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Archive for January, 2020

Canon issues firmware update to fix front-focusing issues for RF 70–200mm F2.8 lenses

09 Jan

A month after the first reports came out that a number of RF 70–200mm F2.8 lenses were having issues with front-focusing, Canon has released a firmware update to address the issue.

As promised two weeks ago, firmware version 1.0.6 fixes the issue wherein certain units would focus in front of the active AF point, especially at longer focal lengths. The firmware changelog reads:

‘Fixed a phenomenon when performing AF shooting to capture a subject at close-range with the focus distance approximately set to the Tele-end (200mm), the image may become slightly front-focused.’

Firmware version 1.0.6 is available to download for both macOS and Windows computers. If your lens already has firmware version 1.0.6 installed, there’s no need to update. You can check your lens’ firmware in your camera’s menu system.

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4K sample reel: The Canon EOS-1D X Mark III goes to the blacksmith

09 Jan

When we learned that the Canon EOS-1D X Mark III would be one of the most capable stills and video hybrid cameras around, we knew we wanted to do some shooting and see for ourselves what it’s capable of. So we made some calls and wound up at Lawless Forge, a blacksmith shop in south Seattle, and got to work.

All footage was shot on a pre-production camera in Canon Log using the full width of the sensor at 4K/60p or 4K/24p, using IPB compression (CFexpress cards don’t yet grow on trees). Aperture and shutter speed were controlled manually, with Auto ISO gaining up or down as necessary, and ISO values varying from 800 to 6400.

Check out more on the EOS-1D X Mark III’s video specs here

Footage was compiled and edited in Adobe Premiere Pro, using a Canon-supplied Lut and minor tweaking beyond that. Lighting in the space was a mix of cool flickering fluorescents and tungsten (in other words, not good), so keep that in mind as you watch.

Also, if you don’t like guitars, I personally apologize for the music.

You can check out a ton of out-of-camera JPEG still images from this same shoot if you scroll a little ways through our pre-production sample gallery below.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0876082058″,”galleryId”:”0876082058″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Read our Canon EOS-1D X Mark III
initial review

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Nikon has Announced the D780, an Update to the Hugely Popular D750

09 Jan

The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

nikon-d780-announced

If you’re an enthusiast photographer wedded to your Nikon DSLR, then you’re in luck.

Because Nikon has just announced a new DSLR, dropping at the end of January:

The D780.

The Nikon D780 comes as a long-awaited upgrade to the Nikon D750, a powerhouse camera that packed a full-frame sensor into an affordable body. The D750 offered full HD video at 60p, excellent low light performance, impressive autofocus, dual card slots, and a tilting LCD, features that won over a slew of photographers back in 2014.

But can the Nikon D780 build off of the D750’s success? And what can a new midrange DSLR offer in a world where DSLRs are becoming less and less valued?

In some ways, the D780 doesn’t seem like a big step up from the D750; it offers a full-frame sensor with 24.5 megapixels (compared to the D750’s 24.3-megapixel sensor), a 51-point AF system with 15 cross-type points (specs that are identical to the D750’s AF system, though the D780 packs the D5’s focusing algorithm), and 7 frames-per-second shooting (compared to the 6.5 fps on the D750).

But in other ways, the D780 more than lives up to expectations. While the megapixel count is nearly identical to the D750’s, the sensor itself is borrowed from the Z6, one of Nikon’s two full-frame mirrorless offerings, and an impressive camera in its own right. This means we can expect a jump in ISO performance, which should excite Nikonians who often find themselves shooting in low light.

We can also expect significantly improved Live View autofocus, given that Nikon has imported the D780’s 278-point Live View AF straight from the Z6.

Nikon has Announced the D780, an Update to the Hugely Popular D750

Not to mention the enhanced video performance on the D780: with 4K video at 30p with a full pixel readout, full HD video at 120p and 60p, and features such as focus peaking, this is the most powerful Nikon DSLR for videographers to date.

So if you’re an enthusiast photographer who is looking to upgrade to full-frame, or you’re simply looking for a great full-frame option, then the Nikon D780 is worth a look.

It will begin shipping at the end of January for $ 2300 USD (or $ 2800 with a Nikkor 24-120mm f/4G lens).

