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Archive for August, 2017

Downloadable Deco: Art Archive Puts 200 Graphic Design Classics Online

09 Aug

[ By WebUrbanist in Technology & Vintage & Retro. ]

Some great institutions are becoming even greater in the digital age — places like museums continue to scan high-quality paintings and photographs for distribution and agencies like NASA put vintage pictures and video footage online for everyone to access.

Joining the cool kids’ club, the Minneapolis College of Art and Design (MCAD) has taken its Art of the Poster collection from the Golden Age of graphic design (late 1800s through the early 1900s) and put it up on the web for anyone to share.

“Featuring over 200 printed works, Art of the Poster 1880-1918 presents a look at lithography’s rise in popularity during La Belle Époque,” reports MyModernMet. “It was during this time that artists like Alphonse Mucha, Jules Chéret, and Henri de Toulouse-Lautrec popularized the art form, which gained public prominence thanks to new methods of production.”

In the late nineteenth century, lithographers began to use mass-produced zinc plates rather than stones in their printing process. This innovation allowed them to prepare multiple plates, each with a different color ink, and to print these with close registration on the same sheet of paper. Posters in a range of colors and variety of sizes could now be produced quickly, at modest cost.

At the time, many of these masterpieces were essentially commercial in nature, designed to promote products, stores and restaurants. Today, they have made their way into the archives of art history, helping to bridge the gap between popular culture and the closed-door art world of museum exhibits.

 

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[ By WebUrbanist in Technology & Vintage & Retro. ]

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How to Easily Add a New Element to Your Image Using Photoshop

09 Aug

This is an article for beginners in Photoshop. You will learn how to simply add an element to your photo and transform a daylight image into a nighttime one.

Open your selected images in Photoshop

First thing you want to do is select a photo of a mountain (in raw format). For that, open Photoshop then go to File > Open, it will open a window where you can select the photo that you want. Here we select raw file of the mountain:

Add element using photoshop 01

Raw adjustments first

Because we opened a raw file it is going to pop up in Adobe Camera Raw and we are going to retouch it to make it look like night first. Let’s set the White Balance towards the blue, so move the Temp slider to 4150. Then you want your Exposure to be very low so it looks dark, try -1,90, lower your Highlights to -84, add some Contrast to +39, boost the Blacks to +28, and lower the Whites to -46. Basically bring down the bright parts and boost the darker parts to give the image a night mood.

Add element moon photoshop 02

Now click on the sentence under your photo: ProPhoto.. and select Open in Photoshop as a Smart Object.

Add element photoshop 03

Open the element you want to add

Once you have done that you can come back and open an image or element to add to the first image. We are going to select a moon that we want to add to this mountain. Go to File > Open and select one photo of a moon in jpg.

Add moon photoshop 04

Arrange your workspace

You should have the photo of the moon and the mountain in tabs on the top of your Photoshop interface. If you don’t see that, you can go to Window > Arrange > Consolidate all tabs:

Add moon photoshop 05

For this tutorial we need a workspace with two windows on the right, one is to show Layers and one is for Properties. For that you need to select “3D” from the pull-down menu for Workspace in the upper right corner.

Add moon photoshop 06

Move the moon or element onto the mountain image

Go to your moon photo and grab the Move tool, it is the first icon on your left side (tools palette), the keyboard shortcut is V.

Add moon photoshop 07

Using the Move tool you need to click on the moon, hold your mouse button, drag it over to the tab of the mountain and let go of the mouse to drop it.

Add moon photoshop 08

Blending the images together

You can see that we have black around the moon still, so we are going to blend that out. In the layer window there are different options for Blending Modes, For this one we are going to use Screen. Pull it down and select Screen from the options.

Add moon photoshop 09

That took most of the black out.

Resize and place the element

To make the moon even bigger, go to Edit > Free Transform.

Add moon photoshop 10

Using the shift key to maintain its proportions, you can extend the moon by grabbing the corner and pulling it down.

Add moon photoshop 11

You can also move the moon or your element around, and see where you want to put it. It looks pretty cool already but now we are going to get into masking. For this you will need to click on the Eye icon next to the moon layer number (to turn it off) and click on the layer of the mountain to select it.

Add moon photoshop 12

You should see this now.

Select the Quick Select Tool (W on your keyboard) and drag your mouse over the sky to select it.

Add moon photoshop 13

Turn the moon layer back on and click on the little square icon at the bottom to create a layer mask (shown in red below).

