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Sigma announces sd Quattro and sd Quattro H Foveon mirrorless cameras

24 Feb

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Sigma has announced two mirrorless ILCs: the Sigma sd Quattro and the sd Quattro H. Both cameras use the company’s full-depth SA lens mount as used in its SLRs, and are built around APS-C and APS-H sized sensors, respectively. The cameras share a body design with a built-in viewfinder that, while unusual, appears more ergonomically conventional than the recent DP Quattro series of large-sensor compacts.

Both cameras feature on-sensor phase detection as part of a hybrid AF system, which should mean they work effectively with existing SA-mount lenses. The down-side is that it reduces the range of lenses that could be added via adapter.

Both cameras use the latest, ‘Quattro’ version of Sigma’s Foveon technology, which measures different color information based on how deeply into the sensor it is able to penetrate. The Quattro design features full resolution at the top (predominantly blue-sensing) layer but then 1/4 of that resolution for the two deeper layers used to interpret information about red and green color components.

The APS-H sensor features 25.5MP in its top layer, which the company considers equivalent to the capture of a 51 megapixel sensor using the conventional Bayer design. This 26.6 x 17.9mm sensor is around 30% larger than the more common APS-C size, but it’s currently unclear what proportion of Sigma’s ‘DC’ lenses designed for APS-C offer a large enough image circle for use with the camera.

The APS-C version uses a phase-detection capable variant of the sensor used in the existing DP Quattros, offering 19.6MP on its top layer. Sigma says this should offer a level of detail comparable with a 39MP Bayer chip. (Foveon explained the logic of these claims when we spoke to them a few years ago).

The cameras feature two rear screens, one of which displays the camera’s current settings. They also feature USB 3.0 interfaces. A vertical/battery grip will be available.

Press Release:

Sigma Announces Two New Mirrorless Cameras: Sigma sd Quattro and sd Quattro H

Interchangeable lens APS-C and APS-H Foveon Quattro sensors in state-of-the-art camera systems

KANAGAWA, JAPAN — February 23, 2016 — Sigma Corporation of America, a leading camera, DSLR lens, flash and accessories manufacturer, today announced the new high-performance, compact Sigma sd Quattro and Sigma sd Quattro H mirrorless camera systems with Foveon Quattro sensors. The Sigma sd Quattro features an APS-C sized sensor and the Sigma sd Quattro H touting a larger APS-H sized sensor for even greater image quality. Thanks to the mirrorless aspect of the cameras, both the sd Quattro and sd Quattro H are designed to take full advantage of all Sigma Global Vision lenses.

“With the introduction of these two new cameras, Sigma continues its rich history of innovation. The Foveon sensor is renowned for its imaging characteristics, and the mirrorless interchangeable format offers photographers the full line of Sigma Global Vision lenses to help realize their creative visions,” stated Mark Amir-Hamzeh, President of Sigma Corporation of America. “The sharpness of detail and nuanced color tone captured by the Foveon sensors is a key component of Sigma Global Vision. The sd Quattro, and the sd Quattro H, with the newly announced Foveon Quattro APS-H sensor, will be greatly appreciated by photographers who demand the utmost in imaging purity, with the added benefit of portability for both in-studio and on-location photography.”

Both the sd Quattro and sd Quattro H feature similar design aspects with a compact form consistent with the dp Quattro line, making them highly portable and utilizing the Foveon Quattro sensor for exceptional imaging quality and fast processing. A magnesium alloy body makes the sd Quattro and sd Quattro H durable and rugged, while a dust- and splash-proof design makes it ideal for photographers facing harsh conditions. In addition to the new body design, both cameras boast a list of useful advancements. These include a two-mode Autofocus detection that combines Phase Detection for focus speed and Contrast Detection for focus accuracy. The focus settings have also been enhanced with such modes as Movement Prediction, Face Detection, Free Movement, Focus Peaking and a variety of others. The new 2.3 megapixel viewfinder displays close to 100% of the field of view and when placed in “Auto” will toggle between the viewfinder when the user has the camera to their eye and then to the LCD when the user lowers the camera. A new “Super-Fine Detail” mode brings out the full potential of the Quattro sensor by capturing seven different exposures with one shot and merging them for exceptional dynamic range (images can be extracted individually as well). Meanwhile an updated algorithm for the Auto White Balance allows for greater accuracy, even with multiple light sources.

While the sd Quattro and sd Quattro H are similar in physical design details, they stand apart when their Foveon sensors are compared. The sd Quattro utilizes the same sensor found in the dp Quattro line and produces image quality comparable to that of a 39 megapixel Bayer-pattern sensor on resolution testing. The stacked silicon Foveon Direct Imaging sensor captures all detail information on the top 19.6 megapixel layer along with all color information for the Blue channel, while the two five-megapixel layers below capture Red and Green color information, all without the need for a low pass filter. Merged together they create incredible image quality that is comparable to medium format files. The sd Quattro H boasts a larger APS-H sensor (26.6×17.9mm) than the sd Quattro and can produce images equivalent to that of a 51-megapixel Bayer-pattern sensor camera on resolution testing. The sensor structure is similar to that of the sd Quattro but uses a 25.5 megapixels on the top layer of the sensor that captures the detail information. Both cameras use the latest Dual TRUE III image processor and take full advantage of the Art, Contemporary and Sport line Global Vision lenses that are made for high megapixel cameras. Like all Sigma Cameras, RAW (X3F) data can processed via Sigma Photo Pro, which offers editing options, including Monochrome mode to take advantage of the incredible monochrome images the Foveon sensor captures.

Sigma sd Quattro specifications

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces 30mm F1.4 for E-mount and Micro 4/3 and 50-100mm F1.8 Art for APS-C

23 Feb

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Sigma has added two new fast-aperture lenses to its Art and Contemporary lineups. 

For owners of Canon, Nikon and Sigma APS-C bodies there’s the 50-100mm F1.8 DC HSM Art, which is equivalent to 75-150mm. This lens has a redesigned Hyper Sonic Motor, nine-blade rounded aperture and internal zoom. Being a weighty lens (1490g/3.3lbs), it also has a built-in tripod socket.

The other lens is for Sony E-mount and Micro Four Thirds bodies, and it’s a fast 30mm F1.4 prime, equivalent to 45mm and 60mm, respectively. This lens uses a stepping motor for fast and quiet focus during video and weighs just 263g/9.3oz. 

The 30mm F1.4 will ship in mid-March at an MSRP of $ 339, while the 50-100mm F1.8 is expected in late April priced at $ 1099.

Press release:

Sigma Expands Its Global Vision Lens Line With Two New High-Performance Lenses

50-100mm F1.8 DC HSM Art and 30mm F1.4 DC DN Contemporary 

50-100mm is first constant aperture F1.8 telephoto zoom; 30mm represents first affordable F1.4 high-performance lens for mirrorless cameras

KANAGAWA, JAPAN — February 23, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessories manufacturer, today announced the addition of two high-performance APS-C format lenses to the Sigma Global Vision product line: Sigma 50-100mm F1.8 DC HSM Art Lens and the Sigma 30mm F1.4 DC DN Contemporary Lens. 

“Sigma’s aim is to provide high-performance lens options that lead with innovation and break new boundaries for every photographic scenario our customers can dream up,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “These new lenses build on Global Vision’s great IQ technology and reflect this goal, delivering immense value, quality and performance that the Sigma brand is known for.”

