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Archive for December, 2015

5 Tips for Better Landscape Photos

18 Dec

Landscape photography seems simple to most people – there’s a pretty scene, you walk in, take a couple shots and you’re done … and chances are that you end up with a version of the scene that everyone else has.  So how do you take your “snapshot” to the next level?  Other than the “straight horizon” suggestion that you may have heard before, here are five basic tips you can try out when next you are on the field to help you take better landscape photos:

WinterLighthouse

1. Survey Your Scene

Think about the scene differently. Is there another angle that you can shoot from? Can you get your camera higher or lower? Scouting your location to find different and more interesting vantage points is time well spent.  Also check for elements of interest in the location that can be used to give your photo a sense of scale or add texture. So take a moment, survey your scene, take a chance, shoot from a different perspective and see what you might have missed initially.

CastleHill

2. Look for the Light

Most surreal landscape photography moments happen in the golden hours (dawn and dusk). Sunrise is definitely worth getting out of your bed for in the wee hours of the morning, and sunset is a nice exercise in patience to catch that ideal, magical light. It certainly helps to do research before you head out to determine where the sun rises and sets, or even which season works well for the area you intend to shoot. If you’re still unsure about your directions, walk with a compass (a compass apps for your phone is an easy way to always have one with you).

DesertSun

SunsetBrickfield

There is no harm in light chasing during the day either – sometimes it’s the only time you have with a scene, and you have to make the most of it. You need to be aware that shooting in harsh sunlight produces very contrasty light, which means that you don’t capture much detail in the highlight and shadow areas. An overcast, or cloudy day, softens the light a bit. Outside of the golden hours, the key would be to find an angle where the light is flattering to your subject, or put the sun to your back and give it a go!

CaribbeanDay

HorseshoeBend

Note: I have found that midday sun works well for infrared landscape photography.

3. Lines and Repetition

Lines and repetition in a scene catch your viewer’s attention almost immediately, and serves to lead them into the photo. Lines also encourages their eyes to wander around the photo, especially if they start at a corner of the frame. Think about photos of roads and fences, and even the angle of the ocean when composing your shot. Repetitive items or patterns also have a way of holding your viewer’s fascination, and they are everywhere – any element that creates a nice line or geometric shape can give your images structure and form – look for them!

BeavertailLighthouse

PathwaytoGoodbye

4. Foreground Elements

Placing a foreground element in your shot gives the image extra depth and dimension. It can also be used to convey scale and distance, as well as balance out your photo. A dominant foreground object can draw your viewer in, and quite simply makes your photo a more interesting one.

SunsetWaterloo

SmokyCreek

5. Use a Tripod

There are different schools of thought on the necessity of always having a tripod, and yes there are many times you can get away without having one. However, outdoor photography comes with many elements of movement, from a gentle breeze to crashing waves, to the sun – something is always moving. Sharp images are ideally what you want, and using a tripod is one way to deal with such movements.

Tripods are also a must for when you lengthen your shutter speed. You may do this for several reasons; the most common are when using a smaller aperture (higher f-numbers equals smaller aperture opening, which equals less light hitting the sensor) or shooting long exposures (where moving elements are blurred intentionally, e.g., that silky water effect).

LighteningArches

SmokyFalls

Conclusion

Many of these may not be new to you, but the key is remembering a few when you are out there, and trying to make that scene before you, one that is your own. Maybe you’ll spend a little more time surveying the scene or perhaps looking for lines and repetition?

Feel free to share any of your landscape photos that you think successfully utilizes any one of these tips in the comments below.

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Sony bringing Alpha SLT-A68 to the US and Canada

18 Dec

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Sony is bringing its Alpha SLT-A68 DSLR camera – announced in Europe back on November 5th – to the US and Canada this spring.

The a68 uses the company’s Translucent Mirror Technology, which allows for 8 fps continuous shooting with full-time autofocus, without any blackout between shots. The ‘4D’ autofocus system is borrowed from the more expensive a77 II and features 79 points, 15 of which are cross-type.

