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Posts Tagged ‘Announces’

Fujifilm announces development of EF-X500 flash

16 Jan

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Among all of its new cameras announcements, Fujifilm also made public the development of a new external flash. The EF-X500 is a high-end, weather-sealed model with a guide number of 50m at ISO 100, the ability to control up to three sets of TTL off-camera strobes, and a high-speed sync mode that supports the X-Pro2’s maximum 1/8000 sec shutter speed. The zoom head range is 24-105mm equiv., and can go as wide as 20mm with the wide panel pulled into place. 

It has a large, backlit display on its back side along with a control dial for easy setting adjustment. As you’d expect, the flash can tilt and rotate – 10° down, 90° up, 135° left and 180° right. It uses four AA batteries and also supports Fujifilm’s EF-BP1 external battery pack.

The EF-X500 is expected to ship in May at a price yet to be determined.

Press Release:

FUJIFILM ANNOUNCES THE DEVELOPMENT OF A NEW HOT-SHOE MOUNT FLASH FOR X-SERIES CAMERAS

A new high-end external flash is being developed to complement FUJIFILM X cameras with high-speed synchronization and multiple flash TTL auto functions

Valhalla, N.Y., January 14, 2016 – FUJIFILM North America Corporation, a leader in premium mirrorless cameras, today announced that it is developing a new high-end external shoe mount flash, the FUJIFILM EF-X500. The EF-X500 allows users to expand their photography with high-speed synchronization and multiple flash TTL auto functions. It will be added to the premium X-Series camera accessory line-up in May 2016. Price to be confirmed.

Designed with FUJIFILM X cameras in mind
The new FUJIFILM EF-X500 external flash will feature a low-profile, premium design that is perfectly suited to complement the style of the compact and lightweight X-Series cameras.

With high-speed synchronization (FP), the new EF-X500 supports the 1/8000 sec. shutter speed featured in the new, flagship model FUJIFILM X-Pro2, as well as other Fujifilm X cameras.

The multiple flash-unit TTL auto function unleashes users’ creativity by allowing them to control any lighting conditions so it will accompany their X-Series camera in all low light and studio applications.

Fujifilm has added a weather and dust resistant build making the EF-X500 flash the perfect companion for the FUJIFILM X-T1 and X-Pro2 to further enhance their rugged, weather resistant capabilities.

Specifications

Type Hot-shoe mount flash
Guide Number 50/164 (ISO100?m/ft.) at 105 mm zoom head position, equivalent to 35mm format.
Zoom 24mm-105mm equivalent to 35mm format.
When the extendable wide panel is pulled out, the flash coverage is approx.. 20 mm.
Bounce capability Flash head tilts down to 10° or up to 90° and rotates horizontally 135° to the left and 180° to the right.
Color temperature Approx. 5600K
Flash modes TTL / Manual / Multi.(repeating flash)
Flash exposure compensation -5.0 – +5.0, 1/3 step
(The available range and step depend on camera models)
High-speed synchronisation (FP) Capable (supported camera only)
Manual 1/1 – 1/512, 1/3 step

Multi.(repeating flash)

1/4 – 1/512, 1/3 step, 1-500Hz, 2 – 100 flashes
Wireless communication type Optical pulse communication (in multiple flash-unit photography operation)
Wireless modes Master and Remote
Communication cannels From 1 to 4.
Remote groups Up to three groups (A/B/C)
Power source Four LR6 (AA-size) alkaline batteries,
four FR6 (AA-size) lithium batteries, or
four HR6 (AA-size) rechargeable Ni-MH batteries
(optional).
External Power Source BATTERY PACK EF-BP1 (optional)
Dimensions W67.5 x H123.9 x D106 (mm)

* Specifications subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Metz announces UK availability of new mecablitz 44 AF-2 flash/video light

12 Jan

German flash manufacturer Metz has said that the mecablitz 44 AF-2 flash unit that it announced at the end of last year will be available immediately in the UK at a price of £179.99. The gun is an update of the 44 AF-1, and brings with it compatibility with Fuji’s X-system and a built-in LED for videographers. 