Sigma 50-100mm F1.8 DC HSM Art

Building on the groundbreaking Sigma Global Vision 18-35mm F1.8 DC HSM Art Lens, the new Sigma 50-100 F1.8 (75-150mm on 35mm format) mid-range zoom lens embodies the same engineering prowess to deliver outstanding prime lens-like results. Factoring in the APS-C image circle of 1.5x, the 50-100mm F1.8 covers three popular short tele prime focal lengths: 85mm, 105mm and 135mm. Like the 18-35mm F1.8, the new 50-100mm F1.8 maintains a constant F1.8 aperture yielding exceptional brightness and resolution throughout the zoom, while simultaneously maintaining focus as the lens is zoomed, a feature videographers will greatly appreciate. 

Sigma Art Line Image Technology Innovation

  • Features three FLD (F Low Dispersion) glass elements, one SLD (Special Low Dispersion) glass element, and one high-refractive index, high-dispersion glass element to minimize aberrations.
  • Redesigned and enhanced, the new Hyper Sonic Motor is 30% slimmer and provides fast and accurate AF.
  • Highly durable polycarbonate diaphragm made with fluorine; blades feature carbon feather film offering exceptionally smooth operation even during continuous shooting.

Outstanding Zoom Lens Maneuverability

  • Inner focusing and zoom design offer versatile shooting options
  • Tripod socket for stable, comfortable operation
  • Features 21 elements / 15 groups, Minimum Aperture: F1.6, 82mm filter thread, Minimum Focus Distance: 37.4in, Dimensions: 3.7×6.7, Weight: 52.6oz

The new Sigma 50-100mm F1.8 Art will be available in Canon, Nikon and Sigma mounts. For more information, please visit www.sigmaphoto.com/50-100mm-f1-8-dc-hsm-art.

Sigma 30mm F1.4 DC DN Contemporary 

Combining outstanding optical performance and compact design, the new affordable Sigma 30mm F1.4 DC DN Contemporary Lens brings immense value to mirrorless cameras. Boasting superior image quality with F1.4 brightness, the versatile lens covers a wide range of photo and video capture scenarios, delighting users with its beautiful bokeh effects. 

Contemporary Line Performance and Value

  • Represents first affordable F1.4 performance lens for the mirrorless market
  • Sigma engineered quality within a sleek compact design
  • Fast, smooth AF stepping motor designed to support video
  • Features one aspherical element and one double-sided aspherical element producing imaging quality comparable to the Art line.
  • Features 9 elements / 7 groups, Minimum Aperture: F16, 52mm filter thread, Minimum Focus Distance: 11.8in, Weight: 9.3oz, Dimensions: 2.6×2.9in.

The new Sigma 30mm F1.4 DC DN Contemporary Lens will be available in Sony E-Mount and Micro Four Thirds mount. For more information, please visit www.sigmaphoto.com/30mm-f1-4-dc-dn-c.

Sigma Global Vision lenses including the new 50-100mm F1.8 DC Art and 30mm F1.4 Contemporary lenses can be updated with the latest lens software from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).

Tested for Optimum Performance

Sigma lenses are born of well-thought-out design concepts, exceptional Japanese craftsmanship and manufacturing, and advanced lens performance testing and evaluation. To this end, Sigma has developed its own A1 proprietary MTF (modulation transfer function) measuring system using 46-megapixel Foveon direct image sensors. Even the most elusive high-frequency details are within the scope of Sigma’s quality control inspections. Every Global Vision lens is A1 tested, analyzed and approved before leaving the factory ensuring maximum performance out of the box.

For more information on Sigma’s industry leading testing, please visit http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/

Specialized Mount Conversion Services 

Ensuring continued ROI, Sigma will convert the current mount of your Sigma Global Vision lens to another of your choice. Sigma lenses currently from the Contemporary, Art or Sports line, in Sigma, Canon, Nikon, Sony, Pentax mounts can be converted to Sigma, Canon, Nikon, Sony or Pentax*.  Mirrorless lenses can be converted to Micro Four Thirds and Sony-E Mount. They cannot be converted to either an APS-C or a Full Frame format.  *For specific details, please visit http://www.sigmaphoto.com/service-support/mount-conversion-service

Sigma 30mm F1.4 DC DN Contemporary and 50-150mm F1.8 Art specifications

  Sigma 30mm F1.4 DC DN | C Sigma 50-100mm F1.8 DC HSM Art
Principal specifications
Lens type Prime lens Zoom lens
Max Format size APS-C / DX
Focal length 30 mm 50–100 mm
Image stabilisation No
Lens mount Micro Four Thirds, Sony E (NEX) Canon EF, Nikon F (DX), Sigma SA Bayonet
Aperture
Maximum aperture F1.4 F1.8
Minimum aperture F16.0
Aperture ring No
Number of diaphragm blades 9
Aperture notes Rounded blades
Optics
Elements 9 21
Groups 7 15
Special elements / coatings 1 aspherical and 1 double-sided aspherical Three FLD, one SLD, one HRI elements
Focus
Minimum focus 0.30 m (11.81″) 0.95 m (37.4″)
Maximum magnification 0.14× 0.15×
Autofocus Yes
Motor type Stepper motor
Full time manual No
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 265 g (0.58 lb) 1490 g (3.28 lb)
Diameter 65 mm (2.56″) 94 mm (3.7″)
Length 73 mm (2.87″) 171 mm (6.73″)
Sealing No
Colour Black
Zoom method Rotary (internal)
Power zoom No
Filter thread 52.0 mm 82.0 mm
Hood supplied No Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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SLR Magic announces anamorphic lenses for filmmakers

10 Feb

SLR Magic, a company known for making affordable optics and accessories for filmmakers, has announced a new set of anamorphic cinema lenses that can be adapted to a variety of lens mounts. The PL mount ANAMORPHOT-CINE line of lenses includes the 35mm T2.4, the 50mm T2.8 and the 70mm T4, all of which can be adapted for Canon EF, Nikon F, Micro Four Thirds and Sony E-mount.

Anamorphic lenses are frequently used by filmmakers to capture wide-screen aspect ratios commonly associated with a more cinematic look. This is accomplished by squeezing the image horizontally onto the sensor or film to capture a wider horizontal angle of view. The image is later ‘de-squeezed’ either in post processing or by a special lens attached to a projector. 

Digital filmmakers sometimes mimic the anamorphic effect by cropping off the top and the bottom of the frame in post processing to create a wider aspect ratio, however this effectively results in throwing away much of the data captured by the sensor. Additionally, anamorphic lenses are directly responsible for some of the looks often associated with cinematic productions, such as horizontal lens flare and elongated bokeh. The ANAMORPHOT-CINE lenses have a 1.33x squeeze factor, making it possible to create a 2.35:1 image from a 16:9 sensor.

The ANAMORPHOT-CINE lenses also provide an alternative to anamorphic adapters that are often used to create an anamorphic image using a standard lens.

The new lenses will be available for demo at the BVE Expo in London from February 23-25. Pricing is yet to be announced.

Press release:

NEW: The SLR Magic Anamorphot-CINE 1.33x PL lens set

Hong Kong, China (Feb 9th, 2016) – SLR Magic is proud to announce the SLR Magic ANAMORPHOT-CINE 1.33x PL lens set for filmmakers which could be adapted to EF/F/mFT/E-mount via adapter.

As a commitment to the film industry, SLR Magic developed the SLR Magic ANAMORPHOT-CINE lenses to deliver the classic contrast, distortion, chromatic, color aberration, and flare characteristics of vintage anamorphic lenses, but with the convenience of a matched lens set without the hassle of aligning and matching lenses to the already popular SLR Magic Rangefinder with Anamorphot adapter combination.

To achieve the much loved scope aspect ratio, which gives a very pleasant, epic effect, filmmakers must crop off the top and bottom of standard 16:9 footage when using spherical lenses with modern digital cameras. As a result, 25% or more sensor/negative information is discarded.