The a68 has a 24MP CMOS sensor, which tops out at ISO 25600, and is paired with the not-as-new Bionz X processor. As with all of Sony’s A-mount cameras it has built-in image stabilization, so every lens you attach has shake reduction. 

From a design standpoint the a68 has a curvy, SLR-style body with a 3″ (461k-dot) tilting LCD and SVGA OLED electronic viewfinder. It has twin control dials as well as an info display on the top plate. Also included is a Multi Interface Shoe that supports both flashes and advanced microphones.

The a68 can record Full HD video at 30p with continuous AF using the XAVC S codec, with a top bit rate of 50Mbps. The camera can output clean video over HDMI and also has a jack for an external mic.

Preorders for the SLT-A68 begin in March for shipment in April. The body only kit is priced at $ 599/800 CAD, while adding an 18-55mm F3.5-5.6 lens brings the price up to $ 699/950 CAD. 


Press release:

Sony Announces ?68 A-mount Camera for US and Canada Markets

New Model Features Ultra-Fast 4D FOCUS, Translucent Mirror Technology and more

SAN DIEGO, Dec. 17, 2015 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the ?68 (model ILCA-68) camera with ultra-fast 4D autofocus to the US and Canada markets.

The new camera, which was announced for the European market last month, is the latest model to feature native compatibility with Sony’s extensive collection of A-mount lenses.  Inheriting many pro-style features from the acclaimed ?77 II, the ?68 features Sony’s unique 4D FOCUS system that delivers extraordinary AF performance under any shooting conditions – even in lighting as low as EV-2 where many other cameras struggle.

This system utilizes 79 autofocus points – the most AF points on any interchangeable lens camera with a dedicated phase-detection AF sensor1.  Included are 15 cross points as well as a dedicated F2.8 AF sensor point for dimly-lit scenes.  This all adds up to extremely fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects.  Additionally, the camera utilizes Sony’s unique Translucent Mirror Technology to deliver constant AF tracking at up to 8 fps2.

The camera features a 24 MP3 APS-C Exmor CMOS sensor with a wide ISO 100 – 25,600 sensitivity range4, allowing it to produce outstanding image quality for both still images and video.  The sensor is teamed with a powerful BIONZ X image processor that uses Detail Reproduction and Diffraction-reducing Technologies plus Area-specific Noise Reduction, resulting in pristine, finely detailed shots every time.

Full HD movies use the efficient XAVC S5 format, enabling high bit rate recordings at up to 50 Mbps with outstanding detail and low noise. With Translucent Mirror Technology, shooters can enjoy non-stop continuous autofocus with accurate subject tracking during video shooting, producing crisp, professional looking footage.  With a powerful array of advanced controls and capabilities, the ?68 has plenty to offer experienced amateurs as well as step-up photographers and first time interchangeable lens camera customers.  

Framing stills and movies is a pleasure through the clear, bright OLED Tru-Finder, which features 100% frame coverage with high contrast and accurate color reproduction.  Complementing the Tru-Finder, the 2.7-type LCD monitor tilts up to 135 degrees upwards or 55 degrees downwards for comfortable composition from a wide variety of shooting angles. Serious photo enthusiasts will also value the backlit top display that allows quick confirmation of camera settings, whether shooting handheld or on a tripod.

As found on the critically acclaimed ?7 series, the ?68 has a control wheel on the camera’s rear that allows quick fingertip adjustment of camera settings, as well as 10 customizable buttons6 that frequently-used functions can be assigned to.  There is also a front control dial for quick adjustments of settings and a sturdy grip to ensure a balanced shooting experience, even when using heavyweight prime or telephoto lenses.

The new camera features SteadyShot INSIDE stabilization to reduce the effects of camera shake and allow for blur-free handheld shooting at all focal lengths, with any compatible lens.  Additionally, the inclusion of a Multi Interface Shoe and Multi Terminal lets users expand their creative options with a wide range of optional accessories, including flashes, lights, microphones and remote commanders.

