite which retails at a staggering $ 30,805. This might seem like overkill for people just starting out, but you should know that Resolve is also used in professional post production facilities world-wide. There are options for all budgets.

The next question is which version should you get, the free version or Studio? There’s no penalty in trying the free version and then upgrading later if you need features in the Studio version. Why upgrade? For me it meant faster renders, and time is money. I also considered some of the additional VFX filters that are included for $ 299 and it made sense for me.

You can also upgrade the Studio version without cost to the next version. I went from 15 Studio to 16 Studio without paying any extra. Traditionally, this has been a selling point of Resolve.

Resolve 16 offers comprehensive color grading tools, including power windows

Help, I’m stuck

In addition to YouTube there’s a very active user community via the Blackmagic forums where developers and industry professionals with hundreds of years of combined experience can help you out. There are always more features that could be included, and as the number of users of Resolve has expanded so have the feature requests. Blackmagic is listening, hence the introduction of the Cut page and the ability to create timelines in the same project that have different frame rates and resolutions.

There’s also the recently published Beginner’s Guide to Using Resolve 16, but at 444 pages it may take some time to get through.

Is it for you?

The short answer is, it depends. I’d say give it a go, after all it costs nothing to try it. If you find it difficult to use then try watching some of the videos linked above. I find myself watching some of them when new features are introduced or if I need to look at a function that I’ve never used.

There are many functions you may never use, but it’s great to know they’re available if you ever need them. If you’re not limited by the software, you can develop your skill set as and when required.

What we like

  • Free version works for most users
  • Modest hardware requirements
  • Available for Windows, Mac and Linux
  • Excellent support resources, especially via YouTube
  • Reasonable upgrade cost if you require additional functions ($ 299)

What we don’t like

  • Can appear intimidating to new users
  • Lacks some support documentation

Articles: Digital Photography Review (dpreview.com)

 
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The Fujifilm X-T3 is still our pick for the best camera under $1500

25 Dec

We’ve updated our guide to the best cameras under $ 1500 and despite some serious competition from newer models, Fujifilm’s excellent X-T3 remains our top pick in the price bracket.

Articles: Digital Photography Review (dpreview.com)

 
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Best cameras for Instagram in 2019

20 Dec

Although smartphones are the default choice, a lot of the most attractive lifestyle photographs on platforms such as Instagram are shot using ‘traditional’ cameras.

We’ve chosen a selection of models that make it easier to shoot high-quality, compelling lifestyle images, whatever you intend to use them for. We’ve considered the need to offer a pleasant degree of background blur, the availability of wide-angle lenses and the ease with which they’ll focus on people.


The experienced photographer: Fujifilm X-T3

The X-T3 makes an excellent camera for attractive lifestyle photography. Fujifilm offers an array of relatively affordable prime lenses that let you shoot high-quality lifestyle photos. The X-T3’s ‘Film Simulation’ color modes then make it easy to make these shots look as engaging as possible without requiring a ton of editing. The camera’s face and eye detection isn’t the best, but it’s sufficiently good that you can concentrate on your composition and conveying the almost-too-good-to-be-true life moment, rather than worrying about focus.

For the beginner: Canon EOS M50

The EOS M50 can’t match the Fujifilm for lens choice but both Canon and Sigma offer a couple of keenly priced prime lenses that can give that slight background blur that helps your subject stand out. Its main advantage is a simple, primarily touchscreen-based interface that lets you get great shots without having to play with lots of dials.


We considered the cameras below when picking our winner, and even though we think the Fujifilm X-T3 and Canon EOS M50 are the best choices, the other cameras on our shortlist are also worthy contenders.

  • Our pick: Fujifilm X-T3
  • Our pick: Canon EOS M50

Also consider:

  • Canon EOS RP
  • Canon PowerShot G5 X II
  • Fujifilm X100F
  • Nikon Z6
  • Panasonic Lumix DC-LX100 II
  • Sony a7 III

Articles: Digital Photography Review (dpreview.com)

 
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Blog Project: Your Best Photos From 2019

18 Dec

It is time to kick off the 13th annual best photos of the year blog project! I’m proud to say over the years that hundreds of photographers have taken part (see Best Photos of 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008 and 2007).  It’s great to see the community of photographers that have developed around this blog project. As always I hope the exercise of picking your best photos helps improve your photography (10 Ways to Top Your Best 20xx Photographs).

