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Posts Tagged ‘Adobe’

Adobe accidentally leaks ‘Project Nimbus’: A cloud-based Lightroom-powered photo editor

27 Jul
A screenshot from the cloud-based photo editor ‘Project Nimbus’, accidentally leaked by Adobe yesterday. Screenshot: MacGenerations

Adobe announced development of its ‘Project Nimbus’ cloud-based photo editor last year, but we knew very little about this stripped down ‘Lightroom in the Cloud.’ Until, that is, yesterday when Adobe accidentally released an internal build of the app to some Creative Cloud users.

French website MacGeneration got their hands on some screenshots that were captured by users before the mistake was spotted and the app was taken down by Adobe.

From what we can tell from the screenshots and MacGeneration’s description, the app is a lot like Lightroom Mobile for the iPad. Basic light and color edits, brushes and gradients are all available, and the editing workflow is entirely non-destructive. What sets Nimbus apart is that it’s entirely cloud-based: as you edit, your edits and photos are automatically saved to the cloud, and the app comes with 1TB of cloud storage for this very purpose.

Here are a couple more screenshots:

After the app leaked, Adobe released the following statement to Engadget:

We mistakenly shared Project Nimbus with a small group of Adobe Creative Cloud customers. As you will recall from MAX in October 2016, Project Nimbus is next-generation photo editing technology that we have been exploring as part of our Lightroom and Photoshop ecosystems. We cannot share any further details at this time but will keep you posted on future developments.

If you’re intrigued by Nimbus, you won’t have to wait too long before you can give it a shot. A beta of the app is due out sometime in 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Why I Use ACDSee Versus Adobe Bridge for Culling Images and More

27 Jul

Believe me, I have tried. Over the years, I have tried to wean myself off ACDSee. But, like Al Pacino in The Godfather, “Just when I thought I was out, they pull me back in!”. ACDSee does what I want it to do and, as a single package, and it does it better than anything else I have found.

I use Lightroom as a factory, a mass production tool. I import the images, I process them, that’s it. For a long time, I have felt no urge to look at anything other than the Library and Develop modules.

ACDSee Image Software

The wood shed.

Continuing the analogy, what I might call handcrafted images, are processed in the garden shed, with Photoshop. Pretty much everything else I do in ACDSee.

ACDSee in place of Adobe Bridge

First and foremost, ACDSee is an Adobe Bridge replacement for me. For something like 80% of the time, I use about 20% of its capacity, that is its ability to act in the place of Bridge. I am certain that I have only launched Adobe Bridge once in the last year. I had to do it just once to write this article! ACDSee simply does it better in my opinion.

ACDSee Image Software

Standard file manager style screen

Any of the different versions, even the most basic of them, meet my needs. The screen shots for this article are from ACDSee Ultimate, but my previous experience is that all versions work in a similar way. You would need to work out just how many bells and whistles you wanted to invest in. ACDSee offers a good comparison of the different versions on their website. I am sure you would find that ACDSee is not a challenging piece of software, it works quite conventionally.

This article may well invite some comments suggesting that “such and such” software does that too, and I am sure that is true. Is the elephant in the room Photo Mechanic, is it Irfan View, or even Adobe Bridge? I am also sure that there are even others. So I try others, I give them a go, but I end up back in the arms of the little-known all-around beauty which is ACDSee.

ACDSee Image Software

Lifestyle

I tend to be a little bemused when I have heard people talk about having a lifestyle. I have wondered if I ought to get myself such a thing. My reaction is not much different when people talk about having a workflow. Different situations seem to me to require different approaches, and I have wondered if I should get myself a workflow.

The truth is that I am not totally slapdash. For example, if I have been out on a photo walk, there is a routine which I tend to follow. Stepping through that routine seems a good way to look at some aspects of ACDSee. Here is my process.

IMPORTING IMAGES

ACDSee provides a ton of choices for importing photographs, let me highlight just one.

