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Archive for September, 2016

Tactical Urbanism: 15 Low-Cost City Hacks for Fun & Functionality

08 Sep

[ By SA Rogers in Architecture & Cities & Urbanism. ]

urban hacking poland square

The ways in which citizens modify public spaces to suit their own needs, whether by creating ‘goat trails’ in places that lack proper sidewalks or actively ‘hacking’ infrastructure, tell urban planners how cities need to be adapted and influence their growth. Urban hacktivism is a direct means of shaping cities to our desires, often through temporary guerrilla actions that ultimately lead to more permanent solutions. These city hacks range from taking over disused public squares and installing seating for the elderly to infusing everyday scenes with humor and fun, making the urban landscape one big playground.

Shopping Cart Sports by Florian Riviére

urban hacking shopping cart hockey

urban hacking shopping cart tennis

urban hacking shopping cart hockey 2

Among the many city hacks by French artist and activist Florian Riviére, the project ‘Don’t Pay, Play’ encourages customers to linger in the parking lot of a shopping center rather than going inside. The parking spots are modified using nothing more than some white tape to transform them into courts for basketball, hockey, tennis and more, with shopping carts used as goal nets or structural supports.

Wanderest Chair for the Elderly Attaches to Lamp Poles

urban hacking wanderest

Any light pole can become the backrest for a seat with ‘Wanderest’ by designer Nichola Trudgen. Easy attaching to any circular or octagonal lamp posts, the leaning stool is strategically installed in retirement areas where there’s little to no public seating available.

‘Info Pillars’ Guerrilla Takeover

urban hacking info pillars

urban hacking info pillars 2

So-called ‘info pillars’ in Toronto tend to contain advertisements instead of anything that’s actually useful for people exploring the city on foot. They also block large sections of the sidewalk, disrupting the flow of pedestrians. Creative team cARTographyTO hacked 35 of the signs and filled them with art, sculptures, maps and chalkboards, which got the attention of the city and encouraged them to reconsider their use of the pillars.

Tram Track Skateboarding

urban hacking tram skateboard

urban hacking tram skateboard 2

The tram rails in the city of Bratislava, Slovakia just happen to be the perfect width for a standard-issue European pallet. Modified with parts that keep it in place, it becomes something like a skateboard, zooming across the city with little to no effort as a free personal vehicle. Slovakian artist Tomas Moravec says of his project, “A new transport vehicle brings change into the spatial perspective of a passenger in motion and generally changes the life of the city, through which the pallet can run, guided by a map of the city lines.”

Urban Terrasse: Adaptive Furniture by Damien Gires

urban hacking terrasse 1

urban hacking terrasse 2

Octagonal cardboard boxes pop right onto existing anti-parking posts on the sidewalks of France, turning them into mini tables for adjacent cafes. ‘Urban Terrasse’ by French designer Damien Gires makes the sidewalks more functional, and encourages patrons of cafes lacking outdoor seating to be more engaged with their city environments.

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Tactical Urbanism 15 Low Cost City Hacks For Fun Functionality

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Tips for Starting a Photography Business the Right Way

07 Sep

Are you ready to make the switch from a hobbyist to full-time professional photographer? That,s great, congratulations on your decision. It’s a great profession to be in, one that gets your creative juices flowing every time you pick up a camera. But along with the desire to start your own photography business, there are a few necessary steps that you need to take to make sure you start off on the right note!

Memorable Jaunts Starting a business Article for Digital Photography School-20

Define who you are as a photographer and what is your business all about.

Get all the necessary legal paperwork in place

As per wikipedia, a professional is a member of a profession, or any person who earns their living from a specified professional activity.

The fact that you are charging money to clients in exchange for photos means you also need to document said money, and pay appropriate taxes. In most parts of the world, this means registering your business with the local governing body, reporting income accurately ,and paying appropriate taxes. Make sure you research what the legal requirements are where you live, and follow them.

You don’t want to get into trouble with the government at a later stage. Part of the registration process may require you to have a business name, as well as get a tax id. Many photographers pick their own name for their business, while others like me, choose a generic name to represent their brand. There is no right or wrong way, just pick one that works for you.

Memorable Jaunts DPS Article about starting a business

Maintain an online presence for your photography business

The important thing to maintaining an online presence is have a way to represent your body of work, i.e., your portfolio. Luckily, there are many free options for uploading your images to the Internet. Sites like WordPress and Blogger (previously called Blogspot) offer a way to create a blog. Flickr and 500px are other options to upload and host your images.

