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Archive for August, 2016

Samyang AF 14mm F2.8 for Sony E-mount set to ship in September

18 Aug

Samyang Optics has completed its launch of five new lenses over the summer with the announcement that its full-frame 14mm F2.8 autofocus lens for Sony E-mount is ready to hit stores.

The Samyang AF 14/2.8 FE, as it is known, includes 14 elements in 10 groups, 3 of which being aspherical and two extra-low dispersion. The lens has nearly a 114° field-of-view when mounted to a full-frame body and about 90° on a crop body. The 14mm has a minimum focus distance of 20cm/7.9in and sports 7 circular aperture blades.

The lens will be available in September for €699. US and UK pricing was not available at press time.

Press release:

Samyang Announces the Release of AF 14/2.8

August 15th, 2016, Seoul, Korea – The global optics brand, Samyang Optics (http://www. samyanglensglobal.com) today announced the long-awaited release of autofocus lens: 14mm F2.8 for Sony E mount Mirrorless cameras with full frame sensor size. The new Samyang AF 14/2.8 FE is the widest lens in its class offering superb quality images to photographers. This launch follows the recent availability announcement of Samyang AF 50/1.4 FE.

Optimised Optical Design for Full Frame Mirrorless Camera Lens
Samyang AF 14/2.8 FE is specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 is compatible with full frame sensors to deliver the wideness and sharpness of image to photographers.

The 14mm F2.8 is the widest angle available in the market in its class, broadening the sight of photographers to capture the world. Based on Samyang Optics’ exceptional optical technology, Ultra Multi Coating and three aspherical lenses have been included among 14 glasses in 10 groups to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.

AF Performance and Ergonomic Design Based on Class-Leading Technology
This new product will be one of the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. Samyang AF 14/2.8 FE is compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.

The 86mm of maximum diameter is also the result of years of R&D for best handling, by adding stability. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.

Available from September 2016
This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses. With the addition of 14mm to 50mm, Samyang now has two autofocus lenses along with 39 manual focus photo & cine lenses and 6 professional cine lenses, XEEN. The lens will be globally available from September, and the suggested retail price is EUR 699.

More information will be released soon on Samyang Optics official website (http://www.samyanglensglobal.com), Facebook page (http://www.facebook.com/samyanglensglobal) and Instagram (http://www.instagram.com/samyanglensglobal).

Samyang AF 14mm F2.8 specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 14 mm
Image stabilization No
Lens mount Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 10
Special elements / coatings 3 aspherical elements + Ultra Multi Coating
Focus
Minimum focus 0.20 m (7.87)
Maximum magnification 0.12×
Autofocus Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 505 g (1.11 lb)
Diameter 86 mm (3.37)
Length 98 mm (3.84)
Sealing No
Colour Black
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Make Super Simple DIY Photo Coasters

18 Aug

Get your photos off of your phone and under a drink!

Turn your photos into Photo Coasters to show off your photography skills, crafting skills and ring-free coffee table.

These coasters are simple to make, fully functional, totally waterproof and super-dee-duper gifty.

Plus, they’re a heck of a lot safer than setting a hot coffee mug on your phone.

(…)
Read the rest of Make Super Simple DIY Photo Coasters (556 words)


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Dramatic ‘Elastica’ Residence: The House of the Future is Here

18 Aug

[ By SA Rogers in Architecture & Houses & Residential. ]

elastica house 1

Looking like the set of a sci-fi film, the ultramodern ‘Elastica’ residence in Bangalore, India is pretty much what we all imagined our houses would look like by the time we became adults. It’s a little bit Jetsons, a little bit rock n’ roll, and a whole lot different from the decidedly unfuturistic houses most of us still occupy in the year 2016. Inside, there are virtually no straight walls, with undulating white surfaces stretching around the space, and what looks like a translucent cylindrical elevator reminiscent of the ‘Orgasmatron’ machine in the 1973 film Sleeper standing at its center.

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Cadence Architects conceived the house as a continuous loop rising from the ground, with large open spaces providing sight lines from the upper floors to the living space on the lowest level. Made of acrylic and ferroconcrete, the walls and floors flow like liquid in sculptural curves, occasionally stretching out to become built-in furniture like a cantilevered kitchen island. In the bedroom, a black acrylic base cradles a circular mattress like a gigantic soap dish, matching the marbled floor.

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A minimalist black and white palette keeps all the attention on those curves and gives the interiors the air of a spaceship, accented with strips of LED lighting and furniture that appears to have been custom-made to match the scheme. A pod-like children’s bed looks like something you might wake up in after traveling for light years on an intergalactic journey, and a home cinema amplifies the outer space effect with starry lighting and a molded, carpeted floor shaped like a landscape with comfy hills and planes to lay on.