This 1.33x anamorphic lens help filmmakers to maximize their image quality by preventing this loss of vertical resolution. The unique 1.33x squeeze factor uses the entire 16:9 sensor/negative area to achieve the desired 2.35:1 aspect ratio. The SLR Magic ANAMORPHOT-CINE 1.33x does this by compressing a 33% wider field of view to fit the width of the 16:9 sensor/negative without compressing image height. 

The SLR Magic ANAMORPHOT-CINE 1.33x create a unique “artifact” such as horizontal lens flare, commonly referred to as anamorphic streaks, and may create slightly elongated bokeh. Over the history of cinema, these same stylish effects have contributed to the cinematic “look” of epic motion picture photography. Characteristics that shape this anamorphic “look” come from “front-mounted” anamorphic designs such as the SLR Magic Anamorphot while “rear-mounted” anamorphic designs have more suppressed anamorphic characteristics.

Lenses would be on demo at the BVE Expo in London, UK from February 23-25 in the Atomos booth K30

Technical Data:

  • SLR Magic ANAMORPHOT-CINE 35mm T2.4
  • SLR Magic ANAMORPHOT-CINE 50mm T2.8
  • SLR Magic ANAMORPHOT-CINE 70mm T4
  • Lens Type: Anamorphic lens
  • Squeeze factor: 1.33x
  • Objective front filter thread: ?82
  • Mount: Titanium PL compatible with optional SLR Magic EF/F/mFT/E-mount
  • Titanium adapter.
  • Lens Coating: Multi Coated
  • Close Focus: 3’6
  • Weight (oz./g): 38.8/1,100
  • Length (cm): 13.5
  • Diameter (cm): 10
  • Image Circle: S35 for 35mm T2.4, FF for 50mm T2.8 and 70mm T4

Articles: Digital Photography Review (dpreview.com)

 
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Oh, wow… Sony announces 24MP a6300 with incredible AF and 8 fps live view bursts

04 Feb

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Sony has introduced the long-awaited update to its popular a6000 mirrorless camera: the a6300. Featuring a newly developed 24 Megapixel APS-C sensor and a completely revamped ‘4D’ AF system with 425 phase-detection AF points, the a6300 sits at the top of Sony’s APS-C mirrorless lineup. It also appears poised to break down one of the last remaining strongholds of DSLR by a live feed of the action in between frames, with minimal blackout, at a respectable 8 fps shooting rate, with AF.

Key Features:

  • 24MP CMOS APS-C sensor with copper wiring
  • 425-point on-sensor phase-detection AF system
  • 11 fps continuous shooting (8fps continuous live view)
  • Silent shooting 
  • Max ISO of 51200
  • 4K video capture up to 100 Mbps
  • Phase-detect AF compatible with A-mount lenses via LA-EA3 adapter

Capable of continuous shooting at up to 11 fps with AF, the a6300’s 425-point hybrid AF system features ‘high-density’ tracking, which dynamically activated AF points around a subject and adjusts them depending on the motion of the subject itself. The 425 phase-detect points, impressively, reach all the way out to the corners of the frame.

Perhaps the biggest news is that the a6300 is capable of uninterrupted live view at up to 8 fps, potentially addressing one of the biggest shortcomings of mirrorless cameras when it comes to fast action shooting. Traditionally, mirrorless cameras tend to show only a stop-motion sequence of last-shot images at the highest shooting frame-rate, which makes it hard to follow a subject and keep an AF point over it. Live view in between short blackouts at 8 fps brings the a6300 much closer to the experience of a DSLR with optical viewfinder. At the launch event in New York this morning, Sony showed a video reminiscent of Nikon’s recent DSLR vs. mirrorless comparison for fast action shooting at CES, albeit comparing the a6300 to a <$ 1000 DSLR. Results looked impressive.

Notably, the a6300 can use all of its 425 phase-detect points to quickly focus A-mount lenses using a LA-EA3 adapter, which indicates this is now a standard feature that will be available across future E-mount cameras. We also expect phase-detect AF to work with other 3rd party lenses using adapters like the Metabones Smart Adapter.

The a6300 is capable of 4K video capture at up to 100 Mbps. The camera uses a 20MP (6K) region of the sensor to offer 2.4x oversampled 4K video with full pixel readout, and no pixel binning. Videographers should be able to expect sharp, low noise footage, even in low light since almost the entire sensor is sampled.

While the progress in technology is impressive, lack of true weather sealing, a touchscreen, or direct AF point selection with a dedicated joystick or control will continue to be problematic for some. The a6300 will be available in March for $ 1000 body only.

Press Release:

Sony Introduces New ?6300 Camera with World’s Fastest Autofocus 

New Mirrorless Camera Features World’s Fastest AF speed1 and Highest Number of AF points2 plus Newly Developed 24.2 MP APS-C Sensor, High Resolution 4K video recording and more 

NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the latest addition to their award winning lineup of mirrorless cameras, the ?6300 model. 

The camera boasts an unrivaled 4D FOCUS™ system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1.  Additionally, the ?6300 has an incredible 425 phase detection AF points that are densely positioned over the entire image area – the world’s highest number of AF points on any interchangeable lens camera2, and can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking,

The impressive new mirrorless model also has the ability to  support full live-view continuous shooting on the Tru-finder or LCD screen at up to 8 frames per second, ultimately producing a real-time shooting experience that combines all the benefits of an electronic viewfinder with the immediacy of a through-the-lens optical viewfinder. 

The versatile ?6300 is equipped with a newly developed 24.2 MP (approx.. effective) APS-C sized Exmor CMOS sensor that works together with a BIONZ X image processing engine to produce outstanding image quality throughout the entire ISO sensitivity range ISO 100 – 51200 3.  It can also shoot and record high resolution 4K video with full pixel readout and no pixel binning in the popular Super 35mm format.

 “The ?6300 is yet another example of the dominant innovation that Sony continues to bring to the industry, especially from the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics.  “With this new model, we’ve combined the world’s fastest and most extensive AF system with a superb image sensor and many of our most advanced imaging and video technologies, creating a package that can far exceed the performance of any DSLR in its class.   This camera connects you with the action like never before.” 

Unrivaled AF Performance

Sony’s new ?6300 camera builds upon the acclaimed 4D FOCUS performance of the ?6000 model, utilizing a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1.  The camera’s High-density Tracking AF technology positions 425 phase detection AF points over nearly the entire field of view, allowing it  to accurately focus throughout a wide area – even on small, fast objects that other cameras would fail to recognize. 

In addition to the extensive AF coverage, the ?6300 debuts a new High-density tracking AF technology that significantly improves subject detection and tracking performance.  This new technology can quickly activate a large number of AF points surrounding a subject – approximately 7.5 times more density than the ?6000 – and intelligently adjust them in accordance with the subject’s motion.  This is a particularly powerful feature when used with high-speed 11 fps continuous shooting or the new 8 fps continuous live-view mode, which provides 100% accurate framing for fast moving subjects on the LCD screen or viewfinder.

Of note is the fact that the camera’s 425 phase detection AF points, enhanced tracking and focus accuracy are all available on the ?6300 when using A-mount lenses4 with a mount adaptor like the Sony LA-EA3.  This is a first for Sony E-mount interchangeable lens cameras with an APS-C sized sensor, as the only other cameras to feature this capability are the full-frame ?7R II and ?7 II models.

Other enhancements to the ?6300 include silent shooting functionality the ability to use AF in focus magnifier mode, expanded flexible spot AF, Eye AF in AF-C mode and more. 

Powerful 24.2 MP Exmor CMOS Sensor and BIONZ X Processor

In order to maximize efficiency and overall camera performance, the ?6300 features a new 24.2 MP sensor that is an ideal match for its BIONZ X image processing engine. 