Originally announced in November last year, the 44 AF-2 is designed for full frame and APS-C DSLRs, as well as a collection of mirrorless cameras. It has a maximum guide number of 44m / 144 ft at ISO 100 when used with a 105mm lens, and offers an automatic zoom head that covers angles for lenses from 24-105mm. A wide diffuser extends that coverage to 12mm. 

Metz has included a video light in the form of an LED that has an output of 100 Lux at one meter, and which can be controlled via four brightness levels. The LED can also be used as a modeling light to accompany the flash head. 

The flash can be integrated into the wireless flash control systems of Canon, Nikon, Panasonic, Olympus, Pentax, Sony and Samsung cameras, and is additionally compatible with Fuji and Leica cameras when mounted in the hotshoe. Depending on the model in use, the 44 AF-2 can be used as a commander in a wireless set-up, or only as a slave. 

In manual mode the gun has four output levels, and in all modes it can be triggered at the beginning or the end of the exposure. High speed modes allow synchronization with shutter speeds beyond the usual maximum sync speeds of the host camera. 

The gun is designed to be easy to use and sits slightly above the middle of the company’s AF range of hotshoe mounted flash units. 

This will be the first Metz flash unit launched since the Metz-Werke GmbH & Co. company became insolvent and the flash business was saved by Germany’s Daum Group, which is better known for making fitness equipment. The flash side of the business is now called Metz mecatech GmbH. 

In Europe the flash unit will cost 190 Euro, but it doesn’t appear to have been launched in the USA yet. For more information on the Metz mecablitz 44 AF-2 see the Metz website.

Articles: Digital Photography Review (dpreview.com)

 
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Here at last: Nikon announces D500

06 Jan

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Nikon has announced the much-anticipated followup to its D300S, the 20.9MP D500 which the company calls its ‘best enthusiast DX offering.’ It features the same 153-point AF system and EXPEED 5 processor as the D5. It can shoot continuously at 10 fps with a 200 shot buffer for Raw images. It can also capture 4K/UHD video and also features ‘SnapBridge’, a constant connection to a smartphone using Bluetooth, similar to what Samsung did with its NX1. The D500 will be available from March at an MSRP of $ 1999.95 body only, or $ 3069.95 with the 16-80mm F2.8-4E ED VR lens.

The camera has a 100% coverage viewfinder offering 1.0x magnification. It also makes use of the XQD high speed memory format first used in the D4. It also has a flip up/down 3.2″ touchscreen LCD with 2.4 million dots.

The camera’s relationship to the D5 matches that shared between the D3 and original D300, with the APS-C format camera offering the same AF system and similar feature set with only a slight drop in continuous shooting speed and a much smaller body. And, as a first for one of Nikon’s APS-C DSLRs, the D500 also gets the illuminated buttons offered on the D5 for low-light working.

An AF module developed for full-frame means unprecedented frame coverage on the APS-C D500, in this case with cross-type sensors available out to the literal edges of the frame. Furthermore, Nikon is introducing Auto AF Fine-Tune, which appears to use Live View (focus at the image plane) to automatically calibrate (at least the center point of) the Phase Detect AF module for any given lens ‘with a few button operations’. This should help address arguably one of the biggest shortcomings of DSLRs relative to mirrorless cameras: the fact that the AF module is only a proxy for focus and, therefore, prone to inaccuracy. 

We were pretty impressed with the similar low power Bluetooth option on the NX1 as way of keeping a constant line of communication open between the camera and a smart device, meaning that images can quickly be pushed or pulled across from device to device. This continuous connectedness should make Wi-Fi much easier to use and consequently more appealing.