Add moon photoshop 14

This is going to create a mask and because we have an active selection, a part of the moon is now hidden.

Add moon photoshop 15

If you want to reposition the moon you just have to select the moon layer and click on the little chain on the side to unlink the image of the moon from the mask.

Side note: if you make a mistake you can select Cmd/Ctrl+Z to go back or undo the last step.

PHOTO 16

Fine adjustments

You can see that there is a difference of color around the moon because of the layer, so to fix grab the Brush tool. (hit B for brush on the keyboard) or the select the Brush on the tool palette).

PHOTO 17

Make sure that the opacity is at 100% and that black is your foreground color. Right-click and set the hardness to zero. This makes your brush very soft and you can brush over the white to remove it.

Side note: Click on the Control and Alt keys to make your brush or any tool in Photoshop smaller or bigger.

Add moon photoshop 18

Add moon photoshop 20

Here you can see where I painted on the mask.

Finished!

Add moon photoshop 19

There you go! You have added a moon to your landscape!

I hope you liked this article and you feel more comfortable using Photoshop so you can add the moon or another element into your landscapes and create this cool effect.


If you enjoyed this tutorial and want to learn more about how to use Photoshop, check out Serge’s course Photoshop for Photographers 2017. Use the special promotional code – DPS65 – to get 65% off as a dPS reader!

The post How to Easily Add a New Element to Your Image Using Photoshop by Serge Ramelli appeared first on Digital Photography School.


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Video: How to pose male models (and friends) for better photos

09 Aug

There are tons of posing tutorials out there for portrait photographers, but almost all of them are directed at how to pose women. So if you’ve been looking for a few solid tips on how to pose male models—or male friends helping you out with a photo shoot—check out this video by Daniel and Rachel of Mango Street.

The duo released a popular posing tutorial a few months back, but that one used a female non-model and, ever since, their audience has been asking for a similar tutorial for posing men.

As with all of Mango Street’s videos, this one is short, to-the-point and useful, particularly if you’re a beginner or work with male friends for your photography and not professional models. The three tips below will definitely help add some drama to bland portrait poses.

  1. Define the Jawline: Use a harsher light source and/or ask your subject to tilt their head so that their jawline is nice and sharp.
  2. Do Something with those Hands: Give your subject something to do with his hands—whether he’s scratching the back of his neck or stroking a killer hipster beard, it’ll keep things looking more natural and less awkward.
  3. Pay Attention to Posture: Have your subject aim for either a relaxed posture, or create sharp angles with his limbs and (if possible) a harsher light source.

Check out the video to see all three tips demonstrated. And if you found this short video useful, you’ll probably like the rest of what Mango Street has to offer on YouTube.

Articles: Digital Photography Review (dpreview.com)

 
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7 Questions That Will Help You Decide Which Camera To Buy

09 Aug

People often ask me for advice on which camera to buy. Most often they expect me to say, “Buy a Nikon” because that’s what I use. But that is not what I tell them.

If you were to ask me which camera you should buy I would first ask you a series of questions. From the answers, you give me I would guide you towards either a compact camera, mirrorless, or DSLR. So if you aren’t sure which camera to get, ask yourself these seven questions before you go shopping.

1. Why do you want a camera?

Doesn’t your phone take good enough photos? I’m not joking, this is a serious question.

Phone - 7 Questions That Will Help You Decide Which Camera To Buy

I know if you are asking questions about buying a new camera you’ve already given some thought to the decision and are reasonably serious about it. I’m looking for an answer telling me how your phone is failing you in your endeavors to make photos. I want to know what you are hoping a camera will do that your phone cannot. Your answer will help me guide you towarwd the type of camera that will best suit you and your needs.

2. How and when will you use your camera?

The answer to this question will help determine what size camera to buy. Recently I’ve had two friends who are embarking on a once in a lifetime traveling experience ask me about what camera to buy. Both were thinking of buying DSLRs, expecting that those big cameras would give them the best results. But, I encouraged them each not to buy a DSLR because they are big and heavy!

It’s often said that the best camera is the one you have with you. If your camera is reasonably small you are more likely to want to carry it everywhere with you while traveling. Read more on this subject here: Must Have Gear for Travel Photography Newbies.

Compact travel camera - 7 Questions That Will Help You Decide Which Camera To Buy

If you want to mainly use a camera to photograph products for your online store or to take pics of your garden I would be more likely to suggest you look at DSLRs (depending on the answers you give to some of the following questions).