The new image sensor employs copper wiring in its structure, which improves light collection efficiency and significantly accelerates readout speed. The BIONZ X processor features an upgraded image processing algorithm designed to maximize the sensor’s overall capabilities.  Together, the two key components work together to produce images with low noise and exceptional resolution in sensitivity settings up to ISO512003, in particular in the mid-to-high sensitivity range. 

Ultimate 4K Resolution and Other Professional Video Capabilities

In another first for non-full-frame Sony interchangeable lens camera, the new ?6300 offers internal 4K movie recording in Super 35mm format.  When shooting in 4K, the camera uses full pixel readout without pixel binning to collect 20 megapixels of information – approximately 2.4x5 (6K equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality  footage with exceptional detail and depth.   

The camera utilizes the XAVC S codec6 during video shooting, which records at a high bit rate of 100 Mbps7 during 4K recording and 50 Mbps during standard Full HD shooting, ensuring maximum detail and clarity in both video formats.  Additionally, the camera will focus approximately twice as fast as its predecessor during movie shooting thanks to its new and improved AF system.  AF speed and AF tracking sensitivity are also adjustable for expanded creativity.  

Other professional caliber video features include the ability to record Full HD at 120 fps at 100 Mbps7, another first for ? interchangeable lens cameras with APS-C sized sensors.  This mode allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD8 (24p or 30p) resolution with AF tracking.   The new ?6300 also offers S-Log gamma recording9 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space.  Both options allow for greater creativity for processing video post-production.

Also included on the new camera is a microphone line input that accepts external microphones and also supports XLR input with Sony’s XLR adapter kit, as well as Gamma Display Assist, a new function that allows users to monitor images or check focus when recording S-Log movies. The new model has enhanced Zebra functionality for greater exposure control.  Picture profile settings are available, as well as Time Code / User Bit and much more. 

Enhanced Operability and Ergonomics

The ?6300 camera is equipped with a high contrast, high-resolution XGA OLED Tru-Finder with approximately 2.4 million dots that offers exceptional corner-to-corner visibility.  There is also a new mode available for the viewfinder that allows display of images at 120 fps, ensuring that action is displayed smoothly with very few afterimages, making subject tracking through the Tru-finder easier than ever.    

Aesthetically, the new ?6300 camera features an extremely solid feel in hand thanks to its robust, magnesium alloy design.  It can be customized to fit nearly any shooting style or preferences, with 9 customizable buttons that one of 64 different functions can be assigned to.  The camera adds a digital level gauge as well as upgraded dust and moisture resistance10, a reinforced lens mount structure and a new shutter release button and mode dial with improved operability and grip.

The new ?6300 camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile™ application available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™, which add a variety of creative capabilities to the camera.  It also supports QR code for easy connection to non-NFC smart phones.

Pricing and Availability

The Sony ?6300 interchangeable lens camera will be available in March for about $ 1,000 for the camera body or for about $ 1,150 paired with a 16-50mm F3.5 – F5.6 kit lens (model SELP1650).  Prices for the Canadian market will be about $ 1,350 CA for the body and about $ 1,500 CA for the camera kit.  It will be sold at a variety of Sony authorized dealers throughout each region.   

1.      Among interchangeable lens cameras equipped with an APS-C sized sensor as of February 2016, based on Sony research.  Measured using CIPA-compliant guidelines and internal method with an E PZ 16-50 F3.5-5.6 OSS lens mounted.  Pre-AF off and viewfinder in use.

2.      Among interchangeable lens cameras as of February 2016, based on Sony research

3.      Expandable up to ISO 51200 for stills and up to ISO 25600 for movies

4.      A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu.

5.      1.6x in 30p setting

6.      An SDHC/SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording

7.      UHS Class 3 memory card is required for recording at 100Mbps

8.      Number of pixels required for Full HD movie recording is readout from the image sensor

9.      S-Log2 and S-Log3 are based on processing pictures.

10.   This camera is designed for optimal dust and moisture resistance, but is not waterproof or splashproof. For FE lens only

Sony Alpha a6300 specifications

Price
MSRP $ 1000 (body only), $ 1150 (w/16-50mm lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium-alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2400, 3008 x 1688)
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor BIONZ X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600, expandable to 51200
Boosted ISO (maximum) 51200
White balance presets 10
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Extra fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Sony ARW v2.3, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x-8x)
Manual focus Yes
Number of focus points 425
Lens mount Sony E (NEX)
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3″
Screen dots 921,600
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Auto
  • Program
  • Aperture Priority
  • Shutter Priority
  • Manual
Scene modes
  • Portrait
  • Landscape
  • Macro
  • Sports Action
  • Sunset
  • Night Portrait
  • Night Scene
  • Handheld Twilight
  • Anti Motion Blur
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+ / Hi / Mid / Low)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p)
Format MPEG-4, AVCHD, XAVC S, H.264
Videography notes Supports X-AVC S up t0 100 Mbps, ACHD to 28Mbps
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50 lithium-ion battery & charger
Battery Life (CIPA) 400
Weight (inc. batteries) 404 g (0.89 lb / 14.25 oz)
Dimensions 120 x 67 x 49 mm (4.72 x 2.64 x 1.93″)
Other features
Orientation sensor Yes
Timelapse recording Yes (downloadable app)
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces flagship EOS-1D X Mark II full-frame digital SLR

02 Feb

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Canon has announced its new flagship DSLR, the full-frame EOS-1D X Mark II. It features a new 20.2MP CMOS sensor with Dual Pixel AF, and uses a pair of Dual DIGIC 6+ processors to capture 4K video and shoot continuously at up to 16 fps. The camera has a native ISO of 100-51200, expandable to 409600.

The new 61-point autofocus system has 41 cross-type sensors and 24% larger frame coverage than its predecessor. Its center point is sensitive to -3EV in OneShot AF. In live view the camera uses the latest iteration of Canon’s Dual Pixel AF technology for high-speed focusing in OneShot mode. The metering system has also been updated to use a 360k-pixel RGB+IR sensor, which the company says improves subject – including face – detection and tracking.

As with its predecessors, the 1D X is as rugged a camera as you’ll find. It’s magnesium alloy body is fully weather-sealed and has a shutter that will last for approximately 400,000 cycles. In addition to its large optical viewfinder (now with better, adjustable AF point illumination), the Mark II has a 3.2″ Clear View II LCD with 1.62 million dots, up from 1.04 million dots. The screen is touch-enabled, but only for autofocus point selection in Live View. Another new addition is a built-in GPS (with an e-compass), which sits in a ‘hump’ on the top of the viewfinder. Otherwise, the design of the Mark II is very similar to that of its predecessor.

Performance-wise, the 1D X II can shoot continuously at 14 fps with autofocus, and if you lock the mirror up, you can shoot up to 16 fps with locked focus and exposure. If you’re using the older LP-E4N battery, the top shooting speeds drop to the same frame rates as the 1D X (12/14 fps). If you’re using a CFast card you can take an unlimited number of JPEGs or a whopping 170 Raw images in a single burst, or 12 seconds of shooting at 14 fps. The 1D X II also has a slot for standard CompactFlash cards. When it comes to connecting to a PC you can choose from the camera’s USB 3.0 or Ethernet ports. Wi-Fi requires the use of Canon’s $ 600 WFT-E8 wireless file transmitter.

One of the most significant additions to the 1D X II is support for 4K (DCI) video capture. It can capture 4K video at 60p using the M-JPEG codec (which allows for easy frame grabs) as well as 1080p at frame rates of up to 120 fps. You’ll need to use a CFast card in order to record more than a few seconds of 4K video though. Dual Pixel AF enables continuous autofocus in video, and touch focus makes the experience a breeze. The camera does not offer focus peaking or zebra patterns natively, but they are visible when using an external recorder. As one would expect given its place in Canon’s lineup, the 1D X Mark II has both headphone and mic jacks.