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The facade of the home is glazed on every level except the middle one, which is sheltered by a modern interpretation of the traditional brise-soleil, a perforated screen that filters direct sunlight. The ground and top floors feature Astroturfed terraces, the highest of which looks out onto the more conventional architecture of the neighborhood. Some of the design touches throughout are strange in an otherworldly sort of way, and certainly not everyone’s cup of tea, but it’s a cool example of architects getting creative with residential designs.

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Manfrotto and Benro settle 90 degree center column dispute

18 Aug

Tripod manufacturers Manfrotto and Benro have settled their patent dispute after Mamiya America Corporation (MAC Group) agreed not to market its GoClassic and GoTravel series of tripods in the USA. The battle between the two brands began when Benro began selling tripods that allow the center column to be lifted out of the collar and held at 90° to facilitate shooting directly downwards, an idea that Manfrotto claims is protected under a collection of patents it filed in December 2000.

Manfrotto said that the Benro design copied its own for ‘tripod camera supports wherein the column can be housed alternatively and removably either in a seat coaxial with the principal axis or in a second seat perpendicular to the principal axis’ that was first introduced in the Manfrotto Q90 range. Defendants MAC Group denied their products infringed Manfrotto’s protected designs and claimed that Manfrotto’s patent itself is invalid.

The case was resolved when Benro agreed not to sell the offending products in the USA, though Manfrotto has not agreed that this means Benro hasn’t infringed its rights. In the complaint Manfrotto claimed that MAC Group had achieved a great deal of success with its copied designs which had harmed Manfrotto’s income and market share. The company also accused MAC Group of poaching its employees, and demanded compensation not only for the infringement but also ‘treble damages’ as the Benro continued on its course even after Manfrotto filed its complaint.

For more information read the complaint and see Manfrotto’s original patent.

Press release:

Manfrotto Resolves Patent Infringement Lawsuit with MAC Group and Benro

Upper Saddle River, N.J. (August 16, 2016) – Manfrotto Distribution Inc., Lino Manfrotto +Co S.p.A., Mamiya America Corporation (MAC Group), and Benro Precision Industrial Co., Ltd. (“Benro”), announced today that they have resolved Manfrotto’s patent infringement lawsuit which has been pending in the United States District Court for the District of New Jersey. Manfrotto and Lino Manfrotto had sued MAC Group and Benro contending that Benro’s GoClassic and GoTravel lines of tripods infringe Manfrotto’s U.S. Patent No. 6,164,843, for a photographic tripod providing support in various axes. MAC Group and Benro had denied that their products infringe and also contend that the patent was itself invalid.

Manfrotto is dismissing the litigation with prejudice and Benro and MAC Group have agreed not to import or sell the accused product in the United States until the expiration of the ’843 patent on November 12, 2018. The terms of the settlement are otherwise confidential.

Manfrotto Distribution Inc., and Lino Manfrotto +Co S.p.A., are Italian manufacturers of photographic equipment. Benro Precision Industrial Inc. is a Chinese-based manufacturer of photographic equipment. MAC Group is a New York-based distributor of photographic equipment.

Articles: Digital Photography Review (dpreview.com)

 
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Corel PaintShop Pro X9 arrives with improved workflow

18 Aug

Corel has launched PaintShop Pro X9, the latest version of its photo editing software. With the X9 version, PaintShop Pro adds seven new features, as well as two enhancements to existing features, including new Interactive Gradients, expanded RAW camera profile support, and new Project Templates. Joining this release is PaintShop Pro X9 Ultimate, which includes the X9 software plus an add-ons collection with AfterShot 3, Corel Live Screen Capture and Athentech’s Perfectly Clear 2 SE.

PaintShop Pro X9’s new features are comprised of project templates, screenshot capturing and editing, support for Windows Real Time Stylus, a new Guided Tour, edit history exporting, Intel RealSense XDM support and Interactive Gradient fill. In addition to those new features, Corel says X9 brings a few ‘enhanced’ features: support for Windows Server 2016, 15 new camera RAW profiles, and an improved workflow that ‘streamlines many common tasks.’

PaintShop Pro X9 is available now for $ 79.99 USD/CAN, 69.99 EUR, £59.99, and $ 99 AUD. PaintShop Pro X9 Ultimate is also available for $ 99.99 USD/CAN, 89.99 EUR, £79.99, and $ 129 AUD. The software is offered in the following languages: English, German, French, Dutch, Italian, Spanish, Russian, Japanese and Traditional Chinese. 

