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Archive for July, 2017

Craigslist ad wants wedding photographer to also shoot the… uh… consummation

02 Jul

The Craigslist ad headline reads ‘All Day Wedding Photographer Needed,’ followed by a small, but extremely important, parenthetical: (see details). That bit is important because when the couple in question says ‘all day,’ what they actually mean is ‘all night long.’

The ad, posted to Craigslist in Wisconsin and sent to PetaPixel by one of its readers, is seeking a wedding photographer who wouldn’t mind sticking around and photographing the couple’s first time. Their consummation. The… moment of truth, if you will.

“We are hoping someone will document the whole day from beginning to end,” reads the ad, innocently enough. “We are specifically hoping someone will document the end, which we are finding difficult to find someone who will.”

Now you see where this is going.

“We have both saved ourselves for marriage and understand our first time will be awkward,” writes the bride and groom. “But [we] do not think it will be that much more awkward for the photographer to be there and we’d really like it documented (in a beautiful and tasteful way).”

So… any boudoir photographers want to take their work to an extremely awkward new level? We’ve got a job prospect for you.

Articles: Digital Photography Review (dpreview.com)

 
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21 Explosive Images of Fireworks Displays

02 Jul

This weekend is a holiday celebration in both Canada and the USA. Yesterday was Canada’s 150 birthday and coming up is the US Independence Day. Both usually come with some pretty good fireworks displays.

Here are some images of fireworks to get you into the celebration mood:

By maf04

By Miroslav Petrasko

By David Yu

By George Makris

By wiley photo

By Jeff Krause

By Yann Caradec

By Rhian Tebbutt Photography

By Kelly DeLay

By Xavier Benech

By J-Ph Derout

By Colin Knowles

By Sumarie Slabber

By d.sag

By peaceful-jp-scenery (busy)

By Colin Knowles

By Tim RT

By Benjamin Lehman

By Chris Phutully

By Ashley

By Spencer Tweedy

The post 21 Explosive Images of Fireworks Displays by Darlene Hildebrandt appeared first on Digital Photography School.


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‘Above Bellingham’ soars from bay to Mount Baker

02 Jul
‘Above Bellingham’ takes you all the way from the shores of Bellingham Bay to the top of Mt. Baker, highlighting the City of Subdued Excitement from the air.

Earlier this year, visual journalist Kjell Redal released the second video in his ‘Above’ 4K drone video series, this time turning his attention to the city of Bellingham, WA. The video ably encapsulates the so-called ‘City of Subdued Excitement’ as well as its immediate surroundings, featuring mountain bikers charging through forests, skiers charging through some Mt. Baker powder, and beautiful flyovers of some of Bellingham’s picturesque waterfront.

We chatted with Redal about his experience in making the video, his background and some challenges along the way.


DPR: To start off, tell us a little about yourself, your background and what you do.

Kjell Redal: I’m a video producer and visual journalist from Colorado originally, but I’ve been in Washington for the last four years, recently finishing school at Western Washington University. I’m trained as a journalist so I enjoy finding real-life storylines that inspire, entertain, scare and teach people. I like to tell these kinds of stories through even better visuals and I’ve found that drones help a lot in the latter part of this goal.

That uniqueness of perspective was what really attracted me to the tech as a cinematic tool.

What spurred you to get into drone flying and video capture?

Before I started flying, I remember seeing a lot of travel videos on Vimeo’s Staff Picks channel that included shots unlike any I’ve ever seen. I remember one of them in this Iceland video where a drone was recording while moving only about a foot over these flowers at a decent speed and it was the first time I’ve seen that camera movement from that angle. That uniqueness of perspective was what really attracted me to the technology as a cinematic tool.

Hiking trails and stellar views are plentiful in the greater Bellingham area.

What was the inspiration for ‘Above Bellingham?’