The EOS-1D X Mark II will be available in April for $ 5999 (body only), or bundled with a 64GB CFast card and reader for $ 6299.

Read our EOS-1D X Mark II hands-on preview

Learn more about the technical features of the EOS-1D X II

Press release:

Fast, Formidable, and 4K, All-in-One Camera: CANON U.S.A. Introduces the EOS-1D X Mark II Professional Digital Camera 

Delivering Precise and Reliable Performance with Versatility for Any Photo or Video Professional

MELVILLE, N.Y., February 1, 2016 – Rising to meet the rigorous and evolving demands of professional photographers and videographers, Canon U.S.A., Inc., a leader in digital imaging, is proud to announce the new EOS-1D X Mark II DSLR camera. With a new 20.2 megapixel 35mm Full Frame Canon CMOS sensor and Dual DIGIC 6+ Image Processors, the EOS-1D X Mark II professional digital camera delivers stunning image quality and speed. Combining the ability to capture high-resolution still images at speeds up to 14 frames per second as well as stunning high-definition video up-to-4K 60P featuring Canon’s proprietary Dual Pixel CMOS Autofocus (AF) technology, the Canon EOS-1D X Mark II camera becomes the ideal camera for any professional image creator. 

The new flagship Canon EOS-1D X Mark II features several firsts for EOS cameras including:

  • Newly developed 20.2 megapixel 35mm Full Frame Canon CMOS sensor;
  • Continuous shooting speeds of up-to-14 frames per second (fps) with Auto Exposure (AE) and predictive AF for viewfinder shooting and up to 16 fps1 in Live View mode; 
  • Dual DIGIC 6+ Image Processors that transfer image data at extremely high speed for extended bursts during continuous shooting – up-to-170 consecutive RAW images at 14 fps. When shooting JPEG images you’re only limited by memory card capacity2
  • Capable of shooting 4K 60P and Full HD 120P video with Dual Pixel CMOS AF;
  • Enhanced wireless functionality (with the optional accessory Wireless File Transmitter WFT-E8) that supports the new high-speed IEEE 802.11ac standard and the  ability to easily transfer photos and videos to compatible smartphones using Canon’s Camera Connect app*; 
  • Digital Lens Optimizer to help correct aberrations in-camera (a feature that previously required post-processing on an external computer); 
  • Improved 61-point viewfinder AF with expanded coverage and all AF-points selectable and supported to a maximum aperture of f/8; 
  • Improved AI Servo III+ predictive AF algorithm for better accuracy; 
  • Continuous red illumination of all AF points within the camera’s Intelligent Viewfinder II.
  • Compatibility with both CF and CFast memory cards for optimal performance and versatility.

The Ultimate EOS Camera: Continuing a Legacy of High Speed and Performance

Building on the success of the Canon EOS-1D X professional digital camera, the Canon EOS-1D X Mark II camera is designed to deliver high-performance, speed, and image quality, with improved comfort for professional photographers. In addition to the new 20.2 megapixel full-frame CMOS sensor and Dual DIGIC 6+ Image Processors, the new EOS-1D X Mark II DSLR camera includes an improved 61-point High-Density Reticular AF II system with all AF points selectable by the user (and up to 41 cross-type points depending on the lens in use). The improved AF system includes expanded coverage that supports AF at maximum apertures up to f/8 with all 61 points for high precision autofocus even when using EF super-telephoto lenses with an EF extender. The camera also boasts excellent dynamic range and reduced color noise compared to its predecessor throughout its standard ISO speed range of 100 – 51,200. Expansion ISO speeds of 50, 102,400, 204,800 and 409,600 are also available.  A first for the Canon EOS-1D series, this camera also features a 360,000-pixel RGB+IR metering sensor with enhanced precision and performance compared to its predecessor, improving facial recognition and tracking, as well as nature scenes. Additionally, the advanced AE system can detect and compensate for flickering light sources such as sodium vapor lamps that are often used in gymnasiums and swimming pools. When enabled, this anti-flicker system automatically adjusts shutter release timing to help reduce disparities in exposure and color especially during continuous burst shooting.

For filmmakers and photographers looking to do more than still photography alone with a DSLR camera and EF lenses, the EOS-1D X Mark II camera offers high resolution DCI 4K video at frame rates up-to-60p, with smooth movie recording to an in-camera CFast 2.0 memory card. An additional card slot supports standard CF memory cards up to UDMA 7. The built-in headphone jack supports real-time audio monitoring. Two additional EOS ‘firsts’ include 4K Frame Grab and 120p Full HD recording. The camera’s 4K Frame Grab function allows users to isolate a frame from recorded 4K video and create an 8.8 megapixel still JPEG image in-camera. When combined with the EOS-1D X Mark II’s high-sensitivity full-frame CMOS sensor, the new camera’s ability to record Full HD video at frame rates up to 120p will allow videographers to produce high quality slow motion video even in extremely low light. To make video shooting even more intuitive, the Canon EOS-1D X Mark II camera’s touch-screen LCD allows videographers to select the camera’s AF point before and during video recording with Dual Pixel CMOS AF, which provides responsive, accurate and quiet camcorder-like video autofocus to DSLRs.

“The innovations within Canon’s new EOS-1D X Mark II DSLR camera clearly set a new standard for professional cameras,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “In developing the EOS-1D X Mark II camera, we looked to incorporate user-requested performance enhancements to bring professional photographers the ultimate EOS camera, a camera that has matured and been developed to meet their evolving needs.” 

“Having f/8 capability on all 61 AF points is a tremendous benefit to wildlife photographers,” noted nature photographer and Canon Explorer of Light Charles Glatzer. “In order to capture tight shots of animals without disturbing them, I frequently have to use very long lenses—sometimes with an extender attached, which further diminishes the aperture. The improved AF allows me to frame the shot exactly the way I envision it, without having to compromise.”

“This camera is a huge step forward,” remarked acclaimed photographer and Canon Explorer of Light Damian Strohmeyer. “Shooting sports in a gym at 8,000 ISO, it looked as good as 800 ISO from a generation or two ago. The images are tack-sharp, and the autofocus just doesn’t miss. I’ve been amazed by what I’ve seen so far.”

“The autofocus was awesome,” agreed Peter Read Miller, sports photographer and Canon Explorer of Light.  “The higher frame rate coupled with the speed of the CFast card was a definite advantage. It just never buffered out, even shooting RAW.”

The new EOS-1D X Mark II camera also offers a built-in GPS** receiver with compass for precise geo-tagged information of latitude, longitude, elevation and direction. This is especially valuable to wildlife photographers and photojournalists who need to track their locations, as well as providing sports photographers the ability to sync a multiple-camera setup with extreme accuracy and precision. It is also possible to use the camera’s built-in GPS to automatically sync the camera’s time to the atomic clock, an invaluable feature to professionals.  An improved grip also makes the camera easier for photographers to hold and maneuver while shooting. In response to feedback from professional EOS users, the AF points in the EOS-1D X Mark II camera’s Intelligent Viewfinder II can be illuminated in red for improved visibility, especially when shooting in dark locations. AF sensitivity in low light has been doubled from EV -2 to EV -3 at the center AF point when the camera is set to One-Shot AF, enabling the camera to autofocus in extremely dark shooting conditions such as a moonlit nightscape. Viewfinder AF coverage has also been increased for greater compositional flexibility.