The size and weight of a camera must be seriously considered because it’s no good buying a camera you find too big and heavy to carry with you. You will not use it often and will be disappointed with your purchase.

3. What will you use the photos for?

Enthusiast - 7 Questions That Will Help You Decide Which Camera To Buy

Your answer to this question will ascertain the level of image quality you will need. These days most people want photos to share on social media. If this is you, then you will not need a camera with the maximum megapixels available! Most compact cameras these days will produce images of high enough pixel quality for social media posting.

Producing prints, photo books or photos to sell online will require a camera with a larger sensor. For people who enjoy time in front of their computers post-processing photos, more megapixels and a larger sensors in DSLR and mirrorless models will be an advantage. Which leads me to the next question.

4. Do you take time to post-process your photos?

Full frame dslr - 7 Questions That Will Help You Decide Which Camera To Buy

If you enjoy taking the time to do some post-processing on your photos and want to maintain high technical results, this starts to narrow down your camera options. Generally, cameras with larger sensors will produce photos that hold up to more post-processing. For example, a full frame sensor (36mm X 24mm) containing 24 megapixels will allow more post-processing before the image starts to deteriorate than a smaller 24 megapixel micro four thirds sensor (17.3mm X 13mm.)

You want to have confidence that your image quality will remain intact as you apply some color balancing and filters or more advanced post-processing techniques.

5. How big are your hands?

Small hands - 7 Questions That Will Help You Decide Which Camera To Buy

Seriously! If you have small hands you will find it difficult to use a large camera. If you have big hands, you will find it more difficult to use a small camera. You will need to consider the layout of the buttons and dials on a camera so you are comfortable using it.

Some camera manufactures manage to design small cameras which have well configured layouts and are easy to use, others do not seem to do such a good job. Before you buy, go hold the cameras you have short listed in your hands and see how they feel.

Small hands - 7 Questions That Will Help You Decide Which Camera To Buy

6. What’s your budget?

This is an obvious consideration for most people, but you are best to consider it along with these other questions, not separately. Sometimes budget limits your choice considerably. Sometimes the answers to other questions will lead you to purchase a camera and spend less than you may have thought initially. I think both my friends who asked for travel camera advice found this to be the case.

You may find a high-end compact camera with a one-inch sensor will give you more pleasure and provide high enough quality photos than a DSLR … because it’s small and you will take it with you everywhere.

Compact happy - 7 Questions That Will Help You Decide Which Camera To Buy

7. Do you have a preferred brand?

I do have a preferred brand of camera. But I will never push people to buy the brand I use just because I like it. If you are already familiar with a camera brand and are happy with it, that is a good reason to stick with it.

Dslr - 7 Questions That Will Help You Decide Which Camera To Buy

Camera manufacturers often configure their cameras to feel and function the same with each upgrade they produce. I like it when I purchase a new camera that has the same feel in my hand as the one from which I’m upgrading. It makes it quicker and easier to start using the camera intuitively.

If you do not have a preferred brand I encourage you to stick with one of the major brands that fit within your budget.

Conclusion

Doing some careful research will help you make a decision to be able to buy a camera you’ll be satisfied with, one that will hopefully last you a long time. Using your new camera frequently and enrolling in a course or taking a few workshops will help you up-skill more quickly and gain more enjoyment from your purchase.

What other questions might you ask yourself before making a decision on which camera to buy? Do you have any other tips or advice for photography newbies just starting out? Please share in the comments section below.

The post 7 Questions That Will Help You Decide Which Camera To Buy by Kevin Landwer-Johan appeared first on Digital Photography School.


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PETA is close to settling that ridiculous monkey selfie lawsuit

09 Aug
Photo: David Slater

PETA may be close to settling its lawsuit involving ‘Naruto’ the macaque monkey and a selfie it allegedly took using photographer David Slater’s camera. Per PETA’s 2015 legal claim, Naruto (the monkey) owns the copyright to the image, not Slater, because the animal took the selfie on its own—that lawsuit, which has dragged on for the better part of two years, has left Slater broke.

Slater’s troubles began shortly after the photo went viral, as multiple entities refused to remove the image from their publications on claims that Slater wasn’t the copyright owner. That boiled over into an official guidance issued by the U.S. Copyright Office, which stated that, under U.S. law, a copyright can only be issued on work created by a human. This effectively left the image without a copyright.