Getting a custom website, with a custom URL (in most cases your business name) takes it up a notch in terms of creating brand awareness (you can look at low cost options like Square Space). It is much easier to tell a client that your portfolio can be found at (for example) “www.memorablejaunts.com”, rather than saying “memorablejaunts.blogspot.com”. Depending on your business name this can be a mouthful and difficult to remember.

As you think about your online presence also consider social media. There are many options to choose from to be socially engaged with your clients, and more importantly, your potential clients. With so many social media platforms out there, it’s very easy to get overwhelmed. So my advice would be to pick two to three, and actively engage with your audience there. In the initial part of my career, I focused on Facebook, then added Twitter and Instagram to my social media strategy. As you create your own social media strategy, remember to be consistent across the board. Let your website and social media tools speak the same language, and showcase your style consistently.

Memorable Jaunts Urban Photography Article for Digital Photography School-20

Be social online AND offline

The internet has been a blessing in disguise for most small businesses. The world is no longer just limited to who we know, and our friends. It is very easy to find like-minded peers and colleagues all over the world. Reach out and form genuine connections. Don’t worry about what they can do for you. Instead focus on how you can help them.

Often times it is just being a positive voice – encourage them, congratulate them, and be genuinely happy for their success. Don’t be fake, being pretentious is a complete put-off. On that same note, make an effort to engage with local peers and colleagues. Take them out for lunch or just a cup of coffee – take the time to listen to their story and acknowledge their success. This is basic common courtesy, but you will be surprised at how many new and experienced photographers don’t seem to get this respect. It always pays to have a friend or a listening ear in the business!

Memorable Jaunts Starting a business Article for Digital Photography School-22

My Facebook Business Page speaks the same language as my website and Instagram business account – the look, the feel, as well as something as simple as a profile picture – they are consistent across all platforms.

Memorable Jaunts Starting a business Article for Digital Photography School-23

I have been more active on Instagram over the past six months and have met some really interesting people all over the world – it is such a perfect visual medium for photographers

Some sites that have communities of photographers (all various levels)

  • Meetup.com
  • Instagram – there are many photography related hashtags as well as geotags that you can search on to find other photographers, groups and peers.
  • Facebook – there are several public groups where photographers are welcome to join to ask questions, showcase their work, and get feedback
  • Local camera stores and community colleges – check your local camera store or community college to see if they have any groups that meet regularly. If not, don’t be afraid to start one.

Accurately track your income and expenses

I say this from experience! It is very painful, and time-consuming, to back-track and look through credit card receipts to tally expenses. The better and more sensible option is to spend one day every week to tally income and expenses. This will give you an idea on where you are financially at any given point of time.

Believe me, when you are just starting, expenses can add up very quickly. Before you know it, you can rack up a sizeable amount of debt that can be hard to get out of and handle.

Memorable Jaunts Starting a business Article for Digital Photography School-24

Keep it simple…I use a daily planner that has all items related to my business (to do tasks, as well as daily expenses). Once a week, I update a spreadsheet similar to this with all expenses, to keep a running tab of where I am financially.

Gear – need versus wants

This one is a hard one to control. It is human nature to want to have the best of everything, especially when you are starting something new. We have self-perpetuated this fantasy that having the best and latest/greatest, is essential to our success.

Gear, especially photographic gear, is very expensive and becomes obsolete very quickly. Really think through what you need to be successful in your job, and have a game plan on how to build up your gear. The first two years of my business I survived on a Canon 5D MarkII and Canon 24-70L 2.8 lens. My backup camera was an old Canon 10D whose battery life was less than two hours. But it was my backup, and I was really careful with my gear. If I needed another lens, I just rented it.

Once I started photographing weddings, for more than a year I rented the 70-200mmL 2.8 and a speedlight, before I saved up money to purchase them for myself. Also remember that there are other things that you will need to have a successful photography business like: a computer, editing software, and as well as business insurance. It is better to invest in those upfront (and they are needed to run a successful business) rather than just on camera gear!

Memorable Jaunts Starting a business Article for Digital Photography School-21

I shoot digital for client work and a mix of film and digital for personal work.

I hope all this did not scare you! Being a professional photographer is a hard thing to do, but it is incredibility satisfying. You can achieve a lot of success in this field if you are willing to put in the long hours and do what it takes to be successful.

