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Archive for March, 2019

Video: 15 actually useful Photoshop shortcuts to help speed up your workflow

16 Mar

Photoshop Training Channel on YouTube has published a video detailing 15 useful, relatively unknown Photoshop keyboard shortcuts for power users. Unlike many similar videos, this channel’s video digs into actually useful shortcuts that many users are unlikely to know, including how to resize and rotate cloned content using keyboard keys, improving Puppet Warp tool control, and more.

The video is applicable to North American keyboards and includes both Windows and macOS shortcuts. Most tips build upon commonly known tools and shortcuts, offering ways for professionals to reduce the amount of time they spend clicking and sliding. Adobe maintains a large list of Photoshop shortcuts for Windows and Mac users here.

Articles: Digital Photography Review (dpreview.com)

 
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No, Flickr didn’t hand your photos over to corporations for machine learning

16 Mar
A screenshot of illustrated portraits shared on IBM’s Diversity in Faces dataset website.

Earlier this week, Flickr started taking heat across the web after it was specifically mentioned in a report from NBC News that took a deep dive into the ‘dirty little secret’ of using Creative Commons images to help train facial recognition algorithms.

The report mentioned multiple datasets used to help companies train machine learning algorithms to better comprehend diversity in facial recognition programs, but one dataset in particular was emphasized and elaborated on: IBM’s ‘Diversity in Faces’ set that was derived and iterated upon from more than 100 million Creative Common images gathered by Yahoo and released for research purposes back in 2014.

Almost immediately, users around the web started raining down critical comments. Others, such as Flickr’s own Don MacAskill, chimed in as well to help clarify the situation.

The issue isn’t that Flickr is handing over your photos for free to corporations looking to train their artificial intelligence algorithms. It’s that users are sharing their photos under various Creative Commons licenses without fully comprehending what those licenses entail

After the dust settled from the initial publishing of the report and the subsequent commentary across social media, one thing became clear: the issue isn’t that Flickr is handing over your photos for free to corporations looking to train their artificial intelligence algorithms. It’s that users are sharing their photos under various Creative Commons licenses without fully comprehending what all those licenses entail, a concern Flickr specifically referenced just recently in their announcement to save all Creative Commons photos on its servers.

After all, IBM didn’t sneakily pull private photos off of Flickr to use and Flickr didn’t just hand over millions of protected photos, despite the overtone NBC News’ article might give off. The photos IBM used to build up its database were the same photos any one of us can find when searching for public, Creative Commons photos on Flickr.

Don MacAskill, SmugMug Chief Executive and head of Flickr, shared his take on the situation in a conversation with Olivia Solon, the author of the NBC News article, explaining that no ‘scraping’ of Flickr images was done, as the photos were opt-in Creative Commons licensed photos. Below was MacAskill’s first response, but the entire thread is worth the read.

Ryan Merkley, CEO of Creative Commons, even chimed in on the conversation with an official response on Creative Common’s blog. In it, Merkley addresses the concerns of Flickr users and went so far as to contact IBM ‘to understand their use of the images, and to share the concerns of our community.’

In it, Merkley writes (emphasis ours):

While we do not have all the facts regarding the IBM dataset, we are aware that fair use allows all types of content to be used freely, and that all types of content are collected and used every day to train and develop AI. CC licenses were designed to address a specific constraint, which they do very well: unlocking restrictive copyright. But copyright is not a good tool to protect individual privacy, to address research ethics in AI development, or to regulate the use of surveillance tools employed online. Those issues rightly belong in the public policy space, and good solutions will consider both the law and the community norms of CC licenses and content shared online in general.

The overarching theme that stands out amongst this ongoing debate is that it’s not always clear to users, especially those who aren’t as engrained in the online world of photography, what Creative Commons licenses cover and fair use actually is. Flickr doesn’t shy away from explanations and links out at various stages throughout the upload process and in its FAQ, but even the Creative Commons website lacks clear definition — something it’s already addressing with new FAQ pages that it will continue to update.

“Copyright is not a good tool to protect individual privacy, to address research ethics in AI development, or to regulate the use of surveillance tools employed online.”

