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Archive for January, 2020

Nikon AF-S 120-300mm F2.8E FL ED SR VR arrives next month for $9500

07 Jan

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First announced last September, Nikon’s AF-S Nikkor 120-300 F2.8E FL ED SR VR will be available from next month. The lens, which weighs in at roughly 3.2 kilos (that’s over 7 lbs), has 4 stops of VR. In addition to ED and fluorite elements, it uses a new ‘short wavelength refracting’ (SR) element to reduce chromatic aberrations. The lens can focus down to 2 meters (6.5 feet) at all focal lengths.

As you’d expect from a high-end lens, the 120-300mm is fully weather-sealed and features Nikon’s Arneo and Nano Crystal coatings. The front element has a fluorine coating to repel water and oil.

The lens has switches for AF/MF, focus distance limiter, VR mode, memory recall/AF-L/AF-On and focus confirmation beep.

No surprise – the 120-300 F2.8E won’t come cheap, with a list price of $ 9500.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon AF-S Nikkor 120-300 F2.8E FL ED SR VR specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 120–300 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Nikon F (FX)
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 25
Groups 19
Special elements / coatings ED, fluorite and SR elements + Nano Crystal and Arneo coatings
Focus
Minimum focus 2.00 m (78.74″)
Maximum magnification 0.16×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 3250 g (7.17 lb)
Diameter 128 mm (5.04″)
Length 304 mm (11.97″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 112 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Nikon’s 70-200 F2.8 for Z-mount to ship in February

07 Jan

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Nikon’s new Nikkor Z 70-200mm F2.8 VR S is the first full-frame tele-zoom for the company’s Z-mount. The lens has Vibration Reduction built-in – which works in tandem with the Z6 and Z7’s in-body IS system – and can reduce shake by up to 5 stops.

As with Nikon’s F-mount 70-200s, the Z-mount version has both internal focus and zoom. The company claims minimal focus breathing and also that this is a parfocal lens, keeping the subject in focus as you zoom. It has a total of 21 elements, including one SR (short wavelength refracting) to reduce longitudinal chromatic aberration, as well as 6 ED, 2 aspherical and 1 fluorite elements. It also features Nikon’s Nano Crystal and Arneo coatings to minimize both off-axis and on-axis flare, respectively. The 70-200 can focus down to 0.5m at its wide end and 1m at its telephoto end, with a maximum magnification of 0.2x. These short focus distances are achieved using two separately driven autofocus units.

The 70-200 F2.8 weighs in at 1.4kg (3.2lbs) and uses 77mm filters. A customizable control ring allows for quick adjustment of aperture or exposure compensation, and a digital display shows things like aperture and focus distance. As with other high-end Z-mount lenses, the 70-200 is weather-sealed.

The Nikkor Z 70-200 F2.8 VR S will be available in February for $ 2599.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Nikkor Z 70-200 F2.8 VR S specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–200 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Nikon Z
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 21
Groups 18
Special elements / coatings ED, SR and aspherical elements + Nano Crystal and ARNEO coatings
Focus
Minimum focus 0.50 m (19.69″)
Maximum magnification 0.2×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale Yes
Focus distance limiter Yes
Physical
Weight 1440 g (3.17 lb)
Diameter 89 mm (3.5″)
Length 220 mm (8.66″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (internal)
Power zoom No
Filter thread 77 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Nikon’s new D780 is a Z6 in a familiar DSLR body

07 Jan

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The announcement of Nikon’s new D780 demonstrates that the company hasn’t given up on DSLRs just yet. The successor to the D750 (which Nikon says is its best-selling full-frame camera) borrows heavily from the Z6 mirrorless camera, with a few things from the D5 as well.

The D780 features a 24.5MP BSI-CMOS sensor – likely the same as in the Z6 – which features on-sensor phase detection. That means that in live view you’ll get dramatically improved autofocus compared to previous Nikon DSLRs, plus face and eye detection. When shooting through the viewfinder you’ll have a 51-point AF system backed with the higher-resolution metering sensor and algorithms from the D5.

Burst shooting with continuous AF tops out at 7 fps, though it can hit 12 fps in live view silent shutter mode (when shooting 12-bit Raw files). The maximum shutter speed is 1/8000 sec, with an x-sync of 1/200 sec.

On the video side, the D780 can capture UHD 4K video at 30p with full-pixel readout. It supports 10-bit N-Log and HLG HDR output, and offers zebra stripes, focus peaking and more.

Lastly, there’s the body, which offers some nice improvements. It now sports a 3.2″ tilting touchscreen, a USB Type C port with in-camera charging and twin SD card slots that support UHS-II media. As before, the D780 is rugged and weather-sealed.

The Nikon D780 will be available later this month for $ 2299 body only and $ 2799 with the 24-120mm F4G ED VR lens.