Remember this is a business, one that you have willingly chosen to undertake. Give it your best, but also have fun. Don’t get too bogged down with all the mistakes you think you are making. They are not mistakes, they are learning opportunities, and they will make you a better photographer and better business owner in the long run.

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The post Tips for Starting a Photography Business the Right Way by Karthika Gupta appeared first on Digital Photography School.


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Interview: Landscape photography master Charlie Waite

07 Sep
Grand Canyon Lighting by Grant Ordelheide. Winner of the ‘My USA’ category in the 2015 USA Landscape Photographer of the Year Award.

Founded in 2006, the annual UK Landscape Photographer of the Year Award has become one of the most prestigious photo contests in the world. 2016 marks the third year of a USA-specific competition, open to entrants from all over the world to showcase inspirational images taken in the United States.

As the deadline for the 2016 USA Landscape Photographer of the Year Award approaches, we spoke to its founder, renowned landscape photographer Charlie Waite about his life and career, and his hopes for the contest.


You’re one of the best-known names in landscape photography – how did you get started?

Well originally, I was an actor. I was rather a mediocre actor for 12 years, and I photographed a lot of actors for their publicity and so on. My wife was in television, and in the 1970s she was filming down in Devon. One day I was watching her filming and I wondered off into the Devon landscape with my camera and I just found myself responding to the landscape.

Back in London my wife and I went to look at a house we were thinking of buying and the guy who was selling it asked me what I did, and I said I was a landscape photographer, which was a complete untruth.

 Loch Indaal, Scotland. Photograph by Charlie Waite, used with permission.

It turns out he was in charge of the illustrated books department at a publisher and he said ‘can I look at your portfolio?’ so over the weekend I enlarged the pictures that I’d made, showed them to him and he commissioned me to do a book.

So I went from being an out of work actor to a photographer. And it just rolled on after that.

What inspired you to continue and make a career out of landscape photography?

I felt spiritually enriched. I knew that a deep engagement with the landscape was really good for me, and really elevated me as a person and calmed me. I found that landscape photography leveled me. Fully engaging with my surroundings. A lot of people think that landscape photography has nothing to do with emotions, it’s just craft, and skill, and finding the right light and everything else but it settles me and I’m very enriched by it. I’m more in love with photography now than I ever have been before.

 Amish country, Pennsylvania, USA. Photograph by Charlie Waite, used with permission.

What’s your favorite location?

In my heart I want to say the UK, and I think in joint second place would be the USA and France. I like to call France the most undiscovered country in Europe. It’s so quiet there.

 Autoire, France. Photograph by Charlie Waite, used with permission.

What lead you to create the Landscape Photographer of the Year programs?

I didn’t think there were many people out there who loved landscape photography as much as I did. I’ve always thought that if it elevated me it could elevate other people. I hate the word ‘evangelist’, but I felt sort of evangelical, and I wanted to say ‘come on let’s get together’. I love being in the company of other photographers, and I thought we could all get together and do a good thing, and bring landscape photography to a wider audience. And the competition really has done that.

It’s brilliant to go to the annual winners’ exhibitions, with 30 or 40,000 people visiting, and seeing the pleasure they get from the images. They’re moved by the eye and the craft of the photographer that made the images. I call a photograph a production. It’s not something you ’take’.

Dancing Trees, by Paul Leatherbury. Winner of the ‘Classic View’ category of the 2015 USA Landscape Photographer of the Year Award.

I love the US, I’ve traveled there a lot, so I thought it was a natural thing to start a US version of the competition, which we’ve been running in the UK since 2006. It’s been really fun bringing it all together. I wasn’t very good at school, I wasn’t a very good actor, and I wanted to do something that might mean something to people. And that’s what drives me on. There are some great photographers out there.

My dream – what I really want to happen, is – do you remember the series ‘Earth From Above? I cannot believe what a grand, far-reaching tour that exhibition had. And what I would love to do is to take the Landscape Photographer of the Year Award in the US and UK and take the exhibition around the world. And say ‘this is what America looks like, in the eyes of some of the word’s best landscape photographers’.

Hourglass, by Ted Gore. Overall winner of the 2015 USA Landscape Photographer of the Year Award.

Is there anyone who’s come through the Landscape Photographer of the Year Awards in previous years who’s gone on to make a career out of landscape photography?