So without any further delay here is how you take part to submit your best photos of 2019.

How to Participate (Read Carefully)

  1. Review & select your best photos from 2019.
    Note: Photo edit carefully narrowing down your results to your best 10 or 5 photos. Reference Pro Tips: Photo Editing with Gary Crabbe for pointers.
  2. Create a blog post on your website or a Flickr set containing your best photos from 2019.
  3. Complete the form below by Sunday JANUARY 5th at 11:59PM PST to take part. The following Tuesday, or thereabout, I’ll post a link to all submitted sites and photos on my blog. Throughout the week I’ll also share the results across all my social media accounts.

Spread the Word!
Feel free to spread the word of this project on Twitter, Facebook, Instagram, photo forums you frequent and/or your blogs. All who are interested in taking part are invited.


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JMG-Galleries – Landscape, Nature & Travel Photography

 
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The results are in! Best gear of 2019 – winners and runners-up

17 Dec

Winners and runners-up: Best gear of 2019

For the past few weeks, our readers have been voting on their favorite photographic gear in three categories: Best camera, best zoom lens and best prime lens. Now that the first round of voting is over, it’s time to reveal the winners.

Remember, it isn’t over just yet! It’s time now to pick an overall winner.

Don’t miss this rare opportunity to exercise your democratic right to vote for something that doesn’t matter in the slightest! Cast your ballot now!

Best prime lens – Runner-up: Nikon Nikkor Z 58mm F0.95 S Noct

Essentially a demonstration of just what the ultra-wide Z mount is capable of, the Nikon 58mm F0.95 is a reimagining of the classic ‘Noct Nikkor’ for the 21st Century. The first thing that most people notice about this manual-focus lens is its sheer size, and substantial weight. Nikon didn’t cut any corners with the Noct, and it shows.

Although we haven’t yet been able to properly test it, our early samples suggest that while clearly a very specialized product the new Noct is capable of doing things that other lenses simply can’t. Clearly you agree, since it took a close runner-up position in our poll.

Best prime lens – Joint-winner: Canon RF 85mm F1.2L USM

We know you hate joint-winners, but when two products are separated by only 0.2% of the vote, what are we meant to do? Competition in this category was intense this year, and the first of our two joint-winners is the Canon RF 85mm F1.2L USM – a reference prime for portrait photography fans and a superb option for Canon RF shooters.

Best prime lens – Joint-winner: Sony FE 135mm F1.8 GM

Tied for the winning position was another superb prime lens – Sony’s FE 135mm F1.8 GM, taking 11% of the total vote.

Practically flawless in terms of common optical aberrations, and capable of beautiful rendering wide-open, this is another excellent option for a7-series and a9 photographers, especially those who are interested in portraiture. We really like this lens, and clearly you do too.

Best zoom lens – Runner-up: Nikon Z 24-70mm F2.8 S

Nikon has spent the year consolidating its Z-mount lens lineup, and the Z 24-70mm F2.8 S is one of the most impressive offerings yet, featuring a highly advanced optical construction including Nikon’s new ‘Arneo’ coating.

Fast and sharp, and capable of very good close focus image quality, the Z 24-70mm F2.8 S is exactly what a standard zoom lens should be: a reliable and versatile tool capable of everything from landscapes to portraiture.

Best zoom lens – winner: Canon RF 70-200mm F2.8L IS USM

Topping the poll this year for best zoom by a comfortable margin was a very different kind of lens, but designed for a similar kind of photographer. The Canon RF 70-200mm F2.8L IS USM is a high-performance fast telezoom aimed at professionals and high-end users, which offers stunning performance.

Its combination of excellent sharpness, very effective optical image stabilization and a compact form-factor (at 70mm) make this a winning zoom, in more ways than one. But was it the best product of 2019? Let us know by casting a vote in the final poll.

