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Archive for July, 2017

Graffiti by Drone: Team of Spray-Painting UAVs to Make Huge Mural in Berlin

05 Jul

[ By WebUrbanist in Art & Drawing & Digital. ]

Taking to the skies in Berlin, a set of color-coded drones aims to make the biggest spray-painted mural ever made (at least by robots) using unmanned aerial vehicles equipped with programmed paintings. And this is just the beginning: painting drones could enable civic artwork in hard-to-reach places, and eventually serve practical applications, re-coating infrastructure and architecture.

Designed by architect (and director of MIT’s Senseable City Lab) Carlo Ratti’s, the Paint By Drone system employs sets of four drones, each loaded with its own paint tank. Like a CMYK (Cyan, Magenta, Yellow, Key [Black]) system much like modern printers, each contributes a layer to the piece. Together, these layers can add up to a full spectrum of color possibilities.

Ratti’s team has used drones before — as tour guides at MIT, for instance — and is now experimenting with ways to engage them with other activities in the built environment, testing their limits in a more public and large-scale setting. In this case, the sheeting that wraps scaffolding, ordinarily left blank and dull (or used for advertising) can be dynamically turned into something beautiful.

The drones can be adapted to work with different inputs, allowing passers by to submit designs, for instance, or to select sections of canvas to paint. For now, they are being deployed on a surface stretched across scaffolding, but the idea is to ultimately enable public art in more places — precision-guided small drones can reach high up on (or under) structures like bridges that would be difficult (and dangerous) for people to access directly.

More on the mechanics of the system: “A central management system regulates the drones’ operations in real-time, from image painting to flight, using an advanced monitoring system that precisely tracks the UAV’s position, detecting multiple devices simultaneously. Furthermore, a protective net placed on the scaffolding’s’ cover allows the drones to move into a safe space. Drones can draw content submitted digitally, via an app. The artistic input can come from either crowdsourced platforms or from a curator orchestrating the contributions of several people.”

“Paint by Drone represents a next step,” in their research, reports Carlo Ratti Associati, “on both vertical drawing and open-source design, which includes projects such as OSARC (Open Source Architecture) at the 2012 Istanbul Design Biennial and the Vertical Plotter system featured at Milan Expo 2015’s Future Food District, which entered the Guinness World Record as the world’s largest plotted image. The new concept pushes the previous boundaries of time and space, having the potential to be installed in just a few hours in a city and paint on any surface.”

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[ By WebUrbanist in Art & Drawing & Digital. ]

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Nikon D7500 gallery update: more photos, Raw conversions

05 Jul

The Nikon D7500 is proving to be an outstanding general-use stills body. As we’re finishing up the full review on the camera, we wanted to share some additional images as well as a handful of Raw conversions (made using beta profiles in Adobe Camera Raw).

You’ll have to wait juuuuust a little longer to find out how the D7500 stacks up against the competition, but if you couldn’t already tell from the photos in the gallery, we’re having a lot of fun shooting with it.

See our Nikon D7500 sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Are the NLE wars beginning to heat up?

04 Jul
Avid Media Composer First allows you to begin user the Media Composer platform at no cost.

Choice is good, and if you’re a video editor you just got one more. Avid, whose nonlinear editor Media Composer is widely used in the film and television industries, recently released a free version of its software called Media Composer First.

On the surface, this appears to be a similar approach to the one taken by Blackmagic with DaVinci Resolve, which has evolved into a creditable NLE in addition to its legendary color grading tools. The full version of Resolve Studio sells for $ 299 (down from $ 995 a few months ago), while the basic version of Resolve can be downloaded for free. While there are differences between the two, the free version includes most of the same tools as the Studio edition, making it a very attractive platform.

Avid appears to be taking a bit of a different approach, however, as Media Composer First comes with a number of limitations. The most notable is that it only supports projects up to 1080 resolution, which will likely to be a stumbling block for many editors today. It also limits the number of video and audio tracks you can use, the number of bins in a project, and its desktop display LUT is limited to Rec.709. In fact, if you compare features, the free version has a fair number of limits across all functional areas.