I think they all have. It’s elevated the winners hugely. It’s an amazing label, to be Landscape Photographer of the Year.

What advice would you give to an aspiring landscape photographer?

Find your signature and specialize. Don’t be a jack of all trades. Find your way of seeing. And be memorable for your particular way of seeing. I was given that advice, and it’s a bumpy ride, like acting. It’s really not easy. It’s precarious and insecure, but there are many different ways of seeing, and many ways that are still to be found. Make your images have meaning. And practise.

Click here to submit entries to the 2016 USA Landscape Photographer of the Year Award


Charlie Waite is a renowned landscape photographer and founder of Landscape Photographer of the Year Award competitions in the UK and USA.

Articles: Digital Photography Review (dpreview.com)

 
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Metz teases 30 percent smaller flash ahead of Photokina

07 Sep

German company Metz has teased a new generation of flash products ahead of Photokina, where it plans to launch the first flash model in this new product line. According to a post on the company’s Facebook page, the new flash will be 30% smaller than previous models thanks to ‘new developed technologies and construction.’ Metz says it will post more details about the flash on its Facebook in the days leading up to Photokina.

Via: Photo Rumors

Articles: Digital Photography Review (dpreview.com)

 
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How to Quickly Remove Dirt Spots Using Median in Photoshop

07 Sep

You’ve rolled out your white background for your shoot; whether it’s vinyl or paper. It’s a bit dirty from shoes, but you’re under pressure to get the shoot done, so you carry on regardless. When the shoot is over and the photos are back on the computer, that’s when you see how bad it really was. The scuff marks, the footprints, the stray hairs, these are going take ages to clone out. You’re sorry now that you didn’t clean it up, or cut off some paper. Sigh. Better just getting going on the processing.

But wait! There’s a better way.

It doesn’t have to all be cloned out. There’s an easy way, using one of Photoshop’s lesser known tools called Median. Median is a form of blurring, where groups of pixels get changed to the middle value of the pixels. Higher values are reduced, lower values are increased, averaging out the values.

Steps for cleaning up your white background

So your floor has specs of dust, hair, and just general footprint dirt on it.

cleaning-a-white-background-1.jpg

Step one – duplicate layer

Duplicate your background layer by dragging it on to the New Layer icon at the bottom of the Layers panel.

Cleaning a white background 2

Alternatively, use the shortcut Command/Control + J. If you’ve got a set of layers, then use the shortcut Shift + Cmd/Cntrl + Option + E to stamp them into a new layer.

Step two – Median

Go to Filter>Noise>Median.

cleaning-a-white-background-3.jpg

Move the Radius slider until the dirt disappears. I’ve used 10 here.

Cleaning a white background 4

Step three – apply a layer mask

If you’re not familiar with Layer Masks, you can use the Erase brush to bring remove the areas you don’t want blurred, but I recommend using Layer Masks.Cleaning a white background 6

A white Layer Mask reveals everything on the layer, while a black mask conceals the contents of the layer. You want a black mask for this layer, so hold down the Option key on Mac (Alt for PC), and click the New Layer Mask icon at the bottom of the Layers Panel. A black mask appears on the layer and the Median filter is concealed.

Next, select the Brush Tool (or use the shortcut B), then hit D for Default colours. Then use the shortcut key X to swap foreground and background until the foreground (i.e. the top swatch in the tools panel) is white. With a soft brush, paint over the dirt to reveal the Median filter’s affect. Don’t go too close to the edges of your subject. If you make a mistake, press X to swap the brush to black, and paint it back to hide that area again. This is the beauty of Layer Masks, you can reveal or conceal over and over again without having to undo (this is called non-destructive editing).

cleaning-a-white-background-5.jpg

This trick isn’t limited to backgrounds. You can be use it on any areas of continuous tone, for a quick result. I’ve had to use it on skies, where I’d accidentally used a dirty sensor cleaning brush and left marks on the sensor. Here’s how you could fix such an issue using Median.

Fixing a dirty sky with Median

As with the background cleaning technique, start by duplicating the background layer. You can see the issue quite clearly in the sky (below), and in the smooth parts of the river.

cleaning-a-sky-1

Next, apply Filter>Noise>Median. The issue will need a far higher Radius than the background required.

cleaning-a-sky-2

Select only the sky area

Next, hide the Median layer by clicking on the eye on the layer, then select the layer underneath. From the tools panel, choose the Quick Selection tool or press W. From there, drag the cursor along the sky, close to the buildings. Because of the hard edges against the sky, the selection is made easily.

cleaning-a-sky-3

Next click “Select and Mask” (outlined in red above). You’ll see the sky clearly, and the rest of the image faded. Brush the cursor over the tips of the buildings, street lamps and other things that need to be protected from the blurring effects of the Median filter. Press return (enter) to create a selection with marching ants visible.

