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Archive for May, 2017

How to do Creative Water Splash Photography with Off-Camera Flash

19 May

Photography gives us the unique opportunity to freeze time. Moments that normally can’t be seen because they occur in the blink of an eye can suddenly be captured by a camera with incredible precision. This gives us the opportunity to discover fascinating and unique opportunities for photography that showcase and celebrate the wonder of the world around us. It can also be an extremely fun and creative style of photography, and a way to practice your skills with off-camera flash.

A toy car dropped into water, photographed with off-camera flash

Chances are you’ve come across a photo of a water droplet or water splash before. The intricate and mesmerizing patterns of water droplets in flight make for excellent abstract art.

But how can you take a picture fast enough? How does it work to freeze each individual droplet in midair?

A water droplet frozen in midair with off-camera flash photography

Lightning Fast Photography

Most modern cameras can take a picture as fast as 1/8000th of a second. You’ve probably noticed, however, that lightning fast shutter speeds typically require a lot of light.

If you are walking around outdoors on a bright and sunny, you will be able to get your camera up to 1/8000th, and you can capture a water fight or the splash of a water fountain. However, there often isn’t enough light to take a good image indoors or under cloudy lighting conditions.

Water droplets splashing into a jar, photographed with off-camera flash

Furthermore, taking a picture under sunny lighting conditions won’t hide the background. The intricacies of the water will be lost against the background.

That’s why the trick to creating a truly amazing water image is to use off-camera flash.

How it works

Cameras only record what they see. This means that a picture taken in a dark room will result in a pitch black picture.

When you use flash in a dark room, your subject will be illuminated for the duration of the flash of light – which means that your new “shutter speed” will be the speed at which your flash fires (flash duration).

Depending on the model and power, a flash can fire as quickly as 1/10,000th of a second. This new shutter speed of 1/10,000th of a second is easily fast enough to freeze a water droplet in midair.

A water droplet, frozen in midair with off-camera flash

This shot was taken using the settings 1/250, f/5,6, ISO 250. Even with the “slow” shutter speed, the flash stops the water droplet in mid-flight.

The neat thing here is that as long as the room is dark, the shutter speed on your camera doesn’t actually even matter anymore. With the right setting, your camera can take an image that lasts for a full second long, but the final shot will only be recorded in the blazing fast burst of light from the flash.

Setting up your shot

To try this out for yourself, you will need to set up in a fairly dark room – dark enough so that you can use your in-camera settings to take a completely black picture. You’ll need to get off Auto mode in order to do this.

Remember that the aperture and ISO that you select will affect your flash power. Selecting either a wider aperture or a higher ISO will make your camera more sensitive to light, including the light from your flash. This makes your flash more powerful, in a way.

For this purpose, I used the following setup:

A behind the scenes shot of the setup for water splash photography

Note the towel. A towel just might be the most important piece of equipment to remember when you try water splash photography!

Even though there is still some light in the room, I was able to create a dark background by setting my camera to 1/250, f/5, ISO 250.

Get the flash off-camera

The key is to use the flashes off-camera. Having the light come in at an angle is more in line with how we experience light in the real world, so it produces a more naturally lit image.

But you don’t need to have multiple flashes to try this out – experiment with one flash and see what happens!

More importantly, by bringing the light in from an angle and preventing it from shining on the walls or objects behind your subject, you can create a dark background. This really makes each droplet shimmer and shine in contrast.

Two tomatoes splashing into water, shot with off-camera flash

A toy car splashing into water, photography with off-camera flash

Two common ways of triggering a flash off-camera are to use either a radio transmitter or a sync cord that connects your camera’s hotshoe to the flash itself. Your camera may also be able to fire your off-camera flash optically using the built-in pop-up flash. You may need to check your camera’s manual to see if your system has that functionality.

The exact power settings you will need to use on your flash will vary depending on the type of flash, the setup, and the distance between your flash and the splash you are photographing.

Remember: Digital is cheap! Experiment and watch your camera’s LCD screen after every shot. If it is too dark, simply turn up the flash power or consider moving your lights a bit closer to the subject.