Pricing and Availability

The Sony ?68 interchangeable lens camera will be available in April at authorized Sony retailers in the US for about $ 600 body only or about $ 700 in a kit along with the DT 18-55mm F3.5-5.6 SAM II lens.  In Canada, the body and kit will also be available in April and will be sold for about $ 800 and $ 950 CAD, respectively.

1. According to Sony research, as of December 2015
2. In Tele-Zoom Continuous Advance Priority AE
3. Approximate effective megapixels
4. Still Images: ISO 100 – 25600, Movies: ISO100 – 12800 equivalent
5. An SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording
6. Total 10 customizable buttons including two dedicated custom buttons + 8 assignable buttons


Sony Alpha SLT-A68 specifications

Price
MSRP €600 (body only), €700 (with 18-55mm lens)
Body type
Body type Mid-size SLR
Body material Composite
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2400, 3008 x 1688)
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600
White balance presets 9
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Uncompressed format RAW
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (DCF v2.0, EXIF v2.3)
  • Raw (ARW 2.3)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (1.4x – 8x)
Manual focus Yes
Number of focus points 79
Lens mount Sony/Minolta Alpha
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 2.7
Screen dots 460,800
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.88×
Viewfinder resolution 1,440,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Auto
  • Program
  • Aperture Priority
  • Shutter speed priority
  • Manual
Built-in flash Yes
Flash range 12.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync
Drive modes
  • Single-frame
  • Continuous high/low
  • Continuous advance priority AE
  • Self-timer
Continuous drive 8.0 fps
Self-timer Yes (Yes (2 or 12 sec))
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 shots, low/high selectable)
Videography features
Resolutions 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480
Format MPEG-4, AVCHD, XAVC S
Videography notes Supports XAVC S with 50Mbps bit rate (30p, 24p)
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC, Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Remote control Yes (wired or smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-FM500H lithium-ion battery and charger
Weight (inc. batteries) 610 g (1.34 lb / 21.52 oz)
Dimensions 143 x 104 x 81 mm (5.63 x 4.09 x 3.19)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Der menschliche Wahnsinn

17 Dec

Eine Person mit drei Armen löst sich iin Nebel auf.

Ein Beitrag von: Menerva Tau

Ich drücke mich seit meiner Kindheit durch künstlerisches Schaffen aus. Zuerst habe ich angefangen zu zeichnen, das Fotografieren kam später dazu. Zeichnen ist für mich der einfachste Weg, etwas zu erschaffen und ich fühle mich komplett frei, wenn ich zeichne.
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Contest: Win one of Two Tamron Lenses

17 Dec

Win a Tamron 16-300mm Di II VC PZD Macro All-In-One Zoom Lens OR a Tamron 18-200MM F/3.5-6.3 Di II VC All-In-One Zoom Lens!

16300VCPZD-Tamron-16-300mm.jpg 16300VCPZD-Tamron-16-300mm.jpg

Over the last few years here at dPS, we’ve run very some very popular competitions with our partners to give away to lucky dPS readers some of their great photographic products.

We are lucky enough to be able to do it again this week. For this competition, Tamron is giving away TWO lenses.

Win one of two Tamron lenses

These two unique prizes are designed to help every level of photographer create BETTER pictures. Tamron is the world’s most awarded photographic lens line. Each prize will be won by a different dPS reader. Here’s what you could win:

16300VCPZD Tamron 16 300mm

Tamron 16-300mm Di II VC PZD Macro

Grand Prize

Our Grand Prize Winner will receive a 16-300mm Macro All-In-One Zoom Lens.

Tamron 16-300mm Di II VC PZD Macro – Value $ 629. For Canon, Nikon or Sony small-sensor cameras.

Tamron 16-300mm Di II VC PZD Macro

Runner Up Prize

18200 B018 Tamron 18 200mm

Tamron 18-200mm Di II VC

The Runner Up will receive an 18-200mm Di II VC All-In-One Zoom Lens.