The post Nikon has Announced the D780, an Update to the Hugely Popular D750 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Your Camera’s Metering System Explained

09 Jan

The post Your Camera’s Metering System Explained appeared first on Digital Photography School. It was authored by Herb Paynter.

your-cameras-metering-system-explained

Your camera’s metering system “reads” the light reflecting from surfaces in front of the lens and reports its findings both in the viewfinder and on the LCD display.

This information serves as a guideline for accurately setting your camera’s exposure controls. It’s quite important that you know what information your camera is providing, and how to best make use of that data if you wish to achieve accurate color.

Image: f/3.2, 1/60, ISO 3200, Lumix Vario G 12-35/2.8, 17mm, Pattern Metering

f/3.2, 1/60, ISO 3200, Lumix Vario G 12-35/2.8, 17mm, Pattern Metering

Your camera’s metering system suggests the amount of light that will be needed to expose middle gray, or typical skin tone in a scene, as measured in the techie term of luminosity. Luminosity is a geeky word that describes light as visual volume.

That means that the reading taken by the meter reflects (pun intended) the correct exposure setting needed to render either a specific spot, or the average lighting range within an entire scene, with the correct amount of light to deliver a proper exposure.

The exposure your camera is looking for is referred to as the 18% gray balance. This particular tone is approximately the reflective density of middle gray to human sight. That is the reason why professional photographers usually pack an 18% gray card as a reference in their camera bag.

Image: f/2.8, 1/3200, ISO 400, Lumix Vario G 12-35/2.8, 32mm, Pattern Metering

f/2.8, 1/3200, ISO 400, Lumix Vario G 12-35/2.8, 32mm, Pattern Metering

Colors are seriously influenced by tonality, which is the balance between dark and light tones. The same colors seen in ample light as bright and colorful tend to appear dark and muted in dim lighting. This is quite a natural occurrence that happens with your eye just as it does with your camera.

Remember, your eye uses the color-insensitive rods to see images in dimly-lit areas because the color-sensitive cones don’t see well in the dark.

Setting your camera to capture specific lighting conditions requires accurate feedback from your camera’s light metering system.

Metering systems

Your camera provides at least two types of reflected light analysis: matrix and spot.

Some cameras offer several variations of these two systems. The one you choose will make a significant difference in your photo.

Matrix metering involves light that is averaged or integrated from the entire scene. Spot Metering measures light in a specific part of the scene.

You should understand the fundamental difference between the way your eyes register light and the way your camera’s metering system measures light.

your-cameras-metering-system-explained

First, your eyes…

When viewing a subject in a dimly-lit area of a scene, your mind tells your eyes where the subject is, and your eyes then focus on that particular area.

This allows the iris (your eye’s equivalent to your camera’s aperture) to dilate, or open. Then adjusting to the dim light and admitting a sufficient volume of light into your eyes it allows you to see the dimly-lit subject in all its detail.

In this way, your eyes actually use a “spot metering” system.

Your camera, on the other hand, must be specifically set to read distinct areas of an image. If your camera is set to Matrix metering, reading a specific spot requires some nimble fingers and quick thinking.

Some of the trickiest pictures to capture involve extreme lighting contrast, that is, scenes that contain both bright sunlit areas and important detail in the dark shade.

Spot Metering

Capturing accurate color when the subject is located in the shadow areas of a scene generally requires setting your camera to Spot Metering and centering the viewfinder on the subject.

your-cameras-metering-system-explained

f/4.5, 1/80, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Spot Metering

Spot Metering concentrates on a small “spot” area in the middle of the viewfinder to evaluate light. You can usually set the size of this “spot” in your camera’s Preferences.

Spot metering requires your camera to register the light reflecting from a specific area, assuring you that that particular element will be perfectly exposed.

Matrix Metering

Matrix metering considers all lighting in the scene as equally important, with greater importance directed toward the center of the frame. Matrix lighting is usually a digital camera’s default metering mode.

When a scene contains several different areas of light intensity, your camera has to decide on how important that light is to the overall exposure. It delivers a reading that will attempt to capture the full range of light in the scene.

When a bright light appears in the corner of a scene, that light only proportionately influences the overall exposure in the image. When the center of the frame (as seen in the LCD preview window) is darker, and the outside edge of the frame is lighter, the center portion of the scene (usually being the center of focus), heavily influences the overall exposure, allowing more light to enter the lens.