Via: MarketWired

Articles: Digital Photography Review (dpreview.com)

 
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You Won’t Believe It’s Not Photoshop: 36 Fake-Looking Photos

18 Aug

[ By SA Rogers in Art & Photography & Video. ]

not shopped main

The very existence of Photoshop has made it easy to immediately dismiss impossible-looking images as digitally altered, but some bizarre scenes are more real than they appear. Anything from a particularly alien-like landscape to a rare cloud formation can provoke cries of ‘Photoshop!,’ but it’s particularly impressive when these illusions are created through art, with the help of mirrors, acrobatic models, trick perspective and serendipitous timing.

Coincidence Project by Denis Cherim

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The almost too-coincidental-to-be-real photography of Denis Cherim relies on the patience to wait for exactly the right moment, when various elements of a scene come together in just the right way. His series ‘The Coincidence Project’ sees ordinary scenes from new perspectives, moving to particular vantage points to encourage serendipitous alignments.

Gravity-Defying Performances by Li Wei
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How can there possibly not be any photo manipulation going on in images where people are floating in mid-air? Li Wei’s particular blend of photography and performance art uses the strength of his subjects – including no small amount of acrobatics – along with invisible props and mirrors to create scenes that aren’t exactly as they appear.

Surreal Scenes by Sandy Skoglund

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Fish fly through blue-toned bedrooms, foxes take over dining rooms and people hang from ceilings in dreamlike scenes by artist Sandy Skoglund, who spends months building each elaborate set. Favoring vivid color schemes, Skoglund mixes her hand-made sets and inanimate figures with live human models and takes photographs of the resulting contrasts.

Toy Dinosaur Travel Shots by Jorge Saenz

What look like screenshots from an old stop-motion animation dinosaur movie are actually just toy dinosaurs artfully placed within landscapes by photographer Jorge Saenz. His ‘#dinodinaseries’ project makes the figurines appear larger than life, sometimes looking surprisingly real in their incongruous modern-day settings.

Mirror Landscapes by Guillame Amat

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Mirrors seem to offer portals into a slightly different reality in Guillaume Amat’s ‘Open Fields’ project, which carefully places a reflective stand in various landscapes. The reflections almost blend into the scene, but not quite – leading to images that are inaccurate renderings of the setting, but in such a subtle way it can take a moment to realize what’s wrong with the picture.

Next Page – Click Below to Read More:
You Wont Believe Its Not Photoshop 36 Fake Looking Photos

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Tips for Doing More Spectacular Sunset Photography

17 Aug

The first thing I was told to do when I wanted to learn how to photograph landscapes and cityscapes, was to always shoot during the sunset. I have always asked myself why, but the answer is actually pretty easy. You get amazing colors in the sky, dramatic clouds, and soft light.

Sunset tips 1

You can photograph the most beautiful place in the world and I can guarantee you, it will look much better during the sunset. The only problem with this mindset, is that you will never take another image in the middle of the day. If I find a really cool spot to photograph, but there won’t be any sunset anytime soon, my go to option is to create a desaturated long exposure. The second option is to come back another day.

In this article, I am going to give you some tips on how to shoot sunsets to get the best results possible. These tips can also be applied to photographing a sunrise, if you have the energy to wake up at 5am and go outside.

How to predict the best sunsets

Depending on where you live, the sunset will be different. You can’t really predict a nice sunset, but there are some signs that can help you decide wether you should go out and give it a try or not. Of course, I would recommend going out and photographing all the time, but if you’re a busy person and do not want to go back home frustrated, then you should consider these few tips.

There are some areas in the world where sunsets are not vivid, and you won’t see any colors in the sky. For example, I have lived in the United Arab Emirates for a year and during that period I have only witnessed around 10 beautiful sunsets (no joke). However, when I go to the south of France, there is a dramatic and vivid sunset everyday.

Sunset tips 2

One of the better sunsets in the United Arab Emirates. This is considered as an amazing sunset over there, but in reality it is just very average.

Sunset tips 3

An amazing sunset in the south of France: I was really surprised because I got the same sunset five days in a row. and it wasn’t even summer.

There is a simple reason explaining this – clouds make all the difference. I am talking about patchy white clouds with a blue sky. These clouds will catch some amazing colors and give you the best results possible when the sun sets.

Sunset tips 4

There were some patchy clouds in the sky, and during the sunset the colors turned out really nice in this image.

