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Archive for April, 2016

Weekly Photography Challenge – The Light of Dawn

02 Apr

This set of images of dawn shared earlier are great examples of using the magic light of dawn to take stunning images.

Susanne Nilsson

By Susanne Nilsson

Weekly Photography Challenge – the light of dawn

Your challenge this week is to get up early , get out of your comfy bed, and photograph with the first light of the day, dawn. Sunrise photography can be tricky as you’re usually heading out in the dark. So you may need to plan ahead and scout some locations and shots the night or day before.

Get there early so you can capture the first light – it’s magical. Landscapes are the obvious choice for this challenge, but there are so many other subjects you can work with – so think outside the box a little. What about some macro photography? A blade of grass with morning dew, for example. Go urban and hit the city streets to see how the light plays off the buildings and early risers heading to work. There are a ton of possibilities.

Pierre Metivier

By Pierre Metivier

Andreas

By Andreas

Joe

By Joe

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Jeff Wallace

By Jeff Wallace

57Andrew

By 57Andrew

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The post Weekly Photography Challenge – The Light of Dawn by Darlene Hildebrandt appeared first on Digital Photography School.


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New normal: Sony FE 50mm F1.8 real-world samples

02 Apr

Sony recently updated its FE line, which now offers 20 full-frame lenses for Sony’s E-mount Alpha cameras. Among the new lens introductions is the FE 50mm F1.8, what you might call Sony’s ‘nifty fifty’. We spent some time shooting with it in San Francisco this weekend, paired with the unforgiving 42MP of the Alpha 7R II. See how the lens holds up in our real-world samples gallery.

Articles: Digital Photography Review (dpreview.com)

 
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Honoring Zaha Hadid: 5 of the Starchitect’s Greatest Projects

01 Apr

[ By Steph in Architecture & Public & Institutional. ]

SONY DSC

The world lost a star architect this week, trailblazing Iraqi-born Zaha Hadid, who was the first woman to receive the Royal Institute of British Architects (RIBA) Gold Medal. Her striking modern structures are experimental, visionary and bold, never afraid to make a strong statement. These are not buildings designed to blend into their environments, but rather sculptural focal points, every one of them a landmark in its respective city. Attempting to narrow down her best works is as futile as it is subjective, but here are five that stand out as prime examples of her distinctive style.

Glasgow Riverside Museum of Transport

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The spiky, jagged front facade of this museum flows into ribbons of reflective zinc, symbolizing the landscape of its setting as the junction of the rivers Clyde and Kelvin. Designed like a linear tunnel bent to one side, its roof mimicking waves in the water, with a column-free, open center for hosting exhibits. Said Hadid of the project, “Through architecture, we can investigate future possibilities yet also explore the cultural foundations that have defined the city. The Riverside Museum is a fantastic and truly unique project where the exhibits and building come together at this prominent and historic location on the Clyde to enthuse and inspire all visitors.”

Heydar Aliyev Center, Baku

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The organic form of this cultural center in Azerbaijan gives it the look of a gigantic sea shell nestled among rectilinear Soviet architecture, establishing fluid connections between itself and the surrounding plaza. It’s all vaulted curves and sinuous lines extending over the roof and back to the ground again. Said Hadid, “Elaborate formations such as undulations, bifurcations, folds, and inflection modify this plaza surface into an architectural landscape that performs a multitude of functions: welcoming, embracing, and directing visitors through different levels of the interior. With this gesture, the building blurs the conventional differentiation between architectural object and urban landscape, building envelope and urban plaza, figure and ground, interior and exterior.”

Messner Mountain Museum, Corones

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Poking out of a peak within the Italian Alps, the Messner Mountain Museum Corones almost seems to have unearthed itself from the depths of Mount Kronplatz to look out onto South Tyrol. In fact, the overlook visible from outside is only the tip of a structure enabling visitors to explore the mountain’s caverns and grottos. Views from the shard-like lookouts are directed to specific peaks, and the pale exterior panels are informed by the tones of the adjacent limestone.

London Aquatics Center

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The undulating swimming venue for the 2012 Olympics in London is inspired by “the fluid geometries of water in motion,” nearly every line within the interior taking its shape from waves. As dynamic and beautiful as it truly is, the design reflects a certain deliberate restraint on Hadid’s part. In contrast to the visually dazzling spaces she’s known for, this interior takes care not to outshine its intended purpose, keeping focus on the pool and its inhabitants. As seen in the aerial photography, controversial ‘wings’ were added to Hadid’s design to accommodate extra seating during the Games, but have since been removed to honor the integrity of her original vision.