ACDSee Image Software

Import window of ACDSee.

I am a huge believer in the adage that “Data only exists if it exists in two places”. The extension of that thought is that you do not actually have a backup until you have a third copy. Presuming that you leave your images on the card in the camera, ACDSee gives you the choice to make two copies on import and to give you those second and third copies of your images. The first copy can be imported to one folder and the second copy can be imported to another location. That might just prove to be a very useful safety net one day. You might be glad you tried ACDSee for this reason alone.

It might be a consequence of having used computers since before The Ark, but I still tend to think in terms of named and dated folders. Libraries, collections and the like, clearly work for some, but I import to my date/location file structure, then into Lightroom from there.

THE CULLING PROCESS

One of the most important parts of my workflow (Oops! did I just admit to something?) is the culling process. I will take a long time sorting through the photographs, in sweeps, which are progressively more demanding, deleting those which I do not want to spend time processing. ACDSee helps me with the cull in at least 3 ways.

ACDSee Image Software

1 – ACDSee is fast with RAW files

Subjectively, I tend to find Adobe Bridge rather clunky to operate and slow in responding. It was painfully slow to open a folder and draw the thumbnails on a computer with quite high specifications. The same folder was opened, with thumbnails and images viewable very promptly, in less than ten seconds with ACDSee. It was taking so long with Bridge, the images were still not viewable after 2 minutes, that I moved to another copy I have of the same images on a faster, SSD drive. In all fairness, Bridge was then just as quick as ACDSee.

ACDSee Image Software

Adobe Bridge

Objectively, ACDSee is faster at drawing a RAW file than Bridge to an insane degree. I took shot Image A and opened it to a full-screen view in ACDSee, then in Bridge. Then I reversed the process and opened Image B in Bridge first, then in ACDSee. Both ways, using ACDSee, the image was clear, viewable in sharp detail, within 2 seconds. Using Bridge, after more than 30 seconds I gave up, clicked to zoom in, and only then did it become a clear, sharp, fully-drawn image.

ACDSee Image Software
That adds up to an awful lot of time over the years. I cannot fathom that there is anyone who likes sitting and waiting for their computer to catch up. Not only would you save a huge amount of time cumulatively, it also makes for a much more satisfying experience.

2 – Comparing images is easy with ACDSee

Second, the process of culling is easier because ACDSee offers an excellent tool for comparing photographs in close detail. I know Lightroom offers something similar, probably others do too, but none seem to work as well as that in ACDSee. Often I will have a series of four or five shots (or more) which are largely similar. ACDSee lets you put those shots on screen, next to each other, all at the same time. Actually, I think it works best with just three on screen at a time.

ACDSee Image Software

Three or more photographs compared side by side.

The choice as to which photograph to keep often comes down to a technical decision such as which shot is the sharpest. For a portrait, that usually means looking at the eye. With ACDSee, when you zoom in on one of the photographs which you are comparing, all of the shots zoom in to the same point, at the same level. Again, I acknowledge that other software probably does this, but I have not come across all the things I want, working as well as they do, in one package.

ACDSee Image Software

All three shots zoomed in to the same level.

3 – Full-screen mode

The third way in which ACDSee helps me cull images is that it goes to full screen so very easily and quickly. It displays photographs in the way I want to see them. Full screen, with no window border, no mouse pointer. Double click or hit Enter and you are in full screen. Also “Crtl/Cmd+scroll wheel” zooms you in. That is how I want to view photographs.

Then, there are two bonuses. First, a right click option is Zoom Lock, which means I can Page Up and Page Down between shots which are full screen and zoomed in to the same point and level. You might even prefer this to the side by side comparison. The next bonus, which can be useful now and then, is that the EXIF data can be brought up very quickly with ALT/OPTION+Enter in the full-screen view mode.

ACDSee Image Software

Full-screen mode, with the EXIF data, added on the right.