Jump to:

  • Press Release
  • Specifications

Press release:

PRO PEDIGREE, DX AGILITY: THE NEW NIKON D500 ESTABLISHES A NEW ERA OF DX-FORMAT PERFORMANCE 

The Highly Anticipated Resurrection of the DX-Format Flagship Gives Photographers the Best Combination of Speed, Reach and Connectivity 

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the D500, a DX-format DSLR with pro-level features that gives photographers nimble handling, speed and extreme processing power in a compact and lightweight body. With amazing imaging capability, robust build quality and lightning fast performance, the D500 is sure to satisfy as the highly sought-after successor to the venerable D300S. Like its sibling the D5, the D500 benefits from Nikon’s latest technological innovations such as the totally new, blazing-fast Multi-CAM 20K 153-point AF system and 4K UHD video capture, yet adds a fun new way to share photos with Nikon SnapBridge built-in.

“Nikon has answered the call from photographers to once again re-invent this camera category and offer an unmatched combination of performance and value that is hard for any photographer to resist,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “When paired with the amazing imaging capabilities of legendary NIKKOR optics, photographers can capture intimate portraits, mind-blowing macros or action from extreme distances– the possibilities are endless.”

Pro-Level Image Quality, DX-Format Versatility

The D500 imagines the best of both worlds, offering advanced enthusiasts and pro photographers all the benefits of DX-format, such as smaller form-factor and lens crop, combined with many of the same advanced pro features found in the new Nikon D5. The new Nikon D500 features an all-new 20.9-megapixel DX-format CMOS sensor that renders images with outstanding colors and gorgeous tonality. This new sensor is coupled with Nikon’s new EXPEED 5 image processing engine, affording low noise and maximum processing power with a surprisingly small footprint and superbly balanced body.

The benefits of the DX-format are evident for long-distance applications like wildlife and sports photography, where telephoto ability is at a premium and weight reduction is welcome. With Nikon’s legendary FX or smaller-sized DX-format NIKKOR lenses, the sleek D500 is the ideal companion for wanderlust. When mated with the new AF-S NIKKOR 200-500mm f/5.6E ED VR lens, the D500 offers a remarkable 350-750mm equivalent focal range for a lightweight, yet super-telephoto duo. 

Because amazing images can happen even when the sun goes down, the D500 is capable of excellent low-light performance, with an ISO range of 100-51,200, expandable to 50-1,640,000 equivalent. From low-light cityscapes to action sports under the lights, the D500 is ready to tackle any imaging challenge.

Performance Meets Portability

Within the streamlined body of the D500 is a formidable processing powerhouse. Whether photographing sideline sports for the home team or animals in exotic destinations, a super-fast 10 frames-per-second (fps) burst speed with full AF and AE will help nail nearly any shot. This extreme speed lets users capture every fleeting moment in exceptional clarity, while a generous buffer allows for up to 79 shots (14-bit, uncompressed RAW/NEF) to be captured, so the moment won’t be missed.

To keep pace with the action, the D500 is fitted with the same AF system as the Nikon D5, the Multi-CAM 20K AF sensor module, with a separate dedicated processor for AF function. On the D500’s DX format sensor, the 153-point AF array fills the frame from side to side, letting users flawlessly track and lock-onto subjects from the edges of the viewfinder. Like the D5, the D500 utilizes the new 180K RGB Metering system and Advanced Scene Recognition System to help ensure balanced exposures and fantastic color rendition in nearly any shooting situation.

Controls and Rugged Construction Worthy of a Flagship

The D500 features an enhanced level of robust build quality, offering the same amount of rugged weather sealing as the Nikon D810. The durable body is a monocoque structure composed of magnesium alloy for the top and rear, while the front is reinforced with lightweight carbon fiber. The shutter mechanism has been tested for 200K actuations, helping to ensure maximum endurance. For further durability, the D500 excludes a pop-up flash, yet is compatible with Nikon’s newest radio frequency capable flash, the SB-5000 Speedlight (with optional WR-R10 & WR-A10)1.

It’s easy to compose and view images on the D500’s bright 3.2-inch, high resolution (2359K-dot) touchscreen LCD, which lets users interact with photos in playback, control the camera and operate menus. When mounted on a tripod or shooting from creative angles, landscape and event shooters will appreciate the reinforced tilting LCD screen, similar to that of the Nikon D750. Additionally, images are rapidly written to either a fast XQD card slot or to the additional SD card slot for maximum workflow efficiency.