Official sample photos

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Press Release

VERSATILITY MEETS AGILITY: THE D780 IS A NEW KIND OF DSLR FOR A NEW BREED OF CREATOR

The New Nikon D780 Will Exceed Expectations with the Ultimate Combination of Speed, Powerful Performance and Premium Features at an Uncompromising Value

LAS VEGAS – CES 2020, BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. unveiled the D780, an exciting new FX-format DSLR that makes vast improvements to the highly-revered D750, Nikon’s most popular full-frame DSLR ever, while inheriting pro-level features from the powerful D850 and flagship D5. The much-anticipated D780 delivers the most sought-after features to give enthusiasts and professionals an agile camera for capturing high-resolution photos and 4K UHD video with the added benefit of fast, accurate phase detect autofocusing. While the D780 retains the rugged reliability of its predecessor, the camera has been turbocharged with Nikon’s latest EXPEED 6 processor, touch operability, advanced autofocus capabilities, extensive video features, a valuable assortment of in-camera creative options and much more. The new D780 is more than a worthy successor to the beloved D750, it’s a proven performer that transcends any creative endeavor.

Nikon cameras and lenses are world-renowned for their usability, reliability, performance and impressive image quality. With the addition of the innovative new Z mirrorless system, together with a robust and proven lineup of DSLR’s and decades of the finest NIKKOR lenses, Nikon is uniquely positioned to fulfill customer’s needs no matter how they want to capture still images or video.

“The Nikon D780 is not only a huge leap in technology over the D750, but it also integrates Nikon’s latest cutting-edge technologies to offer the best video feature-set and imaging capabilities in a full-frame DSLR,” said Jay Vannatter, Executive Vice President of Nikon Inc. “A demand exists for a successor to the D750, which offers the unbeatable combination of versatility, image quality and value.”

Perform Beyond Expectations

The Nikon D780 sets a new benchmark in DSLR performance, vastly improving upon the capabilities of the D750 by incorporating the newest technology and some of the popular features seen in the Z series, making it powerful and versatile enough to capture anything from fast-action sports to beautifully detailed night skies. The D780 is a seriously capable camera and offers the distinct advantage of being comfortable in the hands of a photo enthusiast, as well as being a popular pro-grade tool for weddings, wildlife, and production environments.

  • High Resolution Image Quality: Offering the optimal balance between resolution and file size, the D780 is equipped with a 24.5-megapixel backside-illuminated (BSI) FX-Format CMOS sensor to deliver superb image quality, fantastic dynamic range, beautiful color reproduction, stellar low-light ability and sharp clarity to excel in a wide array of shooting scenarios.
  • EXPEED 6 Processing Power: Designed with Nikon’s most advanced EXPEED 6 image processor, the D780 is packed with the same powerful processing engine as the Nikon Z 6 and Z 7, allowing for noticeable increases in speed. In addition to greater energy efficiency, EXPEED 6 delivers improved low-light performance, 4K UHD full-frame video with full pixel readout, and enhanced image clarity.
  • Wide ISO Range: The D780 retains the low-light ability that made it a photographer’s favorite for wedding receptions and nighttime photography, producing clean files with minimal noise effortlessly. Whether capturing a dimly lit dance floor, a stage performance or an astounding astro-landscape, users can rely on the D780 to retain ultimate clarity in even the most challenging lighting scenarios. The camera offers improved ISO performance across the entire range, which now goes up to 51,200 and is expandable to 204,800.
  • Blazing-fast speeds: The D780 keeps pace with the fastest action, offering shooting speeds of up to 7 fps1 at full resolution and shutter speeds as fast as 1/8000 or as long as 900 seconds2. Whether shooting the split-second action of motocross, or a bride’s walk down the aisle, the D780 lets you capture content with confidence when you only get one chance.
  • Two Powerful AF Systems Optimized for Any Shooting Style:
    • When shooting through the optical viewfinder (OVF): Nikon’s proven 51-point AF system is paired with an enhanced AF algorithm inherited from the flagship Nikon D5. 15 cross-type AF sensors maximize accuracy, and the camera uses an upgraded 180K-pixel Advanced Scene Recognition System, which analyzes the scene to ensure balanced exposures and accurate color reproduction. The AF system can reliably track rapidly moving subjects such as wildlife, yet also improves on its surreal ability to nail focus in challenging light, to -4EV in this mode.
    • In Live View: For the first time in a Nikon DSLR, the D780 is infused with mirrorless technology, featuring the same 2733 point focal plane Hybrid AF system employed in the Nikon Z 6, enabling broad coverage of approximately 90% of the frame. The system offers extremely fast, smooth and accurate AF in Live View and when recording video, a huge benefit for multimedia production. This is also Nikon’s first DSLR to feature Eye-Detection AF4, enabling a real-time tracking of multiple eyes in a scene to help ensure tack-sharp focus for portraits and candid shots.
  • Silent Shooting: When operating the electronic shutter in Live View, the D780 can shoot continuously without shutter noise at up to 12 fps. Silent shooting is ideal for documenting sensitive moments like a live performance, a wedding ceremony or discrete street photography.
  • NIKKOR Lenses: When combined with an extensive catalog of world renowned NIKKOR lenses, the versatile D780 knows no boundaries in taking on any artistic challenge.

