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How to Plan Your Year in Photography so You Can be More Productive

08 Jan

The post How to Plan Your Year in Photography so You Can be More Productive appeared first on Digital Photography School. It was authored by Simon Bond.

It’s always good to have a plan. Having a structure to what you do in life leads to success, and this is also the case in photography. In this article, you’ll learn how to focus your attention on the things that will progress your photography. Read on and discover how best to plan your year in photography. It’s a simple process, and you’ll find when you have a plan those unexpected moments that make a great photo occur for you more often as well.

Knowing seasonal flowers bloom can help a lot.

Look back to plan your year in photography

The very first thing you need to be doing ahead of planning your year in photography is to take a look at the past. This will help you in several ways, and these you’ll learn about now.

Avoid mistakes – Reviewing your work to see the things you did wrong means you can plan better for the future.
Return visit – It’s always good to plan a return visit, perhaps somewhere would look much better in the snow?
Improvements – Related to eliminating mistakes, but slightly different. In this case, when you learn a new photographic skill, this can be brought into your work.
Knowledge – Looking through all your work from the previous year will give you a lot of knowledge that you can then use in the planning phase for the upcoming year.

It’s always worth a return visit, and the sun sets in a different position in the sky later in the year.

When is the best season?

One of the most important aspects of planning your year ahead is thinking about photographs that are seasonal. That doesn’t just relate to the changes in the season either. There can be other factors that can either make or break a photo when it’s taken at a specific time.

When you plan your year in photography, you’ll need to consider the following factors. Then make a plan to be at the correct location at the right time to take advantage of your planning.

Seasons – Spring and Autumn are perhaps the most popular seasons to photograph in, with fall leaves, and flower blossoms popular among photographers. Even in the tropics, the change from dry to wet season can have a dramatic impact on the type of photo you can take. Make sure you know when the monsoon season is!
The sun – Where the sun sets and rises changes throughout the year. This change is most dramatic the further away from the equator you are. Plan your photo so the sun is in exactly the right place within your frame. You can use a program like suncalc to do this. One of the most dramatic examples of this is when the sun shines down the blocks in New York during Manhattanhenge.
Milky way – As with the sun, the position of the milky way changes through the year. In the northern hemisphere, it begins the year as a pre-dawn photo and ends the year as an early evening photo. More than this, though, you need to think about the moon. The optimum time to photograph the milky way is during the new moon. So, you need to plan month-to-month to photograph the milky way.

Knowing when festivals will be is important.

Which trip will you take?

Unless you’re very lucky, you’ll only be able to plan a few big trips away per year. You may not even be able to do that, but hopefully, you still have time to visit somewhere amazing that’s more local. The big question, however, is where to go, and when?

Where should you go?

The location you choose will very much depend on the type of photographer you are. Other factors, like the needs of your family, if this trip is a family vacation, also need to be thought of.

If you’re a landscape photographer, then visiting places with incredible landscapes will make a dream trip. That means countries like Iceland, New Zealand, or Vietnam might be top of your list.

On the other hand, if you enjoy street photography, then going to India, and the back streets of somewhere like Calcutta could be for you.

Think about how you want to add to your portfolio, and then plan your trip accordingly.

Festivals offer unique moments that don’t present themselves at other times.

When to go?

Now the next step is planning when to go. Making a trip somewhere is exciting. For some, it’s often once a year, so you’ll want to get this right. What factors will elevate your photography of a particular location above other peoples?

Seasons – Already mentioned, but worth mentioning again. A location can be transformed by fall tree colors. Your time in a location could equally be ruined by a constant monsoon deluge, and perhaps even flooding.
Festivals – When you choose a place to visit, do an additional search to see if there are any famous festivals. Festivals offer the chance to take photos that only happen during that festival, offering you the chance for more unique photos.
Tourists – Can you go at a time that avoids crowds of tourists? Admittedly if you’re photographing a festival, you’ll be surrounded by lots of tourists. However, at other times, it’s best to avoid peak times. It’s cheaper to travel, and you’ll have an easier time taking photos without crowds in them.

Image: This photo needed to be taken when high tide coincided with sunrise. Planning is needed for t...

This photo needed to be taken when high tide coincided with sunrise. Planning is needed for this.

Try something new

Every year it’s worth thinking about learning something new. What new photography technique or post-processing workflow will take your photography to the next level? Do you need to buy a course, or attend a workshop to realize this improvement? Here are just a few ideas you could try, if you haven’t done so already.

Light painting – The world of light painting is huge. Get a tripod, and try out some of the night time fun yourself!
Infra-red – The easiest way to get started with this is through using an IR filter. If you really love it then convert your camera for specific IR use.
Lensball – Lensballs have become much more prevalent in recent years. Have you tried this interesting form of photography yet?
Digital blending – The best post-processing technique to take your landscape photography to the next level.
Cloning – Get creative and try cloning multiple objects into the same photo.

Cloning yourself into photographs multiple times can be fun.