Best camera – runner-up: Fujifilm GFX 100

Fujifilm’s GF-series of medium-format mirrorless cameras continues to evolve and with the GFX 100, the company really pulled out all of the stops. The first medium-format camera to offer IBIS, the 100MP GFX 100 is a supremely capable product for both stills and video.

While its $ 10,000 asking price puts it out of reach of most non-professional photographers, there’s no denying that it’s an incredible impressive piece of technology, which garnered 12% of the total vote in our poll for best camera of the year.

Best camera – winner: Sony a7R IV

With 21% of the total vote, Sony’s a7R IV was the clear victor in our readers’ poll. The a7R IV also won our DPReview Award for best product of 2019, and apparently our readers like it just as much as we do.

Offering 60MP resolution, advanced autofocus and excellent 4K video features, the a7R IV is Sony’s most versatile mirrorless camera yet, and one of the most competitive in the entire market. Was it the best product of the year? Let us know by casting your vote.

Have your say

You helped determine the winners in these individual categories, so now’s the time to cast your vote in one last poll! Choose up to three favorites from this list of winners and runners-up between now and December 29th 2020 at midnight PT when the final poll closes. Watch for an announcement of the winners soon after.

As always, thanks for casting your votes and being a part of our community throughout the year.

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Have your say

$ (document).ready(function() { Poll({“pollId”:”4582898079″,”openForVoting”:true,”mainElementId”:”poll0″,”slot”:null,”isSingleChoicePoll”:false,”minNumberOfChoices”:1,”maxNumberOfChoices”:3}); })

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Canon RF 70-200mm F2.8L IS USM

Canon RF 85mm F1.2L USM

Fujifilm GFX 100

Nikon Nikkor Z 24-70mm F2.8 S

Nikon Nikkor Z 58mm F0.95 S Noct

Sony FE 135mm F1.8 GM

Sony a7R IV

Voting is easy – you pick your favorite products by dragging and dropping. You can pick up to three, and rank them in order of priority.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: The best and worst cameras and lenses of 2019

15 Dec

Our 2020 ‘Best and Worst’ episode is here! Will Jordan’s art house movie trivia drive Chris to madness? Can you make martinis with pickled tomatoes? Find out what gear the boys from Calgary liked most – and least – this year, and learn a few things you didn’t know you wanted to know.

If you disagree with their selections, tell us in the comments! If you make your own pickled tomato martinis, let us know how that works out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • The game
  • The drink
  • Best lenses
  • Most improved camera
  • Best hybrid camera
  • Best camera
  • Worst lens
  • Worst camera
  • Thanks for a great 2019!

Articles: Digital Photography Review (dpreview.com)

 
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Have your say: Best zoom lens of 2019

04 Dec

Best zoom lens of 2019

As always, there were a lot of high-quality zoom lenses released this year. These include several ‘reference’ models, as new full-frame mirrorless systems from Canon, Nikon and Panasonic start to mature. We’ve gone through everything that came out in 2019, and selected what we think are the standout prime lenses from the past 12 months, but as always – if you think we missed something, let us know in the comments.

Voting runs through December 15th, and once the vote has closed we’ll run a second poll to find your choice for overall product of the year.

Canon

For Canon, 2019 was all about filling out its new EOS R full-frame mirrorless lineup. To that end, the company officially launched several new lenses, including the RF-mount ‘holy trinity’ of F2.8 zooms. From our initial shooting, these new lenses are truly impressive. Meanwhile, the RF 24-240mm is a versatile go-everywhere zoom for EOS R and RP shooters.

Do any of these new zooms deserve a place on our list of best lenses in 2019? Let us know by casting your vote.

  • Canon RF 15-35mm F2.8L IS USM
  • Canon RF 24-240mm F4-6.3 IS USM
  • Canon RF 24-70mm F2.8L IS USM
  • Canon RF 70-200mm F2.8L IS USM

Fujifilm

Between them, the Fujifilm GF 100-200mm F5.6 and XF 16-80mm F4 fill out the company’s medium format and APS-C lens lineups nicely, offering a versatile telephoto solution and handy walk-around travel zoom lens range, respectively.

Both are great lenses, but do either of them get your vote for best zoom lens of 2019? Cast your vote and let us know.