All the above is mostly about ACDSee being used as a replacement for Adobe Bridge. One important thing I have not squeezed in so far is that you can open an image straight into Photoshop from ACDSee. It does the file browser function of Bridge just as well, and a very easy keystroke combination of Ctrl/Cmd+Alt+X takes the image into Photoshop. It is probably the only shortcut I can use without looking at the keyboard.

These factors alone make a case for why ACDSee keeps pulling me back in. However, there is more!

BATCH PROCESSING

ACDSee Image Software

ACDsee has a good selection of batch operations.

The tools which I probably use most often, and they work very well, with all the options you could ask for, are the batch tools. I find it so helpful that ACDSee will batch resize a number of images, then convert the file format, then rename them. There are a few other tricks too.

It is not part of the batch menu but, at least in my mind, it is linked. I often publish directly to social websites where, again, you are given useful choices.

ACDSee Image Software

Send to …

ACDSee Image Software

This is probably a good place to mention again that I know Adobe has the tools to do all of this. But I do not think anyone can believe that they are as simple to use, and they are certainly not all in one place.

MANAGE

As I have already confessed, I am still in the mentality of file browsers, and that is the format which you are looking at with ACDSee. It has all the benefits which you would expect from such a tool. You can search, play with metadata, sort by different criteria, look at different views … it just works well.

ACDSee Image Software

Full-screen slideshow.

Seems this might be the time to mention that ACDSee does good slide shows too, with some level of sophistication. Full screen, with the toolbar you can see above only appearing when you click on the screen. Most notably, that gives you the ability to change the delay. For more sophisticated settings, you can dig a little deeper.

ACDSee Image Software

Slideshow settings window.

EDITING

Finally, the part of ACDSee which I use least often, though still appreciate, is the program’s capacity as an image editor.

I do sometimes use it for one-off processing of an image. Some people suggest that ACDSee is a full blown alternative to products which are much better known. ACDSee will handle RAW, it has layers, it is non-destructive … it has some clever tricks … if you do a search on You Tube, you will find plenty of people offering not just enthusiasm, but solid tuition that might persuade you that ACDSee can meet ALL your photographic needs in what would then be a very reasonably priced package.

Read dPS author Leanne Cole’s review here: Photo Editing Alternative – An Overview of ACDSee Ultimate 10

It might seem trivial, but what I often use ACDSee for is cropping and leveling. Without a description of the minute details, it has all the usual cropping facilities, but with the easy ability to set dimensions precisely to the pixel.

ACDSee Image Software

Pixel precise cropping.

You can then place the mask precisely on the image, in a way that I have not found any other program capable of doing. I also like the way it allows you to vary the opacity of the image area outside the mask. If you set a crop dimension and move through a series of photographs, the dimension will also be retained from one photograph to the next.

ACDSee Image Software

A helpful tool.

It also works similarly with regards rotating the image.

ACDSee Image Software

You can rotate by the degree.

I’ve not used anything else which lets you rotate the image with such precision, auto-cropping as you go.

Again, a clear display of what is happening, with helpful options

CONCLUSION

I love the forensic, hugely detailed reviews which, for example, DP Review conducts. This article cannot be of that nature. It is more a taster, highlighting a few of the things which I find helpful to me personally, and which might work for you too. I also join others in celebrating the underdog, particularly if it is, in fact, a really good team, which plays a good game.

Why not go over to ACDSee, download it for a 30-day free trial and give it a go yourself. If you already use it, tell us in the comments below what features you love the most and why.

The post Why I Use ACDSee Versus Adobe Bridge for Culling Images and More by Richard Messsenger appeared first on Digital Photography School.


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Adobe updates Lightroom Mobile with new features and interface on iOS and Android

19 Jul
Today’s Lightroom Mobile updates include the addition of the selective brush on iOS, and a new interface for Android users.

Adobe released a major update to Lightroom Mobile for both iOS and Android users today. Each update is unique, offering different features depending on which operating system you use. Scroll down for a summary of both.