Getting the timing right

Once you have everything set up, it’s simply a matter of trial and error! Even with a fancy setup, perfecting your timing in order to capture a splash at the right moment is tough.

Unless you have a high end strobe unit, you won’t be able to take pictures quickly – the batteries will need a moment to recharge every time they fire. This means you’ve only got one shot for every splash!

A man photographed with off-camera flash as he is hit by water in the face

If you get tired of using toy cars as a model, why not ask a friend to step in?

Every camera has a very slight delay after you press the shutter button (before it actually takes the picture). You’ll want to work on your timing so that you can make the most of every shot – especially if you ask a friend to stand in as a target for a water splash picture!

Shooting digital allows you to experiment until you have a good sense of the timing. After a bit of practice, you will have some incredible and creative water splashes to show for your effort!

A man being photographed splashing water while on a black background

The post How to do Creative Water Splash Photography with Off-Camera Flash by Frank Myrland appeared first on Digital Photography School.


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6 Steps To Better Photography

19 May

A few weeks ago I received an email from a new photographer who asked, “How do I make my images better?” At first, I chuckled, realizing that question has resulted in the production of thousands of articles here at dPS, and uncountable books, websites, and magazines. There is just SO MUCH information on how to do better photography that it’s easy to get lost in the sea of advice, photo tips, and expert opinion.

better photography

In my response to that struggling photographer, I sketched out six things and quickly sent the email. My answer was off the cuff, but the more I thought about it, the more I realized that my advice was actually pretty darn good. These six things really will help you improve your photographs. Some are easy to accomplish and some reach to the core of the art of photography. All of them, however, will push you further into your process and lead you a bit closer to the images you’ve always wanted to create.

Better photography

Aerial image of the Hula Hula River in the Arctic National Wildlife Refuge, Alaska.

1. Know Your Camera

This is the easiest one to tackle. One of the places where I’ve noticed new photographers stumbling is having a poor understanding of their camera. Know what each setting means, what it does to your image, and how to quickly change from one to another. Know the five essential camera settings backward and forwards, how to set them, and what impact they will have on your final image.

Better photography

Understanding how bright, snowy conditions will impact your image, and your camera’s ability to meter correctly will allow you to quickly capture fleeting light like this, when others may stumble.

But don’t stop there. Spend some time in the menus and custom settings. Know things like focus and metering modes, and how those relate to different shooting situations.

I recently added a new camera system to my quiver (Panasonic Lumix) and am having to re-learn all these things for a new camera brand. It is daunting, but it is also extremely important. Get friendly with your camera until you understand it intimately. Then, when you are in the field and need to make changes quickly, you won’t have to think twice, or god-forbid, have to look it up while your opportunity slips away.

2. Learn the Rules

Better photography

Rule of thirds composition. It’s a “rule” because it usually works.

If you’ve spent much time reading about photography online, you’ll have read the words “Break the rules!” so often it’s become a platitude. Everyone is pushing you to break rules, but there is very little discussion about the rules themselves, what they mean, and why they should be broken. The fact of the matter is that the “rules” of photography are guidelines for a reason – they often work.

better photography

The “rule of thirds” for example, is effective because it results in a pleasing composition. (There is a mathematical reason for this, but a complete discussion of the topic is beyond the scope of this article.)

Proper focus, exposure, and color balance are all “rules” because they result in a pleasing image. Know how to effectively achieve these in your images again and again in a variety of shooting situations. Once you’ve mastered the “rules”, you can move beyond them (see #6 below).

3. Study Images Until You Know WHY They Work

As you are browsing through images on the internet, in magazines, or books, take a few minutes to study the photos that catch your eye and consider:

  1. What did you first see that captured your interest? Was there an action, color, or story that was compelling?
  2. How does your eye move through the image? At what point do you lose interest?
  3. What colors or points of contrast are interesting?
  4. Is there a story being told? What is it?
better photography

What about this image catches your eye? Is it something else that causes you to linger?

Images can be effective alone, in groups, or as part of a larger story being told in the surrounding text. Social media has a tendency to raise up stand alone images, but I encourage you to go farther. Good images are often a part of stories, and stories need to go somewhere. Sometimes that’s to the next photo in the series, sometimes it’s integrated into the text.