Video Features for Creators

The D780 delivers the best video capabilities of any Nikon DSLR, incorporating technology found in the Nikon Z 6 mirrorless camera.

  • Full-Frame 4K video at 30 fps: Incorporating an FX-format BSI sensor and on-sensor phase detect AF, the D780 is capable of similar video capture functions of the Nikon Z 6, capturing full-frame 4K UHD video at 30 fps with full-pixel readout for absolute quality. A variety of other frame rates and resolutions is also selectable, including Full HD/120p for ultra-smooth motion in videos and epic slow-motion capture.
  • Flexible workflow: The D780 offers 10-bit output with N-Log5 or HDR (Hybrid Log-Gamma) support, raising the bar for video functionality and flexibility in post-production.
  • Advanced Cinematic Functions: Users can enjoy more creative freedom when capturing video with the D780 thanks to its host of advanced shooting modes, including focus peaking, highlight display (zebra stripes), interval timer and in-camera time-lapse movie file recording.

Advanced Creative Features

The D780 sports an innovative and useful feature-set that empowers professionals to explore their creative potential by affording a more efficient workflow coupled with unique effects.

  • In-Camera Creative Filters: With a wide-array of in-camera Creative Picture Controls and a Special Effects Mode, the D780 enables users to effortlessly add elements of personal flare to their photos and videos. Additionally, many of these popular special effects can be captured as a JPEG while simultaneously shooting an unaffected RAW image for more editing freedom.
  • Focus Stacking: Like the D850, the D780’s Focus Shift feature will appeal to macro, product and landscape photographers seeking extreme depth-of-field, by enabling the user to capture a series of shots at different focus distances and use third party software to generate a highly-defined image consisting of only the areas in focus.
  • More Flexibility with Multiple Exposures: New to the D780 is the ability to create a multiple exposure with non-consecutively shot images, giving photographers the capacity to superimpose images in-camera, even when captured from two entirely different locations and times.
  • Easy Wi-Fi6 and Bluetooth7 Connectivity: The D780 offers seamless image-sharing to a smartphone or tablet when connected to the Nikon SnapBridge8 app using the camera’s built-in Wi-Fi and Bluetooth. With the latest SnapBridge app, it’s easy to download videos, RAW files or remotely control a camera from your phone or tablet.

Built Like a Nikon

  • New Touch Operability: Like the Nikon D850, the new D780 features a bright, tilting 3.2-inch LCD enhanced with touch operability to provide a more optimal user-experience.
  • Robust Design: Sporting a durable build with extensive weather-sealing, the D780 retains its role as a reliable tool to handle unpredictable conditions when working in the field.
  • Energy-Saving Performance: The D780 can capture 2,260 shots on single charge** which is a significant increase in battery life compared to the D750, making it the ideal companion for photographers embarking on a day-long outing.
  • On-The-Go Charging: With versatile USB Type C compatibility users can charge in-camera and transfer files more conveniently than ever.
  • Dual Card Slots: Featuring two UHS-II SD card slots, the D780 provides professionals with a safety net and the ability to record multiple file formats simultaneously.

Price and Availability

The Nikon D780 will be available in late January for a suggested retail price (SRP) of $ 2,299.95* for the body-only configuration, and $ 2,799.95* for single-lens kit configuration with the AF-S NIKKOR 24-120mm f/4G ED VR lens.

Nikon D780 specifications

Price
MSRP $ 2299 (body only), $ 2799 (w/24-120mm lens)
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 6048 x 4024
Other resolutions 3936 x 2624 (DX crop)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 25 megapixels
Sensor photo detectors 25 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS
Processor Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 204800
White balance presets 12
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NRW, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp No
Manual focus Yes
Number of focus points 51
Number of cross-type focus points 15
Lens mount Nikon F
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Photography features
Minimum shutter speed 900 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • Continuous low
  • Continuous high
  • Mirror-up
  • Quiet shutter
  • Quiet continuous
  • Self-timer
Continuous drive 12.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MP4, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC slots (UHS-II compatible)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (mini HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1
Remote control Yes (via wired, wireless or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15b lithium-ion battery & harger
Battery Life (CIPA) 2260
Weight (inc. batteries) 840 g (1.85 lb / 29.63 oz)
Dimensions 144 x 116 x 76 mm (5.67 x 4.57 x 2.99″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D780 initial review

07 Jan

Introduction

The Nikon D780 is a replacement for one of the most well-rounded DSLRs ever made: the D750. It’s still built around a 24MP sensor and 51-point AF system but the more you dig in, the more you discover it’s a much more capable machine: a DSLR that’s learned a lot from mirrorless.

Many aspects of the camera’s behavior, from autofocus and video performance to interval shooting have been significantly improved, bringing a lot of the Z6’s capabilities to F-mount owners.