Above Bellingham came as the second part in my ‘Above’ series where I feature two towns I’ve come to know well via the air. My first video in the small series was ‘Above Boulder’ which featured scenes from my hometown. I tried to capture both the iconic places from the two areas in both videos, as well as some less well-known spots that give the cities their character.

Tell me a little about how the video has been received.

The video was received great! I had a lot of people tell me thanks for capturing a place they know and love from a new perspective. I can only think of one minor negative comment about drones on the comment board for that one.

The DJI Phantom 3.
Image via: DJI

What were the biggest challenges you experienced throughout this project? Did you have any crashes or issues with the FAA?

I haven’t had a crash on either of these projects (knock on wood) and got my FAA certification to fly commercially in September of last year. Other than the test being a bit more difficult than I expected, as well as full of what I saw as fairly irrelevant information to drone pilots, like reading airport-issued weather reports and guidelines for flying at ridiculously high altitudes, everything went pretty smooth during the productions.

I did get some heat after the Boulder video went out though. I didn’t realize the city had out-and-out banned drones before I started filming (something they can’t really do according to the FAA, see paragraph 9). I followed all the FAA regulations for flying in the airspace and nothing more than angry commenters came of it, but I think I’d have a fairly solid federal preemption claim were the city to have pressed charges.

And lastly, what drone(s) did you use for this project?

I used a DJI Phantom 3 4K for all of last year, and just got a Phantom 4 Pro this spring – looking forward to the next big project to go with the new drone!


To see more of Kjell Redal’s work, check out his portfolio at kjellredal.com.

Articles: Digital Photography Review (dpreview.com)

 
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Ask the staff: wedding season weirdness

02 Jul
Weddings: They’re a cornucopia of creative possibilities, I find them incredibly rewarding and I’ve never had a ‘bad’ wedding as a photographer. That doesn’t mean everything always goes according to plan, though.

It was June of 2012, and I had been blackmailed into photographing my first wedding.

‘If you don’t want to take photos,’ I was told, ‘then we just won’t have any photos.’

One of my best friends from high school was getting married in his backyard with around a dozen of their closest family members, and they were adamant about having a photographer they knew personally, rather than a stranger. So it was really quite a friendly blackmailing.

What the heck, I thought. I quoted them the princely sum of $ 250, and everything was set. Then, just a day or two before the wedding, my car sprung a substantial coolant leak. No worries, my 30-year-old motorcycle would get me there. Probably.

Thankfully, the universe had decided enough was enough, and the day proceeded without incident after I toweled off a bit.

And then it rained on the big day, and though my Yamaha got me there just fine, I arrived slightly behind schedule and absolutely soaking wet. Thankfully, the universe had decided enough was enough, and the day proceeded without incident after I toweled off a bit.

I don’t shoot weddings full time, but I do at least a few every year. I find them creatively challenging as well as rewarding, and so far, there’s not been a ‘bad’ wedding for me as a photographer. That doesn’t mean there aren’t always a few hiccups along the way.

And so, now that wedding season is upon us, we polled ourselves as a staff to find out what sorts of ‘challenges’ we’ve all faced over our years of photographing weddings, and some themes began to emerge.

‘Uncle Bob’

A common tool of choice for an Uncle Bob – an older, preferably double-grip DSLR.

Without fail, most photographers that have shot even a handful of weddings have a story of the affable yet oblivious Uncle Bob. You will know him from the prominence of the large camera dangling from his neck, possibly with his own speedlight attached.

Uncle Bob will good-naturedly ask you what camera you’re shooting with (‘and why is it covered in black tape?’), what aperture you’re using, pronounce ISO like ‘eye-soh,’ and occasionally suggest that you are just doing it wrong.

But while some of us have encountered Uncle Bobs that are more tenacious or hover-y than others, many are friendly, genuinely curious, and if you gently suggest that you need to concentrate and will catch up with them later, you should find yourself in the clear.