Successful photographers know this, and will cater their images to reflect the context. Magazines like National Geographic are very good at it, and many of the images in their pages do not stand alone well, but work beautifully within the context of the story being told.

better photography

Consider the images carefully, how they do, or do not integrate with their surroundings, and then try to reverse engineer them. How did the photographer create the photo? Is there artificial light? What exposure was likely used? Often there is a reason why successful photographer’s images look a certain way. See if you can suss that out by looking.

4. Make Lots and Lots of Photos

There is an old adage about becoming a good writer, “Write every day.” It’s no different with photography. Practice is vital. Make images, waste pixels. Delete lots, but make images, one way or another.

better photography

An atypical composition on a bright, flat-light day. The almost upside-down composition makes this image successful despite the poor light.

When you have successful images, study them as I recommended above in #3 to find out why they worked, and what you could have done to make them even better. Honest self-critique is tough. We can almost always find a way to justify our errors or to overlook the mistakes we make. We have a tendency to like our own images because they remind us of our experiences creating them, but our viewers don’t share those memories. The experience of viewing the images has to be sufficient.

Try to look at your photos as an outsider would, take note of the distracting elements, the clumsy balance, or off-kilter compositions. Consider would could be better, and work toward that goal your next time you’re out with your camera.

5. Travel

Getting away from our home environment is a great way to find inspiration. That can be a trip to some photogenic destination a world away, or simply driving to a different part of town. The trick is to break out of your rut, and make some new images.

better photography

When you come eye to eye with a grizzly bear, it’s easy to get overly excited and screw up your images. But, if you have the fundamentals of photography and your camera controls mastered, your odds of success improve dramatically.

New places also tend to inspire, but I caution you here. More than once, at a new place, I’ve been so enthusiastic to make images, oohing and aahing at the sights I’m seeing, that I failed to pay attention to the basics (See #1 and #2). I have utterly blown entire mornings of beautiful light because I was so caught up in the excitement that I didn’t notice my compositions were wonky, or my exposures were blown out.

Escape your normal routine, but always remember the fundamentals of photography.

6. Become Your Own Photographer

better photography

Storm light, shadows, and the sun, play across the northern foothills of Alaska’s Brooks Range. It isn’t a classic composition, yet I knew this image would work when I made it.

Much of the advice I’ve shared here relies on comparing your own work to that of others. This is a great way to learn, but eventually, you run the risk of stagnating, or worse, imitating others.

better photography

Every shooter is inspired by the work of other photographers. We all have gone through stages where we want to make similar images (or even identical) to what others have made. That’s why some sites are so famous: the Firefall in Yosemite, the bears catching salmon in Katmai National Park, the Tetons over the Snake River. Photographers crowd these locations, trying desperately to emulate, imitate, or re-create famous images they’ve seen before. This can be a great way to learn, but please don’t stop there.

better photography

Nothing about the lighting in this image follows the rules. It was blistering hot, midday, washout light. If I had followed the rules, I would never have lifted my camera.

Once you’ve mastered the basics and have a strong understanding of what makes an image succeed or fail, it’s time to break out on your own. Make images for yourself, compositions that are a-typical, weird, strangely composed and focused. Take the rules of composition, focus, and exposure and push their limits. Here is where the rules can be bent and broken. This is where you experiment, play, and most of the time – fail utterly.

But sometimes you won’t fail. Sometimes, that strange composition, that weird exposure, will work, and work beautifully.

better photography

Make images because they speak to you, not because you think your Instagram followers will like them. When you break away from what you think is expected, and to what you care about, your images will become your own. For me, this took a long time, but once I found my groove, my own style, I started enjoying the art of photography even more.

better photography

Caribou in winter on the arctic coastal plain of northern Alaska. Nothing typical about the lighting or composition of this image, yet it’s one of my favorite wildlife images. I’ve never seen another image like this, and that’s a big part of what I like about it.

Conclusion

Don’t try and please everyone. If you do, your work will appear generic and it will not push you to excel. In other words, be willing to fail. A willingness to fail will eventually lead to success.