Constant Connectivity with the New Nikon SnapBridge

The D500 marshals in a new way to share photos wirelessly with the new Nikon SnapBridge, making the camera’s built-in connectivity easier to use than ever before. SnapBridge allows for Bluetooth2 supported connection between your camera and compatible smart device, thus making automatic upload of your images possible. Once enabled, the camera stays connected to the smart device and transfers photos, eliminating the need to re-connect devices. Those looking to share images from their travels or from the field can also tag images for transfer in camera and can password protect their connection for added security. As an added benefit, the D500’s built-in Near Field Communication (NFC)3 capability easily connects the camera to a compatible smart device with just a tap, while built-in Wi-Fi3 capability allows for faster wireless image transfer.

For those looking for an even faster transfer solution, the D500 is also compatible with the new optional WT-7A Wireless Transmitter, enabling wired or wireless transmission of files to an FTP server or computer at faster speeds.

Advanced Video Features

Just like the D5, the D500 has the ability to capture striking 4K UHD video at up to 30p (3840×2160), as well as Full HD (1080p) video at a variety of frame rates. Ready for any production, the camera sports a host of pro video features derived from the D810, including uncompressed HDMI output and Picture Controls, but adds even more great features. These pro-level creative video features include the ability to create 4K time-lapse movies in-camera, Auto ISO smoothing to provide fluid transitions in exposure during recording, and the capability to record 4K UHD video to the card and output to HDMI simultaneously. When capturing 1080p Full HD content, the camera also has a new 3-axis electronic VR feature that can be activated regardless of the lens being used.  Challenging video exposures are no problem for the D500, as it also adds in Active D-Lighting to Full HD video to balance exposure values within a scene to help prevent blown-out highlights

Price and Availability

The new Nikon D500 DSLR will be available in March 2016 for a suggested retail price (SRP) of $ 1,999.95* for the body-only configuration. A kit will also be available, bundled with the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, for the SRP of $ 3,069.95*. The MB-D17-battery pack will also be available in March 2016 for the SRP of $ 449.95* and will add extended battery life and facilitate vertical shooting. The WT-7A Wireless Transmitter will be available in March 2016, for the SRP of $ 934.95*. For more information on these new Nikon products, please visit www.nikonusa.com.

1. Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
2 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license.
3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon D500 specifications

Price
MSRP $ 2000 (body only), $ 3069 (w/16-80mm lens)
Body type
Body type Mid-size SLR
Sensor
Max resolution 5568 x 3712
Other resolutions 4176 x 2784, 2784 x 1856
Image ratio w:h 3:2
Effective pixels 21 megapixels
Sensor photo detectors 22 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Processor Expeed 5
Image
ISO ISO 100 – 51200 (expandable to 50 – 1640000)
White balance presets 12
Custom white balance Yes (5)
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Fine, Normal, Basic
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp No
Digital zoom No
Manual focus Yes
Number of focus points 153
Lens mount Nikon F
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 1×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Built-in flash No
External flash Yes (Hot-shoe, Wireless plus sync connector)
Flash modes Auto, On, Off, Red-eye, Slow sync, Rear curtain
Flash X sync speed 1/250 sec
Continuous drive 10.0 fps
Self-timer Yes (2, 5, 10 or 20 sec)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes (2 or 9 frames in steps of 1, 2 or 3 mired)
Videography features
Resolutions 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-II compliant) + XQD
Storage included None
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes Wi-Fi with low energy Bluetooth
Remote control Yes (Optional, wired or wireless )
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-Ion EN-EL15 rechargeable battery & charger
Battery Life (CIPA) 1240
Weight (inc. batteries) 860 g (1.90 lb / 30.34 oz)
Dimensions 147 x 115 x 81 mm (5.79 x 4.53 x 3.19)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes GP-1

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces ultra-wide 14-20mm F2 lens for Canon and Nikon crop sensor DSLRs

01 Jan

Kenko Tokina has launched the Tokina AT-X 14-20mm F2 Pro DX lens for Canon and Nikon DSLRs with APS-C sensors. That’s equivalent to 21-30mm on Nikon bodies and 22-32mm on Canons.