The opposite lighting scenario influences the exposure in the other direction, reducing the overall exposure to favor the lighting in the center portion of the frame. DSLR cameras allow this lighting “favoritism” to be overridden, or redirected, by the photographer.

Matrix metering looks at a scene in segments and makes calculated decisions based on the mix of lighting in the various segments.

While each camera manufacturer has its own patented (and quite secret) metering configurations, most cameras employ some form of matrix metering as their standard exposure system.

Image: f/3.5, 1/160, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Matrix Metering

f/3.5, 1/160, ISO 200, Lumix Vario G 12-35/2.8, 26mm, Matrix Metering

Cameras cannot expose individual segments of the picture separately, but by keeping stray light from entering your camera’s lens and using your camera’s matrix metering system, the tonal curve (the determination of the middle tone of the scene) can be shifted in such a way as to place more light on the subject.

Matrix and Spot metering modes allow your camera to measure the color and set the proper exposure even in challenging lighting conditions. Most cameras provide this dual-metering capability and provide very specific controls over exposure even though some camera owners are not aware of it.

But remember, relying too much on any of your camera’s Auto functions can compromise an otherwise spectacular color picture. If your camera has both Spot and Matrix metering capabilities, it’s better to choose whether the scene, the subject, or a small portion of the subject should determine your camera’s exposure.

Image: f/5, 1/800, ISO 800, Lumix Vario G 35-100/2.8, 93mm, Center weight-Average Metering

f/5, 1/800, ISO 800, Lumix Vario G 35-100/2.8, 93mm, Center weight-Average Metering

Centre-Weighted Metering

Somewhere between Spot and Matrix Metering is a light metering system called Center-Weighted Metering. This system reads lighting from several points around the frame but gives more preference to an enlarged area in the center of the frame. This form of metering was very prevalent before the more advanced development of Matrix-Metering Systems, and still offers a very viable method of addressing scene lighting.

Regardless of which system you use, the composite (averaged) light value actually measured by your camera will indicate the equivalent tonal value typically assigned to skin tones.

Professional photographers use a handheld meter to read the light reflecting from a subject’s face because human skin color is the general tonal value on which all camera exposures are determined.

Image: f/1.8, 1/2000, ISO 25, iPhone XR,1.8, 4.25mm, Centre-Weighted Metering

f/1.8, 1/2000, ISO 25, iPhone XR,1.8, 4.25mm, Centre-Weighted Metering

Pattern Metering

Always remember that the area which your camera ultimately reads will be captured as a middle-tonal-value. Setting your reading on extremely dark tones will produce those tones as a medium tonal value and thus render lighter tones as very light.

Extremely light areas will, in turn, be exposed as if they were significantly darker than they actually were. They could completely lose detail in the darker areas of the image. So, be very careful about where you take your readings.

Conclusion

Most cameras offer exposure compensation controls that allow the photographer to adjust the overall exposure to override your camera’s metering system. This feature usually provides adjustments, in both increasing and decreasing values, in one-third stop increments. They can be helpful if, and when, the metering system provides consistently under or over-exposed images.

Learning to control your camera’s metering system and apply the correct mode will deliver more attractive and dynamic results. Take control, and you’ll be very pleased with the outcome.

The post Your Camera’s Metering System Explained appeared first on Digital Photography School. It was authored by Herb Paynter.


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ShutterGrip 2 wireless smartphone grip aims to offer camera-like ergonomics

09 Jan

The team behind smartphone accessory ShutterGrip is back with an updated version of the product called ShutterGrip 2. The new iteration of ShutterGrip has been refined to offer improved ergonomics and appearance, adding a metallic finish and a non-slip grip.

In addition to its built-in selfie stick, the ShutterGrip 2 features a threaded 1/4-inch tripod mount, integrated hex wrench for tightening the hinge, a cold shoe for mounting accessories, support for both right- and left-hand usage, as well as vertical and landscape modes for different shooting styles.

ShutterGrip 2 is compatible with Android smartphones and iPhones using Bluetooth 4.0. With an assumed average of 500 button presses per day, the ShutterGrip 2’s battery will last for six months of continuous use or 18 months in standby mode using a CR2032 button battery. Despite its various features, the device is compact at 190mm x 76mm (7.49in x 2.99in).