Do you follow these six tips? Do you have any others that you would suggest to beginners to help them do better photography? Please share in the comments below.

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Video: first person view of a spacewalk, shot by an action cam

19 May
 
There’s literally nothing cooler than outer space. And getting to see a first-person view of a spacewalk, shot by an action camera, is both fascinating and exciting. The above video was taken on March 24th by ESA astronaut Thomas Pesquet. It also shows NASA astronaut Shane Kimbrough.

The two are shown preparing a dock and making repairs to components at the International Space Station. From the Youtube post:

“The primary task was to prepare the Pressurized Mating Adapter-3 (PMA-3) for installation of the second International Docking Adapter, which will accommodate commercial crew vehicle dockings. The PMA-3 provides the pressurized interface between the station modules and the docking adapter. The pair disconnected cables and electrical connections on PMA-3 to prepare for its robotic move, which took place on Sunday, March 26. PMA-3 was be moved from the port side of the Tranquility module to the space-facing side of the Harmony module, where it will become home for the docking adapter, which will be delivered on a future flight of a SpaceX Dragon cargo spacecraft. The spacewalkers also installed on the starboard zero truss a new computer relay box equipped with advanced software for the adapter.

The two spacewalkers lubricated the latching end effector on the Special Purpose Dexterous Manipulator “extension” for the Canadarm2 robotic arm, inspected a radiator valve suspected of a small ammonia leak and replaced cameras on the Japanese segment of the outpost. Radiators are used to shed excess heat that builds up through normal space station operation.”

Articles: Digital Photography Review (dpreview.com)

 
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Video: is the Canon EOS M6 good for vlogging?

19 May
 
The Canon EOS M6 features 1080/60p video capture, Dual Pixel AF, a selfie screen and lens-based IS. All of this adds up to what seems like an appealing package for vloggers. But is it? To find out for sure – and as part of our Canon EOS M6 review – DPReview’s Carey Rose put the camera’s vlogging chops to the test in a vlog about vlogging with the M6. Have a watch!
 
 

Articles: Digital Photography Review (dpreview.com)

 
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Sigma offers firmware updates for four Canon mount lenses

19 May

Sigma has released new firmware for Canon mount versions of four of its lenses:

  • 17-70mm F2.8-4 DC Macro OS HSM | Contemporary Canon
  • 18-200mm F3.5-6.3 DC Macro OS HSM | Contemporary Canon
  • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary Canon
  • 24-105mm F4 DG OS HSM | Art Canon

According to Sigma, the new firmware improves the AF accuracy of the lenses when used with the Sigma Mount Converter MC-11, as well as decreasing the lens diaphragm blades noise when using the aforementioned converter.

The same AF accuracy improvement and decreased noise also apply to the lenses when they are used with Canon EOS DSLRs while shooting video or while in Live Mode. Finally, Sigma says these lenses are now compatible with the Canon Digital Cinema Camera EOS C300 Mark II. 

Sigma lens owners with the Sigma USB Dock must first update the Sigma Optimization Pro software to, at minimum, version 1.4.1 (Windows) or version 1.4.0 (Mac) before installing the new firmware.

The full Sigma changelog is below:

Benefits of this firmware update

  • It has improved the AF accuracy when the lens is attached with the SIGMA MOUNT CONVERTER MC-11.
  • ?It is necessary to use the SIGMA USB DOCK for Canon ver.1.02 or later to update the firmware.
  • ? For customers who own SIGMA MOUNT CONVERTER MC-11 EF-E, it is necessary to update this to the latest firmware ver. 1.05.
  • It has reduced the operating sound of the lens diaphragm blades when attached with the SIGMA MOUNT CONVERTER MC-11 EF-E and used for video shooting.
  • It has improved the AF accuracy when the lens is used for video shooting as well as with Live View mode of EOS DIGITAL SLR cameras.*1
  • It has reduced the operating sound of the lens diaphragm blades when the lens is used for video shooting on EOS DIGITAL SLR cameras. *1
  • It has become compatible with the Canon Digital Cinema Camera EOS C300 Mark II.
  • *1 The degree of improvement may differ depending on the camera used.