As with all EOS-1D series cameras, the EOS-1D X Mark II’s rugged construction and magnesium alloy body is weather resistant. The camera also features improved controls and more in-camera image quality enhancements than ever before, including a Digital Lens Optimizer function offering high quality aberration correction which can now be achieved without an external computer. This feature makes it easier for professional photographers to deliver finished files to their clients, especially in situations when access to a personal computer is impractical or inconvenient. 

The estimated retail price for the Canon EOS-1D X Mark II is $ 5999 (MSRP) for the body or $ 6299 for the Premium Kit which includes a 64 GB CFast memory card and card reader. The new camera is scheduled to begin shipping to authorized Canon USA dealers in April 2016***. For more information and the full list of product specifications, visit: usa.canon.com/EOS1DXMarkII 

* With the download of the free Canon Camera Connect app. This software enables you to upload images to social network services. Before uploading images, please be aware that image files may contain privacy-related information such as people and places. If necessary, please delete such information. Canon does not obtain, collect or use such images or any information included in such images through this software. 
** In certain countries and regions, the use of GPS may be restricted. Therefore be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
***Availability, pricing and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

1. Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings
2. Burst rate using CFast card

EOS-1D X Mark II specifications

Price
MSRP $ 5999 (body only)
Body type
Body type Large SLR
Body material Magnesium alloy
Sensor
Max resolution 5472 x 3648
Other resolutions 4368 x 2912, 3648 x 2432, 2736 x 1824
Image ratio w:h 3:2
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Dual DIGIC 6+
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-409600)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 409600
White balance presets 6
Custom white balance Yes (5 slots)
Image stabilization No
Uncompressed format RAW
File format
  • JPEG (Exif v2.3)
  • Raw (Canon CR2, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 61
Lens mount Canon EF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2″
Screen dots 1,620,000
Touch screen Yes (for AF point selection only)
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync)
Flash X sync speed 1/250 sec
Continuous drive 16.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Resolutions 4096 x 2160 (60p, 30p, 25p, 24p, 23.98p), 1920 x 1080 (120p, 60p, 50p, 25p, 24p, 23.98p)
Format MPEG-4, H.264, Motion JPEG
Microphone Mono
Speaker Mono
Storage
Storage included CompactFlash + CFast 2.0
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes
Microphone port Yes
Headphone port Yes
Wireless Optional
Wireless notes requires WFT-E8
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E19 lithium-ion battery & charger
Battery Life (CIPA) 1210
Weight (inc. batteries) 1530 g (3.37 lb / 53.97 oz)
Dimensions 158 x 168 x 83 mm (6.22 x 6.61 x 3.27″)
Other features
Orientation sensor Yes
GPS BuiltIn
GPS notes with e-compass

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Phottix announces next generation of Odin TTL flash controllers

02 Feb

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Flash and accessory manufacturer Phottix has released details of the second generation of Odin flash controllers that will go on sale mid-February. The Odin II units, which allow wireless TTL control of hotshoe and portable studio flash units, will add two extra control groups and 28 additional channels to the radio trigger’s reach, and will make the user interface easier to handle. 

The Odin system, which is compatible with Nikon, Canon and Sony cameras can be used with the company’s battery-powered Indra 500 and 300 portable studio flash heads, as well as the company’s Mitros hotshoe flash units. The new models also add an AF assist lamp, 10 new custom functions and digital ID for channels 5 to 32 to ensure the correct units are communicating. 

The Odin system is divided into transmitters and receivers, and Phottix’s own flash units have the receivers built-in. Photographers using Canon, Nikon or Sony branded flash units can use their hotshoe flash units with an Odin receiver to take advantage of the better range and connection of radio transmission over the line-of-sight systems camera brands tend to produce. Radio also works better when shooting outside in bright conditions.

The company says that new firmware will be released for the Mitros and Indra flash units to make them compatible with the new features. 

The Canon and Nikon models will be available first, with those for Sony cameras arriving in late April. The transmitters will cost £160, while receivers will be £125.

For more information visit the Phottix website.

Press release: 

Introducing the Phottix Odin II TTL Flash Trigger

Phottix adds cutting edge functionality and features to its flagship trigger

Eagerly anticipated by thousands of Odin customers, the Odin II is the result of requests from Professional Photographers demanding more from their TTL flash systems.  Phottix is delivering on its promises to provide the very best system available today. 

Unrivalled Control and Streamlined User Interface

The Odin II allows more control than ever before.  The controls are logical, simple to use, and allow extremely fast adjustments.

With five groups, A, B, C, D and E, the dedicated quick access buttons allow changes to be made by simply turning the new thumb wheel which is perfectly placed below the improved large LCD screen to adjust the compensation.  The backlit LCD panel shows the settings at a glance.  Now you can control five channels or groups of lights at the touch of a button, in TTL Mode or in a combination of full manual mode and TTL – the choice is yours.  When switching a group off, its display line disappears from the screen, showing just the groups remaining active.

Backward Compatibility

The Odin II system is compatible with the original Odin system, Phottix Mitros+ Speedlights, the award-winning Indra360 and Indra500 TTL Studio lights, Strato and Strato II receivers, and Atlas II in receiver mode.  Using channels 1 to 4 you can work with the kit you already own with the Phottix Odin II.

More Channels and Digital ID

To take advantage of the Phottix Odin II, a total of 32 channels can be used, channels 5 to 32 use the full functionality of the Odin II receiver, including a user-set digital ID for the ultimate in secure triggering.  Users can remotely control Speedlight zoom settings, providing the perfect coverage from a wide angle to a spot light.  When shooting with the Phottix Indra360/500 series, the Odin II transmitter also offers remote modelling light control and full light ratio controls.

High Speed Sync and Overdrive Sync

High Speed Sync with TTL flashes and Overdrive Sync with manual enable flash photography at up to 1/8000 second for creative photographers.  The newly added AF assist light makes autofocus a breeze in dimly lit locations.  An additional ten custom functions allow users to customise the Odin II, including switching on/off the audible beep, screen brightness, an AF Illuminator function and the ODS system control functionality, as well as a full factory reset should you need it.

Firmware Updates

Firmware upgrades for the Phottix Mitros+ and Phottix Indra360/500 will soon be available to take advantage of the new features of the Odin II – these will be announced shortly via the Phottix Journal and on the Phottix.com website.

Major Features 

  • 5 groups A, B, C, D and E
  • 32 channels with user-set Digital ID on channels 5 to 32
  • Group buttons and thumbwheel control for fast operation
  • TTL Power Control +/- 3EV
  • Manual Power Control 1/1 to 1/128th
  • High Speed Sync – up to 1/8000s on compatible cameras
  • Second Curtain Sync (Nikon and Sony only)
  • AF Assist Light
  • Flash zoom control
  • Modelling Light Control with Indra500/360
  • 2.4 GHz, Range up to 100 metres
  • Compatible with Indra500/360 TTL, Mitros+, Odin, Strato, Strato II and Atlas II
  • Always up to date via the latest Firmware.

Odin II for Nikon and Canon will be available from all Platinum Dealers week commencing 15th of February 2016, the Sony Odin II is expected to arrive in late April.

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Nikon Japan announces price increases of up to 18% for lenses and flash units

29 Jan

Nikon has released details of price increases it will implement in the Japanese market from the beginning of March this year. The changes will affect a total of 73 of its DX and FX lenses, as well as three teleconverters. In addition, 21 lenses for the Nikon 1 system will be included, the FT1 mount adapter and six Speedlite flash units along with the systems associated wireless remotes. Newer lenses, such as the recently announced AF-P 18-55mm F3.5-5.6G/VR, the 200-500mm F5.6E ED VR, the 24-70mm F2.8E ED VR and the 24mm F1.8G ED are not included in the list. 

The degree of increase varies across the board, but some products, such as the SB-300 flashgun, will face a price hike of close to 18%. Others though will be increased by less than 5%. 