Make a monthly calendar

Now you know what you want to achieve in your photography, it’s time to lay it all out in an organized way. That means using a calendar, so you can clearly see where things fit in your plan for the year.

If you plan to have a project such as the 52-week project, then this would be a great time to lay everything down in terms of what you’re photographing from week to week.

The spring and autumn seasons can be short in terms of peak conditions, so also plan for that when you’ll be out photographing in the best locations.

It’s time to plan your year ahead, and make sure you don’t miss those fall photos!

How will you plan your year in photography?

Whether you’re a generally organized person or not, a plan is always a good idea.

How do you go about planning your year in photography? Are there any tips you would share that will help other members of this community?

Perhaps it involves committing to a photography project of some description. Here at digital photography school, we’d love to get your feedback, together with any photos you have taken in the last year or plan to take this year.

The post How to Plan Your Year in Photography so You Can be More Productive appeared first on Digital Photography School. It was authored by Simon Bond.

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The Insta360 One R is a super-versatile action/360 camera system

08 Jan

After teasing a modular action/360 camera system last week Insta360 has officially launched the ONE R at CES in Las Vegas today.

The One R consists of a ‘CPU’ with built-in miniature touchscreen and a battery pack which can be combined with one of three camera/lens units:

A 360-degree camera that records at 5.7K resolution
A GoPro style action camera with 16.4mm equivalent focal length that can record 4K footage at 60fps and 1080p video at up to 200 fps.
A wide-angle module with 1-inch sensor and 14.4mm equivalent focal length that records 5.3K footage at 30fps , 4K at 60fps or 1080p at 120fps. This module was developed with the help of camera company Leica.

All three modules can record in Raw format and make use of Insta360’s FlowState stabilization, which has been improved for use in low light, as well as H.265 video encoding. They are attached to the CPU and battery ‘lego-style’ via connector pins. Depending on use case the touchscreen can face forward or backwards and installed in the included mounting bracket any of the combos is fully waterproof down to 5m.

The 360-degree module can be used with lens protection filters which are, like we’ve already seen with selfie-sticks in previous Insta360 models, automatically removed from the footage by software.

The touchscreen can be used for framing or image/video review and alternatively lets you adjust a range of settings including manual exposure parameters. Most special features are provided through the mobile app or desktop application, however.

One R users have the choice of letting the app create shareable clips automatically, or dive deep into the controls and edit footage manually.

The Auto Frame feature automatically frames 360 content using AI-powered image recognition and tracking technology. It lets you pick from a selection of pre-framed shots and all you need to do is trim and export the clips you like best.

In addition you can create automatically reframed hyperlapses which works best with video of a few minutes in length walking outside in a varied environment. You can choose the landmarks you want to include from a menu or let the app decide for you.

A new AI-powered tracking algorithm lets track a subject in your 360-degree video either in the app when editing, or in real time by locking onto a target at the start of recording.

In addition Insta360 has improved the app over previous versions by implementing editing via WiFi without downloading footage to your mobile device, and background downloading which lets you continue working in the app while video files are being transferred.

First impressions

We’ve had a chance to play with the new hardware and app before launch and the package looks pretty impressive, especially when considering we were using a pre-production unit.

Video output quality is not quite there yet (which is why Insta360 has asked us to not post any samples) but the build quality of the hardware looks excellent and gives the system a premium look and feel. Swapping camera modules is easy and fast and despite the small size of the built-in display it allows for easy modification of settings and changing of modes, thanks to a responsive touchscreen.

The updated mobile app comes with an abundance of features and modes and should cater to anyone, from casual users who want automatically generated highlight-clips delivered to their phone, to advanced videographers who know how to reframe their 360-degree and edit action cam footage manually.

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If the Insta 360 One R will be able to deliver on image quality it’s an extremely attractive option for any creative video maker. It offers the resolution of a high-end action camera and the versatility and ability to reframe clips after shooting that you can only get from a 360-degree camera at a price point that is very close to high-end action cameras.

Those who want the dynamic range and low light performance of a 1-inch sensor have the option to further expand the system with the optionally available 1-inch module, offering one of the currently most versatile consumer video solutions available.

The Insta360 ONE R Twin Edition includes the Dual-Lens 360 Mod and 4K Wide Angle Mod and will set you back $ 479.99. The Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod and retails for $ 549.99. The Insta360 ONE R 4K Edition comes with CPU, battery and 4K action cam and is $ 299.99. More information is available at Insta360.com.

Press Release:

Insta360 ONE R Is an Adaptive Action Cam Co-Engineered with Leica

AI-powered Auto Frame makes editing 360 video easy.

Innovative camera maker Insta360 today announced ONE R, an adaptive action cam whose unique interchangeable-lens design enables 360-degree capture, standard 4K wide-angle capture, and use of a groundbreaking 5.3K 1-inch sensor — all with a single device.

The concept is simple — one battery, one processor and a selection of quick-swapping lens Mods. In an instant, ONE R transforms from a dual-lens 360 shooter to a standard action cam. ONE R currently offers three ways to shoot with three available lens Mods — the Dual-Lens 360 Mod, the 4K Wide-Angle Mod and the 1-Inch Wide Angle Mod co-engineered with Leica.