The ShutterGrip 2 is compatible with the iPhone 5 and newer models, as well as the Samsung A6+ through the flagship Galaxy S10 and Note 10 handsets. Eary bird units are being offered to Kickstarter backers who pledge at least $ 35; shipping is estimated to start in February 2020.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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SanDisk reveals 8TB SSD prototype and Ultra Dual Drive Luxe 1TB flash drive

09 Jan

SanDisk has introduced a sleek new flash drive that features an appealing metal body and a very practical dual-connector design. The new SanDisk Ultra Dual Drive Luxe thumb drive will arrive later this year, offering users a large storage capacity in a small form factor.

As its name suggests, the Luxe drive features both USB-C and USB-A connectors, making it possible to use the drive with the majority of newer smartphones, tablets and laptops on the market. In addition to its high level of durability due to the metal build, SanDisk’s new drive has a slot for attaching the device to a keychain or securing it within a bag using a lanyard.

According to Engadget, SanDisk will release this model toward the end of 2020; the price hasn’t been revealed at this time.

In addition to the upcoming flash drive, SanDisk also showcased a prototype portable SSD with a massive 8TB capacity capable of 20Gbps transfer speeds. According to Engadget, the drive is slightly larger than the SanDisk Extreme External SSDs, though it’s still small enough to stuff in a pocket.

Though it would be the highest capacity portable SSD if it were to come to market, it only exists as a prototype at this time. It’s unclear when SanDisk anticipates launching the product and how much it will cost, though it’s likely to be quite expensive. The company’s existing 2TB Extreme Portable SSD model costs $ 270, for comparison.

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Canon Europe confirms its focus is on RF, not EF lenses unless the ‘market demand[s] it’

09 Jan

Although Canon’s flagship 1DX Mark III DSLR is still on the horizon, it seems as though Canon has stopped research and development efforts for new EF lenses.

In an interview with Digital Camera World, Canon Europe pro product marketing senior manager, Richard Shepherd, said that while Canon will continue to support EF lenses, the plan is to focus on RF lenses, unless the ‘market demand[s] it.’ Below is the full quote, shared by Digital Camera World:

‘As you know, last year we launched the RF mount and EOS R system […] To date we’ve launched ten critically acclaimed lenses, and as it’s a new system we plan to continue this, launching more RF lenses while still fully supporting the EF lens system. And of course, should the market demand it, we are ready to create new EF lenses. But for now, our focus is on RF.’

While this is the first time we’ve seen detailed confirmation about Canon ceasing development of new EF lenses, it shouldn’t come as a surprise. Canon’s EF mount was released 33 years ago when it replaced the FD mount in 1987. Since then, we’ve seen the rise of digital cameras, the fall of point-and-shoot cameras and now the rise of mirrorless cameras. Canon’s RF system is clearly the future for the company and as such it makes sense Canon would be more interested in investing its capital looking forward rather than behind.

As of October 12, 2017, Canon said it had surpassed production of more than 130 million EF-series interchangeable lenses—just shy of four million per year since the mount’s inception. The number has inevitably gone up by millions since and you can count on it continuing to rise for many years to come, even long after production has stopped.

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Apple’s 2020 iPhone photography contest seeks best Night mode shots

09 Jan
Shot on iPhone 11 Pro Max in Night mode by Eric Zhang.

Apple has announced another iPhone photography contest, this one soliciting photos shot using the company’s Night mode feature found on the iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max. This new contest follows the first ‘Shot on iPhone’ competition announced by the company in January 2019. The new contest is open to submissions through January 29.

The 2020 iPhone Night mode photography contest opened to submissions on Wednesday, January 8; the five winning images will be announced by Apple on March 4.

Interested iPhone 11 owners can submit their favorite shots on Twitter and Instagram using the hashtags #NightmodeChallenge and #ShotoniPhone, as well as on China’s Weibo service using the tags #NightmodeChallenge# and #ShotoniPhone#.

Shot on iPhone 11 Pro in Night mode by Austin Mann.

Apple is also giving competitors the option of emailing a high-resolution version of their images to its shotoniphone@apple.com; in this case, photographers must use the following file naming convention: ‘firstname_lastname_nightmode_iPhonemodel.’

Social media submissions should include a note about which iPhone model was used to capture the image in the caption. Apple says contestants can use third-party and Photos app editing tools to edit the images. Submissions must be submitted by 11:59 PM PST on January 29 to be eligible. As well, contestants must be at least 18 years old.