MAXXI Museum, Rome

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Often referred to as Hadid’s most iconic project, the MAXXI Museum of the Arts of the XXI Century in Rome complements the city’s antiquities while also bringing in a much-needed freshness and fluidity. An historic city full of ruins, without a lot of notable modern architecture, can start to feel static. Hadid injects a sense of vitality without dwarfing the centuries-old architecture in its immediate vicinity. Said Hadid, “Here we are weaving a dense texture of interior and exterior spaces. It’s an intriguing mixture of permanent, temporary and commercial galleries, irrigating large urban field with linear display surfaces. It could be a library; there are so many buildings that are not standing next to, but are intertwined and superimposed over one another. This means that, through the organizational diagram, you could weave other programs into the whole idea of gallery spaces. You can make connections between architecture and art – the bridges can connect them and make them into one exhibition.”

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[ By Steph in Architecture & Public & Institutional. ]

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Our Top 10 Posts from Our First 10 Years

01 Apr

Today, April 1st is Photojojo’s 10th Birthday (no foolin’)!

What started as a photo idea and inspiration newsletter, is all grown up now.

We’re a photo idea and inspiration blog, with a top-notch photo gear shop, a fun community across social media and of course, a darn good newsletter.

What exactly have we been up to for the last ten years? We’ll let the internet decide the greatest things we’ve done. Here are the 10 most popular Photojojo articles of all time!

(…)
Read the rest of Our Top 10 Posts from Our First 10 Years (125 words)


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23 Dazzling Dawn Images with Magic Light

01 Apr

The time of day you shoot at can make a huge difference to the images you capture. Often photographers are shooting at the coveted golden hour – early morning or late evening – when the sun is low and the light is special.

Here is a set of dazzling dawn images that use this magic golden hour light.

Timothy Neesam

By Timothy Neesam

James Jordan

By James Jordan

Guy Mayer

By Guy Mayer

William Warby

By William Warby

Gideon Chilton

By Gideon Chilton

Susanne Nilsson

By Susanne Nilsson

Howard Ignatius

By Howard Ignatius

Kylie_Jaxxon

By Kylie_Jaxxon

Loco Steve

By Loco Steve

Neil Howard

By Neil Howard

Thomas Hawk

By Thomas Hawk

Enric Martinez

By Enric Martinez

Nicolas Raymond

By Nicolas Raymond

Chuddlesworth

By chuddlesworth

Loïc Lagarde

By Loïc Lagarde

Nicki Mannix

By Nicki Mannix

Bobby Giggz

By Bobby Giggz

David Yu

By David Yu

Sarah Horrigan

By Sarah Horrigan

Mike Warot

By Mike Warot

Susanne Nilsson

By Susanne Nilsson

James Jordan

By James Jordan

Susanne Nilsson

By Susanne Nilsson

RobinTphoto

By RobinTphoto

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The post 23 Dazzling Dawn Images with Magic Light by Darlene Hildebrandt appeared first on Digital Photography School.


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Along the coast: Sony FE 24-70 F2.8 GM real-world samples gallery updated

01 Apr

With Springtime finally kicking in to high gear on the West Coast, we took advantage of the change in weather and brought the Sony FE 24-70mm F2.8 GM lens along with us on a couple of trips. From razor-clamming in Long Beach, WA to pounding the streets (and stairs) of San Francisco, the 24-70 G Master continued to impress us in terms of sharpness, out-of-focus rendering and overall build quality. This class of lens is a staple in many professionals’ and advanced amateurs’ kits; to see if it’s worthy of earning a spot in yours, take a look through our updated samples gallery below.

Note: all additional images in the sample gallery feature both out-of-camera JPEGs and JPEGs processed from Raw. Both will have the original, uncompressed Raw file associated with them for download. 

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing, we do so in good faith, please don’t abuse it.

Articles: Digital Photography Review (dpreview.com)

 
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45 Random Thoughts on Flickr in a Rambling Stream of Consciousness Format

01 Apr

Not exactly beat poetry, this list is a rambling mess of 45 things that I thought about tonight about my favorite photo sharing site Flickr. This list is very poorly written and absolutely lacks coherence. It’s a stream of consciousness jumble of unrelated thoughts about Flickr.

There is no order or rhyme or reason behind any of these thoughts. These are just my thoughts as a heavy user who uses the site every day.

1. Flickr could be the most successful stock photography site in the world. They could be bigger than Getty Images and could become the leader of a multi billion dollar industry.

2. On the Flickr mobile app, comments specifically take too long to load.

3. Yahoo requiring phone numbers to create accounts (and by extension Flickr) greatly reduces the amount of harassment and trolling that takes place on Flickr. This is a positive thing.