The 1-Inch Wide Angle Mod achieves the best performance ever in an action camera, combining a 1-inch sensor with the legendary optical expertise of Leica and 5.3K resolution — in a compact, rugged body backed by Insta360’s signature FlowState stabilization.

ONE R is available to order today via Insta360.com and select retailers worldwide, including Best Buy.

The right tool for every job.

ONE R is designed to give creators, athletes and adventurers a single tool that can adapt to any shoot.

In terms of creative freedom, nothing beats a dual-lens 360 camera. It unlocks the ability to reframe shots after the fact, ensures that users never miss the action, and enables unique techniques such as drone-like aerial angles. But for scenes in which action is concentrated in one direction, a reframed shot from a 360 camera still doesn’t achieve the same level of quality and resolution as a specialized single-lens shooter.

These two camera formats have unique strengths and tradeoffs — just as telephoto and wide-angle setups on an SLR camera have equal but opposite strengths. The only way to take advantage of both formats is with an easy, efficient way to switch from one to the other on the fly. ONE R is just that.

Best quality ever in an action cam.

ONE R redefines what’s possible with an action cam. Each of its three available Mods unlock breakthrough imaging and quality.

Dual-Lens 360 Mod: This Mod supports 5.7K capture on two lenses that cover every direction at once. It enables a real-time 360-degree preview on ONE R’s touchscreen, while innovations like Color Plus, HDR video and Night Shot achieve the best color accuracy and low-light performance in any consumer 360 camera.

4K Wide Angle Mod: Ready for 4K@60fps, this Mod captures crisp, vibrant, stabilized action and supports up to 8x slow mo. Its reversible design lets you flip the touchscreen from back to front in a snap — perfect for getting real-time feedback when filming yourself.

1-Inch Wide Angle Mod co-engineered with Leica: This Mod achieves a level of quality never before seen in an action cam. The 1-Inch Wide Angle Mod uses a best-in-class 1-inch sensor to capture brilliant 5.3K video and 19MP photos even in complex lighting conditions. Premium performance in a device that’s ready to go anywhere — the 1-Inch Wide Angle Mod is a game-changer.

Leica worked closely with Insta360 on the optical engineering and industrial design of the 1-Inch Wide Angle Mod, and contributed its unmatched expertise in image quality and color reproduction.

Smooth moves. Even in the dark.

The ONE R uses a fully upgraded FlowState stabilization algorithm to achieve gimbal-like stabilization whether you’re shooting in 360 or with a standard wide angle. Using a smart scene-detection algorithm, ONE R outclasses the competition with stabilization that holds steady even in low-light scenes.

Waterproof whenever.

ONE R is IPX8 waterproof to depths of 5 meters (16.4 feet) straight out of the box. For those who want to go deeper, a Dive Case enables descents of up to 60 meters (197 feet).

Voice control.

Voice control lets you control ONE R with a few simple commands. If ONE R is mounted on a helmet or out of reach, just give it a shout.

Auto Frame changes the game.

The best thing about shooting 360 video is that you capture an infinite number of possible angles and edits. The worst thing about shooting 360 video is that you capture an infinite number of possible angles and edits. If only there were some kind of artificial intelligence that could analyze a scene in every direction at once to find the most interesting moments and angles.

Enter Auto Frame. Insta360 has developed its own computer vision algorithm to identify the best parts of any 360 video and recommend them to creators. There’s still plenty of choice, but the ONE R app’s Auto Frame feature helps you quickly narrow down the shots worth considering and does the reframing for you.

Deep Track.

AI-powered computer vision also enables ONE R’s mind-blowing tracking capabilities. When editing 360 video, creators can simply select a subject to follow with a tap. The ONE R app will automatically keep it locked in center-frame. Even if a subject is obscured by an obstacle, ONE R’s algorithm will remember it and start tracking again as soon as it reappears.

And if you don’t want to wait for post-production to choose your subject, you can also use Deep Track in real time. ONE R’s unique “Point to Track” feature lets you lock onto a subject with the voice prompt “Mark that!”. The next time you connect to your camera, you’ll get an automatically reframed shot that follows your chosen subject — it’s like having a cameraman with you wherever you go.

No drone. No problem.

ONE R brings back Insta360’s endlessly fun and versatile Invisible Selfie Stick feature. Easily capture aerial angles and video-game-style third-person views by making your camera grip invisible. Invisible Selfie Stick is only supported when using the Dual-Lens 360 Mod.

Low light. Done right.

ONE R offers a range of both hardware and software upgrades to achieve best-in-class low-light performance. New Night Shot mode captures low-light photos that pop, while automatic de-noising preserves detail in low-light video.

ONE R also supports HDR modes for both photos and video, and creators can take advantage of Color Plus to do an automatic, one-touch color grade that brings out brighter, more vibrant hues.