Turn the visibility back on for the Median layer. Press the Layer Mask icon in the Layers panel to create a mask.

cleaning-a-sky-4

You will see areas where the Median filter has blurred edges, so you’ll need to brush the mask with a black brush to hide these. You don’t need to be precise, using a large soft brush along the edge of the buildings will make it a quick job.

cleaning-a-sky-5

Remove the Median where it has blurred the edges of the city buildings.

The final part is to go along the water with a white brush, set to 50% Opacity, to hide the dirt in the water.

cleaning-a-sky-6

The final image looks far better than the original.

cleaning-a-sky-7

Much quicker than manually cloning the dirt out, right?

Have you tried this method, how did it go? Do you have another fast way of removing dirt? Please share your thoughts in the comments section below.

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The post How to Quickly Remove Dirt Spots Using Median in Photoshop by Sean McCormack appeared first on Digital Photography School.


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Canon updates Pixma printer line with more compact models

07 Sep

Canon has announced four new inkjet home printers that it claims are much better looking than its previous models, as well as 40% more compact. The new models are the Pixma TS5050, TS6050, TS8050 and TS9050, each of which offers both printing and scanning functions. Canon has enabled wireless printing on all four models allowing users to connect smartphones and tablets via the Canon PRINT app through Wi-Fi Direct and Access Point Mode. The two top models, the TS8050 and TS9050, allow NFC connection as well, while the TS9050 features an Ethernet port for networking the machine to multiple PCs.

The LCD screen of the printers differ between models with the TS5050 offering a 3in panel with no touch function. The TS6050 has the same size screen but with touch control, while the touch screen of the TS8050 measures 4.3in and that of the TS9050 measures 5in.

Printer resolution differs too, from 4800x1200dpi in the TS5050 and TS6050 to 9600x2400dpi in the TS8050 and TS9050. The lower end models use a five-ink ChromaLife 100 system while the higher end models use 6 inks.

For more information visit the Canon website.

* PIXMA TS5050 Series – RRP £119.99
* PIXMA TS6050 Series – RRP £159.99
* PIXMA TS8050 Series – RRP £199.99
* PIXMA TS9050 Series – RRP £279.99

Press release

Enjoy high-quality prints with one of Canon’s stylishly compact three-in-one home printers

United Kingdom, Republic of Ireland, 6 September 2016 – Canon today unveils a newly designed PIXMA inkjet line-up with design, connectivity and creativity at their centre. No matter your needs, Canon offers something for everyone with its entry-level PIXMA TS5050 series, mid-range PIXMA TS6050 series, PIXMA TS8050 series and its top-of-the-range PIXMA TS9050 series – all of which are up to 40% more compact.

Seamless connectivity
Thanks to integrated Wi-Fi connectivity, each PIXMA offers wireless printing from PCs, smartphones and tablets via the improved Canon PRINT app for Android and iOS. Features such as Wi-Fi Directi and ‘Access Point Mode’ let you connect directly to the printer without needing a router or Wi-Fi password, making it easy to share your printer with visiting friends and family.

The PIXMA TS9050 series and PIXMA TS8050 series’ PIXMA Touch & Print feature, accessed via the Canon PRINT app on Android devices, allows you to simply connect your NFC-enabled smartphone or tablet and create a print or scan. The PIXMA TS9050 series’ Ethernet connection gives you the freedom to share the connection between multiple PCs on a network.

With the PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS6050 series, the LCD touch screens provide access to the PIXMA Cloud link, which connects to your favourite cloud services, so you can quickly print a photo or upload a document to read on the goii. If you love social media, the selected printersiii can connect to Instagram™, bringing your favourite photographs to life – even as 13x13cm (5×5”) prints on Canon’s new square glossy photo paper.