This ultra-wide zoom has a pair of super low dispersion elements in the back and a plastic aperhical element in the second group that promise to reduce flare and ghosting. It also sports nine aperture blades, a one-touch focus clutch mechanism and internal focusing.

Pricing and availability have yet to be announced.


Press release:

Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX

Characteristics 

The fast F2.0 Zoom lens of Tokina
Since the maximum aperture of F2.0 is given this lens, it’s possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night). 

Adopt highly precise Plastic Aspherical lens
The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare. 

Arrange highly precise Glass molded Aspherical lens
2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses. 

Compact Body and Excellent Operability
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size. 

The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. 

In low brightness situation, use it demonstrates its preeminent power. 

Specifications 

  • Focus distance: 14 – 20 mm 
  • Brightness: F2.0 Canon 
  • Format : APS-C 
  • Minimum aperture: F22 
  • Lens configuration: 13 elements in 11 group 
  • Coating: Multilayer film coating 
  • Angle of view: 91.68° ~ 71.78° 
  • Filter size: 82mm 
  • Shortest Object Distance: 0.28m 
  • Macro maximum magnification: 1:8.36 
  • Focus method: Internal focus 
  • Number of Aperture blades: 9 
  • Maximum diameter: 89.0 mm 
  • Full length: 106.0 mm 
  • Weight: 725 g 
  • Hood (Attached) : BH-823 

Above mentioned specifications are for a Nikon mount. 


Tokina AT-X 14-20mm F2 Pro DX specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 14–20 mm
Image stabilisation No
Lens mount Canon EF, Nikon F (DX)
Aperture
Maximum aperture F2.0
Minimum aperture F22.0
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 13
Groups 11
Special elements / coatings 2 super low dispersion + multilayer film coating
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.12×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 725 g (1.60 lb)
Diameter 89 mm (3.5)
Length 106 mm (4.17)
Sealing No
Colour Black
Zoom method Rotary (internal)
Zoom lock No
Filter thread 82.0 mm
Hood supplied Yes
Hood product code BH-823
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Sigma Announces Protective Lens Made of Clear Glass Ceramic

16 Dec

Sigma has created an all-new protective filter, the Sigma Water Repellent (WR) Ceramic Protector, using Clear Glass Ceramic with water and oil repellent coating. This is the first filter to use such a material in its construction. It promises both lighter weight and higher strength than normal protective filters with minimal effects on transmittance and sharpness.

It will be available in common filter thread sizes between 67mm and 105mm. See the press release below for more info, or take a look at it on their website at: http://www.sigmaphoto.com/wr-ceramic/


Press Release:

SIGMA CORPORATION ANNOUNCES WORLD’S FIRST PROTECTIVE LENS MADE OF CLEAR GLASS CERAMIC

RONKONKOMA, NY — December 16, 2015 – Sigma Corporation of America, a leading DSLR lens and camera manufacturer, today announced the new Sigma Water Repellent (WR) Ceramic Protector, a lens filter that features new Clear Glass Ceramic material and provides enhanced protective qualities. Pricing and availability is not yet available.

This shock- and scratch-resistant Clear Glass Ceramic was developed specifically for Sigma in partnership with a glass manufacturer. Made with a special heat treatment that evenly precipitates microcrystalline spinel throughout the materials, the Clear Glass Ceramic is 10 times stronger than a conventional protective filter and three times the strength of a chemically strengthened filter. The lens protector also contains WR coating, which repels water, dust and oil, and allows fingerprints to be easily removed. This enhanced protection helps to preserve the lens and ensure long-term, top-notch image quality.