When it comes to color reproduction and low-light performance, the 1-Inch Wide Angle Mod co-engineered with Leica is in a class of its own. Its 1-Inch sensor brings out highlights and shadows in vivid detail. Vloggers will be tempted to leave the rest of their kit at home.

Sounds good.

Every ONE R build comes standard with two onboard mics and an automatic wind-reduction algorithm that achieves great sound straight off the camera. However, its USB Type-C port and top-mounted Accessory Shoe also allow for easy third-party 3.5mm mic connection.

Infinite possibilities.

The ONE R app comes with a range of new editing features designed to help creators take advantage of all its capabilities. The TimeShift hyperlapse effect popularized by ONE X can now be completed with a couple taps, and a new pose-detection algorithm lets creators instantly identify and extract every frame of a clip in which they strike a similar posture — enabling mind-bending stop-motion effects that used to take hours of work.

New Starlapse mode automatically calibrates exposure settings to capture stunning time-lapses of the night sky — creators just pick a time and a place and hit record. The ONE series’ signature Bullet Time effect has also been upgraded with a smart horizon-leveling algorithm.

FlashCut auto-editing.

FlashCut is the ONE R app’s content-aware editing algorithm. First, it finds shots based on a theme set by the creator — like food, travel or pets. Then it combines them on beat into a stylish edit. FlashCut can filter and combine footage captured by any ONE R build — 360 or standard.

More Mods.

ONE R doesn’t stop at three Mods. Its unique design enables a huge range of efficient add-ons and upgrades. The standard Battery Base can be swapped for a double-size Boosted Battery Base for extended shooting.

Meanwhile, Insta360 today also announced the groundbreaking Insta360 ONE R Aerial Edition, which offers a specialized mounting system to make supported drones completely invisible and captures an unobstructed, airborne 360-degree view.

An Edition for every mission.

ONE R is all about choice. Creators can purchase exactly the combination of gear that suits their needs. However, Insta360 also offers a range of prepackaged Editions that give creators everything they need to get started with some of the most powerful combinations of Mods.

Insta360 ONE R Twin Edition brings together two great ways to shoot — the Dual-Lens 360 Mod and 4K Wide Angle Mod — in one convenient package for $ 479.99 USD; Insta360 ONE R 1-Inch Edition comes standard with the premium 1-Inch Wide Angle Mod co-engineered with Leica, and retails for $ 549.99 USD; and Insta360 ONE R 4K Edition offers creators all they need to enjoy the versatile 4K Wide Angle Mod for $ 299.99 USD.

More details on ONE R can be found at Insta360.com.

Articles: Digital Photography Review (dpreview.com)

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Canon EOS-1D X Mark III pre-production sample gallery (DPReview TV)

08 Jan

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This gallery of images was captured with a pre-production Canon 1D X III during production of DPReview TV’s hands-on preview of the new camera. If you missed the episode you can watch it here.

Articles: Digital Photography Review (dpreview.com)

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Shiftcam add-on lens cases are now available for Apple’s iPhone 11 models

08 Jan

Most current high-end smartphones come with ultra-wide and/or dedicated tele lenses, offering wider focal length ranges than older devices. However, add-on lenses are still a popular way to expand the creative potential of smartphone cameras even further.

ShiftCam has been supplying its add-on lens cases since the iPhone 7 generation. Now the company has announced the latest versions for the iPhone 11, iPhone 11 Pro, and iPhone 11 Pro Max.

The Shiftcam model for the iPhone 11 model adds a 180-degree fisheye lens, 10x macro, and a circular polarizer to your arsenal. The iPhone 11 Pro and Pro Max models get four lenses in addition to a circular polarizer:

180-degree fisheye
4x telephoto
10x macro
20x macro
Circular Polarizer

Like for previous Shiftcam cases, operation is easy. You move the required lens into place on a slider and select the corresponding lens of the built-in camera in the Apple camera app. This also means all your add-lenses are always with you and on the phone, so you don’t have to carry spare lenses in a bag like for more conventional add-on systems.

On the downside, your phone is bulkier than usual and you cannot use any other cases.

The new Shiftcam cases are available now. The iPhone 11 version is $ 64.99, while the iPhone 11 Pro and Pro Max cases will each set you back $ 74.99. More information is available on the Shiftcam website.

Articles: Digital Photography Review (dpreview.com)

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Lenovo unveils 21.5″ Smart Frame wall screen for displaying digital images and artwork

08 Jan

Lenovo has introduced a new product for displaying albums of digital images as art in one’s home or office. Called the Smart Frame, this new connected 21.5-inch display is designed to look like a large picture frame, blending in with one’s existing decor to showcase the user’s own images or a selection of licensed artwork stored in the cloud.

The Lenovo Smart Frame is designed for use with the company’s snap-on mounting system, which enables the user to rotate the image from portrait to landscape modes for displaying different types of images and artwork. Buyers are given the option of choosing different frame materials and colors to match their existing decor.