The company has offered multiple tips on using the Night mode feature, including paying attention to the capture time displayed in the Night mode icon and using a tripod to keep the shots steady. Winning images will be showcased in a gallery on the Apple website, Apple Newsroom and Apple Instagram account; they may also appear in Apple’s digital campaigns, among other promotions.

The full list of judges and other details can be found in Apple’s announcement.

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HP Envy 32 all-in-one PC with built-in wireless charging is an NVIDIA RTX Studio system

09 Jan

During its time at CES 2020, HP has unveiled its new Envy 32 all-in-in PC with built-in wireless charging and a 31.5-inch 4K HDR600 display. This PC AiO model is offered with up to a 9th-gen Intel Core i7 processor and the NVIDIA GeForce RTX 2080 graphics card, as well as up to 1TB of storage and 32GB of RAM. The Envy 32 has the widest display available in an all-in-one system.

According to HP, its Envy 32 is the first all-in-one PC to join the NVIDIA RTX Studio program, which means that it is capable of running more than 40 design and creativity apps that feature RTX-accelerated ray tracing and AI-based features. This is particularly useful for filmmakers who engage in real-time high-resolution video editing and photographers who deal with large quantities of high-resolution images.

In addition to its considerable graphics capabilities, the HP Envy 32 is the first all-in-one PC to feature Advanced Audio Stream and the loudest volume level among AiOs, according to HP. A pair of integrated front-firing tweeters and subwoofers with Bang & Olufsen tuning offer audio even when the PC is turned off, eliminating the need to use an external speaker.

Other features include an aluminum stand with built-in wireless charging, edge-to-edge display glass, an included multi-device keyboard, heathered acoustic cloth, Nightfall Black matte finish and Dark Ash woodgrain accents. The HP Envy 32 AiO is available from HP, Amazon, Best Buy and other retailers with a starting price of $ 1,599.99.

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Answers to Your Most Common Lightroom Questions

08 Jan

The post Answers to Your Most Common Lightroom Questions appeared first on Digital Photography School. It was authored by Darina Kopcok.

common-lightroom-questions

Adobe Lightroom offers ease of use as well as high functionality for novice users and professionals alike. Although many photographers use Photoshop for retouching, they continue to use Lightroom, not only as a global editor but also for its robust organizational capabilities.

Even if you’ve been using Lightroom for a while, you still may be confused about how to get the most out of the software.

Certain questions crop up again and again with Lightroom users. Here are some answers to your most common Lightroom questions.

Answers to Your Most Common Lightroom Questions

Should I use Lightroom CC or Lightroom Classic?

Pardon the pun, but this is the “classic” question when it comes to Lightroom, especially with the changes and updates over the last couple of years.

The current “Lightroom” app was formerly known as Lightroom CC. This is a version that is heavily marketed by Adobe but is not necessarily the best version for the serious photographer.

Lightroom Classic is what used to be known as Lightroom CC.

Are you confused yet?

No worries, because this is the most common Lightroom question!

The current Lightroom CC stores your photos on their servers and charges you $ 10 per terabyte. If you shoot a lot, this can really add up quickly.

It also doesn’t offer you full functionality, like the ability to print from Lightroom or export files in any format other than DNG or JPG.

Lightroom CC also doesn’t contain the Map, Book, Print, Slideshow or Web modules. Essentially, it’s suitable for the entry photographer. Beyond that, you’ll find it won’t give you the full suite of tools you need.

Lightroom Classic, on the other hand, is the subscription-based model that you get with your photography plan.

Not only does this version give you great value, but it also provides you with the complete functionality you expect from a post-processing program.

To find out which version you currently have, just go up to –>Help in the top toolbar and select –>System Info from the dropdown menu.

Answers to Your Most Common Lightroom Questions

What color space should I use?

The conversation about color space is a lot more lengthy than what can take place here, but you should be aware of the differences and those most optimal for what you’re trying to accomplish with your photography.

The most common color spaces are sRGB and Adobe RGB.

camera-color-spaces-explained

sRGB is the defining color space of the digital world. Anything involving digital graphics, whether it be video games or photographs, is built on sRGB.

If your photos will appear online, you’ll need to use sRGB. If you upload an image in AdobeRGB, it will look desaturated and dull because the browser will convert it to sRGB and do a poor job of it.