If there aren’t any clouds, then your sunset will be pretty boring. You will only have a nice gradient of color going from blue to orange.

Sunset tips 5

Example of a sunset without any clouds.

I usually don’t bother going out when there is an overcast day to shoot sunsets, because the results are quite disappointing. The clouds cover the sky and you can’t see it, so you will end up having no colors at all.

If there is some light rain during the evening, then you can be pretty sure you will get an amazing sunset. I really can’t explain it, but trust me, it works all the time.

Planning and patience

Planning is the most important thing, I would recommend going to the location around 30 minutes before the start of the sunset to compose your shot, especially if you don’t know the location.

With sunsets, the scene can change very very quickly. I highly recommend composing your shot, placing your camera on the tripod, and not moving until the sunset is totally finished.

Sometimes a nice color can appear on a cloud for only two minutes, and if you’re not ready then you won’t be able to photograph it. There is an app called Magic Hour which you can download on your mobile device (for iOS only) Based on your location, it will give you the time that magic hour begins, the time of the sunset, and the time it ends. It also does the same thing for the sunrise the next morning.

Note: you could also try the Photographer’s Ephemeris or PlanIt! apps.

Sunset tips 6

With this information, you have the time to look around, try different compositions, and decide which one works best. I will repeat – once you find your composition, place your tripod, and do not move it. It’s better to have one good photo of a sunset then five different average ones.

You will stay behind your tripod for 30 minutes, taking an image every time the sunset changes, with the clouds moving and new colors appearing. It is quite frustrating, but at the end you will have the best composition possible, with an image of the best clouds, and the best colors of the whole evening.

Sunset tips 7
I waited in the cold for one hour to photograph this sunset. At first it looked terrible, but it started developing very well. I ended up having some nice cotton candy looking clouds.

Lens and composition

I would recommend using a wide angle lens to capture the whole scene, if you’re going to compose your image to include some foreground, middle ground and background, which I highly recommend. This enables the viewer to position himself in the image, and it adds a good sense of depth. Also, try to make the sky or the foreground at least a third of the image.

Sunset tips 8

The trees as the foreground, the Eiffel Tower as the middle ground, and the sky as the background, all give nice depth to this image.

If you cannot find that type of composition, then using a long lens can be a good alternative, while using the rule of thirds.

Sunset tips 9

I could not find a good composition for this shot, so I used a long lens to compress everything. and composed it using the rule of thirds.

Sunset tips 10

Composing my shot using the rule of thirds.

Settings and extra gear

A tripod is essential because you will want to shoot with an aperture between f/8 and f/13 for sharp images, and ISO 100 for the best image quality. This cuts down the light quite a lot, and you will end up having a slow shutter speed to compensate. To avoid any shaky images, use a tripod with a cable release or a two second timer.

I highly recommend exposing your images for the highlights (which means you are exposing for the sky). The rest of the image will be underexposed, but if you’re shooting in RAW you will be able to recover details in the shadows.

Another solution is to use a graduated neutral density filter that will cut down the light on your highlights in the sky, and keep your mid-tones and shadows well exposed.

Sunset tips 11

A graduated filter that you can stack.

I usually leave my white balance on auto, because with RAW files I can take more time to change it on Lightroom. If you’re shooting JPEG, the white balance that works the best with sunsets is Shade or Cloudy. It gives a nice warm magenta color to the image, and makes the vivid colors in the sky pop more.

Polarizing filters are also a good alternative to recover details in the sky, and make the colors more saturated without any post-production.

Sunset tips 12

Using manual focus can be useful if it gets too dark and your lens has trouble focusing by itself.

Get creative

For sunsets, in my opinion the best thing to do is to get creative – either do HDR or digital blending.

In both cases, it’s better to take three different exposures to get the full dynamic range of the scene. Especially because there will be a lot of contrast between the brights and the darks, it’s difficult to get all the details. You can merge the exposures automatically with a software, or manually with luminosity masks.

Sunset tips 13

This sunset looks good, but because I did not shoot three different exposures you can see in the middle there are white pixels in the sky that I could not recover.

You can also get creative by doing long exposures and stretching the clouds. And of course you always have Photoshop and Lightroom to finish your art the way you like it.

Sunset tips 14

This is an example of a creative sunset: I shot 3 different exposures, a long exposure of the clouds, a long exposure of the car trails one hour later, and merged everything on Photoshop to get the best of both worlds.

Now it’s your turn. Do you have any other sunset photography tips to share? Please do so, and share your images as well, in the comments below.

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The post Tips for Doing More Spectacular Sunset Photography by Yacine Bessekhouad appeared first on Digital Photography School.