Unfortunate urgings of the bridal party, audacious acts of the guests

Many couples will have some idea of the sorts of photos and moments they would like the photographer to capture throughout the day. One of our staff, however, was instructed by the bride to ‘not take any photos showing the front of my face.’ Challenge accepted.

The majority of weddings these days seem to involve a good deal of drinking, and indeed, some guests will refuse to attend without an open bar. An open bar is just common decency (in the U.S., anyway). This is not something that is generally taken advantage of by the photographer for obvious reasons, unless of course the bride and groom confront you and insist that you ‘get wasted.’ One of our staff encountered this from a very stubborn couple, and we surmise that the inevitable crooked horizons were corrected in post.

I was instructed by the bride to “not take any photos showing the front of [her] face.”

A common complaint: friends and family holding up phones, tablets and phablets at just the right spot to ruin a photo. The most egregious example of this was a guest getting up and blocking the aisle just after the bride passed him. The photographer missed the father giving his daughter away, but that’s alright, average attendee, you have it in Apple Photos forever.

And finally, there’s the group shots, where inevitably a family member will stand behind the hired photographer with a phone or compact camera, and snap away. This ordinarily wouldn’t be too much of an issue, except it’s the cause of many an eye-or-face swap in Photoshop, just to make sure everyone’s looking into the right lens.

How does this get worse? Occasionally, that family member’s camera will be in Auto mode and fire the flash with every shot, which will trigger any pre-set optically slaved flashes the photographer has set up. This will ruin the hovering family member’s image, drains flash batteries unnecessarily, and confuses the family being photographed; an upgrade to radio triggers helps prevent these sorts of situations, but flashes from a competing photographer are still awfully distracting.

The unpredictable, or just plain weird

This is a pig at a wedding I attended as a guest, photographed (poorly) with my phone. Any guest was welcome to go and say hello, the pig was very friendly.

And sometimes, there’s just the crazy, random happenstances that don’t really fit into any sort of reliable pattern or theme. As above, sometimes the wedding venue is adjacent to a restaurant that grows its own food, and there is a pig. This obviously isn’t a grievance per se, that pig was adorable in his own way.

Thankfully, gear failures weren’t all that common for us, but one of our staff had an autofocus motor die just as the bride and groom began their walk back down the aisle.

Another time, a group of groomsmen grew demonstrably angry when the photographer would not sit with them at the reception and drink heavily instead of taking photographs.

A guest videographer at one destination wedding set up an enormous ladder to film video from at the back of the group, which would have been less of a problem were he not wearing a kilt. Underwear status remained carefully unconfirmed.

Everyone’s got stories

In a follow-up post, we’ll be polling some full-time freelance and wedding photogs on some of their more…interesting experiences, so stay tuned for that. In the meantime, do you shoot weddings full-time or on the side, or have attended a wedding and borne witness to an unusual event? Let us know in the comments, and maybe we’ll feature your story in a follow up as well!

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Fireworks

02 Jul

Previously I rounded up 21 images of fireworks to get you into a celebratory mood. Now it’s your turn!

By Norm Lanier

Weekly Photography Challenge – Fireworks

Your mission this week is to find a fireworks display and photograph it. If there isn’t one in your area perhaps start with a sparkler and get someone to hold it or wave it around for you so you can practice.

If you need some tips try these:

  • How to Photograph Fireworks
  • 15 Tips for Successful Fireworks Photography

By CL Photographs

By Sebastian

By Rob Watling

By Sue Ann Simon

By Courtney Carmody

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Fireworks by Darlene Hildebrandt appeared first on Digital Photography School.


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6 Great Reasons for Photographing New Destinations or Locations

02 Jul

It’s always good to go chasing that greener grass on the other side. Sure, you could stay home, but how much more fun it is to explore! There are obvious ways you can learn and grow by photographing locally, but equally, there are a lot of good reasons to throw off that comfort blanket and go for something new, new destinations.

To differing degrees we all have a drive and desire to see the unknown, below are the reasons this desire will enhance your photography. Take time to read this and factor them in when you plan your next trip away to photograph some new destinations.