Key Specifications:

  • 24.5MP BSI CMOS sensor with on-sensor phase detection
  • 7 frame per second shooting (12 fps in 12-bit electronic shutter mode)
  • UHD 4K capture at up to 30p from the full width of the sensor
  • 51-point AF module supported by 180,000 pixel RGB metering sensor
  • 273 point on-sensor PDAF in Live View (sensitive to -4 EV)
  • 3.2″, 2.36M-dot touchscreen
  • Shutter range of 900 – 1/8000 sec
  • 10-bit video output over HDMI
  • 2260 shots per charge with viewfinder
  • Dual UHS-II SD card slots
  • Snapbridge Bluetooth and Wi-Fi system (with Raw and video transfer)

The Nikon D780 will be available from late January with an MSRP of $ 2,299.95 (the same price as the D750, in 2014), or as a kit with the AF-S 24-120mm F4G ED VR lens for $ 2,799.95.

What’s new and how it compares

The D780 uses elements borrowed from both the D5 and Z6 to deliver a camera that’s more of a step forward from the D750 it replaces.

Read more

Body and handling

The D780 has no built-in flash, but it does have a touchscreen and one of the best interfaces on the market for stills/video shooters.

Read more

Initial impressions

The D750 was hugely capable, but the D780 builds on that significantly. It’s a way for F-mount lens owners to gain the things Nikon has learned from its Z-series cameras. Which, in turn, might make it a great advert for the Z mount.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Opinion: Why I’m excited about the D780 and what it means for the future of Nikon

07 Jan

As a Nikon D750 owner who’s been using the camera for 5+ years, I’ll admit I’m excited about the D780. The refreshed model is, essentially, a DSLR version of the Nikon Z6 and I fully expect it’ll be relevant for another 5+ years.

I’m also excited because the D780 proves Nikon is still committed to DSLRs in 2020. And it might point to a continuing strategy, at least for now, of releasing ‘companion’ DSLR/mirrorless products, like the D850 and Z7 or the Canon EOS 90D and closely related 6D Mark II.

A proper replacement for the D750 provides the perfect stepping stone for folks interested in the Z6 or Z7, but who are still not ready to fully commit to a new system

A proper replacement for the D750 – which the D780 looks to be – also provides the perfect stepping stone for folks like me, interested in the Z6 or Z7, but still not ready to fully commit to a new system. That said, in another three to five years I very well may be ready to make the jump: especially if replacements for the Z6/Z7 fill in the gaps where Nikon’s DSLRs are still superior, like autofocus.

Why does the D750 continue to be such an excellent stills camera for the money? Because it offers still-competitive dynamic range/image quality (this image was pushed 2.25-stops), highly reliable autofocus (with great tracking ) and great ergonomics in a well built, small/lightweight DSLR body. Which is all to say, the D780 has some big shoes to fill.

ISO 3600 | 1/320 sec | F2.2 | Shot on Nikon D750 + Nikon 35mm F2 D

Nikon’s 3D Tracking autofocus in the company’s DSLRs is still better implemented and more reliable than the tracking in Z-series cameras, even with recent firmware updates. And though the number of AF points is unchanged from the D750 to D780, the new model inherits the AF algorithms of the flagship D5, so users should expect further improvement to what is already (and still) a top performing AF system.

Nikon’s 3D Tracking autofocus in the company’s DSLRs is still better-implemented and more reliable than the tracking in Z-series cameras

I have no doubt in my mind Nikon will continue to dial in the reliability of AF tracking in Z-series cameras (and fix the clunky implementation). And for enthusiast photographers curious about mirrorless, the Z6 is a sensible camera to consider as-is. But for folks like me who rely on their camera for freelance work, or for those entirely making a living behind the lens (bless your souls), sticking with something that has a proven track record is a no-brainer. Not to mention, the D780 offers dual card slots, something many professionals insist on. The Z6 does not.

While I would’ve appreciated a small bump in sensor resolution in the D780, no increase means I don’t have to worry about the camera out-resolving my aging collection of AF-D lenses.

ISO 6400 | 1/500 sec | F3.2 | Shot on Nikon D750 + Nikon 85mm F1.8 D

Still, the camera does fall short of my hopes in a few areas, most notably the continued lack of an AF joystick and/or a touchpad AF implementation (the latter is offered in the mid-range D5600). I also would have liked to see some bump in resolution, though the updated sensor (likely the same as the Z6’s) does offer some image quality improvements. Still, I’m jazzed as heck for 4K video (with usable video autofocus!), a touchscreen, faster burst shooting and better AF, even if Nikon did remove my precious pop-up flash (truly handy as a fill for back-lit portraits).

By giving the D780 the same live view implementation as the Z-series, Nikon is gradually guiding traditional DSLR users to appreciate its virtues

Ultimately, I know there will likely come a day semi-professional DSLRs are phased out completely. Thankfully the D780 is proof Nikon is taking its time and not forcing users to switch too quickly. By giving the camera the same live view implementation and performance as the Z-series, Nikon is gradually guiding traditional DSLR users to accept and appreciate the virtues of a good live view experience, something current D750 users know nothing about. All while allowing us to keep our familiar DSLR form factor and precious optical viewfinder.