Modern, compact designs for stylish and connected homes
The compact, sleek designs are the most distinct and eye-catching yet, making your PIXMA a piece of art in the home. The contrasting mirror and matte finish of the PIXMA TS8050 series and PIXMA TS6050 series add instant shine in any room, while those wanting to make an artistic statement can with the PIXMA TS9050 series cutting-edge box aesthetic. The front tilt panel and large LCD screens, provide quick access to the all-new intuitive single screen home menu, mirroring the Canon PRINT app’s simple navigation and functionality.

Quick and easy quality home printing
The PIXMA TS5050 series and PIXMA TS6050 series’ five individual ink tanks provide fast, high-quality printing on both plain and photo paper. Using an additional grey ink tank and enhanced photo black ink, the PIXMA TS9050 series and PIXMA TS8050 series both improve photo print quality, with richer details in dark and shaded areas, making them ideal for photography enthusiasts. Optional XL cartridges across all models allow you to print more pages, whilst the single ink cartridges minimise waste, with each colour individually replaceable.

Get creative from the comfort of your home
From photos, to double-sided documents, or personalised birthday cards and a child’s artwork, the new PIXMA models are compatible with a wide range of paper types and sizes, thanks to the new rear paper feed. In addition to this a front cassette on the TS9050 series, TS8050 series and TS6050 series, mean users can simultaneously have plain paper for documents in the front cassette whilst having photo paper loaded in the rear tray making light work of printing both document and photos without having to switch paper between prints. Both the PIXMA TS9050 series and the PIXMA TS8050 series feature direct disc printing via the Canon PRINT app.

The PIXMA TS9050 series, PIXMA TS8050 series and PIXMA TS5050 series can also print your photos straight from an SD memory card, without the need for a PC. With SD card printing on the PIXMA TS9050 series, you can even add creative filters directly onto your photos from the large 12.6cm (5”) printer touchscreen itself, for inspiration at the touch of a button.

PIXMA TS5050 series key features:
* All-In-One printer that’s compact, elegant and affordable
* Print over Wi-Fi, from an SD card, or from the cloud
* 7.5 cm (3”) LCD display and simple user interface
* Print 10×15 cm (4”x6”) borderless photos at home in under 40 seconds
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS6050 series key features:
* Fast All-In-One document and photo printer
* Wi-Fi for cable-free printing, copying and scanning around the house
* Intuitive user interface with 7.5 cm (3”) touchscreen
* Access cloud features from the printer’s touchscreen
* Smartphone and tablet ready using the Canon PRINT app

PIXMA TS8050 series key features:
* Print your photos at home in stunning quality
* Compact design Wi-Fi printer with copy and scan functions
* Large 10.8 cm (4.3”) touchscreen and auto-tilting front panel
* Wi-Fi, NFC and SD card connectivity options
* Smartphone- and tablet-ready with the Canon PRINT app

PIXMA TS9050 series key features:
* Specialist printer that delivers stunning lab-quality photos
* Creative filters for SD card images using the large 12.6 cm (5”) touchscreen
* Compact form factor with elegant contrasting textures
* Smartphone-ready All-In-One with Wi-Fi and cloud connectivity
* Wi-Fi, NFC, Ethernet and SD card connectivity options

Articles: Digital Photography Review (dpreview.com)

 
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Sigma gets into the cinema lens game starting with 18-35mm T2 and 50-100mm T2 zooms

07 Sep

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Sigma has announced its own line of lenses for filmmakers. Sigma Cine Lenses are weatherproof and designed with an emphasis on optical performance and making the most of high-resolution sensors. An 18-35mm T2 and 50-100mm T2 for APS-C bodies will be the first introduced. 

A full-frame 24-35mm T2.2 and an assortment of primes will follow in 2017 and beyond. All lenses will be introduced in EF- and E-mounts, with PL versions coming later for each except the 24-35mm T2.2 FF. Pricing isn’t given at this time; Sigma says the first lenses will be available near the end of 2016 starting with Japan and the US.

Press release:

SIGMA ANNOUNCES NEW CINE LENSES

Amsterdam, The Netherlands — September 7, 2016 – The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release of its SIGMA CINE LENSES, designed specifically for cinematography. In the world of digital film production, there is an increasing demand for higher resolution, and SIGMA’s new lineup of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has developed its own production system by establishing the required technology for mass production of high-performance lenses for ultra-mega-pixel shooting. The company feels this valuable new lens line could create a fundamental change in digital film production, and provide a new solution for cinematographers.