Ultimately, the current copyright system that’s intended to prevent other people profiting from creative works, wasn’t necessarily designed to protect your images from this type of use. Those images don’t end up in devices, nor is anyone directly profiting from your creations, so existing rules don’t necessarily offer any protection, whatever rights you assert. The cost of your camera or smartphone getting that bit smarter might just be that your photos are the ones being used to train it.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang has announced the AF 85mm F1.4 FE lens for full-frame Sony cameras

16 Mar

Samyang has announced the AF 85mm F1.4 FE, an autofocus prime lens designed for Sony full-frame mirrorless cameras.

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The 85mm F1.4 FE is Samyang’s sixth autofocus lens for Sony full-frame cameras since first unveiling a pair back in 2016. Powering the autofocus is Samyang’s Dual Linear Sonic Motor (DLSM) that uses ultrasonic vibrations to drive the focusing mechanism.

The lens is constructed of 11 elements in 8 groups, including one Extra Low Dispersion (ED) and four High Refractive (HR) elements, and features a nine-blade aperture diaphragm. Its aluminum body is weather sealed to protect against rain and dust and features a Samyang’s Ultra Multi Coating (UMC) on its optical elements.

The minimum focusing distance is 0.9m / 1.95ft and uses a 77mm filter thread. It measures in at 99.5mm / 3.9in long and weighs 568g / 1.25lbs. Below is a sample gallery of images provided by Samyang:

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Samyang claims the AF 85mm F1.4 FE will be available Spring 2019. Pricing information is not yet available.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Arches

16 Mar

The post Weekly Photography Challenge – Arches appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is ARCHES!

Ryan Johnston

Your photos can include anything includes anything that has arches. It can be architecture, human, objects, nature, motion-blurred, cropped, minimalist, color-based or anything really! They can be color, black and white, moody or bright. You get the picture! Have fun, and I look forward to seeing what you come up with!

Holger Link

 

Some Inst-piration from some Instagrammers:

 

View this post on Instagram

 

A post shared by Evan Demas (@evandemas_art) on

 

View this post on Instagram

 

A post shared by Quima Montlló Sol (@laquima) on

 

View this post on Instagram

 

A post shared by Mohammad Ramezani (@mdri_dante) on

 

View this post on Instagram

 

A post shared by Vadim Sherbakov (@madebyvadim) on

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting ARCHES

How to Tell Stories with Architecture Photography

6 Ways to Do Architecture Photography That Stands Out

4 Beginner Tips for Doing Architecture Photography

The dPS Top Landscape Photography Tips of 2018

7 Landscape Photography Tips You’ll Wish You Knew Earlier

 

Weekly Photography Challenge – ARCHES

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSarches to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Arches appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon EOS RP, Nikon Z6 and Olympus E-M1X added to buying guides

15 Mar

We’ve just added a trio of recently released cameras to our buying guides.

The Nikon Z6, for which we’ve completed our full review, can be found in the ‘Best Cameras Under $ 2000’ and ‘Best Cameras for Video’ guides.

The Olympus E-M1X, whose full review is in progress, sits in the ‘Best Cameras Over $ 2000’ and ‘Best Cameras for Sports & Action’.

Finally, you’ll find the Canon EOS RP write-up in the ‘Best Cameras Under $ 1500’ guide. Our review of the RP is being written as we speak, so keep an eye out for that.

Best Cameras Under $ 1500 (EOS RP)

Best Cameras Under $ 2000 (Z6)

Best Cameras Over $ 2000 (E-M1X)

Best Cameras for Video (Z6)

Best Cameras for Sports & Action (E-M1X)


View all buying guides

Articles: Digital Photography Review (dpreview.com)

 
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Lightroom Shortcuts Every Photographer Needs to Know [video]

15 Mar

The post Lightroom Shortcuts Every Photographer Needs to Know appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this awesome video by Lucy Martin, you’ll learn Lightroom shortcuts every photographer needs to know to make their editing workflow faster and more efficient.