At the end of the day, this is a hugely important camera series for Nikon, having successfully straddled the line between professional and enthusiast cameras ever since the D700 debuted more than ten years ago. There’s a reason these cameras are so popular and find their way into the hands of so many photographers: they offer good reliability and good bang-for-the-buck in the long run. Heck, I still use my D700 from time-to-time. With the D780, the legacy of this series continues on. And if the days of the DSLR are truly numbered and this is the final chapter in the D700-saga, it seems to be a proper finale… unlike ‘The Rise of Skywalker’.

The Nikon D750 has and continues to serve me well.

ISO 3200 | 1/500 sec | F10 | Shot on Nikon D750 + Nikon 35mm F2 D

Articles: Digital Photography Review (dpreview.com)

 
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GoPro Karma drones around the world were grounded due to GPS glitch

07 Jan

GoPro introduced its first—and only—drone in September 2016 to much fanfare. Unfortunately, the Karma, as the action camera company named it, was plagued with issues from the very beginning. Besides poor reviews that pointed out its lack of standard safety features, reports of Karma drones losing power, mid-flight, and falling from the sky became rampant to the point where GoPro recalled it on the same night as the U.S. Presidential election in November 2016.

While the number of sales is undisclosed, the Karma was purchased by drone enthusiasts even after it was discontinued in January 2018. The users that held onto their Karma discovered that it wouldn’t take off at the beginning of this year due to a glitch in the GPS and GLONASS systems of the drone. User complaints surfaced in dozens of forum posts and tweets as first pointed out by The Verge.

‘I recently got a karma and am having an issue with compass calibration. For some reason this doesn’t work: as soon as I select compass calibration in the controller, within half a second (not enough time to pick up the drone and start calibrating), I get the message ” calibration failed, try again”. It also gives a message about not being able to calibrate the compass without a GPS signal. I am trying this in a field and had the drone there for at least 10 minutes…’ lamented one user in GoPro’s forum. The Karma’s firmware has not been updated since September 26, 2018.

Most tech companies update their software consistently to avoid the same issues the Karma experienced as the new year rolled in. GoPro’s dilemma is likely the result of the GPS clock “rollover” phenomenon, which happens once every 1,024 weeks, or every 19.7 years. If a company’s software is not updated, it may automatically reset the date which can corrupt navigation data and throw off location estimates. GPS needs these precise figures to properly function.

After receiving enough media attention, a GoPro spokesperson has announced that the company’s engineering team is “actively troubleshooting” the issue.

Articles: Digital Photography Review (dpreview.com)

 
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DSLRs Aren’t Dead Just Yet!

07 Jan

The post DSLRs Aren’t Dead Just Yet! appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

dslrs-arent-dead-just-yet

In the past few years, traditional DSLR cameras have started to cede significant market share to mirrorless cameras. This newer style of camera has risen from obscurity to mainstream in the last decade. Recent trends indicate that this is no mere blip on the radar. Sony, Fuji, and now Canon and Nikon have all jumped into the mirrorless market with a growing collection of cameras and lenses that show no sign of slowing down. However, just because many think mirrorless is the way of the future doesn’t mean the end of DSLRs. Contrary to what you might think, DSLRs aren’t dead!

DSLRs aren't dead

Nikon D750, 85mm, f/2, ISO 2000, 1/350 second

The mirrorless vs. DSLR debate has been going for years, but thinking of the situation in binary terms is a bit misguided. It doesn’t have to be an either/or dichotomy. In fact, there is plenty of room in the photography community for both types of cameras.

In the same way that film offers some advantages over digital, traditional DSLRs have a few tricks up their sleeves that make them uniquely relevant even in this age of modern mirrorless models.

Before I get too deep into the content of this piece, I want to make one thing clear: I’m not advocating that one type of camera is better than the other. Both types of cameras have strengths and weaknesses.

Just because you might prefer one or the other does not make you a good or bad photographer! Cameras are tools to get a job done. All I’m saying here is that DSLRs aren’t dead and still have plenty of advantages to offer.

DSLRs aren't dead

Mirrorless cameras like this Fuji X100F have a lot of advantages. but sometimes a DSLR is the right tool for the job. Nikon D750, 85mm, f/2, ISO 640, 1/200 second.

Optical viewfinder

Mirrorless cameras have electronic viewfinders, which give them the ability to do things you simply can’t get with an optical viewfinder. That doesn’t mean that optical viewfinders, which are found on all DSLRs, have nothing to offer by comparison. Far from it! Optical viewfinders might not show you the exposure of your image in realtime, but they do give you a perfectly clear view of the scene you are shooting.

DSLRs aren't dead

Nikon D7100, 85mm, f/2.8, ISO 100, 1/1000 second

Electronic viewfinders are composed of individual dots, or pixels, just like the images captured by all digital cameras. They are like looking at a very tiny, very high-resolution TV screen. As a result, they share some of the same limitations as those screens.

Pixel density, refresh rates, color accuracy, and dynamic range are still issues in a lot of mirrorless cameras. These are getting better, but all electronic viewfinders show a digital representation of the real world which does have some limitations.