  • Fujifilm GF 100-200mm F5.6 R LM OIS WR
  • Fujifilm XF 16-80mm F4.0 R OIS WR

Nikon

Nikon is slowly expanding its Z-mount mirrorless lens lineup, and this year released two full-frame zoom lenses, the 14-30mm F4 and 24-70mm F2.8. Both are sharp, practical, weather-sealed options for Z6 and Z7 shooters, but are they among the best zoom lenses released in 2019?

  • Nikon Nikkor Z 14-30mm F4 S
  • Nikon Nikkor Z 24-70mm F2.8 S

Olympus

Olympus has mostly focused on new cameras in 2019, but the company did release one zoom lens, designed for mid-range and entry-level M43 cameras. The 12-200mm F4 covers a useful equivalent focal length range of 24-400mm, making it ideal for travel and everyday photography. Let us know if you think it has a place on our list of best 2019 zoom lenses.

  • Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3

Panasonic

Of the several zoom lenses that Panasonic released in 2019, the majority are for its new S1-range of full-frame mirrorless cameras. But alongside its new S-range, Panasonic also released the 10-25mm F1.7 – a fast 20-50mm equivalent zoom for Micro Four Thirds. Cast your vote and let us know if any of them deserve a place in our list of best lenses released in 2019.

  • Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH
  • Panasonic Lumix S 24-105mm F4 Macro OIS
  • Panasonic Lumix S Pro 24-70mm F2.8
  • Panasonic Lumix S Pro 70-200mm F4 OIS

Sigma

Sigma’s range of ‘DN’ (Digital Native) lenses designed from scratch for mirrorless is growing, and this year saw the launch of two. We’ve only just got our hands on the 14-24mm and we’re still waiting for the 24-70mm, but we have high hopes for both. Are you among the lucky few that have used either? Either way, let us know what you think.

  • Sigma 14-24mm F2.8 DG DN Art
  • Sigma 24-70mm F2.8 DG DN Art

Sony

Sony finally answered a lot of its a6000-series fans’ prayers this year with some new zooms for APS-C. The 16-55mm F2.8 in particular is a pricey lens, but it’s a great companion for the a6600. Meanwhile, the 200-600mm F5.6-6.3 is designed for sports and wildlife enthusiasts using a7 and a9-series full-frame cameras. Do any of these zooms make your list for best lenses of 2019? Cast your vote now.

  • Sony E 16-55mm F2.8 G
  • Sony E 70-350mm F4.5-6.3 G OSS
  • Sony FE 200-600mm F5.6-6.3 G OSS

Tamron

Tamron released two zoom lenses this year for full-frame – the 17-28mm F2.8 Di III RXD for Sony E-mount and the 35-150mm F2.8-4 Di VC OSD for Canon and Nikon DSLRs. They’re designed for different users, and for different kinds of photography. The 17-35mm helps fill out Tamron’s native mirrorless lineup with a wide-angle option, while the 35-150mm is a lens intended specifically to appeal to portrait photographers.

What do you think of them? Cast your vote and let us know.

  • Tamron 17-28mm F2.8 Di III RXD
  • Tamron 35-150mm F2.8-4 Di VC OSD

Vote now!

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Have your say

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Canon RF 15-35mm F2.8L IS USM

Canon RF 24-70mm F2.8L IS USM

Canon RF 70-200mm F2.8L IS USM

Canon RF 24-240mm F4-6.3 IS USM

Fujifilm GF 100-200mm F5.6 R LM OIS WR

Fujifilm XF 16-80mm F4 R OIS WR

Nikon Nikkor Z 14-30mm F4 S

Nikon Nikkor Z 24-70mm F2.8 S

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3

Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH

Panasonic Lumix S 24-105mm F4 Macro OIS

Panasonic Lumix S Pro 24-70mm F2.8

Panasonic Lumix S Pro 70-200mm F4 OIS

Sigma 14-24mm F2.8 DG DN Art

Sigma 24-70mm F2.8 DG DN Art

Sony E 16-55mm F2.8 G

Sony E 70-350mm F4.5-6.3 G OSS

Sony FE 200-600mm F5.6-6.3 OSS

Tamron 17-28mm F2.8 Di III RXD

Tamron 35-150mm F2.8-4 Di VC OSD

Voting is easy – you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It’s not sponsored, promoted or paid for in any way and DPReview doesn’t care how you vote. Our readers’ polls are run on the basis of trust. As such, we ask that you please only vote once, from a single account.