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Plane plunged 4400 feet after pilot’s camera became wedged against controls

17 Aug
Re-creation by UK Military Aviation Authority

A military pilot in the UK is reportedly facing a court martial after his camera became wedged against a military transport plane’s controls, causing it to plunge 4400ft/1.3km before the captain regained control. The Ministry of Defense is being sued over the matter, which took place in February 2014, by nine soldiers and one civil servant who were in the plane during the incident.

Per the government’s investigation of the matter, the cause was determined to be the pilot’s Nikon D5300 camera, which at some point during the flight became positioned against the plane’s steering control. When the pilot readjusted his seat position, the seat pressed the camera against the control, causing the plan to drop at a rate up to 260ft/80m per second. 

According to The Times, the lawyer representing these ten individuals says they suffer PTSD as a result of the plane’s sudden descent; a total of 198 people were onboard at the time of the incident. The pilot has reportedly been charged with negligently performing a duty, perjury, and making a false record.

Via: Quartz

Articles: Digital Photography Review (dpreview.com)

 
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Nikon unveils AF-P DX 18-55mm F3.5-5.6G and 70-300mm F4.5-6.3G ED lenses

17 Aug

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In addition to a new entry-level DSLR body, Nikon has formally announced a total of four DX-format Nikkor lenses. The AF-P DX NIKKOR 18-55mm F3.5-5.6G VR and AF-P DX NIKKOR 70-300mm F4.5-6.3G ED VR are both introduced alongside cheaper versions that lack optical image stabilization (Vibration Reduction, in Nikon parlance.)

The AF-P 18-55mm F3.5-5.6 and its VR sibling were announced globally in January, marking the first time that Nikon has put stepping motors in its DSLR lens lineup. The AF-P 70-300mm F4.5-6.3 continues the trend, offering a minimum focus distance of 1.1m/3.7ft with a design that uses 14 elements in 10 groups.

All four lenses will be available in September. The AF-P DX NIKKOR 18-55mm F3.5-5.6G VR will cost $ 249.95, the AF-P DX NIKKOR 18-55mm F3.5-5.6G will cost $ 199.95, the AF-P DX NIKKOR 70-300mm F4.5-6.3G ED VR will cost $ 399.95 and AF-P DX NIKKOR 70-300mm F4.5-6.3G ED will sell for $ 349.95. 

Press release:

SHARE THE MOMENTS THAT MATTER: EASILY CAPTURE STUNNING IMAGES OF WHAT YOU LOVE WITH THE NEW LIGHTWEIGHT NIKON D3400

Alongside the New Nikon D3400 DSLR, Nikon Releases the Compact AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, AF-P DX NIKKOR 18-55mm f/3.5-5.6G, AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lenses to Capture Life in Amazing Quality

MELVILLE, N.Y. (August 17, 2016 AT 12:01 A.M. EDT) – Today, Nikon unveiled the compact yet powerful Nikon D3400, an entry-level DSLR that enables users to capture and share amazing images easier than ever before. The new D3400 provides a simple and seamless way to share stellar images from nearly anywhere through Nikon SnapBridge1. Through always-on Bluetooth Low Energy (BLE) technology2, Nikon SnapBridge allows photographers to transfer images from the camera to a compatible smart device. For those looking to learn more about photography, the D3400 also features Nikon’s acclaimed Guide Mode, which provides step-by-step assistance when adjusting camera settings to help individuals learn how to capture the best photos possible.

Nikon also announced four exciting lightweight lens options which are ideal companions for the new D3400, helping budding photographers easily build an all-in-one camera kit3. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, are versatile zoom lenses for everyday shooting, while the new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are compact telephoto options for capturing action from afar. Great for travel, these new portable lenses provide fast, smooth and quiet autofocus operation and help users capture life as it unfolds with stunning clarity and detail.

“Featuring a variety of user-friendly features like Nikon SnapBridge, the new D3400 gives those new to DSLR photography the opportunity to proudly capture what they love and easily share with friends and family,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The introduction of the new series of NIKKOR lenses demonstrate Nikon’s commitment to providing affordable and versatile lens options to DX-format DSLR photographers looking to capture their own unique perspective of the world.”

Seamlessly Share Life’s Passions
Transferring photos from the Nikon D3400 is a snap, as the camera makes it easier than ever to share photos wirelessly through Nikon SnapBridge. Using Bluetooth Low Energy (BLE), SnapBridge creates a connection between a camera and a compatible smart device, making it possible to seamlessly upload amazing images. Once paired, the D3400 will remain connected to the smart device and transfer photos automatically, without the need to re-connect the devices each time. Those that want to send photos from their child’s graduation or a gorgeous sunset can either set all images to automatically download as they are captured, or tag individual images for transfer in-camera. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service.