Optical viewfinders have none of these issues. They show the real world without translating it to pixels. The display won’t slow down or get choppy depending on lighting conditions or how fast you pan the camera. You don’t need to worry about color accuracy with an optical viewfinder because what you see is exactly what the world looks like.

DSLRs aren't dead

Power consumption is always going to be better with optical viewfinders because they consume no power at all. This means you can compose your shots without even turning your camera on. While mirrorless cameras have dramatically improved in this regard, DSLRs aren’t dead and still have an advantage in this area.

Lens selection

Companies like Sony and Fuji have a solid lineup of mirrorless cameras and lenses that they have been building for several years. Canon and Nikon will get there too with their mirrorless R and Z lenses. But in the meantime, traditional DSLRs are still the king of this particular hill.

Again, that’s not to say they are better! Just that DSLRs aren’t dead and well worth considering for many photographers today.

DSLRs aren't dead

Nikon D750, 85mm, f/2.9, ISO 100, 1/1500 second

Canon and Nikon both have decades of lenses for their DSLR cameras, with Nikon’s reaching all the way back to 1959 when the first F-mount camera was released. Pentax, Canon, and others have massive lens catalogs as well, which means that if you buy a DSLR today, you immediately have access to a massive array of lenses. Older ones might lack autofocus or stabilization, but they are a lot cheaper and a great way to expand your photographic horizons.

All mirrorless cameras can use older lenses with adapters. It’s not as though a Sony A7IV or Canon Eos R is limited to a paltry selection of just the most recent lenses. But adapters are one more thing to buy and carry around, and sometimes features like autofocus are limited when working with adapters. If you want access to the widest array of native glass possible, DSLRs are still the way to go.

Size

Mirrorless cameras, by their very definition, are smaller in size than DSLRs because they don’t need to accommodate a flip-up mirror. That means they can be a lot slimmer and more compact, which a lot of people like.

On the flip side, one of the reasons DSLRs aren’t dead yet is because they appeal to people who like a bigger, chunkier camera.

DSLRs aren't dead

The Nikon D750. EXIF: Canon Rebel Ti, 22mm, f/2.5, ISO 100, 1/250 second

The larger size of DSLRs means they often have bigger buttons, larger hand grips, and feel more substantial when shooting with them. None of this affects picture quality, but these traits do matter to many people who prefer a more robust, tactile approach when they shoot photos. Some actually prefer the larger size of a traditional DSLR, especially with a battery grip attached, because they feel more solid and substantial in the hand.

The size of traditional DSLRs is particularly important if you shoot with larger lenses, like a 70-200 f/2.8. Or even a walkaround zoom lens like an 18-270mm. The added camera weight serves to balance out the heavy lens and make the shooting experience a little easier than a small mirrorless camera.

Legacy

It’s easy to get caught up in the internet chatter about mirrorless cameras. There’s no doubt they are the way of the future. Also, seemingly, every photography-based blog and YouTube channel is filled with discussion about the latest mirrorless camera technology. It’s enough to make you think that if you prefer a DSLR you must be some kind of out-of-touch caveman.

DSLRs aren't dead

The Nikon D750. Exif: Canon Rebel Ti, 21mm, f/5.6, ISO 100, 1/100 second

One of the big selling points of a traditional DSLR is precisely the opposite: they have been around for decades.

This means that, in addition to lenses, there are all kinds of resources for people who want to learn more about using this style of camera. A brand-new Canon or Nikon DSLR shares most of its buttons, menus, and controls with their counterparts from years or even decades ago.

DSLRs aren't dead

Canon Rebel Ti, 10mm, f/5.6, ISO 100, 1/500 second

If you are new to photography and want to learn how to use a DSLR, there’s a good chance someone you know will have a similar model, perhaps even an older version of the same camera. This is a huge reason that DSLRs aren’t dead yet and a big help for people who want to make the most of their more traditional camera gear.

This isn’t to say that mirrorless cameras don’t have legacy support either. Some, like Fuji, model their dials and controls after cameras that were popular several decades ago. But just because they share similar controls doesn’t mean they have the same degree of support.

DSLRs aren't dead

Nikon D200, 50mm, f/1.8, ISO 400, 1/320 second

You are more likely to know people who can help you learn to use a DSLR because they also have one. Plus, the sheer number of websites and online tutorials for DSLRs is greater simply because they have been around longer. Of course, mirrorless cameras will catch up, but for now, the message is clear: DSLRs aren’t dead. Moreover, there are still plenty of reasons to consider buying one.

What about you? Are you a traditional DSLR shooter or have you gone over to mirrorless? Or are you like me, and use both types of cameras? I’m curious to hear your thoughts in the comments below. If you have other reasons that DSLRs aren’t dead please feel free to share them.