4. On the Flickr mobile app you eventually run out of your contacts’ photos. There should be no reason to run out. When people run out and it defaults to a repetitive staple of Flickr promoted photos this encourages the user to close the app and go to another social network. Flickr should strive to keep users in their app for as long as possible.

5. While the “connect” splash page in the mobile app encouraging users to try to hook up their Facebook and Twitter friends in Flickr is likely a good thing, after you have seen this splash screen 500 times it’s just wasting real estate. Flickr should limit the number of times it shows this screen to users or allow users to dismiss it after say 60, 70, 300 times it’s shown and no action is taken.

If you actually click on the “Facebook” button on the connect screen and follow it through, it is the most convoluted mess I’ve ever seen in a mobile app and asks for Facebook verifications, SMS, and all kinds of other things that no user would actually go through.

6. On the Flickr mobile app you can double tap to favorite a photo. Frequently I will accidentally tap the photo once and an unwanted larger version of the photo appears. Instagram does not have this problem. Might there be another gesture to open larger photos or an option for advanced users to disable one click photo opening?

7. Groups were where the magic happened in the early days of Flickr and the conversations that took place in the discussion forums were powerful social lubricant. By diminishing the discussion functionality of Groups, Flickr hurt social on Flickr. Groups can and should be rebuilt and represent Flickr’s greatest possible potential in social. The rebuild should focus on social and conversations over pool photos.

8. Flickr allows you to view your contacts’ photos by contacts and friends and family. More customization here would be helpful. Google+ failed but their idea for circles was interesting. Allowing advanced users the ability to create more than two buckets would be a wonderful power user feature.

9. Sometimes users will change the “date uploaded” on their photos to make their photos appear more often in their followers photos from contacts page. This can be annoying as a consumer of photography, but I get it, they want more views on their photos.

10. Flickr still needs strong block functionality. Facebook has done a much better job here and should be studied. If I block someone or someone blocks me Flickr should do everything in it’s power to make sure that we are entirely invisible to each other. This should include making comments invisible from someone you are blocking in all areas of the site, including the help forum and groups especially. When you block someone their photos should not appear in your search results on Flickr.

11. When you block someone their existing comments will be removed from your photos. This should happen faster than it happens at present.

12. My single personal biggest complaint with Flickr today has to do with the photos from my contacts page. As the page adds photo it jumps around. Very often exactly as I’m going to favorite a photo the entire page will jump and I will accidentally open a photo that I did not mean to open. This page should remain static and in place as new photos are loaded.

13. Collections and Profiles should both be included under the “You” menu at the top of the Flickr page.

14. Explore is interesting but it would be more interesting if there were two versions. One for general Flickr and one specifically for the people that you are following.

15. Flickr needs a better way for Flckrmail to work on mobile.

16. The non-app mobile site for flickr m.flickr.com is very slow. Chrome users frequently have to use “request desktop site” to use the web version of Flickr on mobile.

17. Publicly designating Flickr “Pro” accounts as well as prominently showing the date someone joined the site are very helpful tools. It allows users a good way to gauge authenticity of accounts.

18. I never use any of the camera or editing functionality of the flickr mobile app.

19. Flickr is currently the best site on the internet for photo sharing for more serious photographers.

20. On the Flickr photo page there is a “date taken” field. This field should link to the archive view of that date for the photographer in question.

21. I love using SuprSetr for managing my albums on Flickr. I don’t know why when using SuprSetr Flickr’s API limits me to 4,500 photos in an album.

22. Personal interestingness scores seem to have deteriorated over time on Flickr. There especially seems to be given preference for more recent photos, but overall it feels like it’s heavily discounting the value of favorites, comments and other social data. The result is that when using the Flickr API to sort a SuprSetr album by interestingness, it is not really in the best order.

23. Similarly with search on Flickr when you search and rank by interestingness. A photo with 1 favorite should not appear ahead of a photo with 100 favorites.

24. The “albums” page for Flickr users should not have any paging at all, it should infinite scroll forever.

25. Recent Activity is the most important page on Flickr. It is so well done and the ability to filter it by different types of activity is very powerful.

26. I wish Flickr had so much more infinite scroll than it does. While iterating on designs over the past few years there was a point when it had more than it has today. If I had it my way I’d never have to page on Flickr for anything ever.

27. Stats are awesome and worth the price of Pro alone.

28. When looking at your Flickr contacts’ photos if your mouse is over a photo and you press the F key on the keyboard it should favorite that photo.