Articles: Digital Photography Review (dpreview.com)

 
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Have your say: Best prime lens of 2019

04 Dec

Best prime lens of 2019

2019 was a banner year for lenses, as Canon, Nikon and Panasonic grow their respective full-frame mirrorless systems and Sony continued to add optics to its E-mount lineup. In this poll, we’re giving you the change to vote for your favorite prime lenses of 2019 but as always, if you think we’ve missed something, let us know in the comments.

Voting runs through December 15th, and once the vote has closed we’ll run a second poll to find your choice for overall product of the year.

Canon

Canon is busy building out its nascent EOS R full-frame mirrorless system, but while most of the action has been in the zoom category this year, Canon also added a stellar prime lens in the form of the RF 85mm F1.2L IS USM. Also in consideration is a lens which became available just a little too late to be included in last year’s poll, the EF-M 32mm F1.4 STM – a fast, compact standard prime for the APS-C M-system.

  • Canon EF-M 32mm F1.4 STM
  • Canon RF 85mm F1.2L IS USM

Fujifilm

Fujifilm has been expending a lot of energy on new cameras this year, from the entry-level X-A7 to the flagship medium-format GFX100. But the company also released a handful of lenses, both primes and zooms.

Among them were two fixed focal-length options that we’ve really enjoyed in 2019 – the GF 50mm F3.5 and the tiny XF 16mm F2.8 – both really nice, compact walk-around lenses on Fujifilm’s medium-format and APS-C format cameras, respectively.

  • Fujifilm GF 50mm F3.5 R LM WR
  • Fujifilm XF 16mm F2.8 R WR

Leica

2019 saw Leica release the refreshed Q2 and mirrorless SL2, and to accompany the latter, Wetzlar unveiled two new lenses, a 35mm F2 and 50mm F2. We’ve never no much as even handled either, but both appear to be excellent performers, and we know that you’ll have opinions.

Do either (or both?) make it on to your list of the best primes of 2019? Let us know.

  • Leica APO-Summicron-SL 35mm F2 ASPH
  • Leica APO-Summicron-SL 50mm F2 ASPH

Nikon

This year for Nikon has been all about consolidating its Z-series lens lineup, following the launch of the Z6 and Z7 in 2018. Nikon released three Z-series primes this year, and two of them (the 85mm and 58mm ‘Noct’) have impressed us in our initial shooting. We just got hold of the Z 24mm F1.8 S and it looks like another excellent performer. Let us know what you think by casting a vote.

  • Nikon Nikkor Z 58mm F0.95 S Noct
  • Nikon Z 85mm F1.8 S
  • Nikon Z 24mm F1.8 S

Panasonic

Panasonic has been putting a lot of energy into its full-frame L-mount lineup this year, and the S Pro 50mm F1.4 is a fine ‘reference’ lens for that system. But the company also found time to update one of its most popular primes for Micro Four Thirds: The Leica DG Summilux 25mm F1.4 II ASPH. Did either of them make it into your lens collection?

  • Panasonic Leica DG Summilux 25mm F1.4 II ASPH
  • Panasonic Lumix S Pro 50mm F1.4

Sigma

Sigma released plenty of lenses this year, although several were L-mount versions of existing designs. The company’s two genuinely ‘new’ primes exist at opposite poles of the company’s lineup – the small and lightweight 45mm F2.8 at one end, and the large and heavy (and pricey) 35mm F1.2 ‘Art’ at the other.

Both are excellent in their own way – did either impress you in 2019? Cast your vote and let us know.

  • Sigma 35mm F1.2 DG DN Art
  • Sigma 45mm F2.8 DG DN Contemporary

Sony

Sony had a great year in terms of lenses, releasing three high-quality prime lenses for its full-frame a9 and a7-series cameras. The FE 35mm F1.8 is a perfect walk-around lens, whereas the 135mm F1.8 is aimed more specifically at portrait professionals. Meanwhile the FE 600mm F4 is a perfect tool for sports and wildlife shooters.