The post DSLRs Aren’t Dead Just Yet! appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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DPReview Readers’ Choice Awards 2019: Product of the Year

06 Jan

Product of the Year 2019: the results

The final round of voting has closed and a winner has been chosen in our annual Readers’ Choice Awards! Starting in December, DPR readers picked their favorite cameras, zoom lenses and prime lenses released in 2019. The winners of that initial round of voting were then pitted against each other for the title of Product of the Year. Take a look and see which products came out on top.

Product of the Year: third place

The Canon RF 70-200mm F2.8L IS was a late 2019 arrival, making its debut in November. Still, that was enough time to convince a large portion of our audience that it deserves a spot in the top three products of the year. It’s not hard to see why – the lens’ compact size at 70mm is truly astonishing and its image quality is just as impressive.

Product of the Year: runner up

Coming in second is the GFX 100, Fujifilm’s 100MP medium-format body. The combination of its high resolution and in-body image stabilization make it possible to take the studio with you – if you can stomach the $ 10,000 price tag. But what’s the fun in bringing price into a discussion about the best gear of the year? Fujifilm set out to make a truly impressive camera and it seems that its mission has been accomplished.

Product of the Year: overall winner

It may have been its 60MP resolution, or its class-leading 4K video, or maybe its ability to shoot 10 fps with AF. Some combination of those features no doubt contributed to DPR readers choosing the Sony a7R IV as their Product of the Year. Beyond the headline-grabbing specifications, the a7R IV is just a darn good camera and we whole-heartedly agree that it’s worthy of recognition – not only was it the DPR community’s top product of 2019, it was ours too.

Articles: Digital Photography Review (dpreview.com)

 
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Tips and Tricks for Photographing Your Own Dog

06 Jan

The post Tips and Tricks for Photographing Your Own Dog appeared first on Digital Photography School. It was authored by Anabel DFlux.

photographing-your-own-dog

Whether you’re a seasoned animal photographer or just someone who loves their pup, you’ll find that photographing your own dog can be a bit more difficult than anticipated. I work as a pet photographer, and have always found photographing someone else’s furry best friends easier than my own little beast!

As such, I’ve devised a little guide here for those of you wanting to snap images of your own dog that are as perfect as those sparkling images on the internet. Your dog’s Instagram account will thank you for it (admit it – you have one!)

The difficulty in photographing your own dog

Image: This is my rescue dog, Lorelei. She’s not as easy to capture as she appears.

This is my rescue dog, Lorelei. She’s not as easy to capture as she appears.

Sometimes, photographing our own pets is easy. We know our pets inside and out. But maybe that’s also the problem. We know our pets too well, and they know us too well.

It tends to be easier to photograph someone else’s pet because you don’t have the same emotional connection to one another. Sure you’ll be an interesting commodity for a short period of time, but that pup will still gravitate back to its owner and away from you (making for better images). With your own dog, you are the main attention.

For the hyperactive and overly invested, this means a dog too close in your face all the time – especially when you get low to the ground for those really amazing eye-level compositions.

For the shy, this means a dog that will turn away from you the moment they see a lens or go hide somewhere. Doing basic obedience can become a chore as the dog becomes impatient with you as you set up your camera equipment. So many negative variables at hand here!

There is also an emotional component and, oftentimes, more frustration involved with utilizing our own pets as photography models. We know when our pups look best, how they are capable of behaving, and what we want them to do. However, because it’s us, they may push the buttons and not want to particularly cooperate.

There is a lot more leniency involved in photographing someone else’s pet, and we often forget that leniency with our own animals (akin to parents and their own children versus parents watching someone else’s children). We become so set on getting a specific type of shot that we forget the beauty of being a bit more spontaneous!

Tips and tricks for less headaches

Tips and Tricks for Photographing Your Own Dog

Fret not, fellow pet lovers, there are some solutions. Here are our tips and tricks to ease you on making sure your pup’s photographs are all perfectly delightful.

Note: If you are using a DSLR or Mirrorless camera, before even getting into these tips, make sure your camera is set to Continuous Autofocus Mode (AI Servo in Canon, AF-C in Nikon and Sony) which allows your camera to refocus on your pup despite their erratic movements. Set your shutter to High-Speed Continuous/Burst Mode (depending on camera brand) to take advantage of the camera’s frames-per-second and take many fast photos!

Tip 1: There is some training required

Tips and Tricks for Photographing Your Own Dog

Unlike our cameras, dogs aren’t ready straight out of the box! It requires some training to get those epic dog shots.

First and foremost, getting your dog used to the camera is a huge key to success. Show that the camera is not something scary, something to get overly excited about, or something to chew (yikes). I am a big positive reinforcement proponent. Reward your dog for doing good around the camera and make sure that Fido is aware that they are doing a terrific job. Make the camera a good experience for your pup, not something to be afraid of.

Secondly, some basic commands go a very long way. A good ‘sit and stay’ will do wonders for you, allowing the distance you need to capture the right image. A ‘down’ is also helpful, as is a ‘mark’ (in which the dog is trained to put their paws up on something you set as a marker). This is how those canine actors do it too!

Training is a great bonding tool for you and your dog and makes for a good canine citizen. So this doesn’t just have a photographic benefit tied in.