29. I miss notes in Flickr.

30. In most areas of Flickr they use an empty star for an unfavorited photo and a full white star for a favorited photo — except on the photos from your contacts page where a full white star means the photos is unfavorites and a pink star means the photos if favorited. Flickr should be more consistent. On the photos from your contacts’ page it should be changed to match the format with the rest of the site.

31. When you hover over a tag on Flickr it should tell you who added that tag. Flickr used to do this.

32. Flickr should show more than 6 albums on the main photo page without a user having to click on “show more albums.”

33. I love the fact that flickr uses AI to auto tag my photos with tags that I forgot.

34. Sometimes I feel like I’m interacting with photos from people on Flickr that are just autoposts from their instagram accounts and that these people do not really interact on Flickr. Instagram auto posts to flickr diminish the authenticity of the flickr experience and are much less valuable than organic posts to flickr.

35. Interestingly enough my own personal Instagram to Flickr functionality has been completely broken for about a year. Probably Instagram’s fault though.

36. Sometimes if I put 16 photos in the uploader form to upload some of the photos immediately generate a thumbnail while others might take several minutes to generate a thumbnail. I’m not sure why this is and feel like all photos should generate a thumbnail immediately.

37. It is a very cool thing that Flickr has figured out a way for both regular content and adult oriented content to exist on the same site.

38. I wish there were a way for flickr to identify photos that have signatures, watermarks or borders and then give me an option to eliminate those photos from my search results.

39. Flickr is an amazing tool to find things to photograph if you are going to be visiting some place new. It’s my number one “go to” place for researching things to photograph ahead of any trip that I embark on.

40. I’d love to see “suggested” facial tags for my flickr photo stream that would go into a holding bin for my approval and private photo facial recognition along the lines of what Google Photos offers today, grouping people into private albums.

41. Yahoo Image search should rely much more heavily on Flickr than it does. Flickr has the largest, high quality, highly organized collection of images on the internet today. Yahoo image search should strive to send traffic to Flickr photos over other photos on the web and should weight Flickr images and Flickr tagged images (and especially highly rated interestingness images) very high in their image and web search results.

42. It’s harder for me to blog flickr images on my blog than it used to be. The html doesn’t render right. Having the old code was cleaner.

43. I should be able to have an easy option to exclude certain flickr users from my search results when searching for images on Flickr. This is different than a block, I should just be able to easily exclude a list of users from my search results.

44. With regards to search results there are two different thumbnail views I can select. I wish I had a third that was just a bit bigger and more consistent with the size of photos on the “photos from my contacts’” page.

45. I always visit the Flickr page of anyone who adds me as a contact on Flickr. If I like what I see I add them back. If their photos have signatures, watermarks, or are largely commercial related images I never add them back.


Thomas Hawk Digital Connection

 
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Nikon D5 real-world low light, high ISO samples

01 Apr

Nikon’s new flagship DSLR, the D5, has landed and it offers some serious high ISO reach. Natively, you can push the camera all the way to ISO 102,400 and in extended settings it goes all the way up to the 3 million mark. We’ve already seen what it looks like in the studio, so to put the camera’s low light capabilities to the test in the real world we brought the D5 with us to the Crocodile, a much-loved Seattle concert venue, followed by a late night stroll through the cherry blossom-lined streets of the Emerald City’s Capitol Hill neighborhood.

Please note, we’ve indicated which images are straight out of camera and which are Raw conversions (with ACR edits noted). We’ll be updating with daylight shots for a full sample gallery soon.

Articles: Digital Photography Review (dpreview.com)

 
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Best of both worlds? Canon patent for DSLR hybrid viewfinder design published

01 Apr

Canon has applied for a patent for a viewfinder design that combines both optical and electronic displays in a DSLR style system. Via a system of mirrored prism the design allows users to benefit from all the advantages of both EVF and TTL optical systems through the same eye piece. Menus can be overlaid on a normal optical view, or a live view function can be used through the viewfinder – which would be of great benefit to video shooters.

In Canon’s new hybrid viewfinder design light passes through the lens as usual and is reflected through a ground glass screen into the pentaprism. As it exits the pentaprism is can be supplemented with light from a LCD panel (labelled ‘9’) that is projected through a series of lenses and bounced from a half-mirror (6b) and on to a reflective surface (6). The two sources of light combine and pass to the photographer’s eye via the eye piece (8). When the mirror is in the up position the image recorded by the sensor (12) can be sent directly to the LCD panel (9) so the photographer can get a live view of what the sensor is recording. Thus the system combines the best elements of electronic and optical viewfinders.