Joining the bandwagon soon after that guidance was issued was PETA, with its 2015 legal claim on behalf of the monkey. PETA argues that the monkey itself owns the copyright because it took the image; all the while, Slater continued to assert his own copyright claim over the image. The matter ultimately ended up in court.

Last month during oral arguments, PETA’s attorney was grilled by judges on several topics, including whether the company has a suitable relationship with ‘Naruto’ the monkey to bring a lawsuit on its behalf, as well as whether a non-human animal has the legal standing to bring a copyright lawsuit. This itself followed a case dismissal by a federal court in California, which found that a monkey isn’t legally able to hold the image’s copyright under the U.S. Copyright Act.

All signs point toward the courts siding against PETA in this lawsuit, and so it perhaps isn’t surprising that PETA is moving toward a settlement of the case. The most recent developments in the legal matter is that PETA and Slater have entered into settlement talks following the aforementioned oral arguments. Per a joint motion filed with the U.S. Court of Appeals for the Ninth Circuit:

The parties have agreed on a general framework for a settlement subject to the negotiation and resolution of specific terms. The parties are optimistic that they will be able to reach an agreement that will resolve all claims in this matter.

The terms of this potential settlement weren’t detailed.

Articles: Digital Photography Review (dpreview.com)

 
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Pentagon gives military bases approval to shoot down wayward camera drones

08 Aug

Federal UAV regulations prohibit drone operators from flying drones near or over airports or military bases, but that hasn’t stopped some individuals from doing it anyway. But if you’ve been bold (read: stupid) enough to break those rules, be warned: military bases are now authorized to shoot down or seize your drone.

The directive comes straight from the Pentagon, who gave military bases the authority to shoot down any drones, whether commercial or private, that fly into their airspace and are believed to be a threat starting last month.

Confirmation of the new policy was announced yesterday by Navy Capt. Jeff Davis, according to Military Times. “The new guidance does afford of the ability to take action to stop these [drone] threats,” said Davis, “and that includes disabling, destroying and tracking.” As part of the authorization, a military base could seize a drone.

Overall, the new policy covers 135 military installations, though there are some questions remaining about whether drones will be deemed threats if operated on lands used by both the military and private citizens. One example is the land around Minot Air Force Base, which is leased to both private and commercial farmers; under the land are silos containing ballistic missiles, making it unclear whether those farmers are free to survey their crops and livestock using drones.

The FAA had a role in the formation of this new policy, which leaves some room for military bases to make determinations about how to handle any given drone that operates in its space. However, the criteria that a military base might use to determine whether or not it will seize, disable and/or destroy a wayward drone wasn’t revealed.

Articles: Digital Photography Review (dpreview.com)

 
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What Type of Photographer Are You?

08 Aug

In the world of photography, everyone seems to fall into certain categories or somewhere in between. There is nothing wrong with either but most photographers seem to be one of these; technical photographers or creative. Technical photographers are more about getting it in-camera, while creative photographers are more focused on composition and post-processing. However, there are others as well, and while you may not think you are one of these, you might fall into one of the others. So what type of photographer are you?

What Type of Photographer Are You?

Photographers all over the place at a popular tourist place in Australia. They are all different and take photos for different reason. There are a lot of different types of photographers.

Technical photographers

A technical photographer is one that likes to know exactly what their camera does and how it works. They understand how white balance will affect their images and what kelvin means in regards to the color scale. Generally, these photographers will know what the sweet spot is for their lens (meaning which aperture will give the best and sharpest images).

Getting the best possible image from the camera is how these photographers like to work. You will hear them talking about how they like to get the image right in-camera, meaning that they don’t want to do any post-processing, or rather they don’t want to do too much. This doesn’t mean that they aren’t also creative, but the technical aspects are more important.

What Type of Photographer Are You?

A technical photographer might just do some basic processing to an image like this and leave it as it is.

Creative photographers

This type of photographer is less concerned about how the camera works and more interested in the composition and what they can do with the camera. You will often find they don’t understand a lot about their camera, other than the basics.

The more creative ones won’t have any issues with post-processing and doing what they can to achieve the results they want. Editing images is part of their creative workflow.

What Type of Photographer Are You?

A creative photographer might try to do a lot of different things to an image and see if they can change it, make it their own.

Other types of photographers

While most of us will fall into one of the above, there are a lot of other categories that many of us will fit into as well. The technical versus creative side is more about what type of photographer you are, but the following says more about why you take photos. Some will fit into more fun type categories, while there are others that are a lot more serious about their craft. You may also find that you fit in more than one of these.