The company cites pressures from increasing costs of raw materials for the price rises, and claims that it has done all it can to absorb the additional costs itself.

As the information was intended only for the Japanese market there is no mention of the rises coming into force in other regions. We’ll update this story with more details as and when we receive them.  

For more information see the notice posted on the Nikon Japan website. 

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Yongnuo announces YN360 LED light wand

27 Jan

Chinese lighting manufacturer ShenZhen Yongnuo Photographic Equipment Co has announced a variable temperature LED wand for still and video photographers. The Yongnuo YN360 features a 39.5cm/15.5in light board that is equipped with 160 LEDs designed to match daylight, 160 LEDs to match tungsten lighting and 40 further LEDs that are RGB SMD lamps. The wand can be used to produce light that blends in with ambient lighting in a wide range of conditions by varying the mix of 3200K and 5500K LEDs, and also be used to create a spectrum of colors by mixing the red, green and blue LED sources. 

The company says that the color of the wand and the brightness of its illumination will be controllable via a smartphone app and physical dials on the wand’s handle, and claims that its technology and encoders allow the light to be dimmed without altering its color. 

The YN360 will be powered by Sony NP-F type lithium-ion cells, and we should expect two hours at its 2560-lumen brightest output in the color temperature mode, and four hours in RGB mode, from a single charge of the recommended NP-F770 battery. A mains adapter will also be available. 

The Yongnuo YN360 should go on sale by the middle of February, though the company has yet to release information regarding its price. For more information see the Yongnuo store blog. 

Articles: Digital Photography Review (dpreview.com)

 
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Leica announces €80,000 prize fund for 2016 Oskar Barnack Awards

22 Jan

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Leica has increased the value and volume of prizes on offer for the forthcoming Oskar Barnack awards for 2016, with the winner taking home €25,000 in cash on top of a €10,000 M system camera and lens. The newcomer prize has been doubled to €10,000 in cash, and the winner will also receive a Leica rangefinder kit. 

The competition theme will be the relationship between man and the environment, and entrants are expected to submit a series of 10-12 images that work together ‘with acute vision and contemporary visual style – creatively and innovatively’. As well as the main award there will be ten awards of €2500. 

Submitted pictures must have been taken in 2015 or 2016, and all entrants for the main competition must be professional photographers. Prospective professionals who are 25 years old or younger can enter the Newcomer Award – for which there will be a main prize-winner and a further ten photographers will have their work ‘recognized’.  

An online public voting process will also take place via the i-shot-it website, and the winner of that will receive €2500 as well. Voters will be entered into a draw for Leica compact cameras.

The competition opens on 1st March and the closing date will be 15th April 2016. For more information visit Leica’s Oskar Barnack awards website, and to see the submission of last year’s winner, visit the Leica gallery of Swedish photographer JH Engstrom. You can see other successful submissions in the general winners’ galleries. 

Press release: 

Leica Oskar Barnack Award 2016

Prestigious photographic competition continues in 36th year with brand new features and prizes

Now in its 36th year, the Leica Oskar Barnack Award, an international photographic competition for professional photographers as well as up-and-coming photographers under the age of 25, continues its rich tradition in 2016 with numerous new features and significantly more attractive prizes. 

The recipients of this year’s Leica Oskar Barnack Awards will be honoured at an official prize-giving ceremony, to be held in Germany for the first time in many years. Furthermore, the prize value for the winner of the ‘Newcomer Award’ has been doubled to a total of 10,000 euros and, for the first time, the work of ten further entrants will be recognised. 

The Leica Oskar Barnack Award 2016 competition is open for entries from 1 March 2016. Photographers interested in taking part can now submit their applications and photographic projects online, with a closing date of 15 April 2016. Terms and conditions of entry can be downloaded from http://www.leica-oskar-barnack-award.com/. 

With prizes amounting to a total cash value of 80,000 euros, the Leica Oskar Barnack Award is one of the industry’s most prestigious photographic competitions. The winner in the main category will be honoured with a cash prize of 25,000 euros and Leica M-System equipment (a camera and lens) with an additional value of 10,000 euros. The prize money for the Newcomer Award has been doubled this year: the winner in this category will receive a cash prize of 10,000 euros and will also be presented with a Leica rangefinder camera and lens. 

In addition to the main categories, a further ten photographers will be awarded cash prizes of 2,500 euros each and, for the first time this year, will also be recognised as being among the twelve best photographers in the competition. The portfolios of all the finalists will be presented on the web site and published in a special issue of LFI Magazine. 

A judging panel of prominent international experts selects the winners, focusing particularly on the photographers’ unerring powers of observation, and how they show the relationship between man and the environment, expressed graphically in portfolios of up to twelve images. 

The members of this year’s jury are: Karin Rehn-Kaufmann, Art Director Leica Galerien International (Salzburg), JH Engström, photographer and last year’s award winner (Karlstad, Sweden), Christine Ollier, Art Director Galerie Filles du Calvaire (Paris), Chris Boot, Executive Director, Aperture Foundation (New York) and Lorenza Bravetta, Director, Camera – Italian Centre for Photography (Turin).

The Leica Oskar Barnack Award will also include the presentation of a public award, with the winner being chosen by online voting at http://www.i-shot-it.com/, the online platform for photographic competitions. The winner in this category will receive a cash prize of 2,500 euros. A prize draw for non-cash prizes of Leica compact cameras will also be held for all those who participated in the online voting process.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces its flagship 24 megapixel X-Pro2 mirrorless camera

17 Jan

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Fujifilm has released the long-awaited followup to its flagship X-Pro1 mirrorless camera, aptly named the X-Pro2. While similar in design to its predecessor, virtually everything else about the X-Pro2 is new.

First is an all-new 24.3 megapixel X-Trans CMOS III sensor, making the X-Pro2 the highest resolution Fujifilm camera yet. It can capture images at sensitivities as high as ISO 51200 and also supports compressed Raw (a first for the X-series). The camera’s focal plane shutter tops out at 1/8000 sec (with an x-sync speed of 1/250 sec), with the electronic shutter offering speeds up to 1/32000 sec.

Another big leap is in terms of autofocus. The X-Pro2 has a Hybrid AF system with 273 total points, of which 77 are phase-detect and cover 40% of the frame. Fujifilm claims the X-Pro2 offers the fastest AF of any of its X-series models, though it’s worth keeping in mind that performance will vary based on lens – many lenses in the line, particularly primes, tend to have slower focus motors that can significantly affect continuous AF performance. 

While the X-Pro1 was already a sturdy camera, its successor is even more durable. Its magnesium alloy body has 61 points which are sealed against dust and moisture. It offers direct control for shutter speed, ISO and exposure compensation via dials on the top plate. The X-Pro2 is Fujifilm’s first camera with dual memory card slots, both of which take SD cards. The first slot is compatible with ultra-high speed UHS-II media.

Fujifilm has also updated the X-Pro1’s hybrid viewfinder, bringing it more in line with what’s found on the X100T. It can still be both an optical or electronic viewfinder, with the resolution of the EVF panel being bumped to 2.36 million dots. X-Pro1 users have always been able to overlay shooting data and bright lines onto the optical view, but now there’s a ‘tab’ at the lower-right which can display a projected LCD display showing a magnified view of the focus point, peaking, or a digital split prism. In addition to the hybrid viewfinder, the X-Pro2 also has a 3″ LCD with 1.62 million dots.

Some other new features of note include a monochrome Acros film simulation mode ‘for smooth tones’, a grain effect, interval shooting, 1080/60p video and, of course, Wi-Fi support.

The X-Pro2 will be available next month at a price of $ 1699.95.