  • Unbeatable value – the highest optical performance in its class and outstanding compact design
  • Wide range of lenses for professional use
  • Optimized for the latest digital moviemaking technology

For the first phase, SIGMA will release two zoom lenses in Japan and the USA for EF and E mount camera systems. Furthermore, another zoom lens and five prime lenses will be released to the market in sequence from 2017 onward. SIGMA plans to develop additional zoom and prime lenses as well as add support for PL mount camera systems. The latest release information will be sequentially updated on its official website.

High Speed Zoom Line
High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is ready for high-resolution shooting such as 6K – 8K. Furthermore, while offering the highest image quality in its class, the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line
FF Zoom Line is compatible with a full-frame image circle, and the optical performance is ready for high-resolution shooting such as 6K – 8K. It provides a rare option for cinematographers since very few lenses can cater to the requirements of the latest digital cinema cameras’ image sensor, which is larger than Super 35, and expand the range of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design. This lens is not available in PL mount.

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all five lenses are T1.5. They are compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts. These lenses bring a consistent level of light to the production and offer greater consistency with regards to the film’s look and color/contrast before it enters post-production.

Each CINE lens model is weatherproof and has luminous paint markings to aid in changing and operating the lens in the dark. It touts a long focus rotation of 180 degrees and is guided by cams for smooth operation and accuracy. The CINE lens design features standardized essentials such as an 82mm front for ND filters* and a 95mm front diameter for matte box use and standard gear positions for accessories like follow focus. They also include a manual linear iris control and electronic mounts that provide vital camera metadata. Each lens is manufactured and inspected in the Sigma factory located in Aizu, Japan.

Availability/Pricing

Availability: toward the end of 2016 (in Japan and USA in the first phase)
Pricing: TBD
Mounts: Initially Canon-EF and Sony-E to be followed later by PL**

*20mm T1.5 FF doesn’t accept filters.
**24-35mm T2.2 FF is not available in PL mount. The appearance and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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TH Swiss releases pricing for its Irix 15mm F2.4 manual focus lenses

07 Sep

Optical new-comer TH Swiss has announced pricing for the two versions of its Irix 15mm F2.4 manual focus lens designed for full frame cameras. The lens was originally announced in March this year, but the company now says the lenses are ready for sale and will be priced from €475 (about $ 535) for the Firefly model. There are two versions of the lens, the Blackstone and the Firefly. The Blackstone offers a more solid build and better water resistance, while the Firefly is said to be lighter and more affordable. The Blackstone version will cost €695 (about $ 780).

The company claims that the lenses offer exceptional protection from flare and color aberrations via its ‘neutrino’ coatings and ‘sophisticated optical construction.’ Both lenses feature electronic aperture control via the camera body and a click-stop indicator at the infinity focus mark on the focusing ring. The lenses can be focus-calibrated to match individual camera bodies if needed, offer a focus lock at any focus position and the Blackstone version uses fluorescent paint in the body markings to make operation in low light easier.

Users will need 95mm filters to screw into the mount around the forward element and the petal-shaped lens hood has a sliding door to allow access to filters that need rotating. Those who prefer rear mounted filters will find a square holder behind the rear element. TH Swiss says that the nine-bladed iris provides attractive out-of-focus highlights too.
The lens will be available initially in Canon EF and Nikon F mounts, but we should expect Pentax K users to be accommodated by the end of the month.

For more information, including full specification, MTF charts and optical schematics, see the Irix Lens website.

Press release

Irix 15/2.4 is ready for sale!

First deliveries of Blackstone and Firefly are on their way to distributors and retailers.

“The Irix 15mm f/2.4, both the Blackstone and the Firefly versions, is ready for sale”, announces TH Swiss Company. Starting from today, first deliveries of products have been shipped to distributors and retailers. Soon the customers will be able to enjoy the quality of Irix.

Irix 15mm f/2.4 lens is designed to deliver the best optical performance and match the demands of full frame DSLR cameras. Providing a focal length of 15mm, this new lens model is ideal for outdoor and indoor photography whether it is photojournalism, landscapes or architecture. The new special features such as focus lock, infinity click! and focus scale calibration set a new level of manual focus lens functionality. Thanks to sophisticated optical construction and special neutrino coating formula, colour aberration, ghosting and flare effects have been reduced to the absolute minimum. With a minimum focusing distance of 0.28 metre (0.92 ft) and 9 rounded shaped aperture blades, the lens stands for supremely smooth out-of-focus areas. The design of the lens allows the use of 95 mm screw-in filters at the front and gelatin filters at the back of the lens.