The Fun Photographer

There are a lot these sorts of photographers out there, they often just use phones and are not interested in any technical aspects at all. They are more interested in just taking photos for fun. They will usually only use the cameras that are in their phones.

This category of photographer will take a lot of selfie images. You see them in many places with their backs to the sights as they photograph themselves in front of them. The don’t take photography seriously and for many, the images will go to social media and possibly nowhere else.

In some ways, many of us fit into this category. We are all guilty of taking selfies and taking photos just for fun. There’s nothing wrong with this.

What Type of Photographer Are You?

People at popular tourist place taking photos of themselves with their phone. They are having fun taking photos.

The Social Photographer

For some people, joy comes from going out with others to do activities or hobbies. There are a lot of people who are like this, and we call them social photographers. They have cameras, but the only time they use them is when they go out during photography excursions with others who are like them, or groups of people.

They may not have the most expensive gear, but it is good enough to take images and share the experience with other photographers.

What Type of Photographer Are You?

A group of photographers out together enjoying the social aspect of photography.

The Holiday Photographer

It is hard to believe, but there are people who only take photos when they go on holidays. I have a friend who is one of these. She has learned how to use a DSLR, but she only uses it when she is travelling. She has no interest in taking photos other than to record her trips.

There are other people who are the same. Holidays can be expensive and remembering them is important. So, for these photographers it is vital to know how to take photos so they can capture those places to help them relive their holidays.

What Type of Photographer Are You?

A man holidaying in Melbourne taking photos of the Block Arcade.

The Hobby/Amateur Photographer

There are many photographers that fall into this category, the hobby or amateur photographer. They are usually people who like taking photos for leisure. They don’t do it to earn money, but as something they can do in their spare time.

Going out on the weekends or days off when work and family life allows. They often have gear that is fairly basic as they can’t afford to spend that much money on their hobby. There is no reason to believe the images they create are not good, in fact most of these photographers still take what they do seriously and will learn what they can to take good photos.

What Type of Photographer Are You?

A hobby/amateur photographer taking photos around an old building.

The Serious Amateur Photographer

In this category, you will find the next level of hobby photographers. They do it for their own interest but they are far more serious about it. They spend as much time as they can out taking photos. Often, they will learn everything they can about their cameras and photography in general.

They can be really rigid in their thinking and you might find a lot of them don’t believe in post-processing. In some ways, they can be very technical photographers and because of this they often have the best gear they can afford. Many will have professional level photography equipment.

They can be like professionals, but in many ways they still do it for fun.

What Type of Photographer Are You?

Serious amateur photographer getting ready to take a photo.

The Professional Photographer

They say a professional photographer is anyone who makes money from photography. The reality is a lot do, you could say that someone who sells a photo has made money, so that put them into this category. Perhaps, it should mean making a living by doing photography. Whether that is a lot or not is up to the individual.

The professional doesn’t listen to what is right or wrong in photography and will do what they must to get the image for their client. They can be technical, or creative depending on the work they do. Most know how to use photo manipulation software. They tend to do their own thing.

What Type of Photographer Are You?

A professional photographer with expensive gear, taking photos.

Which one are you?

You might fit into one or more of these categories of photographers. There are no hard rules about it. It is important to remember that most of these are just generalizations and there will always be differences.

So which type of photographer are you? Which do you most relate to? Fill in the poll below and tell us!

Note: There is a poll embedded within this post, please visit the site to participate in this post’s poll.

The post What Type of Photographer Are You? by Leanne Cole appeared first on Digital Photography School.


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Apple joins Instagram to share top notch #ShotoniPhone photos

08 Aug

Apple has officially joined Instagram. The tech giant has always been conspicuously silent on social media, but as the iPhone becomes an increasingly powerful and popular tool for capturing high-quality photos and videos, Apple finally caved and joined Instagram to share some of its favorite #ShotoniPhone creations.

The news broke yesterday on Mashable, where the @Apple account debuted alongside a few promises: namely, that you will never seen “photo galleries, commercials or other company marketing,” on the Instagram account. No, @Apple is all about featuring “curated and credit” photos shot by iPhone users around the world.

Or, put in more inspirational terms by Apple itself:

A post shared by apple (@apple) on

So far, the account includes several videos featuring different photographers talking over a slideshow of their work, explaining why they capture the kinds of photos they do.