6 Great Reasons for Photographing New Destinations or Locations

This photograph was taken at the Yeeping festival, this was the first time I’d visited this event. It was a real challenge shooting in low light.

#1 – Photographing new destinations provides a burst of creativity

Going somewhere new is a great way to kick-start your creativity, or perhaps build on an existing project that you’re already doing. That something new can inspire you into a new project, you could turn them into a set for a gallery. There are any number of themes you could try out from architecture, food, or people.

  • Try photographing the people in your new locale, a project like Humans of New York can be adapted to wherever you are now.
  • Combine existing image with a whole new set on a similar theme. Have you photographed churches in the UK? The style will be very different in other parts of Europe, and even more so if you find a church in Asia.
  • Get into some street photography by searching out a local market.
6 Great Reasons for Photographing New Destinations or Locations

This is a church on the Indonesian island of Sumatra. Prior to visiting this are I didn’t realize how many churches there would be. The design is very different to all other churches I have seen before.

#2 – It’s a test of your photography skills

Going somewhere new is a great test of your photography skills. How can you apply what you’ve learned at home to the new destination? If your eye has become sharpened through practicing at home, it will show when you travel somewhere new.

The point about a new location is it will seek out your weakness, you’re not familiar with the new place so you need to be familiar with your camera. Are you ready for the low light photos at a night festival that you will be photographing? You have one chance to get it right, are you ready for that?

Take the time to find out settings of similar photos to those you plan to take and practice in similar conditions before the event. Then when you arrive to photograph in a new destination you can test those skills, and gauge your level.

6 Great Reasons for Photographing New Destinations or Locations

Working with low light street scenes was a lot of fun, and different to the style of photos I usually take.

#3 – Getting the hero photo

There are places that you may travel to for specific photos that are unique and amazing. You simply can’t replicate the big city feel of Tokyo, Shanghai or Dubai when it comes to cityscapes. Equally, going to Angkor Wat in Cambodia or Bagan in Myanmar is light years ahead of visiting a small temple in your local town.

When you travel to these places, the aim is to get the big booming landscape, the photo you’ll hang on your wall or is the opening two-page spread to a magazine article. So what do you need to do to get those photos?

6 Great Reasons for Photographing New Destinations or Locations

  • Do your research. To photograph a new destination you need to google the place you’re visiting. Even better, visit photography sharing sites like 500px and Flickr to look at the best photos from the place you intend to visit.
  • Add you own unique spin. You may choose to use the same angle you’ve seen from other photographers, but if you can find your own unique style of photography it will stand out more.
  • Make sure it’s big! Detail photos won’t cut it, you need a wide-angle lens that captures the whole scene. This often means accessing a high vantage point to capture a big photo.
6 Great Reasons for Photographing New Destinations or Locations

I went to Dubai to photograph a new destination. There are plenty of hero photos to be found in this new mega city.

#4 – Escape the comfort blanket

Going somewhere new means you won’t have a nice comfortable fall-back photo to take, the one you know how to frame. This will force you to think about what you want to portray with your image, and in turn, it will help you grow as a photographer.

If you’re going from a busy city to the great outdoors or vice versa, then you will need to train your eye for that new environment to get the most out of it. Perhaps you don’t do street photography, but the night market is so vibrant you need to document it.

6 Great Reasons for Photographing New Destinations or Locations

This photo was taken on my first trip to India. India is certainly a country that doesn’t allow you to keep a comfort blanket!

#5 – The best location for your photography style

The chances are you know the style of photography you like best. You practice this style a lot in your home neighborhood. Unless you’re lucky, chances are there is a better location to take those photos. We are all looking to take photos that get a “wow” reaction, going to a wow location is a good way to achieve that.

Once again, decide which is your strongest photography style, and then visit the best place for that type of photo.