“The Sigma WR Ceramic Protector is the latest example of Sigma’s dedication to innovative and first-to-market photography equipment,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “The new Clear Glass Ceramic protector is the first of its kind and the strongest material used in the industry. It will enable photographers to safeguard their lenses, while maintaining the impressive sharpness offered by high-quality glass, like our Global Vision line of lenses.”  
Key features of the Ceramic Protector include:

  • Scratch-resistant – Sigma’s Clear Glass Ceramic offers a Vickers hardness number of 700HV. The strength of the Clear Glass Ceramic is much stronger than chemically strengthen glass and is; 10 times stronger than conventional filters
  • Thinner and lighter – This new protector is up to 50 percent thinner and is up to 30% lighter than previous Sigma filters
  • High transmittance – Sigma’s Clear Glass Ceramic offers very high transmittance, making it ideal for use as optical glass
  • Water- and oil-repellent coating – The water repellent coating reflects only 0.24 percent of visible light, thereby minimizing flare and ghosting. Its ability to repel both water and oil is also excellent, with water drops bouncing right off, and fingerprints easily to remove

This filter is offered in the most popular filter thread sizes, and is compatible with all Sigma lenses and other lenses that accept front filter threads that are 67mm-105mm diameters. Compatible lenses in Sigma’s Art line include: 35mm F1.4 DG HSM, 30mm F1.4 DC HSM, 18-35mm F1.8 DC HSM, 24-35mm F2 DG HSM, 24-105mm F4 DG OS HSM, 50mm F1.4 DG HSM, 24mm F1.4 DG HSM, 19mm F2.8 DN, 30mm F2.8 DN and 60mm F2.8 DN. Compatible lenses in the Sports line include the 120-300mm F2.8 DG OS HSM and 150-600mm F5-6.3 DG OS HSM. Compatible lenses in the Contemporary line include the 17-70mm F2.8-4.0 DC OS HSM, 18-200mm F3.5-6.3 DC OS HSM, 18-300mm F3.5-6.3 DC OS HSM and the 150-600mm F5-6.3 DG OS HSM. As with all of Sigma’s lenses, the filter is checked with Sigma’s own Modulation Transfer Function (MTF) measuring system, “A1,” in the company’s factory in Japan. 

For information about Sigma, go to www.sigmaphoto.com or follow the company on Twitter, Instagram and Facebook.

Articles: Digital Photography Review (dpreview.com)

 
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Epson announces mass production of 4.41m dot LCD likely used in Leica SL

11 Dec

Epson has announced its latest electronic viewfinder panel: a 4.41m dot SXGA+ display, a spec that may sound familiar to anyone who’s been reading about Leica’s SL full-frame mirrorless camera. Epson had shown a mockup of the panel at CP+ back in February 2015, and says the unit is now in mass production.

The 4.41m dot unit offers an SXGA+ display: 1,400 x 1,050 pixels. This equates to 1.87x as many pixels as the existing XGA viewfinders used in most high-end mirrorless cameras: a 36% increase in linear resolution. Everyone who’s used it at DPReview has been very impressed by the level of detail shown by the SL’s 4.41m dot viewfinder.

Leica has previously offered Epson-based EVFs as accessory finders for its X1 and X2 models, but these were likely to have been brought in from Olympus, given the similar styling and cross-compatibility with Olympus units. Considering the dot count and panel size (0.66″), it seems very probable that this is the LCD panel in the SL.

The Leica SL, as seen from behind

At present, most high-end EVFs we’ve seen are XGA 2.36m dot displays, using either LCD or OLED technologies. Olympus used LCD panels in its earlier OM-D cameras but has shifted towards OLED in its latest generation. Likewise, Fujfilm used LCDs in its X-Pro1 and X100 series models, only to embrace OLED across the rest of its range. Despite this shift, we’d be surprised if we didn’t start seeing this LCD panel in some of the higher-end mirrorless cameras over the coming year or so, especially given the greater longevity of LCD panels that Leica mentioned as its reason for choosing the technology.