So, why would anyone use Media Composer First? The full version of Media Composer sells for $ 1299 (or as a subscription for $ 35/month), so cost is obviously one motivation. However, what’s likely more important to many editors is access to the Media Composer platform. This presents a cost effective way for beginners to use and learn a piece of software that will be very important if they want to work in film or television.

If neither Media Composer nor Resolve work for you, the other 800 pound gorillas in this space are Adobe Premiere, available as part of Adobe’s Creative Cloud, or Final Cut Pro X for Mac users, which sells for $ 299.

Articles: Digital Photography Review (dpreview.com)

 
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Going wide on a budget: Nikon AF-P 10-20mm F4.5-5.6 DX sample gallery

04 Jul

Nikon’s AF-P 10-20mm F4.5-5.6 DX is the company’s latest lens specifically designed for its crop-sensor camera bodies. It may have a plastic mount, but with a 35mm-equivalent focal range of 15-30mm, it is a versatile yet affordable lens for those looking for a wider view than the kit lens has to offer without breaking the bank. See how it performs from the inner streets of Seattle to the remote, sandy beaches of Washington’s coast.

See our Nikon AF-P 10-20mm F4.5-5.6
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Photobucket breaks billions of photos online, upsets millions of users

04 Jul

If you’re an avid Photobucket user, you woke up to a nasty surprise this past week: the photo storage and hosting service changed their terms, breaking billions of images online in one fell swoop, without so much as a courtesy notice.

Some explanation is probably in order.

Photobucket has been allowing free users to host and link to images on its servers since 2003. If you wanted to host your photos on Photobucket and display them on some 3rd party site (also known as hotlinking) you could do that without being a paying member. This is an extremely useful—not to mention bandwidth-intensive—service to offer, and it’s one of the reasons Photobucket has managed to amass over 10 billion photos uploaded to its servers by over 100 million users.

But starting last week, the company changed its terms and membership structure, and what once was free will now cost users a whopping $ 400 per year. Suddenly, billions of images Photobucket users had hotlinked online no longer showed up. Entire forum threads, like this one found the photo blog by PetaPixel, are now devoid of images.

Instead, you have this graphic on display… over and over:

As you can imagine, Photobucket users are not happy about the change. Any time a free service turns into a paid one there’s bound to be some griping, but going from free to $ 400/year is an extreme jump by any standard.

On the one hand, it’s easy to justify Photobucket’s decision from a business standpoint: advertising revenues are dropping, and hosting that many images has to be incredibly expensive. But doing it so suddenly, without so much as a courtesy warning, has users turning to social media to vent their frustration.

Some are calling it ‘blackmail’ and ‘extortion,’ others are saying it’s business suicide, and droves of users are bidding an angry farewell:

Whatever you want to call it, one thing is certain: making such a sweeping change without warning was the wrong call. You hear that noise? It’s the stampede of users running pell mell towards Imgur.

Articles: Digital Photography Review (dpreview.com)

 
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Wreck: Replica Mercedes Benz S550 Made of Faceted Mirrored Stainless Steel

04 Jul

[ By SA Rogers in Art & Sculpture & Craft. ]

Life is tenuous and luxury easily lost, as illustrated in brilliant glittering fashion by this perfect replica of a Mercedes Benz S550 that has seen better days. Can arbitrarily assigned status be maintained even once an object has been used, abused and discarded for newer and nicer things? Artist Jordan Griska ruminates on these questions and contradictions with ‘Wreck,’ a crushed vehicle reproduced in faceted mirrored stainless steel.

Though its appearance intimates violence and destruction, the car remains undeniably beautiful thanks to all of those individual panes reflecting light at a slightly different angle, making it look like an oversized gemstone. Philadelphia Contemporary, which premiered the sculpture last fall at the city’s Pier 9, notes that the sculpture touches on the ways in which debauchery and decadence can spin out of control.

“Wreck is based on a computer-generated model of a luxury sedan, in a video game, which was manipulated to look like it was involved in a crash that resulted in a fatality,” says Griska. “I crafted 12,000 individual pieces of mirror-finish stainless steel, over the course of almost two years, in order to transform that model into a full-sized three-dimensional monument.”

“The perfect geometry and flawless materiality of the piece reflect the inspiration of idealized digital design, in stark contrast with the grimness of the reality it represents. Beauty, technology and engineering collide with death and reality.”