A built-in color tone sensor monitors the ambient lighting in the room where the Smart Frame is mounted and automatically adjusts the screen’s brightness for what Lenovo claims is ‘a more natural and aesthetic viewing experience.’ The display has an anti-glare matte finish for a realistic, viewable experience during daylight hours.

According to Lenovo, the Smart Frame uses an AI to curate the user’s own photo album, selecting the highest quality images to create digital collages that show multiple photos at once. As well, the device comes with a companion app that offers access to hundreds of pieces of artwork.

Lenovo plans to launch the Smart Frame in North America in August with a starting price of $ 400.

Articles: Digital Photography Review (dpreview.com)

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DPReview TV: Canon 1D X Mark III for video

08 Jan

Canon’s 1D X Mark III sets a new standard for video specs in a DSLR-style camera. What’s it like to use? Jordan Drake from DPReview TV shares his first impressions of this camera’s impressive video capabilities.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Introduction
Video resolution and compression
Raw video
Slow motion
Aspect ratio
Autofocus
Electronic image stabilization
Rear display
Audio pre-amp
Low light
HDMI output
Separate stills and video settings
Conclusion

Sample video

Want to see more video from the Canon 1D X III? Here’s a sample reel we shot with the help of Lawless Forge in Seattle, WA.

Articles: Digital Photography Review (dpreview.com)

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10 Top Creative Photography Instagram Profiles you Should Follow

08 Jan

The post 10 Top Creative Photography Instagram Profiles you Should Follow appeared first on Digital Photography School. It was authored by Jackie Lamas.

Want to add a little more inspiration to your Instagram feed? We’ve compiled the 10 top creative photography Instagram profiles you should follow that will make scrolling much more inspiring!

Listed in no particular order, these profiles can inspire creativity and imagination as they photograph the world around them, either real or created. Check it out!

1. Paul Nicklen

First, in the top creative photography Instagram profiles you should follow is Paul Nicklen. Paul is a wildlife photographer whose work has been featured in National Geographic as well as many other exhibitions throughout the world. Most known for his exploration and documentation of polar bears and arctic wildlife, Paul is a suburb fine art photographer and one to follow on Instagram!

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A post shared by Paul Nicklen (@paulnicklen) on Dec 16, 2019 at 4:07am PST

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A post shared by Paul Nicklen (@paulnicklen) on Nov 27, 2019 at 10:26am PST

2. Laura Zalenga

A creative photographer that combines reality with imagination and great storytelling, Laura Zalenga is one to follow along through her creative journey. She is also an Adobe Creative Resident giving followers an insight into what it means to have a residency at Adobe.

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A post shared by laura zalenga (@laurazalenga) on Apr 12, 2019 at 8:42am PDT

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A post shared by laura zalenga (@laurazalenga) on Dec 9, 2019 at 9:02am PST

3. Humans of NY

Part documentary, part humanitarian, Humans of NY is an account that inspires us to tell stories about the most unlikely of people. The photographer also travels and tells stories of people from all over the world. Sharing lots of different perspectives of ordinary people who sometimes don’t show their faces and whose stories connect with many followers.

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“My husband hasn’t been home in 153 days. There’s a legal case right now, so I can’t say exactly what happened. But he suffered a catastrophic brain injury in July. And so many of his memories are gone. Some days I’ll go visit him and it just won’t stick. He still remembers my name, but his memories about me are all wrong. Or the details are mixed up. But he’s one hundred percent convinced they’re true. He can’t be corrected. He’s steadfast in his memories. Right now I feel like we’re on two different tracks. I’m just trying to find the places where they merge. He recognized our wedding ring yesterday, even though it was around my neck—that was big for me. It was a moment when our realities came together. Our 45th anniversary is this Saturday. I’m just hoping it will be as normal as possible. I’m going to cook him dinner. Hopefully he’ll eat. And maybe we can share some of the same memories. I’m not sure if that’s enough for me, but it has to be. It has to be enough. Because he’s not going anywhere. And neither am I. We’re in this together.”

A post shared by Humans of New York (@humansofny) on Dec 19, 2019 at 11:15am PST

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“I vividly remember watching cartoons as a kid and seeing Bugs Bunny standing on a lily pad, playing ‘Hello My Darling,’ with a banjo in his hand and a drum on his back. I’ve always wanted to play music myself. But it’s so hard to make a living at it. For awhile I was playing the banjo in restaurants. But I couldn’t make it work. So I thought I’d try the Bugs Bunny thing.”

A post shared by Humans of New York (@humansofny) on Dec 4, 2019 at 4:16pm PST

4. Minh T (thismintymoment)

Minh T is a superb photographer combining geometric architecture with a clean portrait creating a style all of his own. Minimalistic in nature but drawing the eye to the focal point using negative space and clean lines. This is a profile on Instagram worth following.

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Lost in an Escher dream ?