If you want to be considered for a feature, all you have to do is tag your photos with #ShotoniPhone and wait for a call. According to Mashable, Apple says they will “never use anyone’s photos without permission,” so that tag doesn’t sign away any photo rights or anything… it just puts you on Apple’s radar.

Check out the @Apple account for yourself here, and let us know what you think in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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4 Key Elements to Help You Create Stronger Landscape Photography

08 Aug

If you’re like me and love great landscape photography, then you’ve probably wondered how the same photographers seem to be able to pull off beautiful shots of sweeping mountain vistas or incredible black and white images of rolling hills and valleys. It’s as if they have some secret formula for “getting lucky” time and time again. Have you ever thought about what goes into making a strong landscape photograph? The techniques, the composition, the timing, the tools?

4 Key Elements to Help You Create Stronger Landscape Photography

The fact is, there is no secret formula for making better photos of landscapes. There’s almost always much more that goes into the task than simply snapping a picture of a pretty place. Most great landscape photos are made in beautiful places but that doesn’t mean that every picture of beautiful scenery is a great landscape. While there are no concrete “rules” for doing solid landscape photography there are a few ways to strengthen your landscape work and make those “awesome shots” happen more frequently.

#1 – Construct Interesting Elements

I once had a professor of photography tell me that any photograph could be judged by how much information it contained. It’s easy to say that a successful landscape photo shows the beauty and majesty of a place, but the truth is there is so much more. When setting up for your photo, pay attention to everything that falls within the frame. Look for interesting foreground elements such as trees or rocks, water, even people or animals.

4 Key Elements to Help You Create Stronger Landscape Photography

Look for ways to add more information to the photograph. Generally, the more you fill the frame with interesting elements the more interesting and appealing the overall photograph will be. But there is also a flip side to this concept as sometimes less is more. There are times when you must know what to NOT include in order to give a better feel to the photo. Look at this photo from a blustery winter morning.

4 Key Elements to Help You Create Stronger Landscape Photography

The feelings of solitude and isolation are brought about by the use of empty space. More on composing your landscape photos a little later.

#2 – Lighting

Yes, yes…I’m sure you’ve heard the phrase “chasing the light” when it comes to making good photos. This is especially true when it comes to landscape photography. There’s a reason why photographers love to shoot in the early morning hours (ugh) or in the waning light of the afternoon or late evening.

4 Key Elements to Help You Create Stronger Landscape Photography

It comes down to the quality of light which again, adds more interest to a landscape. When you have beautiful light, the entire landscape is transformed into something different. It becomes less ordinary and more extraordinary.

4 Key Elements to Help You Create Stronger Landscape Photography

As much as it pains me, getting up early and staying out late is virtually a necessity for landscape photographers. The reason being is that some of the most gorgeous golden light comes in the late afternoon as the sun gives way to night. Just as true, the early morning “Blue Hour” as the first glimpses light begin to appear, is another prime time for shooting landscapes.

Even locations that seem somewhat lackluster at midday can take on an entirely new feel in the late or early hours of the day. So be sure to try out different spots at daybreak and sundown. There’s a good reason why we landscape junkies really do chase the light.

#3 – Composition

The very word “composition” describes the nature of how something’s parts are constructed or arranged together. Having all the best ingredients doesn’t help you much if you don’t know how to put them all together into an awesome cake, a beautiful symphony, or in your case…a strong landscape photograph. The way you compose the elements in your landscapes can often make or break the photograph. Again, there are no actual rules to composing your photo but there are some tried and true practices.

4 Key Elements to Help You Create Stronger Landscape Photography

Adjust the horizon so that it isn’t exactly in the middle of the frame and place foreground or background elements off-center to add interest and make stronger images.

4 Key Elements to Help You Create Stronger Landscape Photography

It helps to use imaginary lines such as the Rule of Thirds (again, not exactly a rule) to help compose your image.

4 Key Elements to Help You Create Stronger Landscape Photography

Just as importantly, always remember to shoot your landscapes in accordance with how they “feel”. Composition in landscape photography is about conveying a feeling, not just how the scene looks. Shoot different compositions of the same location until you find one that works best for that particular landscape.

#4 – Gear and Technical Considerations

While a successful landscape photo doesn’t rely on having the latest or greatest gear, there are a few gear and technical aspects that make for better photos. Here are a few tips.