Lightroom Mobile for iOS

For iOS users, today’s update includes a new selective brush, improved details tab, and an improved interface for iPad users.

The new selective brush is a much-requested update, allowing you to paint enhancements onto specific parts of your image. What’s more, 3D-touch enabled devices (iPhone 6S or later) will vary the strength of the brush based on finger pressure.

Other improvements include the addition of global sharpening and noise reduction to the Details tab, and a new iPad interface that has been optimized to take full advantage of the powerful processors found in the iPad Pro and iPad Pro 2.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5384339921″,”galleryId”:”5384339921″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Lightroom Mobile for Android

On the Android side, today’s update focuses on making Lightroom mobile faster and, in Adobe’s own words, “more Android-y.”

“We wanted to provide the best Android experience possible ,so we redesigned Lightroom for Android from the ground up to be faster, more efficient, and, well, more Android-y,” explains Adobe’s Josh Haftel. “Every screen has been redesigned with the goal of ensuring a natural, native Android experience while providing the highest quality, professional-grade mobile photo editing app ever.”

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1712960971″,”galleryId”:”1712960971″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

To take advantage of these updates on both iOS and Android, either update your Lightroom Mobile or download a new copy off the iTunes App Store or Google Play.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Seven ‘hidden secrets’ in Adobe Lightroom

16 Jul

It’ll be a little while before Adobe can deliver on its recent promise to make Lightroom faster, but that doesn’t mean you can’t still figure out ways to make the program work faster for you. Case in point: photoshopCAFE founder Colin Smith has put together this really useful video outlining 7 ‘hidden secrets’ in Adobe Lightroom that will definitely help you get more out of the Raw editor.

Some of these tips are genuinely useful, and we’re going to guess that at least one or two of them will be new to you even if you’ve been using Lightroom for years.

Smith covers the tips in detail (and shows you how to use them) in the video above, but here’s the TL;DW version:

  1. Right click in the panels of the Develop module and enable ‘Solo Mode.’ This only allows one panel to stay open at a time, collapsing the rest.
  2. Click and drag your panel sidebar out to the left to make your sliders longer.
  3. Hold down Command (CTRL on Windows) and double click the center of a shape like a radial filter, and it will automatically snap to the edges of the photo you’re editing.
  4. Right click and uncheck to hide both modules and panels you don’t use.
  5. The Develop module doesn’t work on videos, but you can sync edits made to a single frame of that video onto the full thing. Just pull a frame, edit it, and then select the frame and video both and click Sync.
  6. You can turn any collection into a ‘Quick Collection’ by right clicking it and selecting ‘Set as Target Collection.’ Now you can curate photos into that collection with a single click.
  7. If you have multiple photos selected, you can still see the metadata for an individual photo without deselecting the bunch. Just click Metadata > Show Metadata for Target Photo Only.

And that’s it! Obviously these tips are easier to take in by actually watching the video, so click play, learn a little something and let us know which (if any) of these ‘hidden secrets’ were actually new to you.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe officially admits speeding up Lightroom is ‘top priority’

12 Jul

Spend any time chatting with fellow photographers about Adobe Lightroom and you’re bound to hear about performance issues. It’s one of the most common and widespread complaints: even with tons of RAM, a great graphics card, and a powerful CPU, many computers still struggle to keep Lightroom running smoothly.

Until now, Adobe itself has stayed pretty much silent on the matter, but in a post on the company’s Lightroom Journal blog, they finally fessed up and are asking for your help.

“I would like to address concerns recently voiced by our community of customers around Lightroom performance,” writes Tom Hogarty, photo product management at Adobe, “as improving performance is our current top priority.”

The post goes on by stating that Adobe already understands many of the worst “pain points” and are “investing heavily” in improving those areas. “Over the past year we’ve added numerous enhancements to address your performance concerns,” says Hogarty, “but we understand we will have a lot of work to do to meet your expectations.”