A post shared by Minh T (@thismintymoment) on Oct 22, 2019 at 4:31pm PDT

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A new set of images inspired by the bold diagonal lines of the most provocative letters of the alphabet, the letter X, which happens to be the namesake of this seductive scent from the house of @clivechristianperfume. Spicy and woody, it leaves a strong impression — full of strength and sensuality . #CliveChristianPerfume #DiscoverClive #CliveChristianX #sponsored #architecture #icons

A post shared by Minh T (@thismintymoment) on Nov 15, 2019 at 7:01am PST

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A post shared by Minh T (@thismintymoment) on Jul 20, 2018 at 6:31am PDT

5. Tropicophoto

This duo brings color, creative imagination, and narratives that tell stories to a whole different level. Their entire feed is an explosion of color.

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A post shared by Forrest & Michelle (@tropicophoto) on Nov 17, 2019 at 7:11am PST

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A post shared by Forrest & Michelle (@tropicophoto) on May 7, 2019 at 4:59am PDT

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A post shared by Forrest & Michelle (@tropicophoto) on Dec 7, 2019 at 6:59am PST

6. Eva Kosmas Flores

Eva is a food stylist, cook, and photographer that brings moodiness and a bit of warmth to her photography. She also gives workshops on how to better your food photography even if you’re not a photographer. Her presets also set her photos apart giving them that dark and inviting feel.

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A post shared by Eva Kosmas Flores ? Photo Food (@evakosmasflores) on Dec 5, 2019 at 8:16am PST

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A post shared by Eva Kosmas Flores ? Photo Food (@evakosmasflores) on Oct 22, 2019 at 8:57am PDT

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A post shared by Eva Kosmas Flores ? Photo Food (@evakosmasflores) on Nov 17, 2019 at 8:41am PST

7. Peter Hurley

Peter Hurley is a renown headshot photographer giving workshops all over the world to photographers helping them master headshot portraiture. He is down to earth and fun to follow along in Insta Stories for behind the scenes of his shoots, travels, and life.

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A post shared by Peter Hurley (@peter_hurley) on May 9, 2019 at 10:23am PDT

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A post shared by Peter Hurley (@peter_hurley) on May 15, 2019 at 12:43pm PDT

8. Stormy Solis

Stormy is a portrait photographer who has carved her own style creating beautiful images of connection, love, and intimacy among families and couples. Truly captivating her imagery inspires her followers to take a more intimate approach to portrait photography.

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A post shared by Stormy Solis (@stormysolis) on Dec 12, 2019 at 8:13am PST

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A post shared by Stormy Solis (@stormysolis) on Oct 4, 2019 at 8:31am PDT

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A post shared by Stormy Solis (@stormysolis) on Dec 2, 2019 at 12:36pm PST

9. Reuben Wu (itsreuben)

Reuben Wu is the creator of the Aerogliph. Using the light from drones and slow shutter speed, he light-paints in mid-air creating the most interesting and thought-provoking images.

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A post shared by Reuben Wu (@itsreuben) on Nov 15, 2019 at 11:19am PST

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A post shared by Reuben Wu (@itsreuben) on Mar 18, 2019 at 5:55am PDT

10. Donatella Nicolini (donatellanicolinistudio)

And finally, in the top creative photography Instagram profiles you should follow is Donatella Nicolini. Donatella is an Italian portrait photographer focused mainly on fine art maternity. Her images are paint-like and breathtakingly timeless!

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A post shared by DONATELLA NICOLINI (@donatellanicolinistudio) on Jul 2, 2018 at 7:09am PDT

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A post shared by DONATELLA NICOLINI (@donatellanicolinistudio) on Mar 24, 2019 at 11:25am PDT

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In conclusion

Instagram is a great source of inspiration and there are some great photographers making incredible photographs! Add these Instagram profiles you should follow to your list of inspiring photographers on Instagram!

Do you have others to add to ‘Instagram Profiles You Should follow’? If so, please share in the comments!

The post 10 Top Creative Photography Instagram Profiles you Should Follow appeared first on Digital Photography School. It was authored by Jackie Lamas.

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Apple’s new ‘Fire and Ice’ video shows off the iPhone 11 Pro’s camera capabilities

08 Jan

Apple has published seven videos in its ‘Experiments’ series, including four episodes and four behind-the-scenes videos. Each video is intended to show what’s possible with ‘an iPhone, simple materials, and boundless creativity,’ according to the company. The latest video involves effects created by fire and ice; past examples include water and colorful objects.

The methods used to create Apple’s newest Experiments videos are fairly simple and reproducible at home, including the use of dry ice, what appears to be isopropyl alcohol in a glass jug, a wire mesh covered in lint and caught on fire, a red hot piece of metal placed on dark paper and more. The majority of the shots were captured by hand.

Articles: Digital Photography Review (dpreview.com)

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5 Exercises to Improve Your Street Photography

07 Jan

The post 5 Exercises to Improve Your Street Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Do you want to capture amazing street photography, but you just feel like you’re not good enough? Don’t worry, because this article is going to give you five fantastic street photography exercises that are guaranteed to improve your street photography. It’ll provide you with the tools you need to take amazing street photos.

Let’s get started.