Via: Sigma

Articles: Digital Photography Review (dpreview.com)

 
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How to Improve Your Art – The Creative Process in Photography

19 May

As photographers, we all want to be constantly improving our work. However, often this can seem like an uphill struggle, especially when you are just starting out. As an art form, photography is all about the creative process and exploring ideas through images, but in order to really create great images you need to put a plan in place for your own development; especially focused on skills, inspiration, purpose and output. By tackling these elements you can focus your mind and develop your work, to help you produce better and more refined art every time you go out on location.

Creating prints as a final output

Skills – The Basics

In order to get on to the creative elements, having a solid understanding of the base knowledge first is integral to improving your art as a photographer. I’m not going to go into detail here about understanding exposure, depth of field, composition, etc., but these are key things to spend time on.

It may seem like a huge task, but with solid work you can come to grips with being able to shoot in full manual mode easily within a month. After that point, you need to understand the basics as well as the layout of your camera’s functions, helping to make it an extension of yourself and not a distraction from your intended subject. There are a large number of fantastic tutorials here on dPS that can help you to get up to speed and really understand the basics.

Knowing your settings

Focus Days

Taking your learning further is all about practice and persistence, so think about spending a few days focused on certain image types. Set yourself the task of going out the door to just shoot panning images, wide angles, bokeh, etc. This will help you to formulate the skills in your photographer’s arsenal and produce more creative images for the future.

No matter how many years you have been shooting, testing yourself and constantly putting in the time will always help you improve. If you can’t find a whole day, why not a lunch break at work? Small efforts done consistently lead to great results.

Working on a local project

Restrict Yourself

Creativity is something people often believe thrives with options, but in honesty, having too many things to choose from can often dilute your vision and reduce the creativity within your images. Restrict yourself by focusing on a single subject for an extended period of time. Build a long term project in your garden or local nature reserve and keep returning to build upon your images.

Working with primes

Another option is to work with a single focal length or prime lens to explore how you can make the most of what you’ve got. If you don’t have a prime lens use a piece of gaffer tape to hold your zoom lens in position to stop the temptation of zooming in or out. These practices will enhance your skills when it comes to general shooting, as you will be able to quickly select and formulate the ways and ideas you want to shoot.

Create a prime using gaffers tape

Record

In order to get the best out of the images you are taking and the skills you are learning, remember to record them. Working with a simple notebook or online workbook, evaluate the images you have taken for successes and failures, in order to cement the lessons in your mind and learn from your work.

Sketchbook for taking notes

Inspiration

Inspiration is very important for your development as a photographer. Without constant inspiration it can be hard to formulate ideas and develop on past work. Staying inspired doesn’t just mean looking at other photographer’s work, as often over-saturaturation of a single medium can result in less creativity. So it’s better to take input from as wide a range of sources as possible.

Galleries

A traditional showcase of artwork, galleries are still a fantastic option for gaining some inspiration. The variety of work on show, from ancient works such as stone carvings and cave paintings, through to impressionism and modernism, really do offer a superb variety of visual stimuli. Often, to get the best out of them, attending a tour or showcase day can help, giving you the backstories of the work as well as explaining the techniques and mediums used. This knowledge will inform, and allow you to formulate your own processes when creating images in the field.

Nature

As a wildlife photographer, nature is a huge inspiration to me. Heading out on walks, be it with or without a camera, is a great way to soak up some atmosphere. Look at light and shape of the landscape, and pull in ideas for future images.

Architecture

Looking for line and shape

Buildings offer fantastic inspiration for photography. Lines, form and shape are used to make striking structures and can be a excellent source of inspiration. Focus on looking for the way the shapes are used to form elegant structures or draw your eye to a pivotal point. Additionally, take note of the way shadows form, as this will help you imagine and anticipate lighting for future images.