Have you been shooting with any of Sony’s new prime lenses this year? Cast your vote and let us know.

  • Sony FE 135mm F1.8 GM
  • Sony FE 35mm F1.8
  • Sony FE 600mm F4 GM OSS

Tamron

Tamron launched three prime lenses this year, including a new reference prime in the ‘SP’ (Special Performance) range. The SP 35mm F1.4 is a large, heavy but very sharp medium wideangle for Canon and Nikon DSLRs, whereas the 24mm and 35mm F2.8 Di III are lightweight, everyday options for mirrorless photographers.

Do any of the three deserve a place in our final list of best primes of 2019? Cast your vote and let us know.

  • Tamron SP 35mm F1.4 Di USD
  • Tamron 24mm F2.8 Di III OSD M1:2
  • Tamron 35mm F2.8 Di III OSD M1:2

Zeiss

We’ve never seen the Zeiss Otus in person, but if it’s anything like Zeiss’s previous Otus-series lenses, it’s likely to be a seriously impressive piece of glass. But is it one of the best prime lenses of the year? Let us know.

  • Zeiss Otus 100mm F1.4

Vote now!

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Have your say

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Canon EF-M 32mm F1.4 STM

Canon RF 85mm F1.2L USM

Fujifilm GF 50mm F3.5 R LM WR

Fujifilm XF 16mm F2.8 R WR

Leica APO-Summicron-SL 35mm F2 ASPH

Leica APO-Summicron-SL 50mm F2 ASPH

Nikon Nikkor Z 58mm F0.95 S Noct

Nikon Nikkor Z 24mm F1.8 S

Nikon Nikkor Z 85mm F1.8 S

Panasonic Leica DG Summilux 25mm F1.4 II ASPH

Panasonic Lumix S Pro 50mm F1.4

Sigma 35mm F1.2 DG DN Art

Sigma 45mm F2.8 DG DN Contemporary

Sony FE 135mm F1.8 GM

Sony FE 35mm F1.8

Sony FE 600mm F4 GM OSS

Tamron SP 35mm F1.4 Di USD

Tamron 24mm F2.8 Di III OSD M1:2

Tamron 35mm F2.8 Di III OSD M1:2

Zeiss Otus 100mm F1.4

Voting is easy – you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It’s not sponsored, promoted or paid for in any way and DPReview doesn’t care how you vote. Our readers’ polls are run on the basis of trust. As such, we ask that you only vote once, from a single account.

Articles: Digital Photography Review (dpreview.com)

 
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Have your say: Best camera of 2019

03 Dec

Best camera of 2019

Despite all of the doom and gloom about contraction in the digital photography industry as a whole, 2019 saw plenty of new cameras released, some of which were very important – and seriously impressive. These include Fujifilm’s 100MP GFX 100, Sony’s new flagship a7R IV, and Canon’s affordable full-frame EOS RP, among others.

But which was your favorite? This your chance to let us know. And if you think we missed something, please leave a comment.

Voting runs through December 15th, and once the vote has closed we’ll run a second poll to find your choice for overall product of the year.

Canon

Canon had a busy year, releasing products across its entire lineup from large-sensor PowerShot compacts to the full-frame EOS RP. Did any of them make it into your gear bag, or shopping list for the holiday season?

Let us know if you think any of these cameras deserve a place on our list of best products of 2019.

  • Canon EOS M200
  • Canon EOS M6 Mark II
  • Canon EOS RP
  • Canon EOS Rebel SL3 (EOS 250D / EOS Kiss X10)
  • Canon EOS 90D
  • Canon PowerShot G5 X Mark II
  • Canon PowerShot G7 X Mark III

Fujifilm

Fujifilm consolidated both its APS-C and medium-format lineups this year. The 100MP, 4K video-capable GFX 100 was inevitably the release which generated most attention, but the X-Pro3 and X-T30 both represented strong competition in the midrange / enthusiast APS-C market. Meanwhile the X-A7 was among our favorite entry-level ILCs of the year. What’s your opinion?