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The Lightroom shortcuts every photographer needs to know

Help make your editing process be more efficient and fast-paced so you can deliver your photos much quicker by knowing these shortcuts:

G – Grid view
E –  Loupeview
L –  Lights Out – (isolates your image against a black background for previewing)
P –  Pick (Flag)
x –  Reject
Caps Lock –  auto next
Cmd+Delete –  delete rejected
D –  Go to Develop
\ –  Before/After
Y –  Before/After Side by Side Comparison
V –  Black and White
R –  Resize and Rotate
Q –  Spot Removal Tool
H –  Hide adjustment Pins
Cmd+Z –  Undo last action
Cmd+C –  Copy Settings
Cmd+P –  Paste Settings
Cmd+/ –  Show all shortcuts

You may also find the following helpful:

Lightroom CC and Photoshop CC Keyboard Shortcut Cheat Sheets

How to Use Lightroom Star Ratings to Improve Your Editing Workflow

How to Customize Your Lightroom Workspace for Better Workflow

10 Tips to Make Lightroom Classic CC Run Faster

5 Adobe Lightroom Plugins That Will Make Your Life Easier

How to Find Your Photos in the Lightroom Catalog Using Filters

 

The post Lightroom Shortcuts Every Photographer Needs to Know appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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SLR Magic brings six MicroPrime lenses to Fujifilm X mount, adds a 12mm as well

15 Mar

Cinema lens manufacturer SLR Magic has announced it will offer all of its existing MicroPrime range in the Fujifilm X mount. Designed for full frame sensors, the lenses will attract a 1.5x angle of view shift when fitted on the APS-C Fujifilm X cameras, but the addition of a new 12mm T2.8 aims to provide a good wide angle so Fujifilm users don’t miss out.

While the other six lenses in the MicroPrime range have been available for some time in the Sony E mount, the 12mm is a completely new lens and is designed only for APS-C sensors. All the lenses in the range have the same external design and mostly weigh the same, so switching from one to another is relatively easy when a rig is in use. They have an 82mm filter thread and use the same 0.8 MOD gears.

The inclusion of the Fujifilm X mount is almost certainly a result of the recent attempts by Fujifilm to attract videographers with the advanced movie features of its X-H1 and X-T3 cameras.

The lens line up will consist of:

  • 12mm T2.8
  • 15mm T3.5
  • 18mm T2.8
  • 25mm T1.5
  • 35mm T1.3
  • 50mm T1.2
  • 75mm T1.5

The six previously-existing models will cost $ 599, while the 12mm will cost $ 499. For more information visit the SLR Magic website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T30, Sony a6400 added to ‘Best Cameras under $1000’ buying guide

15 Mar

We’ve added the Fujifilm X-T30 and Sony a6400 to our ‘Best Cameras under $ 1000’ buying guide. Both of these cameras offer a lot of bang for your buck, with impressive stills and video capabilities for $ 900 body only.

While we’re yet to publish our full reviews of these cameras, we’ve added our initial impressions on both cameras in this updated guide. Look for our final reviews of both cameras in the near future.

Best Cameras under $ 1000 buying guide

Articles: Digital Photography Review (dpreview.com)

 
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Lensbaby announces the Edge 35mm optic, a wide angle tilt lens for its Optic Swap system

15 Mar

Lensbaby has released Edge 35mm Optic, a new wide angle tilt lens for its Optic Swap system.

The lens, which works in conjunction with the Lensbaby composer Pro or Composer Pro II, can be mounted to Canon EF, Nikon F, Sony E, Fuji X and Micro Four-Third systems. It is the third selective focus lens in Lensbaby’s Optic Swap lineup, rounding out the existing 50mm and 80mm options.

The lens features an aperture range of F3.5-F22 and a minimum focusing distance of 18cm / 7in. It has an eight blade aperture diaphragm and can tilt 15 degrees. Lensbaby doesn’t have specific dimensions or weight available at this time.

‘The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography,’ says Lensbaby in the press release. ‘Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.’

Below is a sample gallery of photos provided by LensBaby:

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The Edge 35mm Optic is available for pre-order alone for $ 249.95 or as a kit with the Composer Pro II for $ 449.95. The first lenses and kits will start shipping in early April.