Through a clever use of optics and a mirrored prism, the new design allows a ‘full screen’ display across the whole viewfinder. The significance of the system is that DSLRs will be able to gain some of the advantages of mirrorless systems, such as full menus and playback in the viewfinder, and shooting information could be shown across the larger screen instead of just the bottom or sides of the screen. This would also make possible video shooting through the viewfinder, which could become important if technologies like Dual Pixel AF start to replace secondary-sensor PDAF systems. This would eliminate the need to switch between viewfinder and rear screen shooting to change from stills to video mode, creating a more consistent experience.

The system allows menus to be viewed and accessed as they are overlaid on the image produced by the optical finder

The patent description explains that one of the challenges has been to ensure that the image projected from the electronic screen matches that of the optical system, which is why the screen has been placed close to the viewfinder instead of before the prism, where there might have been more room. Being on the viewing side of the prism means less magnification is needed to create an image big enough to coincide with that of the optical view.

The projection system uses a complex set of lenses to reduce the size of the construction so that the manufacturer shouldn’t have to make physically larger cameras to accommodate it. Canon also indicated that it has taken steps to reduce the impact of the half mirror that has been placed in the optical path. It says that the angle of the mirror is optimized to allow as much light to pass as possible.

The heads-up display type viewing system is nothing new, and although it has been discussed in camera circles before we have yet to see a good example of technology combining optical and electronic views. The closest we have come is the hybrid viewfinders used by Fujifilm in the X-Pro and X100 series of cameras, but Canon’s method is the first to combine an EVF with a TLL viewfinder, rather than a more rangefinder-style arrangement.

Canon’s patent was applied for in 2014 and the information only just published, so the company may be in a position to introduce the system quite soon. However, as with any patent there’s a chance nothing will come of it, no matter how good an idea it is. We will just have to wait and see what, if anything, comes of it.

Articles: Digital Photography Review (dpreview.com)

 
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Ilford Photo announces ordering program for unusual sizes of sheet film

01 Apr

UK film manufacturer Harman Technologies has announced that orders are being taken for unusual sheet and roll film sizes in its annual program for supplying low volume and custom-sized Ilford Photo materials for vintage and large format camera owners. Rather than making odd sizes on the chance that they will sell, the company uses it Ultra Large Format (ULF) program to collect orders from the public and institutions through specified retailers and sets aside time especially to produce film to fit old cameras.

The company offers these odd sizes in Ilford FP4 Plus, HP5 Plus and Delta 100 Professional black and white emulsions. Sheet materials as large as 20 x 24in. and as small as 2.25 x 3.25in. are on offer, as well as roll film in 46mm (127 film) and 70mm widths. Sheet sized film is also available in rolls for users to cut themselves, and can be ordered in widths of up to 20in (x 50ft). Some sizes have no minimum order volumes and can be ordered as a single box.

For information on which films and sizes are available, and through which retailers, see the Ilford Ultra Large Format information sheet (pdf). Orders must be placed by Friday 27th May 2016.


Press release:

ILFORD PHOTO ULF, CUSTOM & SPECIALIST FILM MANUFACTURE 2016

Buoyed by the fantastic response from the film photography community around the world, HARMAN technology Limited are delighted to be offering film photographers the opportunity to place orders for a range of specialist film products for the 11th consecutive year.

With the continued revival in film photography, it is vital to have film available for photographers using ultra large format alongside previously popular film formats for antique and collectable cameras.

By consolidating orders HARMAN technology can supply products that would not normally be viable to manufacture.

“This program enables us to further support the world of film photography that uses and values our conventional products” said Giles Branthwaite, Director of Sales and Marketing at Harman technology. “Through running the ULF program each year, we are able to satisfy the strong demand for specialist film formats. Whilst manufacture is not easy, we have been rewarded by increased demand year on year ensuring we will continue to address and care for this market.”

Films available for this year are ILFORD FP4 PLUS, HP5 PLUS, and DELTA 100 PROFESSIONAL. Not all films are available in all formats.

For a full list of the 2016 items and participating dealers visit:
http://www.ilfordphoto.com/ulf

The options available reflect what has been asked for over the past 10 years. HARMAN is happy to consider any other size suggestions but do not guarantee to make them available.
For sheet sizes an order for just one single box can be made, but for roll sizes this is not possible due to potentially excessive waste. Please see the minimums and multiples required next to the appropriate roll size.

Note:
Orders must be placed with the listed ULF reseller partners no later than Friday 27th May.

The UK factory will start to ship orders to Distributors during August and end users should check with the local ULF reseller for expected arrival dates.

Articles: Digital Photography Review (dpreview.com)

 
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