Tamron 18-200mm Di II VC – Value $ 249. For Canon, Nikon or Sony small-sensor cameras.

Tamron 18-200mm Di II VC

Learn a little more about Tamron here: Tamron.com

How to win:

To win this competition you’ll need to:

  • Visit the above lens information pages and learn more about the lens and its core use.
  • Leave a comment below and tell us why you’d like to win and HOW you would you utilize the lens. Please note: there is a limit of ONE entry per person.
  • Deadline to enter is January 7th, 2016 11:59 p.m. PST (UTC-8). Comments left after deadline will not be considered. Do this in the next 21 days, and on January 14, 2016, the team at dPS will choose the best two answers and we will announce the winners in the following days.

By “best” – we’re looking for you to show an understanding of the lenses and how they will best suit your needs. So you’ll need to check out the product pages to put yourself in the best position to win. There’s no need to write essay length comments to win – but we’re looking to hear what you like about the lens and how it would help your development as a photographer.

This contest is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply leave your comment below.

Canon Beach ken hubbard resized

Photo by Ken Hubbad

Tamron logo

About Tamron

Disclaimer: Tamron is a paid partner of dPS.

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Origami Apartment: Instantly Shape-Shifting Micro Interiors

17 Dec

[ By Steph in Design & Fixtures & Interiors. ]

origami apartment 1

Origami-inspired folding screens stretch and retract in many different ways to transform one 312-square-foot micro apartment for a variety of uses, separating the spaces for different functions or opening to create one big room. The Biombombastic project by Madrid’s Elli Architects offers an innovative and affordable solution to customizing existing apartments so they’re more livable despite their small size.

origami apartment 4

origami apartment 5

origami apartment 7

In a mission to renew an aging flat in the center of Madrid, the architects combined two strategies: knocking down the existing walls to create an open space that can be divided as desired, and creating an L-shaped arrangement of built-ins holding a complete kitchen, fold-down table, fold-down bed, washing machine and access to the bathroom.

origami apartment 3

origaim apartment 11

origami apartment 12

The system revolves around a three-paneled folding door reminiscent of a shoji screen, with diagonal timber supports and a translucent upper portion for the transmission of air and light. The door is designed to work in conjunction with other hinged and foldable elements in the space, hooking onto wooden rails in a variety of configurations.

origami apartment 14

Even the lighting is strategically positioned to work with the system, illuminating the various ‘domestic stages’ even when the partitions are closed. Create a cozy bedroom with the screen pulled tight around the bed or a larger sleeping and lounging space, and pack it all away to transform the apartment into a social space for hosting parties.

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Cast your vote: DPReview Readers’ Choice Awards 2015

17 Dec

It was a quiet year for some manufacturers, and a year of milestones for others. We’ve tested loads of equipment, both in our studio and out, and have voiced our opinions on many of the year’s notable cameras and lenses. Now it’s your turn! Vote for your favorite gear of the past year in four categories, and stay tuned for the final showdown between the winners in each category.

Articles: Digital Photography Review (dpreview.com)

 
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World’s Most Soothing Soaks: 10 Otherworldly Hot Springs

17 Dec

[ By Steph in Destinations & Sights & Travel. ]

hot springs blue lagoon 1

When the weather outside is frightful, there are few things so tempting as calling in sick to work and heading to a natural hot springs spa to soak in warm mineral-rich water – or maybe just watch a bunch of monkeys doing it. Few of us are lucky enough to live adjacent to these earth-heated healing waters, from the Blue Lagoon of Iceland to the crystal-clear Mataranka Springs in Australia, but nobody can blame us for losing an hour or two daydreaming about it.

Grutas de Tolantongo, Hidalgo, Mexico
hot springs grutas 1

hot springs grutas 2

hot springs grutas 3

Mexico’s stunning Tolantongo is a box canyon and resort featuring shady heated pools that overlook the semi-desert landscape as well as two grottos where a small volcanically-heated river emerges from the canyon walls and spill down the sides to the floor below.