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Simple demo shows the power of a polarizing filter

04 Jul

Here’s a neat little demo that you can use to wow your non-photographic friends, or your favorite photo novice. Thirty-five seconds into the polarizing filter intro above, Christopher Frost captures a series of shots with and without a polarizer, and the difference is striking.

The video itself is several years old, offering a basic overview of circular polarizers, how they work, and why they’re ‘so neat.’ It’s useful for beginners, but the part we enjoyed most was the demo—where Frost laps a polarizer onto his camera, shoots video of some reflective surface, and turns it while the video runs.

The surface of a river, a storefront window, stacks of books, even some reflective leaves later on in the video, all of them take on a totally different character when you remove the reflections by using a polarizer:

Check out the video up top to see all of the examples (the video will automatically start at the 35 second mark). And on the off chance you don’t know what a polarizer is or how it works, you’ll get a basic photography lesson while you’re at it.

Articles: Digital Photography Review (dpreview.com)

 
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Fotodiox’s DLX Stretch adapters feature a built-in extension tube for macro photography

04 Jul

Accessories manufacturer Fotodiox has launched a versatile new series of lens adapters for mirrorless camera users. The Fotodiox Pro DLX Stretch adapters not only allow you to mount off-brand lenses onto several major camera mounts, they also feature a built-in variable extension tube for macro shooting.

The DLX Stretch is a regular DLX lens adapter with one major difference: it features a barrel that turns to extend the distance between the lens and the sensor, endowing the set-up with the macro shooting capability of an extension tube. It isn’t clear how great the extension is for each of the adapters, but total distance will be dependent on the type of lens used.

The new adapters will be available for Sony E, Micro Four Thirds and Fujifilm X cameras and will come in a choice of 24 permutations to suit a collection of eight lens mounts—Canon EOS, Canon FD, Contax/Yashica, Leica R, Minolta MD, Nikon, Olympus Zuiko (OM), and Pentax K. If your particular lens mount doesn’t have an aperture control ring, the adapter will throw that in as well.

In addition to the Sony adapter video above, you can find demos for the Micro Four Thirds and Fuji X mount adapters here.

Finally, in conjunction with this adapter release, Fotodiox has also introduced a range of filters for the DLX Stretch that drop in to the rear of the barrel and stay in place using magnets. Three ND filters—an ND4, ND8 and ND16—come with the kit, and feature their own leather case.

All of the Fotodiox Pro DLX Stretch adapters cost $ 130. For more information, visit the Fotodiox website.

Press Release

Fotodiox Pro Launches Multi-Functional DLX Stretch Lens Adapters

Fotodiox Pro, creator and distributor of several lines of specialty solutions for videography, cinematography and photography, has announced a brand new addition to their extensive collection of innovative lens adapters: The DLX Stretch, a new series of 24 multi-function lens adapters for Sony E-Mount, Fuji X-Mount and Micro Four-Thirds mirrorless cameras.

The DLX Stretch is the latest in Fotodiox’s ongoing commitment to creating and manufacturing the largest and most flexible library of lens adapters in the photo and cinema industry. Each DLX Stretch packs three levels of creative functionalty into a single lens adapter. Vintage and modern lenses can be mounted via eight different lens mounts.

A built-in helicoid allows adjustment of the overall length of the adapter for close-focus macro style shooting or backfocus adjustment. Plus, the specially-designed rear section of the DLX Stretch houses drop-in magnetic Neutral Density filters. Each kit includes ND4, ND8, and ND16 glass filters in a leather case.

“When we created the DLX Stretch, we set out to “stretch” what shooters expect from a lens adapter,” said Bohus Blahut, marketing director for Fotodiox Pro. “Today’s mirrorless cameras are amazing, but they suffer from too few native lens choices. The DLX Stretch adapters bring those choices back. Additionally, the DLX Stretch offers amazing imaging flexibility with its built-in macro-focusing helicoid as well as our revolutionary drop-in filter system for rapid-fire filter changes. With DLX Stretch lens adapters, you can get more done with a single lens than ever before.”