And speaking of expectations, this is where you come in. Adobe wants to work with customers to identify the most important and bothersome workflow and performance issues that need fixing. So if you’re frustrated by the slow plodding pace of Lightroom and you want to be part of the solution, you can gripe about issues general and specific by filling out this survey.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe acquires Mettle SkyBox suite of VR plug-ins

26 Jun
Adobe has acquired Mettle, the makers of the popular SkyBox suite of 360-degree-video and VR editing tools for Adobe Premiere Pro and After Effects. Mettle founder Chris Bobotis takes on the role of director, professional video at Adobe.
The SkyBox suite will no longer be available for separate purchase but existing SkyBox customers will continue to have the same contact and support process through Mettle. The suite will be integrated into Adobe Creative Cloud by the end of the year. Until then Adobe CC subscribers will be able to access the SkyBox tools by sending an email to dvaplugin@adobe.com. You should inlude your Adobe ID and first and last name as it appears on your account. Adobe then will get back to you within a week.

Adobe says that many of its users have been relying on the SkyBox Suite of plug-ins from Mettle for VR transitions, titles, and effects and it therefore made sense to make the plug-ins available to all subscribers through Creative Cloud.

“We believe that making virtual-reality content should be as easy as possible for creators. The acquisition of SkyBox plugins and Mettle technology allows us to deliver a more highly integrated VR editing and effects experience to the film and video community by the end of the year,” said Bill Roberts, Adobe senior director of professional video product management. You can read the full announcement on the Adobe Blog.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe achieves record revenue

21 Jun

Software maker Adobe has today published its financial results for the second quarter fiscal year 2017 ended June 2, and the company reports a record quarterly revenue of $ 1.77 billion. At the same time operating income was increased by 46 percent and net income by 53 percent year-over-year on a GAAP-basis.

“Digital transformation continues to be the burning agenda for creative professionals, enterprises, governments and educational institutions,” said Shantanu Narayen, president and CEO, Adobe. “Adobe is the go-to company for creating world-class digital customer journeys from design to delivery to measurement and monetization.”

Other highlights of the financial results include the following:

  • Diluted earnings per share was $ 0.75 on a GAAP-basis, and $ 1.02 on a non-GAAP basis.
  • Digital Media segment revenue was $ 1.21 billion, with Creative revenue growing to a record $ 1.01 billion.
  • Strong Creative Cloud and Document Cloud adoption and retention drove Digital Media Annualized Recurring Revenue (“ARR”) to $ 4.56 billion exiting the quarter, a quarter-over-quarter increase of $ 312 million.
  • Adobe Experience Cloud achieved record revenue of $ 495 million, which represents 29 percent year-over-year growth.
  • Operating income grew 46 percent and net income grew 53 percent year-over-year on a GAAP-basis; operating income grew 42 percent and net income grew 43 percent year-over-year on a non-GAAP basis.
  • Cash flow from operations was $ 645 million, and deferred revenue grew to approximately $ 2.07 billion.
  • The company repurchased approximately 2 million shares during the quarter, returning $ 266 million of cash to stockholders.

More information and detailed figures are available on the Adobe website.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Lightroom CC 2015.10 and ACR 9.10 now available

12 Apr

Adobe has announced the availability of Lightroom CC 2015.10 and Adobe Camera Raw 9.10, adding 22 new lens profiles to both applications, as well as new camera support and bug fixes. According to Adobe, both new software versions are intended to expand camera raw and lens profile support, as well as fix bugs including unavailable color presets in Lightroom, trouble loading Hasselblad H6D-50c files in Camera Raw, and others.

In addition to the new camera support listed below, which applies to both the new Lightroom and ACR versions, Adobe has also added lens profile support for lenses from Apple, Canon, Nikon, Leica, Minolta, Sigma, M42, and Sony. New Lightroom versions for Android and iOS have also been released, both adding support for the lenses and cameras listed for Camera Raw 9.10.