Blackstone, the Premium version, has durable body made with aluminium-magnesium alloy, that ensures foolproof protection of the lens, even in extreme situations. Its construction is equipped with four seals, that protect the camera mount and focusing mechanism against the dust and moisture, as well as front or side accidental water splashes. Engraved fluorescent markings enable easy read-out and operation in low light conditions.

Firefly is the standard version equipped with three seals that protect camera mount and focusing mechanism against dust, moisture and side accidental water splashes. Ergonomic focusing ring with rubber grip offers the freedom to operate with the camera. It is the most lightweight lens in its class.

Recommended retail prices are:
695 EUR for Irix Blackstone
475 EUR for Irix Firefly

Both versions are available for Canon EF and Nikon F cameras. By the end of September there will be also a Pentax K mount available.

Articles: Digital Photography Review (dpreview.com)

 
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Opinion: Park vandals need to be stopped

07 Sep

Cape Kiwanda is one of the most beautiful locations on the Oregon coast – having visited the area on multiple occasions I can tell you first hand that no photo could ever do the area any sort of justice. It’s just that beautiful.

This rugged stretch of coastline that’s located near Pacific City, Oregon is home to a number of famous and much-loved rock formations that really can’t be found anywhere else on the West Coast. One of those rock formations known as ‘Duckbill Rock’ was a unique sandstone pedestal formation that was a compositional favorite amongst landscape photographers from around the world.

This image by Colby Drake Design illustrates how beautiful this sandstone pedestal was before vandals decided to put their own creative touch on the area. Instagram: @colbydrakedesign

In recent years, the rock has seen its fair share of abuse with various incidents of folks standing on top of it, leaning on it and laying on it for social media fame. I knew at some point that the rock would eventually succumb to the treatment, but I couldn’t have imagined that a group of tasteless individuals would have the audacity to push the rock formation over. Well, that’s exactly what happened on the afternoon of August 29th, 2016.

As Resource Travel and several others have reported, a group of three individuals approached the sandstone formation and started to push on it, rocking it back fourth until it toppled to the ground. Supposedly, their reason for doing this was because their friend jumped off the formation and broke or injured his leg. David Kalas, a bystander who witnessed the incident, decided to film the whole thing once he saw what was happening and post it to social media. Now, the Oregon State Parks and Recreational Department, in coordination with Oregon State Police are reviewing the incident and are determining how best to respond to the matter. 

This isn’t the first case of vandalism in our parks and it certainly won’t be the last, so what do we as a community need to do stop this from happening? This year alone has seen several acts of vandalism such as the filmmakers who decided to trample over the Grand Prismatic Spring in Yellowstone. How can we convince people that doing things like this for social media fame is just not okay?

It may be that tighter government regulations and harsher penalties for vandals would help. Casey Nocket, for example, plead guilty to seven misdemeanor counts of damaging government property. A self-identified artist, Nocket graffitied protected rock formations, posting photos of her work to an Instagram account. A misdemeanor can be punished by a fine of up to $ 100,000 and/or one year of prison, but Nocket received two years of parole and 200 hours of community service.

What do you think? How do you think we can deter individuals from doing things like this in the future? Feel free to share your thoughts by commenting below.

Articles: Digital Photography Review (dpreview.com)

 
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Industrial Rehab: Ruins Provide Framework for Expansive Beach House

07 Sep

[ By WebUrbanist in Architecture & Houses & Residential. ]

bay house

A stunning blend of old and new, this lovely oceanfront home is intertwined with remnants of an industrial ruin; the two are combined while differentiating existing from added architecture.

beach floating home

The house seems to grow out of the deserted walls of the former structure, resting above and pushing beyond them. Designed by Razvan Barsan + Partners of Romania, the program of this seaside California home consists of a series of residential buildings and outdoor decks leading out to a private island.

reused architecture industrial site

Local materials like wood, reed and bamboo along with modern lines and copious amounts of glass set the additions apart from the existing remains of both functional and ornate masonry.

industrial containers

Miscellaneous metal cylinders and barrels were also left, the primary home space floating above them on the shore.

beach front home

private home aerial

private island

The island, bridged by a minimal walkway, features trees, seating and a fire pit for gatherings, all balanced against the secondary structure between it and the mainland..

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[ By WebUrbanist in Architecture & Houses & Residential. ]

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