Easily Capture Vibrant Photos with Stunning Detail
Life is full of memories that are meant to be captured with rich, vivid image quality, and the Nikon D3400 makes it easy with the high-speed performance and low-light ability that only a DSLR can deliver. The Nikon D3400 features a high-resolution 24.2-megapixel CMOS sensor to help capture images that photographers love, even in tough lighting scenarios. Nikon’s EXPEED 4 image processing engine offers improved image quality at high ISOs, enhanced auto white balance performance for true colors, faster processing speeds and improved battery life. Whether shooting stylish candids or beautiful landscapes while on vacation, the Nikon D3400 is ready to help deliver magnificent stills and impressive Full HD video.

The Nikon D3400 is loaded with high performance features that help capture images in a variety of shooting situations, including a broad ISO range from 100-25,600, which helps to produce top-quality photos and videos with low noise. This enhanced ISO range makes it easy to capture sharp photos in low-light settings, such as indoor sports, stage performances or festivities that last into the night. An 11-point Autofocus System keeps pace to help create sharp images, whether capturing a backyard soccer game or the most rambunctious toddler. Additionally, the Nikon D3400 is capable of fast continuous shooting at up to 5 frames-per-second (fps), helping to ensure that fleeting moments or precious expressions are not missed. All of these features are incorporated into an extremely compact, lightweight and versatile camera body, ideal for a fast-paced on-the-go lifestyle, and small enough to bring on any family vacation.

For first-time DSLR users, the D3400 features Nikon’s Guide Mode, an intuitive and informative mode that helps develop photography skills and showcases the best camera settings for any scene. By simply turning the top Command Dial to this mode, users are prompted with a full range of capture options, and the camera guides them through various settings to create the desired image. Additionally, in-camera Scene Modes are an easy way to snap great pictures, without the need to adjust numerous settings. For even more creative shooting options, fun effects modes such as Silhouette and Miniature Photography help photographers make images that define their distinct style. When the moment calls for HD video, the D3400 offers Full HD 1080p video recording capability at the press of a button to tell any story with amazing sharpness and clarity.

Capturing the World Through a NIKKOR Lens
Nikon has also announced two new lightweight zoom lenses, the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G. The ideal companion for DX-format DSLR cameras like the new D3400, these lenses are equipped with Nikon’s Stepping Motor technology for quick, smooth and quiet autofocus. Designated AF-P NIKKOR, these new lenses provide faster and smoother AF speed during live view (contrast-detection AF) and allow for whisper-quiet operation during video recording to minimize camera noise. The Vibration Reduction (VR) technology of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR offers up to four stops of image stabilization*, helping users capture flawless, blur-free images in challenging light or when handheld.

Affordable Telephoto Lenses Offer Endless Photography Possibilities
The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are telephoto zoom lenses that provide further reach when users need it most. They are also equipped with a Stepping Motor that helps achieve quick, smooth and quiet autofocus. The adoption of this technology also reduces the overall size and weight of the lens, making it easy to carry on a family vacation or a trip to the zoo. The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR also features Nikon’s Vibration Reduction (VR) technology, offering up to four stops of image stabilization*, helping to create sharp images in challenging light, such as an indoor gymnasium or a dusk soccer game.

Pricing and Availability
The Nikon D3400 kitted with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will be available in early September 2016 for a suggested retail price (SRP) of $ 649.95**. The D3400 will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for $ 999.95** SRP. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR (SRP, $ 249.95**), AF-P DX NIKKOR 18-55mm f/3.5-5.6G (SRP $ 199.95**), AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR (SRP, $ 399.95**) and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED (SRP $ 349.95**) will all be available around the same time and will be sold separately. For more information on about the new Nikon D3400 and NIKKOR lenses, please visit www.nikonusa.com.

1. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a smart device running the SnapBridge app, and to take advantage of SnapBridge features.

3. Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, firmware update may be required.

4. To automatically upload images to NIKON IMAGE SPACE, a Nikon ID must be registered. This is easily achieved via the [Nikon ID registration/change] menu in the SnapBridge app. An unlimited number and volume of images reduced to 2-megapixel equivalents can be uploaded to NIKON IMAGE SPACE only with upload via SnapBridge.

*Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-P DX Nikkor 18-55mm F3.5-5.6G specifications

  Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G VR Nikon AF-P DX NIKKOR 18-55mm F3.5-5.6G
Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 18–55 mm
Image stabilization Yes (4 stops) No
Lens mount Nikon F (DX)
Aperture
Maximum aperture F3.5
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 12
Groups 9
Special elements / coatings Two aspherical elements + super integrated coating
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.38×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 205 g (0.45 lb) 195 g (0.43 lb)
Diameter 65 mm (2.54)
Length 63 mm (2.46)
Materials Composite
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 55.0 mm
Hood supplied No
Hood product code HB-N106
Tripod collar No

Nikon AF-P DX Nikkor 70-300mm F4.5-6.3 G ED specifications

  Nikon AF-P DX Nikkor 70-300mm F4.5-6.3G VR Nikon AF-P DX Nikkor 70-300mm F4.5-6.3G
Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 70–300 mm
Image stabilization Yes No
Lens mount Nikon F (DX)
Aperture
Maximum aperture F4.5
Minimum aperture F32
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 10
Special elements / coatings 1 ED element + Super Integrated Coating
Focus
Minimum focus 1.10 m (43.31)
Maximum magnification 0.22×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 415 g (0.91 lb) 400 g (0.88 lb)
Diameter 72 mm (2.83)
Length 125 mm (4.92)
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 58.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Nikon introduces D3400 with SnapBridge, big battery life claims

17 Aug

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Nikon has announced the D3400, updating its most beginner-friendly entry-level DSLR. The D3400 is physically smaller than its D3300 predecessor, but continues to offer many of the same specifications including a 24MP APS-C CMOS sensor with no optical low-pass filter. Nikon says the battery is rated to 1200 shots per charge, which is a serious boost compared to the D3300’s already respectable 700 shots per charge.

SnapBridge is a new addition to this line, enabling connectivity with a mobile device over Bluetooth Low Energy (BLE) – though no Wi-Fi connectivity is offered. The D3400 offers an EXPEED 4 processor, 11-point AF system, 1080/60p video, 5 fps burst shooting and a 3″ 921k-dot LCD, all consistent with its predecessor.

The Nikon D3400 will be available starting early September for $ 649.99 with the AF-P DX Nikkor 18-55mm F3.5-5.6G VR. A two lens kit also including the AF-P DX Nikkor 70-300mm F4.5-6.3G ED (non-VR) will be offered for $ 999.95.

Press release:

SHARE THE MOMENTS THAT MATTER: EASILY CAPTURE STUNNING IMAGES OF WHAT YOU LOVE WITH THE NEW LIGHTWEIGHT NIKON D3400

Alongside the New Nikon D3400 DSLR, Nikon Releases the Compact AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR, AF-P DX NIKKOR 18-55mm f/3.5-5.6G, AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED Lenses to Capture Life in Amazing Quality

MELVILLE, N.Y. (August 17, 2016 AT 12:01 A.M. EDT) – Today, Nikon unveiled the compact yet powerful Nikon D3400, an entry-level DSLR that enables users to capture and share amazing images easier than ever before. The new D3400 provides a simple and seamless way to share stellar images from nearly anywhere through Nikon SnapBridge1. Through always-on Bluetooth Low Energy (BLE) technology2, Nikon SnapBridge allows photographers to transfer images from the camera to a compatible smart device. For those looking to learn more about photography, the D3400 also features Nikon’s acclaimed Guide Mode, which provides step-by-step assistance when adjusting camera settings to help individuals learn how to capture the best photos possible.

Nikon also announced four exciting lightweight lens options which are ideal companions for the new D3400, helping budding photographers easily build an all-in-one camera kit3. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, are versatile zoom lenses for everyday shooting, while the new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are compact telephoto options for capturing action from afar. Great for travel, these new portable lenses provide fast, smooth and quiet autofocus operation and help users capture life as it unfolds with stunning clarity and detail.

“Featuring a variety of user-friendly features like Nikon SnapBridge, the new D3400 gives those new to DSLR photography the opportunity to proudly capture what they love and easily share with friends and family,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “The introduction of the new series of NIKKOR lenses demonstrate Nikon’s commitment to providing affordable and versatile lens options to DX-format DSLR photographers looking to capture their own unique perspective of the world.”

Seamlessly Share Life’s Passions
Transferring photos from the Nikon D3400 is a snap, as the camera makes it easier than ever to share photos wirelessly through Nikon SnapBridge. Using Bluetooth Low Energy (BLE), SnapBridge creates a connection between a camera and a compatible smart device, making it possible to seamlessly upload amazing images. Once paired, the D3400 will remain connected to the smart device and transfer photos automatically, without the need to re-connect the devices each time. Those that want to send photos from their child’s graduation or a gorgeous sunset can either set all images to automatically download as they are captured, or tag individual images for transfer in-camera. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service.