6 Great Reasons for Photographing New Destinations or Locations

  • Cityscapes. The bigger the better here so visiting cities like New York, Hong Kong, or London are your best bets. There are many new cities that are growing, Shenzhen near Hong Kong is said to have some amazing architecture.
  • Culture. Visiting places during their festival works well for this. The Yeeping lantern release in Thailand is a photographers dream. Many people aspire to visit India during Holi, or Venice during Carnival.
  • Nature. There are reasons that places like Iceland draw so many tourists, the nature is wild. If you enjoy photographing nature there isn’t a better place to go.

Now there are many places not mentioned in the above lists. The point is getting these photos means you need to travel there.

6 Great Reasons for Photographing New Destinations or Locations

On my first trip to Myanmar I tried photographing from a hot air balloon for the first time. This is one of the results.

#6 – Plan to be there when it’s unique!

Planning ahead is advised in all forms of photographic endeavor. The chances are you know when is the best time to photograph your local area. But to photograph a new destination at its best, research is needed.

Is this place best photographed in the morning or the evening? Which is the best season to visit? Are there flowers that bloom, or will there be snow on the mountain? The best photo opportunities can come during a festival, so when will that be? You can really improve the odds of getting great photos by being in a place at the right time.

6 Great Reasons for Photographing New Destinations or Locations

The Sydney opera house is one of the most well known buildings in the world. You sometimes need to go to places like this to get stand out photos.

You need to take a vacation!

Do you need an excuse to go on vacation? Of course, you do, and to photograph a new destination is as good an excuse as any!

We’d love to hear about your experiences of visiting somewhere new, so please share in the comments below. What type of photography do you enjoy, and where is your dream destination to practice that? Has a trip abroad ever kick started a project for you? How about going to a new place this weekend? It doesn’t have to be far from your area. Getting out with the camera and exploring is a great feeling, so let’s see your results!

6 Great Reasons for Photographing New Destinations or Locations

You’ll never find that pot of gold at the end of the rainbow, you might get a good photo of the rainbow though.

The post 6 Great Reasons for Photographing New Destinations or Locations by Simon Bond appeared first on Digital Photography School.


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Latest Tamron 24-70mm F2.8 lens improves AF speeds, image stabilization

02 Jul

Tamron has announced the latest generation of its 24-70mm F2.8 lens, officially known as the ‘SP 24-70mm F/2.8 Di VC USD G2 (Model A032).’

Highlights of this new full-frame zoom include Dual Micro-Processing Units (MPU) which provides ‘faster and more precise autofocus’ and improves the Vibration Correction system to the point where it can reduce shake by up to five stops. The lens has 17 elements, of which 2 are extra-refractive, 3 are low-dispersion, 3 are glass-molded aspherical and 1 is a ‘hybrid’ aspherical element. The aperture is made up of nine circular blades.

There’s also Tamron’s nano-scale ‘eBAND Coating’ to reduce ghosting and flare. The front element has a fluorine coating to keep oil and fingerprints away, and the lens as a whole is weather-sealed. The lens supports electronic aperture control on compatible Nikon cameras and can be used with Tamron’s TAP-in Console dock for updating firmware and fine-tuning AF and Vibration Correction.

The Tamron SP 24-70mm F2.8 G2 will ship in August for Nikon F-mount and September for Canon EF. It will be priced at $ 1199 for both mounts.

Press Release

Tamron introduces next-generation high-speed 24-70mm F/2.8 zoom lens with advanced features

Versatile new lens delivers ultra-high image quality, image stabilization of 5 stops1 and superb performance even in backlit scenes

SP 24-70mm F/2.8 Di VC USD G2 (Model A032)