Read our X-Pro2 first impressions review

Take a tour of the X-Pro2 in our hands-on preview

FUJIFILM ANNOUNCES NEW FLAGSHIP X-PRO2 MIRRORLESS CAMERA

Weather-resistant X-Pro2 features the world’s first Advanced Hybrid Multi Viewfinder, new 24MP X-Trans CMOS III sensor, and creative monochrome ACROS film simulation

Valhalla, N.Y., January 14, 2016 – FUJIFILM North America Corporation, a leader in premium mirrorless cameras, today announced the FUJIFILM X-Pro2, the new flagship range-finder style camera in the award-winning X-Series line. As the new pinnacle of X-Series photography, the X-Pro2 gives professional photographers an innovative Advanced Hybrid Multi Viewfinder capable of instantly switching between optical and electronic finders, a new 24.3MP X-Trans CMOS III sensor for truly remarkable image resolution, and a new X-Processor Pro that delivers dramatically improved response times for unmatched performance.

By combining these features with the ultra-high image quality of FUJINON X-Mount lenses and the world-renowned color reproduction technology refined over more than 80 years as a photographic film leader, the FUJIFILM X-Pro2 delivers the best ever results from an X-Series camera.

Advanced performance for professionals
The FUJIFILM X-Pro2 has the world’s first Hybrid Multi Viewfinder that allows photographers to take advantage of both an optical finder for a direct view of the subject as well as an electronic viewfinder to preview settings. The ability to instantly switch between these two types of viewfinders was first installed on the FUJIFILM X100 in 2011, but the latest version found on the X-Pro2 is the most advanced. It now features a Multi-Magnification function that automatically switches viewfinder magnification according to the lens in use and an Electronic Rangefinder that simultaneously displays the electronic viewfinder on top of the optical viewfinder.

Working together, the newly developed 24.3MP X-Trans CMOS III sensor and the high-performance X-Processor Pro image engine deliver pictures with a perceived resolution far greater than the actual number of pixels used. Moreover, the X-Pro2 now boasts 4x the processing speed of conventional image processing engines, which in turn gives users increased response times, even with the increased resolution. The powerful X-Processor Pro dramatically improves a wide range of response times, including a start-up time of just 0.4 seconds, the shortest shooting interval of 0.25 seconds, a shutter time lag of 0.05 seconds, and autofocus speeds as fast as 0.06 seconds. And with the option to use compressed RAW files, the X-Pro2’s performance and functionality now exceed the needs of professional photographers, including faster live view and even higher definition movies.

Cutting-edge autofocus system
The FUJIFILM X-Pro2 uses a new autofocus (AF) system that gives users an expanded number of selectable focusing points with 273 AF points. 77 of these are phase detection – for greater functionality and faster autofocus. With the X-Pro2, approximately 40% of the imaging area is now covered by fast, precise phase detection AF pixels, which means focusing speeds when photographing moving subjects have improved dramatically. By combining the processing capabilities of the new X-Processor Pro with a contrast AF readout speed that is 2x faster than before, the X-Pro2 delivers the fastest AF performance ever in an X-Series camera.

Weather-resistant for challenging shooting environments
The FUJIFILM X-Pro2 has a robust, weather-resistant body to meet the needs of professional photographers in tough shooting environments. The camera’s chassis is made from four pieces of magnesium alloy and is sealed with more than 61 points, making it dust-proof, splash-proof and capable of operating in temperatures as low as 14°F. In addition, it has dual SD card slots, for more reliable image storage and less card changing while on location.

Improved layout and new user interface design
The new FUJIFILM X-Pro2 embodies the true craftsmanship that the X-Series is known for around the world. The shutter speed dial, exposure compensation dial and finder switching lever are all milled from aluminum for a premium look and comfortable feel. The ISO sensitivity dial is now built-in to the shutter speed dial so camera settings can be confirmed at a glance without having to turn the power on. And the command dial position has been added to the exposure compensation dial. Selecting this function switches exposure compensation operation to the front command dial and expands the range to ±5EV.

The FUJIFILM X-Pro2 features Command dials on both the front and rear of the camera. And by adding a push function, they are easier to use, and still retain dust and water resistance. There are six function buttons to allow easier access to regularly used functions, and a new Focus Lever enables users to quickly select a focusing point, speeding up operation.

Photographers will find a new, easy-to-use graphical user interface design in the FUJIFILM X-Pro2 with fresh categories added to the tabs on the menu screen, allowing faster access to the item required. Users can register a maximum of 16 frequently used items in the new My Menu feature, and when combined with the 16 items from the Q Menu, a total of 32 shortcuts can be created.

The viewfinder display in the FUJIFILM X-Pro2 now offers a greater level of customization so it can further match the individual needs of the photographer. The X-Pro2 gives users a Bright Frame Simulation function in the optical viewfinder mode so the angle of view of each focal length can be confirmed without having to replace the lens, so the user can change lenses more accurately.

FUJIFILM X-Pro2 key features:

  • World’s first Advanced Hybrid Multi Viewfinder with 2.36 million dots and maximum speed of 85 frames per second
    • Diopter correction mechanism with an eye point of 16mm and a telephoto bright frame with enlarged focal length of 140mm
  • 24.3MP APS-C X-Trans CMOS III Sensor
    • Fast AF of up to 0.08 seconds
    • Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second
    • Start-up time of 0.4 seconds
    • Shutter time lag of 0.05 seconds
    • Shooting interval of 0.25 seconds
    • Focal plane shutter top speed of 1/8000 second
    • Flash sync speed up to 1/250 second
  • Dust and water-resistant body with more than 61 points of weather sealing and freeze resistance to 14°F
  • High-precision 3” rear display with 1.62 million dots
  • Dual memory card slots (Slot1 compatible with UHS-II standards)
  • New monochrome  ACROS film simulation for smooth tones, deep blacks and rich textures
  • New Grain Effect mode for images reminiscent of old film photos, especially when printed
  • Maximum ISO performance up to 12800 sensitivity; Extended ISO ISO100, 25600, 51200
  • Improved electric charge transfer rate for ultra-fast readout speeds
  • Interval timer for shooting time-lapse sequences of one second to 24 hours, up to 999 frames
  • Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi
  • Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer
  • Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 60 fps, 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats
  • Advanced creative filters
  • Optional accessories:
    • Hand Grip MHG-Xpro2 – improves grip and retains access to battery and SD card, and compatible with an Arca Swiss plate
    • Leather Case BLC-XPRO2 – genuine leather bottom case elegantly shows off the X-Pro2’s classic design while protecting the camera body with battery access

The FUJIFILM X-Pro2 (body only) will be available in February 2016 for USD $ 1,699.95 and CAD $ 1,899.99.

Fujifilm X-Pro2 specifications

Price
MSRP $ 1699/£1349 (body only)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2384, 3008 x 1688), 1:1 (4000 x 4000, 2832 x 2832, 2000 x 2000)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Processor EXR Processor III
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 200-12800 (expandable to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF, lossless compressed or uncompressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 273
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3″
Screen dots 1,620,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic and Optical (tunnel)
Viewfinder coverage 92%
Viewfinder magnification 0.6×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program AE
  • Shutter priority
  • Aperture priority
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous (hi/low)
  • Self-timer
  • Interval
Continuous drive 8.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±2 (at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (Dual slots, UHS-II support in slot 1)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (Wired or via smartphone)
Physical
Environmentally sealed Yes (water and dust resistent)
Battery Battery Pack
Battery description NP-W126 lithium-ion battery & charger
Battery Life (CIPA) 350
Weight (inc. batteries) 495 g (1.09 lb / 17.46 oz)
Dimensions 141 x 83 x 56 mm (5.55 x 3.27 x 2.2″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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