5 Exercises to Improve Your Street Photography

1. Find a scene and stand in place for an hour

It might not seem like it…

…but a lot of street photography is about being patient.

In fact, plenty of the best street photos were taken after a significant amount of standing in place and waiting.

You see, great street photography often involves a powerful background with a focal point. And that focal point is often a person.

But to get the right person in the right place is one of the toughest parts of this genre of photography.

So this exercise is designed to make sure you recognize the rewards of being patient.

street-photography-exercises

Here’s what you do:

Start by finding a scene that you like. A building, an alley, an interesting background of some sort. Make sure there’s a decent amount of foot traffic.

Then previsualize. Where would you like your main subject to walk into the frame? Imagine the precise place you’d like them to be when you take the photo.

Then wait.

Now, plenty of people will walk through your scene who don’t fit with your previsualized photo. Maybe they don’t stand in the perfect place. Maybe they don’t have the silhouette you’re looking for.

And that’s okay. After all, this is an exercise in patience!

However, I recommend you take photos of these people anyway. You might end up with something unexpectedly powerful.

Even if you do get the shot you like, keep standing in place. Stay there until an hour has passed.

Because it’s important you understand, not just the rewards of patience, but how to be patient. So even once you’ve achieved your goal, stand in place, and keep taking photos. See what you can get.

Make sense?

2. Shoot an entire outing from an unusual angle

When you’re just starting out in street photography, it’s very easy to take every shot at eye-level.

Putting your camera up to your face is natural. And it can sometimes help you get over the stress of taking photos in public; you can feel like you’re hiding.

But shooting at eye-level is a recipe for consistently boring photos.

Instead, you want to take photos from many different angles. Different angles are the key to creating a dynamic, powerful portfolio.

So the street photography exercise is simple:

Go out with your camera. And only take photos from an uncommon angle.

5 Exercises to Improve Your Street Photography

Which angles count as “uncommon”?

The low angle is a great start. The lower you take your photo, the more awe your photos will generate because it’ll feel like the viewer is looking up at the scene. For the photo above, I shot up toward the clock tower in an attempt to make the image more dramatic.

Plus, a low angle can often clear the background, making it less distracting. It causes people in the background to fall away, leaving only buildings and sky behind your main subject.

To shoot at a low angle, you have a few options. You can sit down or crouch low. Or you can hold your camera down at your hip.

Of course, you don’t have to shoot from a low angle! If you like, you can try finding a vantage point (such as a parking garage), and shoot from high above.

The choice is yours. Just make sure you get used to trying new angles.

It’ll seriously improve your street photos!

3. Ask five strangers if you can take their picture

One of the biggest barriers to great street photography is your own nervousness.

After all, it’s hard to capture photos of people from a distance, let alone up close. You probably worry about people getting angry or even threatening you.

First of all, you should know that, in most countries, it’s legal to photograph people in public places. So you’re not breaking laws.

But the anxiety doesn’t always go away once you know your rights.

This is where this street photography exercise comes in handy.

street-photography-exercises

All you have to do is go out shooting. And ask at least five people if you can take their photo.

It’s okay if they refuse. It’s okay if they agree but the picture is bad.

The only thing that matters is that you’re pushing yourself out of your comfort zone. You’re forcing yourself to see that plenty of people don’t mind having their photo taken in public. And when people do mind, it’s not the end of the world.

This is an exercise that I recommend you try once a week (or until you no longer struggle to photograph people in public).

Because even if you prefer to photograph people without approaching them, knowing that everything will turn out okay will significantly improve your levels of comfort (and, consequently, your street photos!).

4. Only photograph strangely-lit people for a day

If you want to capture amazing street photos, you’ve got to start paying attention to the light.

This is easy to forget about because street photography involves so many variables: people moving fast, cars causing distracting backgrounds, etc.

But you can’t fail to consider the light. Otherwise, your photos will be very inconsistent.

Which brings me to the exercise:

Only photograph people who are strangely lit for the day.

5 Exercises to Improve Your Street Photography

By “strangely lit,” I’m referring to non-standard lighting. The people shouldn’t be lit with standard front-lighting, cloudy lighting, or standard overhead lighting.

Instead, there should be strong backlighting, side lighting, or shadows running through the scene.

By forcing yourself to pay attention to this, you’ll get a better eye for lighting. And it’s the first step toward taking more creative, unique street photos.

Personally, I’m a fan of backlit street photography. So I recommend going out when the sun is low in the sky to see if you can find some backlit subjects.

But you can also shoot people who are walking through shadow. This works especially well if the area around the person is bathed in sunlight, in order to create a high-contrast shot.

Just find some unique lighting, and you’ll do just fine.

5. Spend a week only taking photos of small details

Most street photographers only ever take photos of people.

But here’s the thing:

The streets have plenty of compelling details, too. And a street photographer who can find these details is a street photographer worth watching.

Tiny details lend character to your street photos, even if the main subject is a person. And tiny details can be the sole subject of a photo, as well. You just have to know how to capture them.