June 30, 2017, Commack, New York— Tamron Co., Ltd., a leading manufacturer of optics for diverse applications, announces the launch of a new high-speed zoom lens, SP 24-70mm F/2.8 Di VC USD G2 (Model A032), for full-frame DSLR cameras. Model A032 is a fast F/2.8 zoom that achieves top-level image quality. The new Dual MPU (Micro Processing Units) provides rapid autofocusing with improved accuracy and the highest vibration compensation performance of any lens in its class2 (CIPA level of 5 stops). The use of specialized, high quality glass materials (offering greater optical transmittance) for the lens elements assures superior color reproduction and greater sharpness, while the application of Tamron’s exclusive nanotechnology-based eBAND Coating substantially curbs the ghosting and flare that are prone to occur in backlit photography, successfully improving the overall optical performance of the lens. Additionally, model A032 provides the added conveniences of protective Fluorine Coating, Moisture-Resistant Construction and a locking lens hood. Photographers can use this new high-speed zoom lens for wide-ranging purposes, including landscape, portrait, news, travel and many others. The Tamron SP 24-70mm G2 in Nikon mount will be available in August and the Canon mount in September at $ 1199.

PRODUCT HIGHLIGHTS

1. Sophisticated design delivers superb performance and ultra-high image quality

The use of specialized, high quality glass materials assures accurate color reproduction and superior sharpness, perfect for today’s high-pixel-density cameras. The optical construction (17 elements in 12 groups) uses 2 XR (Extra Refractive Index) elements, 3 LD (Low Dispersion) elements, 3 GM (Glass-Molded aspherical) and one hybrid aspherical lens element. Together they minimize axial chromatic aberrations, transverse chromatic aberrations, spherical aberrations and distortion, and allow a compact design that achieves superior image quality.

2. eBAND Coating provides superior anti-reflection properties and reduces ghosting and flare

The new A032 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology combining a nano-structured layer that has an extremely low refractive index with conventional multiple-layer coatings to provide superior anti-reflection performance. The optimal application of this eBAND Coating in combination with Tamron’s BBAR (Broad-Band Anti-Reflection) Coating successfully and substantially curbs the ghosting and flare that can occur when photographing backlit subjects.

3. New Dual MPU (Micro-Processing Unit) control system3 provides faster and more precise autofocus and improved Vibration Compensation

This innovative control system uses a Dual MPU design with enhanced computing capacity. The MPUs have powerful, built-in DSP (Digital Signal Processor) blocks that achieve quicker and more precise AF performance, and more consistently powerful Vibration Compensation. The features combine to provide outstanding performance at night and in low light.

High performance MPU for AF dramatically improves autofocusing accuracy and speed
The A032 is equipped with its own MPU (micro-processor unit), with embedded DSP (Digital Signal Processor) blocks that enable high-speed digital signal processing, achieving both excellent responsiveness to signals from the camera and high-precision AF performance.

Dedicated MPU delivers the highest vibration compensation ability in class (CIPA level of 5 stops).

The new A032 is equipped with Tamron’s proprietary VC (Vibration Compensation) system. Adding an MPU dedicated to VC processing unleashes a new-generation algorithm, ensuring the highest vibration compensation ability?in the class (CIPA level of 5 stops). Even in low light or with slow shutter speeds, photographers can enjoy shake-free handheld shooting with ease and comfort.

4.
Fluorine Coating and Moisture-Resistant Construction

The Fluorine Coating applied on the front element surface is water-and oil-repellant and allows safe and easy removal of fingerprints, dirt and smudges. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years. In addition, seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.

5. Lens hood equipped with a new, convenient locking mechanism

The lens hood is equipped with a locking mechanism that prevents detachment due to unintentional contact during use.

6. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory

The new A032 is compatible with the optional TAMRON TAP-in ConsoleTM, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features including fine adjustments to the AF and VC.

7. Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses4. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.