Easily Capture Vibrant Photos with Stunning Detail
Life is full of memories that are meant to be captured with rich, vivid image quality, and the Nikon D3400 makes it easy with the high-speed performance and low-light ability that only a DSLR can deliver. The Nikon D3400 features a high-resolution 24.2-megapixel CMOS sensor to help capture images that photographers love, even in tough lighting scenarios. Nikon’s EXPEED 4 image processing engine offers improved image quality at high ISOs, enhanced auto white balance performance for true colors, faster processing speeds and improved battery life. Whether shooting stylish candids or beautiful landscapes while on vacation, the Nikon D3400 is ready to help deliver magnificent stills and impressive Full HD video.

The Nikon D3400 is loaded with high performance features that help capture images in a variety of shooting situations, including a broad ISO range from 100-25,600, which helps to produce top-quality photos and videos with low noise. This enhanced ISO range makes it easy to capture sharp photos in low-light settings, such as indoor sports, stage performances or festivities that last into the night. An 11-point Autofocus System keeps pace to help create sharp images, whether capturing a backyard soccer game or the most rambunctious toddler. Additionally, the Nikon D3400 is capable of fast continuous shooting at up to 5 frames-per-second (fps), helping to ensure that fleeting moments or precious expressions are not missed. All of these features are incorporated into an extremely compact, lightweight and versatile camera body, ideal for a fast-paced on-the-go lifestyle, and small enough to bring on any family vacation.

For first-time DSLR users, the D3400 features Nikon’s Guide Mode, an intuitive and informative mode that helps develop photography skills and showcases the best camera settings for any scene. By simply turning the top Command Dial to this mode, users are prompted with a full range of capture options, and the camera guides them through various settings to create the desired image. Additionally, in-camera Scene Modes are an easy way to snap great pictures, without the need to adjust numerous settings. For even more creative shooting options, fun effects modes such as Silhouette and Miniature Photography help photographers make images that define their distinct style. When the moment calls for HD video, the D3400 offers Full HD 1080p video recording capability at the press of a button to tell any story with amazing sharpness and clarity.

Capturing the World Through a NIKKOR Lens
Nikon has also announced two new lightweight zoom lenses, the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G. The ideal companion for DX-format DSLR cameras like the new D3400, these lenses are equipped with Nikon’s Stepping Motor technology for quick, smooth and quiet autofocus. Designated AF-P NIKKOR, these new lenses provide faster and smoother AF speed during live view (contrast-detection AF) and allow for whisper-quiet operation during video recording to minimize camera noise. The Vibration Reduction (VR) technology of the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR offers up to four stops of image stabilization*, helping users capture flawless, blur-free images in challenging light or when handheld.

Affordable Telephoto Lenses Offer Endless Photography Possibilities
The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED are telephoto zoom lenses that provide further reach when users need it most. They are also equipped with a Stepping Motor that helps achieve quick, smooth and quiet autofocus. The adoption of this technology also reduces the overall size and weight of the lens, making it easy to carry on a family vacation or a trip to the zoo. The new AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR also features Nikon’s Vibration Reduction (VR) technology, offering up to four stops of image stabilization*, helping to create sharp images in challenging light, such as an indoor gymnasium or a dusk soccer game.

Pricing and Availability
The Nikon D3400 kitted with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will be available in early September 2016 for a suggested retail price (SRP) of $ 649.95**. The D3400 will also be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for $ 999.95** SRP. The AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR (SRP, $ 249.95**), AF-P DX NIKKOR 18-55mm f/3.5-5.6G (SRP $ 199.95**), AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR (SRP, $ 399.95**) and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED (SRP $ 349.95**) will all be available around the same time and will be sold separately. For more information on about the new Nikon D3400 and NIKKOR lenses, please visit www.nikonusa.com.

1. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a smart device running the SnapBridge app, and to take advantage of SnapBridge features.

3. Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible cameras, firmware update may be required.

4. To automatically upload images to NIKON IMAGE SPACE, a Nikon ID must be registered. This is easily achieved via the [Nikon ID registration/change] menu in the SnapBridge app. An unlimited number and volume of images reduced to 2-megapixel equivalents can be uploaded to NIKON IMAGE SPACE only with upload via SnapBridge.

*Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon D3400 specifications

Articles: Digital Photography Review (dpreview.com)

 
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