The Blue Lagoon, Iceland
hot springs blue lagoon 1

hot springs blue lagoon iceland 2

Steam rises from the 100-degree waters of Iceland’s Blue Lagoon, beckoning visitors to immerse themselves when the outdoor temperatures dip. One of the nation’s most popular attractions, this man-made hot spring is fed by the water output of a nearby geothermal power plant. The water is rich in minerals thanks to the processes used by the plant to push water to the surface at a high pressure and temperature.

Glenwood Hot Springs, Colorado
hot springs glenwood

hot springs glenwood 2

The world’s largest hot mineral springs pool is nestled into the Rocky Mountains in Colorado at Glenwood Hot Springs resort, kept at 93 degrees year-round. A smaller therapy pool full of healing minerals averages 104 degrees, and a spa at the adjacent lodge offers a range of natural mineral-based treatments. The pool is especially beautiful in the winter, when the mountains are covered in snow and the water gives off a steamy glow after dark.

Jigokudani Monkey Park, Nagano, Japan
hot springs monkey

hot springs monkey 2

You won’t get to soak in the water at this particular Japanese hot spring, but there’s another very compelling reason to visit. The warm waters of the natural onsen (hot springs) in the mountains of Yamanouchi in Nagano prefecture have become a snow monkey resort as hundreds of Japanese macaques come down from the steep snow-covered heights to warm up and relax. While they used to only appear in the winter, they’ve now taken to hanging out in their own private spa year-round, since they’re fed by park attendants. What a life.

Pamukkale, Turkey

pamukkale

hot springs pamukkale

Terraces of carbonate minerals left behind by flowing water have created a system of natural hot spring tubs in Pamukkale, Turkey. The city is named for this ‘cotton castle,’ which measures nearly 9,000 feet in height and can be seen from the hills on the other side of the valley. In the ‘60s, the Pamukkale pools were a booming tourist spot full of hotels that drained the thermal waters into their swimming pools, but it was all demolished to protect them, and today, bathing is only allowed in the smaller pools (images via: ana raquel s. hernandes, marcel oosterwijk.)

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Worlds Most Soothing Soaks 10 Otherworldly Hot Springs

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Lightroom for mobile for iOS 2.1 brings iPad Pro support and Point Curve

17 Dec

Adobe has today launched version 2.1 of Lightroom for mobile for Apple iOS devices. The update comes with a number of new features, some of which take advantage of new hardware in the Apple iPad Pro and the new iPhone models 6s and 6s Plus. Read more

Articles: Digital Photography Review (dpreview.com)

 
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16. Dezember 2015

17 Dec

Das Bild des Tages von: Hille Thomasson

Hille Thomasson

Im Ausblick: Lost Places, ein Gletscher und ein Fotograf auf der Fluchtroute.
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FAA officially launches drone registration system

17 Dec

The Federal Aviation Administration has officially launched the drone registration program first reported in October. Drone operators are required to register their UAVs with the Unmanned Aircraft System registry starting December 21. Failure to register could result in criminal and civil penalties.

Under the new system, all aircraft must be registered with the FAA including those ‘operated by modelers and hobbyists.’ Once registered, drone operators must carry the registration certificate during operation. This new system only applies to drones weighing more than 0.55lbs/250g and less than 55lbs/25kg. The only exception to the registration requirement is indoor drone flights.

Required registration information includes a mailing address and physical address, email address, and full names; however, no information on the drone’s make, model, or serial number is required from recreational users. Non-recreational users will need to provide drone information, including serial number, when that particular registration system goes live. 

Failure to register could result in civil penalties up to $ 27,500, or criminal penalties up to 3 years in prison and $ 250,000. A $ 5 registration charge is applied, but will be refunded to those who register before January 20. The registration certificate is sent in an email to be printed at home.

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