Lensbaby Launches a New, Wide Angle Tilt Lens for their One-of-A-Kind Optic Swap System

Portland, OR — Lensbaby – makers of award-winning lenses, optics and accessories announces today the availability of its new wide angle tilt lens. The Composer Pro II with Edge 35mm Optic is available for use on Canon EF, Nikon F, Sony E, Fuji X, and Micro 4/3 interchangeable lens cameras. The Edge 35mm Optic is also available separately for anyone who already owns a Lensbaby Composer Pro or Composer Pro II lens body. Fans of this style of selective focus photography have been requesting a wider option beyond the company’s existing 50mm and 80mm lenses.

The Composer Pro II with Edge 35 Optic is a 35mm f/3.5 tilting lens designed for those looking for a wider focal length to create unique in-camera shots with a slice of tack-sharp focus and detail. By tilting this lens, users can place a slice of sharp focus through objects in both the foreground and background of an image at the same time, bordered by smooth blur. This in-camera effect helps artists tell their story in an uncommon way.

“Over the past 15 years, we’ve made optical tools to help you discover unique ways of seeing your world. A 35mm tilt lens, despite being our most requested new product offering since we introduced the Edge 80 in 2012, has been elusive and the results of our efforts have paid off in a lens that is far better than we thought possible when starting our design process. It was worth the wait.” said Craig Strong, Lensbaby Chief Creative Officer and Co-Founder.

The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.

“The Edge 35 has changed my traveling & portrait sessions for the better. I’m able to get into tight spaces and buildings and still be able to show the whole aspect of the story I’m trying to create,” said renowned portrait, travel and lifestyle photographer Stephanie DeFranco. “I find the wider slice of focus makes it easier to find the area I want to draw the viewer’s eye toward. With its 35mm focal length, this optic lets me create the same dreamy feel as the Edge 50 and Edge 80, but because of the wider slice of focus, also allows me to include more of a scene in the story.”

The Composer series of lenses are lenses that tilt to move a spot or slice of focus anywhere in the frame. They feature Lensbaby’s Optic Swap System. Users can simply purchase one lens, made up of a lens body with an included optic, for their camera system, then, swap out the optic that it came with for a new optic to completely change the effect and focal length of their Lensbaby lens.

The Composer Pro II with Edge 35 Optic will be available in April for $ 449.95, and by itself as an Optic for those who already own a Composer series lens, for $ 249.95.

Composer Pro II with Edge 35 Optic Product Specifications

  • 35mm focal length
  • f/3.5 – f/22
  • Focuses from 7” from the front element to infinity
  • Compatible with Full Frame; APS-C; and 4/3rds Sensors
  • Manual Focus
  • Internal 8-blade aperture
  • Up to 15 degrees of tilt
  • Dimensions: to come
  • Weight: to come
  • Mounts: Nikon F, Canon EF, Sony E, Fuji X, Micro 4/3

Articles: Digital Photography Review (dpreview.com)

 
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CFexpress 2.0 cards will be offered in three sizes with different maximum speeds

15 Mar

In February, the CompactFlash Association announced the CFexpress 2.0 specification, a follow-up to the CFexpress 1.0 specification first revealed in late 2016. The new 2.0 spec update brings two more form factors to CFexpress, both targeting industrial and professional imaging markets, according to the association. The two new form factors join the original, ushering in Type A, Type B and Type C cards.

CFexpress 2.0 Type A cards are the smallest of the three form factors at 20mm x 28mm x 2.8mm, which is a bit smaller than a standard SD card. The Type A cards feature a Gen3 PCIe interface with 1 lane and a maximum theoretical performance of 1000MB/s.

The Type B card has the same dimensions as XQD cards at 38.5mm x 29.8mm x 3.8mm; this variety has a Gen3, 2 lanes interface and max theoretical performance of 2000MB/s. Finally, the Type C form factor is largest at 54mm x 74mm x 4.8mm with a Gen3, 4 lanes interface and max theoretical performance of 4000MB/s.

The different form factors offer manufacturers flexibility in choosing which card type their devices will utilize, such as the small card with a priority on compact size instead of transfer speeds, or the largest card with a focus on speed at the expense of compactness. Japanese publication DC.Watch shared images of these different card form factors earlier this month.

According to the CF Association, the CFexpress 2.0 specification is designed for a variety of needs, including imaging, which specifically includes DSLRs, mirrorless cameras, drone cameras and video cameras.

Articles: Digital Photography Review (dpreview.com)

 
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