However, if you anticipate your work being professionally printed at all, you’ll most likely need AdobeRGB files. This is a color space developed by Adobe Systems and HP to be compatible with CMYK printers.

Stock agencies often request files to be upload in AdobeRGB because they can be converted to sRGB. Just note that the reverse isn’t true.

Both sRGB and AdobeRGB have the same number of colors but the range is narrower in sRGB. AdobeRGB has a 35% wider color gamut, which means prints will be more vibrant and saturated.

ProPhotoRGB encompasses the largest color space available and is ideal when using Lightroom with other programs like Photoshop to process 16-bit photos. 8-bit cannot use the whole available color range. Prophoto is also ideal if you are printing your photos with a professional printery that uses a printer that can print between 7-10 colors.

Image: sRGB vs AdobeRGB on a computer screen

sRGB vs AdobeRGB on a computer screen

How can I speed up Lightroom’s performance?

An important factor in keeping Lightroom running smoothly is to set it up for optimal performance.

One common Lightroom question is how to speed up Lightroom’s performance.

To start with, as with any software program, you should always make sure it’s updated and that you have enough hard drive space. You need at least 20% free space for Lightroom to run optimally.

Also, make sure your catalog is optimized. Lightroom continually updates the catalog file, but eventually, the data structure becomes less optimal over time. It has an “optimize catalog” option you can enable to improve performance.

To access this option, go to Lightroom -> Preferences and click on -> Performance.

Then click on -> Optimize Performance.

lightroom common questions-optimize catalog

common questions-lightroom performance

Set up Lightroom to back up on a regular schedule, and set it to optimize the catalog following the backup.

Another tip for improving performance is to import your files as DNG files.

DNG is short for Digital Negative. It’s a RAW file format created by Adobe.

When you convert a file into DNG, Lightroom adds Fast Load Data to the file. This results in a partially processed preview that allows Lightroom to render faster previews in the Develop module.

Adobe claims that a DNG file with Fast Load Data can load up to eight times faster.

Another benefit of converting to DNG files is that they are smaller files than other RAW formats and take up 20% less space on your hard drive.

To enable this Fast Load Data under your Lightroom Preferences tab go to -> File Handling and check off Embed Fast Load Data. Make sure you have DNG selected as the file extension.

Answers to Your Most Common Lightroom Questions

Should I use one or multiple catalogs?

Another of the common Lightroom questions is how many catalogs users should use, and often garners much debate.

Some photographers vehemently proclaim that you should only use one catalog, while others insist one catalog is an accident waiting to happen.

When you use one catalog, you risk it becoming corrupt from, for example, constant opening and closing the catalog. It’s actually a rare thing, but it has happened to me a couple of times.

The antidote to this is backing up every day and keeping only the last couple of backups so they don’t clog up your computer.

Catalogs can be a nice way to organize your images. You can, at the very least, have one for your personal photos and another for professional photos.

But you can also have one catalog by utilizing Collections. To me, the whole point of Lightroom is to keep you more organized, so this is a large part of the functionality of the program.

When you have several catalogs, you have to make sure each is properly backed up, which is tedious and adds to your workflow. Also, you cannot have more than one catalog open at a time.

So, in my opinion, it’s easier to back up and manage one master catalog and that you make the most use out of the Collections feature.

Where should I save my files?

The key to success with Lightroom is to keep things as streamlined as possible. It functions as a powerful photo database, but a few missteps can result in a mess.

One of the most common Lightroom questions is where should I save my files?

I recommend that you have a hierarchical folder structure where you have a top-level folder, and in that folder, you have a folder for the year, month, and shoot name – in that order. 

This folder structure will make it easy makes it easy to locate certain photos quickly.

It will also allow you to easily back up your photos or copy them to an external hard drive by copying the top-level folder

For example, if you want to back up your entire photo collection to another hard drive, it’s as simple as copying the top-level folder.

folder-stucture-common-lightroom-questions

Conclusion

Despite how user-friendly Lightroom is, it contains a fair amount of complexity. Knowing all the ins-and-outs will help you get the most out of the software program. Hopefully, this article has clarified some of your most common Lightroom questions.

 

 

The post Answers to Your Most Common Lightroom Questions appeared first on Digital Photography School. It was authored by Darina Kopcok.


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