New camera support:

  • Canon EOS M6
  • Canon EOS Digital Rebel T7i (EOS 800D, EOS Kiss X9i)
  • Canon EOS 77D (EOS 9000D)
  • Pentax KP

The full list of new Lightroom lens profile support can be found here.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Research tackles selfie photography with new AI-powered tech

07 Apr

Adobe Research, the company’s research and development division, has released a look at a new technology that tweaks selfies to improve how they look. The technology, which is presented in a new Adobe video, is designed to improve mobile portrait photography by enabling users to adjust the photo’s perspective, depth of field, and more.

Adobe describes its new technology as ‘the potential future of selfie photography,’ demonstrating how it can be used to replicate a more flattering focal distance, adjust the position of the subject’s head within the image, adjust the depth of field using automatic portrait masking and apply styles found in other portraits, such as images found in a Google Image search.

This technology is powered by Adobe Sensei, an artificial intelligence and deep-learning framework the company introduced at Adobe MAX 2016 last November. The selfie technology isn’t available to consumers at this time, but instead serves to highlight Adobe’s latest developments and to introduce photographers to the kind of tools they may have access to in the future.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe Lightroom CC 2015.9 arrives with new camera and lens support, loads of bug fixes

09 Mar

In addition to its Camera Raw update, Adobe has released Lightroom CC 2015.9, adding support for additional cameras and lens profiles, as well as nearly two dozen bug fixes. The update is available now; existing users can download the latest version by selecting ‘Help’ > ‘Updates’ in the application’s menu.

Adobe Lightroom 2015.9 adds support for the following cameras:

  • Canon PowerShot G9 X Mark II
  • Casio EX-ZR3200
  • Fujifilm GFX 50S
  • Fujifilm X100F
  • Fujifilm X-A10
  • Fujifilm X-T20
  • Leica M10
  • Olympus E-M1 Mark II
  • Panasonic DC-FZ80
  • Panasonic DC-GF9
  • Panasonic DC-GH5
  • Panasonic DMC-TZ82
  • Phase One IQ3 100MP (“S” compression mode not supported)

In addition to the new camera support, Lightroom 2015.9 has gained support for more than two dozen lens profiles, including for lenses from Nikon, Canon, Apple, Sony, and DJI. The full list of lens additions can be found here.

Lastly, the new Lightroom CC update corrects 21 different bugs and issues as detailed in the following changelog:

  • Upright error where the “Update” button was incorrectly enabled when Upright is unable to find a correction.
  • Lens Profile Auto Matching was not working for Zeiss Batis 85mm lenses.
  • Cursor movements on Point Curves were erratic
  • Issue related to abnormal Lightroom exit when using Full Screen mode. The issue only occurred on Mac OS 10.12 (Sierra)
  • Develop Module Locked after deleting images while using two displays
  • Live Photos created on iPhoto caused the JPEG to be treated like an XMP sidecar file
  • Instead of deleting currently selected photo, deletes face tag from previous viewed photo
  • Images from Canon EOS G7X MK II sometimes had a green color cast
  • Unable to change the image after deleting a rejected photo in develop module
  • Export was taking longer than expected.
  • Unable to import compressed raw files from Fujifilm XT-2 and X-Pro2
  • iPhone video Capture Time is shifted upon Import
  • Slideshow Export as JPG text overlay issue
  • If using 2-byte characters for catalog path, unable to backup
  • Problem with map module (Windows)
  • Cannot access Auto Import Settings form File menu
  • The zoom does not work properly after the update
  • Lightroom 6.8: Memory Leak
  • Keyboard shortcut X for rejecting an image in Library not available (French)
  • Erroneous warning message on Catalog Backup
  • Messing up file ordering with panoramas

Via: Adobe Blog

Articles: Digital Photography Review (dpreview.com)

 
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