Use a wider lens

Even though many solid landscape photos can be shot at long focal lengths using zoom lenses, generally short focal length (wider angle) lenses work best. Wide angle lenses allow you to include more into the frame of your photo.

4 Key Elements to Help You Create Stronger Landscape Photography

Use smaller apertures

Continuing on from lenses, using a smaller aperture increases the depth of field and brings more elements into focus. Remember, the larger the F-Number the smaller the physical aperture of the lens becomes.

….and wait for it…..

Use a tripod

If you’ve read any of my other articles, you’ll know that when it comes to landscape photography I believe a sturdy tripod is worth its weight in gold. Reducing motion as much as possible is key for obtaining sharper landscape photographs. Using a tripod helps to eliminate as much camera shake as possible. This becomes important because generally the smaller apertures used in landscape photography call for longer shutter speeds which make hand holding the camera less desirable.

Final Thoughts

A successful landscape photo is a careful construction of multiple ingredients. Knowing what to include (or exclude from your photo) and understanding when the best light happens, go a long way to making a better image.

4 Key Elements to Help You Create Stronger Landscape Photography

Just as importantly, knowledge of how to compose the elements in the frame and what techniques or gear will be needed are both essential to “getting lucky” time and time again. Producing stronger landscapes takes patience and a little planning but it is well worth the effort.

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Voigtländer 65mm F2 Macro APO-Lanthar: sample gallery and user impressions

08 Aug

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Cosina says its new Voigtländer Macro APO-Lanthar 65mm F2 is one of the ‘finest’ lenses the brand has ever made. I haven’t used every Cosina/Voigtländer but can say for certain that from my brief user experience, this is one fine piece of glass.

If you’re just tuning in, the Voigtländer 65mm F2, which was first announced at CP+ 2017 along with two other primes, is a manual focus lens built specifically for Sony full frame E-mount cameras. As such, I tested it on Sony’s high resolution a7R II.

See our Voigtländer 65mm F2 Macro APO-Lanthar galleryEverything about how the 65mm handles screams precision and quality, from the all-metal housing to the drool-worthy matte black finish. Its electronic contacts mean the 65mm can communicate EXIF info with the camera; it also means you can use focus peaking and/or magnification.

Built specifically for Sony FE cameras, I found it paired nicely with the Sony a7R II.

The first thing I noticed while shooting is the long throw of the focus ring (common on macro and close-focus lenses). It turns about 300 degrees, allowing for quite a lot of focus precision. The ring itself is a little over 2 cm wide and well-indented, making it easy to grip. It also turns with a buttery smoothness that’s oh-so-satisfying.

‘Everything about how the 65mm handles screams precision and quality, from the all metal housing to the drool-worthy matte black finish.’

Apertures range from F2 – F22 and are well marked with click stops every third stop. The lens has a depth of field scale, with distance information listed in both feet and meters. The scale seems accurate (from my informal in-office testing), though I did not rely on it while out in the field.

This is about as close as the 65mm can get to a subject.

Though not a true 1:1 macro (despite having macro in its name), the 65mm offers a maximum reproduction ratio of 1:2 and a close-focus distance of 31 cm (so it can totally still be used for close-range photography). Note: when focusing at close distances, the front of the lens extends out about 4 cm.

Overall, I was pleased with the images I made using the a7R II and 65mm F2. When you nail focus, even with the aperture wide open, the results are very sharp. Voigtländer promised this lens would handle chromatic aberration well and all signs point to that being the case (Note: CA corrections are left off on all the images in the gallery). However you will experience some vignetting at F2 up through about F2.8, but by F4 it is gone. This is to be expected for this style of lens.

Electronic contacts on the lens allow it to communicate exif info with the camera. They also allow users to enjoy focus-peaking and/or magnification.

The 65mm focal length is not for everyone though. I personally found it to be a confusing field of view, leaving me unsure whether to shoot it like a 50mm or an 85mm (two focal lengths I’m use). Manual focus lenses also aren’t for all. Still, it is impossible to not appreciate something as beautiful and well-made as the Voigtländer 65mm F2 Macro APO-Lanthar.

What I like:

  • Excellent build-quality
  • Very sharp throughout aperture range
  • Focus ring turns with exceptional smoothness
  • Electronic contacts allow lens to communicate with camera

What I don’t like:

  • Focus ring hard stop at infinity end is beyond infinity (this may be an issue with our copy though)
  • 65mm field of view takes some getting used to

Articles: Digital Photography Review (dpreview.com)

 
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