8. Manufacturing innovation with thorough attention to details based on the rigorous quality standards worthy of the SP series

Tamron has enhanced the SP series lenses to fulfill high-level photographic requirements and provide the pleasure of ownership. While introducing a new exterior design, Tamron reviewed the SP series standards. The new SP series has been developed by setting rigorous standards for design, manufacturing and quality that apply to the optical design and mechanical design as well as such wide-ranging areas as the product’s robustness and improvements in a variety of individual functions. For this model, Tamron has introduced a unique MTF (Modulation Transfer Function) tester, which was developed exclusively for Model A032, and reviewed the management method. This has helped to achieve a more consistently superb optical performance, making it a lens that fulfills the demand for higher image quality that is compatible with the latest high-pixel cameras. To maximize the optical performance of the SP series, Tamron will continue to enhance the accuracy of the component parts of each lens element unit and improve the mechanical precision of the entire lens, thereby achieving a high overall performance.

[1] CIPA Standard Compliant. For Canon: EOS-5DMKIII is used. For Nikon: D810 is used.

[2] Among 24-70mm F/2.8 interchangeable lenses for DSLR cameras (as of May, 2017; Tamron)

[3] A new control system using two high-performance MPUs (micro-processor units)

[4] Available only with cameras compatible with the electromagnetic diaphragm: (D5, D4s, D4, D3X, Df, D810, D810A, D800, D800E, D750, D600, D610, D300S, D500, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100). (As of May, 2017; Tamron)

Tamron SP 24-70mm F2.8 Di VC USD G2 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization Yes (5 stops)
Lens mount Canon EF, Nikon F (FX)
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 2 XR, 3 LD, 3 GM aspherical, 1 aspherical elements + eBAND and fluorine coatings
Focus
Minimum focus 0.38 m (14.96)
Maximum magnification 0.2×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Physical
Weight 905 g (2.00 lb)
Diameter 88 mm (3.46)
Length 111 mm (4.37)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 82.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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How to do Night Photography With No Tripod – and a Little Photoshop Help

02 Jul

In this article I am going to show you how you can do amazing night photography with no tripod and not too much grain.

How to do Night Photography Without a Tripod

In this photo I was on the Academia Bridge in Venice, the place to be to catch the sunset. There were tons of photographers taking long exposure photos, so many that I couldn’t squeeze in to put my tripod down. So I put my camera at f/4, went to 1/10th of a second and shot at ISO 1250.

These settings froze the boat and the water is still nice and smooth. But the thing that I was really happy about was the light reflection in the water; it was not too strong. If I had done a long exposure the light reflection in the water would have made big blots of light which is very catchy to the eyes and creates a lot of contrast, which I don’t like.

Like on this photo below:

How to do Night Photography Without a Tripod

Extremes

Let me show you in this extreme case:

How to do Night Photography Without a Tripod

For the image above, I had a zoom lens on so the widest I could open up my aperture was f/5.6. My shutter speed was 1/25th of a second at 2500 ISO, and I set my camera on high speed burst mode, which allows the camera take several shots quickly. But unfortunately at 2500 ISO there is going to be a lot of noise. So to show how noisy this photo is, let me do my basic retouching.

How to do Night Photography Without a Tripod

How to do Night Photography Without a Tripod

As you can see it is very grainy/noisy.

How to do Night Photography Without a Tripod

Even if I try to use the noise reduction it doesn’t look that great:

How to do Night Photography Without a Tripod

The solution

So what you can do in this situation is to select all the photos you took in Continuous Shouting mode, I am selecting five here. Then click on sync, Check All, and select synchronize.

How to do Night Photography Without a Tripod

Once you have done that, right-click select Edit In > Open as Layers in Photoshop.

How to do Night Photography Without a Tripod

Now that we are in Photoshop, you can see that each photo has its own layer. Select them all, then go to Edit > Auto-Align Layers.

How to do Night Photography Without a Tripod

You can click on auto here. If you are shooting handheld it is important to have all the layers aligned. Here you can select all the layers again, right-click and select Convert to Smart Object.

How to do Night Photography Without a Tripod

Then you are going to select your layer and go to Layer > Smart Object > Stack Mode > Median.

How to do Night Photography Without a Tripod

What’s that is going to do is Photoshop will detect the common pixels from a photo to another and then remove the noise and any people that moved from frame to frame, which is pretty cool. You can see the before and after below.