  • Fujifilm GFX 100
  • Fujifilm X-Pro3
  • Fujifilm X-T30
  • Fujifilm X-A7

Leica

Leica gets a lot of criticism for making products which most photographers will never be able to afford, but in recent years the company has somewhat changed direction. While the SL2 and Q2 are undoubtedly pricey, they also offer a combination of features which is not available in any other single competitor, along with useful refinements like solid connectivity options and weather-sealing.

We really like the Q2 and SL2, but do either of them deserve to be ranked among the best cameras of 2019? Let us know by casting your vote.

  • Leica Q2
  • Leica SL2

Nikon

The only mirrorless camera released by Nikon this year was the Z50. Resembling a downsized Z6 (which is not at all a bad thing, given how nice that camera is to use) the Z50 is Nikon’s first APS-C format mirrorless, and one of the most attractive and ergonomically refined cameras in its class. But that’s just our opinion – what’s yours?

  • Nikon Z50

Olympus

Olympus’s camera releases this year spanned the breadth of its lineup, from the TG-6 weather-sealed compact up to the OM-D E-M1X – the company’s first truly ‘professional’ Micro Four Thirds mirrorless model. Meanwhile the very compact, highly-specc’d OM-D E-M5 III is a camera solidly in the traditional OM-D mold, offering plenty of features in a very portable body.

Do either or all three of these models make your list of favorite cameras of 2019?

  • Olympus Tough TG-6
  • Olympus OM-D E-M1X
  • Olympus OM-D E-M5 III

Panasonic

This year for Panasonic was mostly about growing its S1-series full-frame mirrorless cameras, but alongside the S1, S1R and video-oriented S1H, the company also launched the DC-G95, a very likable Micro Four Thirds model aimed at enthusiast and hobbyist photographers. Let us know what you think of them by casting your vote.

  • Panasonic Lumix DC-G95
  • Panasonic Lumix DC-S1
  • Panasonic Lumix DC-S1R
  • Panasonic Lumix DC-S1H

Ricoh

Ricoh only released one major camera this year but it’s one of our all-time favorites. The GR III is a tiny, powerful compact with an APS-C sensor and a sharp 28mm equivalent lens. In our opinion it’s a great travel companion if you don’t need a zoom, but what do you think?

  • Ricoh GR III

Sony

Sony hasn’t taken its foot off the gas much in recent years, and 2019 saw several major camera launches. The a6100 and a6600 update the company’s APS-C lineup, while the a7R IV is a full-frame high-technology flagship worthy of the term. Meanwhile the Cyber-shot RX100 VII updates the already highly capable RX100 VI with improved autofocus.

Do any of these cameras get your vote for best of 2019? Let us know.

  • Sony a6100
  • Sony a6400
  • Sony a6600
  • Sony a7R IV
  • Sony a9 II
  • Sony Cyber-shot RX100 VII

Vote now!

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Have your say

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Canon EOS M200

Canon EOS M6 Mark II

Canon EOS RP

Canon EOS 90D

Canon EOS Rebel SL3 (250D / Kiss X10)

Canon PowerShot G5 X Mark II

Canon PowerShot G7 X Mark III

Fujifilm GFX 100

Fujifilm X-A7

Fujifilm X-T30

Fujifilm X-Pro3

Leica Q2

Leica SL2

Nikon Z50

Olympus Tough TG-6

Olympus OM-D E-M5 III

Olympus OM-D E-M1X

Panasonic Lumix DC-G95

Panasonic Lumix DC-S1

Panasonic Lumix DC-S1R

Panasonic Lumix DC-S1H

Ricoh GR III

Sony a6100

Sony a6400

Sony a6600

Sony a9 II

Sony a7R IV

Sony Cyber-shot DSC-RX100 VII

Voting is easy – you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It’s not sponsored, promoted or paid for in any way and DPReview doesn’t care how you vote. Our readers’ polls are run on the basis of trust. As such, we ask that you only vote once, from a single account.

Articles: Digital Photography Review (dpreview.com)

 
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