Online

In the modern world the internet has a huge amount to offer, and with so many fantastic resources it is full of inspiration. Taking a look at photographers’ portfolios, or the feeds of 500px, Flickr, etc. offer superb images that can be the perfect inspiration for your own work. One thing to avoid is that of visual trends, copying styles just because they are popular. It is always worth noting that just because an image doesn’t have many Likes or Favourites” does not deny its worth as inspiration, as images will always mean different things to different people.

In person

A great way to find inspiration is to become part of a community. Heading to events in the photography world such as exhibitions or trade shows can provide a great way to meet like-minded people as well as see some excellent work. Also, think about looking for a local photography group or club. Many areas have these and they offer a great chance to meet up and discuss work and camera techniques with your peers, all the while helping you improve and develop your skills.

Record (again)

Just as above, it’s very important to also record your inspirations. Write down the names of artists and photographers you want to look up, and make notes on what you like and dislike about certain images and media. All of these thoughts and feelings are great to revisit when creating to help formulate and focus your own work. Remember to keep that notebook handy!

Purpose

Back Garden wildlife

Creativity often needs purpose and so do your images.The most powerful images almost always have a purpose behind them, be it to tell stories, stir emotion, tempt us, or give us a glimpse into something we’ve never seen before. Images with purpose have greater strength.

When wanting to improve your own images look for purpose within your shots. Tell stories through single images or start to work on documenting a larger idea through multiple images. Have the story in your head and shoot frames to help tell it pictorially. Stories don’t need to be huge photojournalist essays, instead start off by just showcasing the mundane, everyday occurrences.

Training yourself to make powerful images of these situations will equip you with the necessary skills for more exciting opportunities in the future. Working on a local project, be it in your back garden or local community, means you can spend a great deal of time focused on your images as well as developing your story and vision.

Always ask yourself the following;

  • Why am I creating this image?
  • What am I trying to show?
  • What are the key elements in this story?
  • How can I find a unique angle?

These thoughts will help you work toward creating stronger images with purpose and meaning, leading to far more creative photography.

Taking inspiration from architecture

Output

Art deserves to be shown and deciding how you are going to output your final work is a great way to focus your creativity. In the modern world, most images just end up on a hard drive, away from the light of day where no one can see them. With all the work and effort you are putting into them, they deserve more.

In terms of being creative with your work, think about how it should best be shown. Often people lean toward online media, showcasing work through the likes of Flickr or Facebook, Although these are a great way of getting work out there, they can numb the creative and learning process somewhat.

Printing your work

Think about outputting to hard media, printing out your work as well as online platforms. There are loads of great ways to produce photo books, magazines and gallery style prints that will look far better and suit certain bodies of work far more. The creative process of learning to design a photo book, bring together a 12-part print collection, or design a magazine spread, will also be an excellent learning curve to help you when working on future projects.

In addition, there is something to be said for holding a final piece of work in your hands. A finished print really is the ultimate moment for an image. Having passed through all of the creative stages from conception and execution, through to editing and final completion in your hands is a great feeling, and one every photographer deserves after finishing an image.

Conclusion

In order to produce more and more creative work it’s all about focusing on the process. The skills behind creating, the inspiration and purpose behind projects, the final results and how they are output. By taking time to think through these stages you can really focus your mind and produce refined work to be proud of, as well as constant develope your skills and grow as a photographer in the future.

The post How to Improve Your Art – The Creative Process in Photography by Tom Mason appeared first on Digital Photography School.


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AI-powered Google Lens can identify types of flowers, give info about restaurants

19 May

At Google I/O 2017 the company showed off its new Google Lens technology. This AI-powered capability uses visual recognition to provide information about whatever your smartphone’s camera is pointed at. Examples given by the company include identifying a type of flower or providing reviews and other information about a restaurant.

You will also be able to point the camera at a concert sign and have the opportunity to buy tickets, or get connected to a Wi-Fi network by aiming at the router’s ID ‘setting sticker.’

Google Lens will be incorporated into the company’s Photos and Assistant apps, but specific release dates aren’t given.

Articles: Digital Photography Review (dpreview.com)

 
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Google demos technology that scrubs objects from photographs

19 May

During its I/O 2017 conference yesterday, Google demonstrated a new algorithm-based technology that can remove unwanted objects from existing photographs. The demonstration showed the technology removing a chainlink fence from the foreground of an image, with the final result offering no discernible indications that the fence had ever existed (around 10:45 in the video below).