How to do Night Photography Without a Tripod

After this technique has been applied, you can see that the water is nicer on the eyes and there is almost no noise in the image.

How to do Night Photography Without a Tripod

How to do Night Photography Without a Tripod

Before

How to do Night Photography Without a Tripod

After

Summary

So this is a good way to avoid noise in a low light situation where you don’t have a tripod. Let me review the important points for you:

  1. Set your camera on Continuous Shooting Mode (burst).
  2. Open your aperture as wide as you can to f/2.8 or f/4.
  3. Set your shutter speed to around 1/30th of a second and boost the ISO to between 2000 and 3000.
  4. Take at least five photos minimum.
  5. Take the first photo, retouch it and synch your edits to the others, using Lightroom.
  6. Open all the images as layers in Photoshop.
  7. Align the photos/layers.
  8. Select the layers and convert to Smart Objects.
  9. Got to Layer > Smart Object > Stack Mode > Median or see which setting works best.

And voila. See below for the video walk through of this technique as well.


photoshop for photographersIf you enjoyed this tutorial and want to learn more about how to use Photoshop, check out Serge’s course Photoshop for Photographers 2017. Use the special promotional code – DPS65 – to get 65% off as a dPS reader!

The post How to do Night Photography With No Tripod – and a Little Photoshop Help by Serge Ramelli appeared first on Digital Photography School.


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Video: Those ‘Shot on iPhone’ ads are not what they seem

02 Jul

Anybody who knows about the technique and gear involved in capturing great photos and video knows to look at those ‘shot on *insert smartphone here*’ ads with a bit of skepticism. Yes, they were technically shot on those phones, but many people don’t realize the amount of extra gear and software that goes into the final product.

There is a disclaimer at the end of these videos, of course, but it’s easy to miss or subconsciously ignore it when you’re hoping against hope that your iPhone 7 Plus will be the last camera you’ll ever need.

Have you noticed this disclaimer at the end of the ‘Shot on iPhone’ ads?

In this short video, YouTuber Marques Brownlee sheds a bit of light on the matter, sharing a little behind the scenes look at some of the really intense gear these commercials use, before diving into some more affordable options that can help get your smartphone video—shot on iPhone or otherwise—closer to those professional grade commercials.

Because while you’ll probably never use a rig this advanced:

It’s not unthinkable that you could buy yourself a DJI Osmo Mobile and some Moment lenses to help get your shaky hand-held attempts a little closer to the results you see in Apple and Samsung’s professional ads.

Just don’t beat yourself up if your first few tries don’t live up to this level of quality. We don’t know exactly what gear Apple used on its latest ‘Shot on iPhone’ commercials, but we’re betting it’s closer to the crazy rig you see above, than the pared down little stabilizer and smartphone lenses Brownlee touts in his video.

Articles: Digital Photography Review (dpreview.com)

 
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Photo of the week: Shooting the northern lights in Norway

02 Jul

This image was taken in Skagsanden beach is—my favorite location in the Lofoten Islands—with one of my Lofoten workshop groups earlier this year. The Northern Lights were dancing wildly all over the sky, and I arrived at the beach after having shot another location earlier that night.

This time around, I decided to try and shoot the Aurora with this beautiful stream and its black & white sand patterns in the foreground. Luckily, the lights were reflecting on the stream, emphasizing those patterns.

To get the whole scene in the frame, I used the Canon EF 11-24mm F4L, one of my favorite lenses. Even though the lens is only an F4, the Aurora was very bright and there was some moonlight as well, both of which gave me enough light for a decent exposure.

The final image above was focus stacked from two shots, both taken at 11mm and F4, with my Canon 5D Mark IV set to 8 seconds and ISO3200.


Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram, Facebook and 500px, and subscribe to his mailing list for updates.

Articles: Digital Photography Review (dpreview.com)

 
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