That said, the 0.66″ panel size could limit its usage, since this is considerably larger than the 0.48″ LCD and 0.5″ OLEDs currently in use.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro announces the name of its forthcoming camera-equipped drone

11 Dec

Action camera manufacturer GoPro has officially named its camera drone and announced that it will be available in 2016. Footage from the GoPro Karma is demonstrated in a video on the GoPro website, which is also the same movie the company showed before when it first teased teased the drone.

GoPro isn’t giving away much information at the moment, but it is giving away a Karma drone to 100 people signed up to the newsletter at the time of the product launch. All we know for now is that the drone will be ‘ultra portable’ and will fold for storage and transportation.

GoPro has UHD 4K video capability in its Hero 4 Black camera, but it is difficult to tell at this point whether the company will equip the Karma with 4K video, or choose to make it more accessible with a lower price point. Perhaps it will offer both 4K and HD versions.

In the original teaser movie the company claimed no post-capture image stabilization had been used, and as the same footage is being shown again it is safe perhaps to assume that the Karma will have some form of on-board or in-camera stabilization system.

For more information visit the GoPro website.

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HandeVision announces five lenses for its Iberit family – full frame lenses for mirrorless cameras

10 Dec

German/Chinese optics brand HandeVision is set to introduce five new lenses next year that are designed for full-frame mirrorless cameras. Each with a maximum aperture of F2.4, the focal lengths the company is planning to release in its Iberit series will be 24mm, 35mm, 50mm, 75mm and 90mm. 

The company says it has concentrated on making the lenses small and lightweight to suit small and light cameras, but has used brass, aluminum and stainless steel in the construction of the barrels and mounts. 

The lenses, which look more than a little like Leica M lenses, are all manual focus and offer aperture rings with markings for F2.4-16. Although they have a 44mm imaging circle that covers a full frame sensor, the lenses will be released with mounts for APS-C cameras, such as the Sony NEX and Fuji X system. These lenses will offer electronic aperture control. The 35mm, 50mm and 75mm lenses have six-blade apertures, while the iris in the 90mm uses 10. There is no specification as yet for the 24mm lens.

The first set of lenses will be made for Leica M, Sony E and Fuji X cameras, though the company doesn’t specify what other mounts will be available eventually. A Micro Four Thirds mount Ibelux 40mm F0.85 lens already exists, but there is no mention of whether MFT mount versions of these new models will be introduced at any point.

January 2016 is given as the launch date for the 35mm, 50mm and 75mm lenses, and the 24mm and 90mm lenses will be available ‘later in the year.’ Prices are a bit vague at the moment, but HandeVision says the lenses will cost between $ 480 and $ 660 depending on the model. 

HandeVision is a brand created through cooperation between German lens manufacturer IB/E Optics and the Chinese company Shanghai Transvision Photographic Equipment Co – the company behind the Kipon brand. 

For more information visit the HandeVision website. 

Focal Length   35mm  50mm  75mm  90mm
 Angle of View  63.4  46.8  32.2  27
 Aperture  2.4-16 2.4-16  2.4-16  2.4-16
 Close Focus (M/NEX,FX)  0.7/0.35m  0.7/0.6m  0.7/0.6m 0.7m 
 Iris Blades  6  6  6  10

 Length 
(M/NEX, FX)

 35/45mm  55/65mm  35/75mm  69/79mm
 Diameter  58mm  58mm  58mm  58mm
 Filter Thread  M49x0.75  M49x0.75  M49x0.75  M49x0.75
 Weight (M/NEX, FX)  NA  250/310g  270/330g  NA
 Elements/Groups  6/6  6/6  5/5  4/4

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Nikon announces development of flagship D5 DSLR

18 Nov

In a brief press release, Nikon announced the development of its D5 digital SLR, which will be the company’s next flagship camera. There aren’t any real details in the release, other than the expected promise of better performance and image quality. A new SB-5000 Speedlight and WT-6 Wireless Transmitter are also on the roadmap. Read more

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SLR Magic announces CINE 50mm F1.1

18 Nov

Hong Kong-based SLR Magic has announced a 50mm F1.1 CINE lens for Sony E mount. Planned for early December 2015 availability, the FE lens will cover a full-frame sensor. Read more

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