This is why your final street photography exercise is dedicated to photographing those beautiful small details.

street-photography-exercises

All you have to do is deliberately photograph little details for a week. Forget about photographing people. Forget about photographing architecture.

Instead, focus on capturing the most compelling details possible.

This might involve creating some abstract photos. Photograph contrasting colors up close. Or photograph spray-painted graffiti.

You can also capture some wider photos: the signs of restaurants, or the front door of buildings. All of these are excellent potential subjects.

Just remember: When you photograph small details, don’t just try to faithfully render the details themselves. Instead, create a compelling composition out of the details. Try to include multiple interesting features.

You’ll take a few boring photos, sure. But you’ll develop an appreciation for the smaller aspects of the city.

And you’ll take some stunning photos in the process.

5 exercises to immediately improve your street photography: Conclusion

Capturing beautiful street photos can be difficult. And for beginning photographers, it can seem impossible.

But if you do these street photography exercises, you’ll notice your outlook starting to change. Street photography won’t seem so difficult.

And you’ll start capturing some amazing street photos.

So get out and start practicing these street photography exercises!

street-photography-exercises

Do you have any other street photography exercises you’d like to share? Please do so in the comments!

The post 5 Exercises to Improve Your Street Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

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Nikon Coolpix P950 mega-zoom gains 4K video, Raw support, improved EVF

07 Jan

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The Nikon Coolpix P950 has arrived, retaining the outrageous 24-2000mm equiv. zoom range of its P900 predecessor, while adding modern refinements like 4K video and a higher-resolution EVF.

In addition to its large zoom range, the P950 offers UHD 4K video capture, 7 fps burst shooting and Wi-Fi + Bluetooth. Raw image capture is a welcome addition for more advanced photographers, and anyone will be able to appreciate its higher-res 2.4M-dot viewfinder. The P950 boasts 5.5 stops of stabilization and an accessory shoe to support Nikon’s DF-M1 dot sight – a useful aid for bird and airplane photography.

The Nikon Coolpix P950 will arrive in February with an MSRP of $ 800.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Coolpix P950 specifications

Price
MSRP	$ 799
Body type
Body type	SLR-like (bridge)
Body material	Magnesium alloy, composite
Sensor
Max resolution	4608 x 3456
Image ratio w:h	4:3
Effective pixels	16 megapixels
Sensor photo detectors	17 megapixels
Sensor size	1/2.3" (6.17 x 4.55 mm)
Sensor type	CMOS
Color space	sRGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-6400
White balance presets	5
Custom white balance	Yes
Image stabilization	Optical
CIPA image stabilization rating	5.5 stop(s)
Uncompressed format	RAW
File format	JPEG Raw (NRW)
Optics & Focus
Focal length (equiv.)	24–2000 mm
Optical zoom	83.3×
Maximum aperture	F2.8–6.5
Autofocus	Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes (4X)
Manual focus	Yes
Normal focus range	50 cm (19.69″)
Macro focus range	1 cm (0.39″)
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3.2″
Screen dots	921,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	90%
Viewfinder resolution	2,359,000
Photography features
Minimum shutter speed	300 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program Aperture priority Shutter priority Manual
Scene modes	Moon, Bird-watching, Creative, Movie manual, Backlighting, Beach, Black and White Copy, Close-up, Dusk/Dawn, Easy Panorama , Fireworks Show, Food, Landscape, Museum , Night Landscape, Night Portrait, Party/Indoor, Pet Portrait, Portrait, Scene Auto Selector, Snow, Sports, Sunset
Built-in flash	Yes
Flash range	11.50 m (at Auto ISO)
External flash	Yes (via hot shoe)
Drive modes	Single Pre-shooting cache Multi-shot 16 Interval timer Continuous L Continuous H 120 Continuous H 60 Continuous H Best Shot Selector
Continuous drive	7.0 fps
Self-timer	Yes
Metering modes	Multi Center-weighted Spot
Exposure compensation	±2 (at 1/3 EV steps)
AE Bracketing	±2 (3 frames at 1/3 EV steps)
Videography features
Format	MPEG-4, H.264
Modes	3840 x 2160 @ 30p, MP4, H.264, AAC 3840 x 2160 @ 25p, MP4, H.264, AAC 1920 x 1080 @ 60p, MP4, H.264, AAC 1920 x 1080 @ 50p, MP4, H.264, AAC 1920 x 1080 @ 30p, MP4, H.264, AAC 1920 x 1080 @ 25p, MP4, H.264, AAC
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC
Connectivity
USB	USB 2.0 (480 Mbit/sec)
USB charging	Yes
HDMI	Yes (micro HDMI)
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	Wi-Fi + Bluetooth
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	No
Battery	Battery Pack
Battery description	EN-EL20a lithium-ion battery & USB charger
Battery Life (CIPA)	290
Weight (inc. batteries)	1005 g (2.22 lb / 35.45 oz)
Dimensions	140 x 110 x 150 mm (5.51 x 4.33 x 5.91″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

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