The technology was demonstrated on stage by Google’s CEO Sundar Pichai during a conversation about the company’s expanding visual technology. ‘Coming very soon,’ Pichai explained, ‘if you take a picture of your daughter at a baseball game and there’s something obstructing it, we can do the hard work and remove that structure and have the picture of what matters to you in front of you.’

It looks to be an evolution of the research Google and MIT have been collaborating on for some time – in fact, their demonstration from 2015 includes a very similar chain-link fence demo. This method takes advantage of the parallax effect to identify and remove obstructions from photos. 

Unfortunately, Pichai didn’t elaborate on when this technology will be made available aside from ‘very soon,’ nor did he specify where the technology will be available. Given the company’s Google Photos announcements, however, it seems likely the technology will be implemented within that product.

Via: Google

Articles: Digital Photography Review (dpreview.com)

 
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A Taste of New York is a stunning Big Apple time-lapse

19 May

A Taste of New York is the third installment of the popular “A Taste of…” series of time-lapses by Film Spektakel. To produce this breathtaking video the team around Peter Jablonowski, Thomas Pöcksteiner, and Lorenz Pritz spent 10 days in New York in 2016, shooting 65,000 photos and accumulating 2.6TB of image data on their hard drives.

‘In September 2016 we visited this awesome city to try out some new time-lapse stuff.
It took us 10 days, a lot of burgers and one helicopter ride to produce this video. 10 days is very little time to discover this city of endless opportunities, so we hardly slept anything and shot day and night for this time lapse film. The city that never sleeps indeed!’

The team used a variety of equipment including a Sony a7R II, Sony a6300 and two Canon 6Ds. The final three minute long video took 36 hours to render on a high-end Apple iMac. The stunning imagery is perfectly complemented by Alex Clement’s sound design. 

Articles: Digital Photography Review (dpreview.com)

 
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Canon warns of defective focusing in some EF 24-105mm F4L IS II lenses

19 May

Canon has issued a service notice for a collection of lenses with specific serial numbers that need to be checked for faulty focusing systems. The lens affected is the EF 24-105mm F4L IS II USM standard zoom, but users are advised that only particular production batches have the problem.

Canon says that some units with serial numbers beginning with 48, 49, 50 or 51 suffer from poor focusing when used with an AF point close to the edges of the host camera’s focusing array. The fault is only apparent when the lens is used at wide-angle focal lengths.

All defective lenses will be taken back for testing and repair at no cost to the owner, the company says. The Canon website carries a service section that allows owners of the lens to type in the serial number of their lens to check whether it will need to be returned.
For more information see the Canon USA, Europe or Asia service pages, or those for your local area.

Manufacturer’s information

Service Notice: EF 24-105mm f/4L IS II USM Lens

Thank you for using Canon products.

We have determined that some EF 24-105mm f/4L IS II USM lenses exhibit an AF operation-related malfunction. The details of the phenomenon and Canon’s service policy are described below.

We would like to offer our sincere apologies to users who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence.

Phenomenon
At the wide-angle end, focus is not achieved properly when a peripheral AF points are selected, regardless of the AF area selection mode.

Affected Lenses
If the first two digits in the serial number (see the image below) of your lens are ”48”, ”49”, ”50” or ”51”, then your lens MAY POSSIBLY be affected.

How to check if your lens is affected:
1. Click the search button below to display the serial number input screen.
2. Input your lens’ serial number (10 digits) and then click the [Submit] button.
* Please double check the serial number you entered before you click the [Submit] button.
3. One of the following three messages will be displayed.
“Your lens is NOT an affected product”?
“Your lens is an affected product”
“Invalid number”

Support
As soon as preparations have been completed, we will inform users about the start date for accepting support requests for lenses affected by this issue.

Potentially affected products will be inspected and repaired free of charge. If you own one of the potentially affected products please contact our Customer Support Center

Articles: Digital Photography Review (dpreview.com)

 
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