Tip 2: A tired dog is a good dog!

Tips and Tricks for Photographing Your Own Dog

Each old saying has a grain of truth to it, and in this case, significantly more than just a grain. An animal that is tired is less likely to have the energy to misbehave!

A key tip in working with pets is getting them too tired to exert their boisterous behavior or protest having to stay still. Playing, running, and stimulating your dog before taking pictures will keep them mellower when it comes time to take the photographs.

Tip 3: Filters, use them!

Tips and Tricks for Photographing Your Own Dog

Filters are the nifty little panes of glass that screw on to the front element of our lenses. This glass can protect expenses lenses from scratches, dust, and most definitely wet dog noses! The problem I often have with my own beast is that she wants to come right into the glass element of my lens, the filter offers extra protection for those times when she’s faster than I am!

Equally so, the glass absorbs the shock of impacts, such as accidentally getting the camera bumped out of our hands by an overexcited pooch.

Tip 4: Location makes all of the difference

Tips and Tricks for Photographing Your Own Dog

Much like with people, the location you are shooting in makes a world of difference. Is your dog an adventurer? Why not capture shots of your pup doing what they love best – exploring a beautiful hike! You can capture their love for the outdoors while your pet is distracted by something beautiful.

Do you have a lazy bum? Maybe the house is their favorite place to be? Catch a lovely in-home session with your dog playing with a favorite toy or hanging out on the couch!

Some dogs are more difficult to capture in unfamiliar locations as they get either nervous and anxious or over-excited. You know your dog best. Do what you think is best to get them comfortable with their surroundings before taking a photograph.

Remember, your dog’s comfort and happiness is first on the priority list; photographs are second.

Tip 5: Get their attention!

Ears up, ears up! You want to get those ears up and those faces smiling. As such, this requires a bit of attention-grabbing on your end. Whether through high-value treats (foods that your dog finds irresistible) or their favorite toy, you know your pooch best when it concerns getting their ears up.

Tip 6: Patience is a virtue

Tips and Tricks for Photographing Your Own Dog

Patience is a virtue indeed and is even more valuable when capturing our own pets. As stated before, patience seems easier with someone else’s dog than with our own, and that’s a frustration that comes out of something that is yours. Remember to breathe and relax, as your anxiety affects your pup. Be patient and the right moment will come!

Tip 7: Rapid shutter fire!

As mentioned above, when you set your camera to burst mode or high-speed continuous shooting, you take advantage of your camera’s speed. This is especially important for animal photography in which pups move rapidly! Capturing a whole sequence of movements allows you to pick out the best of the best shot.

Tip 8: Bring a friend!

Tips and Tricks for Photographing Your Own Dog

It’s okay to bribe your friends with pizza in order to get them to help pose your dog! Having a second person around always helps. That’s the reason photographing someone else’s dog is much easier too.

A second pair of hands can catch your dog’s attention, help you make sure the pup isn’t running away, and generally help when photographing your own dog.

Final thoughts

Photographing your own dog may not always be a simple endeavor, but it is always a worthwhile one! Just remember to have fun and keep it all lighthearted, and you’ll do great.

Do you have any other tips for photographing your own dog? If so share with us in the comments. We’d also love to see the pictures you have taken of your own dog, so feel free to share those with us too!

The post Tips and Tricks for Photographing Your Own Dog appeared first on Digital Photography School. It was authored by Anabel DFlux.


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The results are in: the most important camera of the 2010s readers’ poll

06 Jan

Poll results: most important cameras of the decade

The end of a decade is a time for reflection, renewal and lots of ‘best of the decade’ articles. So why not join in the fun? ‘Time is a flat circle,’ after all (we can either thank Nietzsche or True Detective for that quote depending on who you ask). In that spirit, we shared our picks for the most important cameras of the past ten years and asked our readers to choose theirs. Here are the results of that poll.

Runner-up: Apple iPhone 4

The iPhone 4 technically came in third, but the margin between it and the second place runner-up was slim enough to call it a tie. It has certainly earned its place in history – we think it was the first iPhone that truly made a dedicated camera optional. DPR readers agree that it was a landmark camera of the 2010s.

Image credit: Gabriele Barni

Runner-up: Nikon D850

Over the past ten years we’ve been lucky enough to use many excellent cameras, but few have left a lasting impression like the D850. It’s well over two years old at this point but we still consider it one of the best DSLRs ever built. DPR readers no doubt also appreciate its well-rounded feature set, excellent ergonomics and Raw image capture that rivals medium-format results. If that’s not a best-of-the-decade-worthy camera then we don’t know what is.

Winner: Sony a7/R

So which camera did DPR readers crown the most important of the decade? The full-frame mirrorless cameras that started it all: the Sony a7 and a7R. Both cameras were far from perfect when they made their debut in 2013, but there’s no denying the influence that they’ve had on the industry as a whole since then.

And that’s a wrap on the decade! Thanks to all who voted – let’s do it all again in ten years.

Articles: Digital Photography Review (dpreview.com)

 
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