DLX Stretch adapters are available for the following lens mounts: Canon EOS, Canon FD, Contax/Yashica, Leica R. Minolta MD, Nikon, Olympus Zuiko (OM), and Pentax K. Select models of the DLX Stretch also include additional aperture control for lenses that lack an aperture control ring. They are available now at FotodioxPro.com.

Articles: Digital Photography Review (dpreview.com)

 
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Nothin’ But Net: 12 Slam Dunk Artistic Basketball Court Designs

03 Jul

[ By SA Rogers in Design & Fixtures & Interiors. ]

Way cooler than your standard basketball court, these custom-designed settings and hoops turn the sport into something like an interactive art installation in which the players ‘perform’ in more ways than one. Outdoor courts are painted in vivid hues or plunked on rooftops, hoops are reinvented in stained glass or set within the crashing waves of the ocean, and court lines light up and transform.

Pigalle Basketball Court in Paris by Pigalle, Ill-Studio and NIKE

French fashion brand Pigalle teamed up with Ill-Studio and NIKE to paint a stunning sunset-hued basketball court set between two apartment buildings in Paris. Gradients of deep blue, fuchsia, pink, orange and yellow creep up the walls of the three surrounding structures and out to the sidewalk to celebrate the release of Pigalle’s latest collection with NIKElab.

Carlo Carrá Park in Alexandria, Italy by Gue

The muralist known as ‘Gue’ gave the basketball court at Carlo Carrá Park in Alexandria, Italy a bright makeover as part of an urban regeneration and redevelopment effort. “The idea was born from the possibility of being able to cross the field’s space,” says the artist, “and to stay inside the composition and change the perception of shapes through the game’s movement.”

House of Mamba Basketball Court by NIKE

Leave it to NIKE to create a totally functional basketball court that doubles as a work of modern installation art. The brand teamed up with AKQA to develop a full-sized LED court for the NIKE RISE basketball tour taking place across China, utilizing motion-tracking and reactive LED visualization to lead players through drills based on Kobe Bryant’s training. Then, in 2015, they completed ‘Rise 2.0,’ a second version of the court with LeBron James.

Rooftop Basketball Court in Venezuela by PICO Estudio

Design collective PICO estudio teamed up with local and international firms as well as volunteers and community members to transform a self-built house that was once a drug trafficking venue in Caracas, Venezuela into a valuable community space hosting a recording studio, computer area, waiting area, kitchen and an incredible rooftop basketball court retrofitted with vibrant green steel framing and chain-link fencing for safety.

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Nothin But Net 12 Slam Dunk Artistic Basketball Court Designs

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[ By SA Rogers in Design & Fixtures & Interiors. ]

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Instagram’s new AI-powered comment filter tackles trolls and spam

03 Jul

Instagram is getting serious about keeping the trolls away from your photos. Earlier today, the company announced that it will be rolling out an enhanced comment filter that uses artificial intelligence to squash rude, spammy, and otherwise inappropriate comments.

The news, along with an in-depth breakdown of how the technology was designed and works, was initially announced on Wired, but you can get the important bits from Instagram’s own blog post.

The tool acts by automatically and intelligently detecting and removing comments it believes are either inappropriate or spam, and hiding them from everyone except the poster him or herself. They have no idea their comment is invisible, but nobody else can see it.

The same goes for the spam filter, which can detect ‘obvious spam in comments’ in a total of 9 languages: English, Spanish, Portuguese, Arabic, French, German, Russian, Japanese and Chinese.

If for some reason you don’t want these comments filtered, the intelligent filter can be turned off by clicking on the ‘…’ menu on your profile page and flipping the ‘Hide Offensive Comments’ slider off.

Both tools are powered by machine learning, meaning that, over time, they’ll get better at detecting inappropriate comments and leaving inappropriate seeming (but actually okay) comments alone.

“Our team has been training our systems for some time to recognize certain types of offensive and spammy comments so you never have to see them,” reads the IG announcement. “We believe that using machine learning to build tools to safeguard self-expression is an important step in fostering more inclusive, kinder communities.”

As the algorithms improve, Instagram is promising to make both filters available in more languages. For now, offensive comments will only be filtered in English, but expect ongoing updates.

Articles: Digital Photography Review (dpreview.com)

 
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